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Go country chic with Lisa Hilliker's "Polka Pig I". This fr ... Read more

Go country chic with Lisa Hilliker's "Polka Pig I". This framed art print adds a fun touch to your rustic decor. This piece's espresso walnut-finished frame and white matting mean it pairs nicely with Hilliker's "Polka Pig II" (sold separately). Minimize

16x20 Frame Size Artist: Hilliker, Lisa This print is textu ... Read more

16x20 Frame Size Artist: Hilliker, Lisa This print is texture coated with clear acrylic to provide the look of an original painting This print includes a wire hanger for mounting. Made In America Minimize

12x34 frame size Artist: Hilliker, Lisa This print is textu ... Read more

12x34 frame size Artist: Hilliker, Lisa This print is texture coated with clear acrylic to provide the look of an original painting This print includes a wire hanger for mounting. Made In America Minimize

15x15 Frame Size Artist: Hilliker, Lisa This print is textu ... Read more

15x15 Frame Size Artist: Hilliker, Lisa This print is texture coated with clear acrylic to provide the look of an original painting This print includes a wire hanger for mounting. Made In America Minimize

15x15 Frame Size Artist: Hilliker, Lisa This print is textu ... Read more

15x15 Frame Size Artist: Hilliker, Lisa This print is texture coated with clear acrylic to provide the look of an original painting This print includes a wire hanger for mounting. Made In America Minimize

Title: Kitty Love Artist: Lisa Hilliker Paper: 11x14 I ... Read more

Title: Kitty Love Artist: Lisa Hilliker Paper: 11x14 Inches Image: 11x14 Inches Size Framed: 12.5x15.5 in Manufactured by Framed Art by Tilliams in the U.S.A. Frame is made from Solid Wood or heavy wood composite. Includes Framing Grade Glass, an Acid-free Card board backing, & a Hanger that is attached. Minimize

Title: Blue Berry Bunny Artist: Lisa Hilliker Paper: 1 ... Read more

Title: Blue Berry Bunny Artist: Lisa Hilliker Paper: 12x12 Inches Image: 12x12 Inches Size Framed: 14.5x14.5 in Manufactured by Framed Art by Tilliams in the U.S.A. Frame is made from Solid Wood or heavy wood composite. Includes Framing Grade Glass, an Acid-free Card board backing, & a Hanger that is attached. Minimize

Title: Red Berry Bunny Artist: Lisa Hilliker Paper: 12 ... Read more

Title: Red Berry Bunny Artist: Lisa Hilliker Paper: 12x12 Inches Image: 12x12 Inches Size Framed: 15x15 in Manufactured by Framed Art by Tilliams in the U.S.A. Frame is made from Solid Wood or heavy wood composite. Includes Framing Grade Glass, an Acid-free Card board backing, & a Hanger that is attached. Minimize

Title: Blue Berry Bunny Artist: Lisa Hilliker Paper: 1 ... Read more

Title: Blue Berry Bunny Artist: Lisa Hilliker Paper: 12x12 Inches Image: 12x12 Inches Size Framed: 15x15 in Manufactured by Framed Art by Tilliams in the U.S.A. Frame is made from Solid Wood or heavy wood composite. Includes Framing Grade Glass, an Acid-free Card board backing, & a Hanger that is attached. Minimize

Title: Kitty Home Artist: Lisa Hilliker Paper: 11x14 I ... Read more

Title: Kitty Home Artist: Lisa Hilliker Paper: 11x14 Inches Image: 11x14 Inches Size Framed: 12.5x15.5 in Manufactured by Framed Art by Tilliams in the U.S.A. Frame is made from Solid Wood or heavy wood composite. Includes Framing Grade Glass, an Acid-free Card board backing, & a Hanger that is attached. Minimize

Title: Bachelor Pad Artist: Lisa Hilliker Paper: 36x6 ... Read more

Title: Bachelor Pad Artist: Lisa Hilliker Paper: 36x6 Inches Image: 36x6 Inches Size Framed: 37.5x7.5 in Manufactured by Framed Art by Tilliams in the U.S.A. Frame is made from Solid Wood or heavy wood composite. Includes Framing Grade Glass, an Acid-free Card board backing, & a Hanger that is attached. Minimize

Title: Red Berry Bunny Artist: Lisa Hilliker Paper: 12 ... Read more

Title: Red Berry Bunny Artist: Lisa Hilliker Paper: 12x12 Inches Image: 12x12 Inches Size Framed: 14.5x14.5 in Manufactured by Framed Art by Tilliams in the U.S.A. Frame is made from Solid Wood or heavy wood composite. Includes Framing Grade Glass, an Acid-free Card board backing, & a Hanger that is attached. Minimize

Mona Lisa: Leonardo da Vinci: Hand-painted art oil reproduc ... Read more

Mona Lisa: Leonardo da Vinci: Hand-painted art oil reproduction on canvas. You can find Mona Lisa on our website and receive quality hand painted satisfaction with your order. Find a full range of Leonardo Da Vinci’s artwork exclusively at CheapOilPainting.com! Mona Lisa, the world’s most famous artwork by Leonardo Da Vinci is a great gift idea for someone who appreciates the beauty of fine art. Minimize

This licensed image was printed on premium heavy stock pape ... Read more

This licensed image was printed on premium heavy stock paper and is ready for framing or hanging. Heavy Paper 8.00 x 8.00 Minimize

Live Laugh Love is digitally printed on archival photograph ... Read more

Live Laugh Love is digitally printed on archival photographic paper resulting in vivid, pure color and exceptional detail that is suitable for any museum or gallery display. Finding that perfect piece to match your interest and style is easy and within your budget! Minimize

Red Folk Bunny is digitally printed on archival photographi ... Read more

Red Folk Bunny is digitally printed on archival photographic paper resulting in vivid, pure color and exceptional detail that is suitable for any museum or gallery display. Finding that perfect piece to match your interest and style is easy and within your budget! Minimize

Potty poster by Lisa Hilliker. Posters and art prints for h ... Read more

Potty poster by Lisa Hilliker. Posters and art prints for homes, dorm rooms, office and empty walls everywhere. Minimize

Title: It Is What It Is. Artist: Lisa Hilliker. Image Size: ... Read more

Title: It Is What It Is. Artist: Lisa Hilliker. Image Size: 18.00in. x 4.00in. Paper Size: 18.00in. x 4.00in. Art Poster PRINT- Minimize

Title: Splish. Artist: Lisa Hilliker. Image Size: 10.00in. ... Read more

Title: Splish. Artist: Lisa Hilliker. Image Size: 10.00in. x 10.00in. Paper Size: 10.00in. x 10.00in. Art Poster PRINT- Minimize

Title: There's No Place Like Home Artist: Lisa Hilliker P ... Read more

Title: There's No Place Like Home Artist: Lisa Hilliker Print Size: 36x6 Shown framed with a: a Wide Black frame Minimize

Grunewald: Albert Bierstadt: Hand-painted art oil reproduct ... Read more

Grunewald: Albert Bierstadt: Hand-painted art oil reproduction on canvas. Grunewald was an oil painting completed by Romantic German-American painter Albert Bierstadt. The painting depicts a mountain peak covered partially in surrounding clouds. It painting embodies the beliefs of the Romantic theorists who enjoyed painting scenes uncommon to the every day person. Frustrated with the growing paints of a rapidly expanding world, the Romantics turned to the limitless void of their imagination to depict real scenes in their natural splendor. Unlike the many classic artists, Romantic paintings such as Grunewald rejected set patterns and concepts in art and returned to a previous state of reckless growth. For this reason a common mountain top appears to be wild and twisting in its path. The path to it is jagged and treacherous. It is exactly the kind of place the trapped individual of the late nineteenth century would want to be walking in from deep within the center of a city. The frontier represented in this painting is the intellectual frontier. This painting stands up for the man courageous enough to test the boundaries of his own free thought. Albert Bierstadt painted Grunewald with the intention of inspiring all who might look at it rather than those merely privy the secrets of art through schooling or by trade. The within the boundaries of Grunewald can be enjoyed by anyone, with or without an imagination. Bierstadt’s technique can be admired by even those who value aesthetics as the most important feature of a painting. Minimize

Memory: Frida Kahlo: Hand-painted art oil reproduction on c ... Read more

Memory: Frida Kahlo: Hand-painted art oil reproduction on canvas. Memory, 1937 is an oil painting by the Mexican surrealist Frida Kahlo created in the aforementioned year. One of many self-portraits by the esteemed Kahlo, this painting follows suit in her tradition by including her benchmark pursed lips, heavy brow and tightly pulled hair. The painting also includes Kahlo’s habit of painting herself to be hollow, with a hole appearing where her left breast lies. In its place a long beam runs through her, a fairy seated on the end. Kahlo’s garments hang suspended from the sky, her heart torn out and bleeding on the ground below her. Observe the beauty in which Kahlo paints the merging of blood and water on the shore at her feet, the red liquid getting absorbed into the sand as oil might, dark and heavy. Yet despite all of the personal tragedy symbolized around Kahlo, the painting appears to have a noticeably light mood, with a blue sky juxtaposed against Kahlo’s serene yet slightly amused face. Notice how she has no arms in the sleeves hanging at her sides, her limbs instead fastened to the hanging garments as though part of her wardrobe before her body. On her shoe is fastened a main sail and mast, as if the shoe is prepared to take to the ocean. Though her heart remains on the sand at her feet, Memory, 1937 depicts a loosely strung Kahlo whose soul is prepared to take flight altogether. Minimize

Irvington Woods: Albert Bierstadt: Hand-painted art oil rep ... Read more

Irvington Woods: Albert Bierstadt: Hand-painted art oil reproduction on canvas. From New York’s Hudson River Valley comes Irvington Woods, a work of oil that pays homage to master painter Albert Bierstadt’s adoration for the forested land that he studied in. This Romantic oil painting captures a scene typical of those landscapes belonging to the Hudson River and Rocky Mountain Schools which Bierstadt is associated with. The visual center of this piece is classically arranged to direct the eyes into jagged manner through the painting, relying on a series of points. A dirt path running diagonally through the grove of trees carries until it collides with the right border. At that point, a low hanging canopy rising towards the upper middle extremity and coincides with the dividing horizon marked by a distinctly lighter hue of green. Above this the canopy continues rising in a straight line until it hits the upper perimeter of the canvas. This ancient technique is deployed to keep the eye in motion and force a balance to contrast the weight placed by the two dogs in the lower foreground. Bierstadt’s affection for nature and romantically driven plot are apparent in this piece amongst the subjects as well as in the landscape. A master at lighting a scene to the whim of his fancy, Bierstadt depicts an aura of radiance in the wooded area uncommon with most Hudson River paintings of the late nineteenth century. The open, airy grove of this Albert Bierstadt painting depicts a landscape indicating triumph and reverence towards nature versus awe or terror. Notice an exaggerated use of light and the popping effect that exists between shadowy and sun touched areas. We might care to talk of metaphor when scrutinizing the role of the canines. They act as a monument to the roving spirit in mankind that wanders the back hills without owner or care. One dog stands at guard. The other dog sits. It is a touch of Bierstadt’s genius that is shown here. One can see in the positioning of the dogs remarkable restraint and simplicity at work in the mind of Albert Bierstadt. Minimize

The Kiss: Gustav Klimt: Hand-painted art oil reproduction o ... Read more

The Kiss: Gustav Klimt: Hand-painted art oil reproduction on canvas. Austrian Symbolist painter Gustav Klimt painted The Kiss in 1908. This is an oil painting on canvas. Gustav Klimt depicts a male figure and a female figure in close embrace. The Kiss 1908 suggests a mood of supernatural proportion erupting in the space around the pair. The pair is clad in robes of gold, adorned with patches of geometric color. Apparent in the robes of the woman are the famed circles so beloved by fans of Klimt that add texture and mystery to the work. Below them, flowers explode in a springtime pallet while the air rains specks of gold dust over a brown background. The relationship existing between the man and woman in the composition is worth noting. Notice how the man’s neck cranes forward, subserviently bowing down to her even though she is shorter than he. He still stretches to reach the woman who appears to be actually pulling away. On her face is a smug expression of the classic pursed lips so used by Klimt. Likewise, her left hand is clawed in agony, not wrapped around the middle section of the man as it would naturally be inclined to do in a serious embrace. The woman appears more powerful than the striving male who seems to be very edge to the cliff of flowers ending behind her. This could be symbolic of the man’s ignorance to the perilous road that can often follow infatuation, leading to misery. Minimize

Portrait of Lydia Delectorskaya, the Artist's Secretary: He ... Read more

Portrait of Lydia Delectorskaya, the Artist's Secretary: Henri Matisse: Hand-painted art oil reproduction on canvas. In 1947, Henri Matisse was taking his art to new and unexpected places. He had undergone a bout with cancer in 1941 and, after healing, had found his artistic vision awakened and changed. Matisse moved from portraying representational forms to dealing in complete abstraction, letting color, line and contrast do the talking. In "Portrait of Lydia Delectorskaya, the Artist's Secretary," Matisse puts these theories to use on a standard portrait. A woman looks out on the viewer, framed by a red background. Her hair is rendered in two tones of green, half in shadow and half in light. This placement of light and shadow is reversed in the figure's face: half is in a blue shadow and half in bright yellow. Her features are rendered geometrically: her hairline forms a pyramid. The angles of her blouse and her shoulders contain yet more triangles. The brushstrokes are heavy and easily seen in "Portrait of Lydia Delectorskaya, the Artist's Secretary," giving the painting a sense of movement and urgency. Lydia Delectorskaya cared for Matisse, and modeled for him, during his struggle with cancer and his subsequent artistic rebirth. Her expression in this painting is caring and open, while remaining enigmatic. "Portrait of Lydia Delectorskaya, the Artist's Secretary," is an abstract painting, in that there is no attempt to paint the model realistically, however it is obvious that the model and the artist cared for one another. The emotion truly does peek through. Minimize

Danae: Gustav Klimt: Hand-painted art oil reproduction on c ... Read more

Danae: Gustav Klimt: Hand-painted art oil reproduction on canvas. Danae, an oil painting completed by Austrian artist Gustav Klimt in 1908, explores the racier side of this symbolist painter. Klimt, who is known for his erotic images of dominant females, displays this in the manner that his red headed nude appears in Danae. The woman appears to sleep, though only at first glance does she appear to be beautiful in nature. Take heed of her curled, claw like hand gesture and the manner in which her grotesquely large thigh extends up to meet her sleeping head. The decision to leave the second leg out of the Danae only adds to the mystery behind this terrifically sublime painting. Despite the appearance of beauty in the woman there appears to be a sense of inherent evil possessing the sleeping body of this woman. When combined with the purple and gold dcor, Klimt succeeds in taking the viewer out of the realm of normalcy and rendering his artwork into something more powerful and otherwordly. The femme-fatale subject of Klimts work, sometimes described metaphorically, takes the shape of a human being here to convey the artists viewpoint. Notice the repetition of circles and the way that colors react against each other. There is a relatively small amount of blending but instead a system of lines governing the edges of Klimts forms. The blending can be witnessed at best in the red cheeks of the woman and also on the shadow beneath her breast. Minimize

Upwards: Wassily Kandinsky: Hand-painted art oil reproducti ... Read more

Upwards: Wassily Kandinsky: Hand-painted art oil reproduction on canvas. Upwards 1929 was painted by Russian Abstract Expressionist Wassily Kandinsky in the aforementioned year. It is a work of oil on cardboard measuring seventy by forty-nine centimeters. This painting exhumes a confident and steady tone certain to arouse feelings of profundity in all who gaze upon its didactic approach abstract thinking. The painting clearly emphasizes the feeling of taking place in the sky, highlighted by the appearance of motion existing in the split and shifting circle. Kandinsky’s toned down pallet places greater emphasis on form and movement in this painting, reducing the tones to dulled down blues, a mellow orange and an off white. There is a strong linear drive governing the structural quality with a vertical axis running directly through the center of the canvas. In addition, there is a replication of another axis in the upper right region of the canvas that was included with the intention of serving as a visual reminder of the concept of structural balance and upward motion. Kandinsky’s approach to this painting, as with most of his abstract pieces, is to let the viewer take the pilot’s seat and steer the painting into whatever direction they should so choose. Upwards 1929 is a paradigm of independent thought and growth inviting new deliberation of form apart from premeditated meaning already given by most artists in a finished piece. Upwards 1929 entreats you look at the world differently after viewing it. Minimize

In Blue: Wassily Kandinsky: Hand-painted art oil reproducti ... Read more

In Blue: Wassily Kandinsky: Hand-painted art oil reproduction on canvas. Russian Abstract Expressionist Wassily Kandinsky of the German Bauhaus painted In Blue in the year 1924. In Blue is a galvanizing display of power and contrast. It is an electric current, a war of attrition between bent and unbent line. Notice the positioning of the large triangle, convoluted with a maelstrom of geometric shapes. Adjacent to the large triangle a glowing red circle pushes inward, breaching the hypotenuse. Yet, through the entire clutter of shapes and color, the mess appears beautiful. Its colors are complimentary and are equally balanced. Kandinsky’s use of ambiguity with the depicted forms are meant to heighten his philosophy that color and shape in art are meant to be exploited in order to form a closer path to the audience. Here symbolic barriers between the piece of art and its viewer are torn down. Kandinsky’s colors In Blue flood the canvas and act as nothing more than variable sequences of two and three dimensional shapes that create complex patterns. There becomes no need to show anything moe to the audience other than possibility of more creation stemming from the artist. These paintings breed independent abstract thought for their purity and genius. The pieces beg to be mentally rearranged hours after staring at. Take heed of Kandinsky’s use of line in this picture as translucent shapes give way to new layers of possibility and interpretation. Minimize

Point of Advantage: Shopify: Hand-painted art oil reproduct ... Read more

Point of Advantage: Shopify: Hand-painted art oil reproduction on canvas. From London comes Coign of Vantage, a painting by the late Victorian artist Sir Lawrence Alma-Tadema. The painting was completed in1895 at the artist’s home in England following a trip to Paris. Coign of Vantage is a small work with a breadth of roughly twenty-five centimeters. Its height measures at almost eighteen. The small size of this rectangular piece provides an interesting perspective for the viewer who is allowed to peek just over the small island below the head of the woman who is peering over the side. They are quite a distance above the ocean. This painting acts as an invitation for the viewer to sit on the ledge with the ladies and enjoy the coign, or projecting corner and the view of the ship below. Created in oil, this piece rings true to Sir Lawrence Alma-Tadema’s style of painting classical scenes. This piece is classically arranged with the forms guiding the eye from the head of the dark panther statue down through the two women and finally hurtling over the edge through the eyes of the one woman who is seen peering down. The bodies are arranged to flow in a zig-zagging pattern up through the painting as well. The subjects in this painting are designed to interact harmoniously with their surroundings. The hint of this painting is that the extent of these subjects’ troubles begin and end with the sublime expanse of air and water around them. They seem to be content with their fawning and gazing and the result is the feeling of a daydream in antiquity. Minimize