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Museum-Quality Gallery Wrapped Canvas Print. Available in m
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Village Street and Stairs with Figures: Vincent van Gogh: H
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Village Street and Stairs with Figures: Vincent van Gogh: Hand-painted art oil reproduction on canvas. Vincent van Gogh’s mastery of form and adroit use of space shines brightly in his 1890 painting, Village Street and Stairs with Figures. This painting, a work of oil on canvas, measures thirty-two and one half by forty and two-tenths centimeters. The visual entrance to this piece begins with the two white-clad women, backs turned, walking shoulder to shoulder down a path into town. They are identical and walk as one unit, their blonde hair pulled back and hanging down over their backs beneath matching yellow hats. Beyond them, the eye travels in a staggered line, moving to the right some degrees before connecting with two more women, backs turned, clad in dark garments. A “Y” shape occurs here between the invisible line connecting both pairs of women, the latter of which stand apart from one another. This subtle trick by van Gogh opens the canvas visually, and the heart of the masterpiece rests as the staircase positioned in the direct visual center of Village Street and Stairs with Figures painted gold in its twisting sublimity. Rather than moving straight up, the staircase appears gnarled as a tree might seem. Stairs are seen bending hauntingly down and out of shape, as if being sucked inward by a great force of suction. The color in this painting is a magnificent explosion of bright red, pale hues of green and a burning yellow that illuminates all that it touches. The truly fantastic aspect of van Gogh’s bright pallet in Village Street and Stairs with Figures is that it occurs during the night time.
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Find wall art at Target.com! Vincent van gogh poster - star
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Find wall art at Target.com! Vincent van gogh poster - starry night (16x20")
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Sunflowers: Vincent van Gogh: Hand-painted art oil reproduc
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Sunflowers: Vincent van Gogh: Hand-painted art oil reproduction on canvas. Vincent van Gogh's sunflower paintings are some of his most beloved works. They are often imitated by other painters, but none have been able to capture the intensity of color and line of the originals. There are two paintings in this series: one is signed and one is not. They vary in the thickness of the paint applied, the placement of the petals on the flowers, and the color of the background and the table upon which the vase is resting. The bright and vibrant color of yellow in these paintings came about as a result of innovations in manufactured paint in the 19th century. These bright yellows were new to the market, and proved irresistible to van Gogh. These paintings represent a departure in the still-life painting format. Previous still-life paintings showed flowers in a stiff, arranged format. Vincent van Gogh's paintings represent a more realistic showing of flowers in the process of blooming, wilting and fading, allowing him to express the entire cycle of life, with all its chaos, within the paintings. Vincent van Gogh originally created these paintings to hang in his guest house, where Paul Gauguin was to stay while on a visit. Vincent van Gogh wrote to his brother, saying: "It is a kind of painting that rather changes in character, and takes on a richness the longer you look at it. Besides, you know, Gauguin likes them extraordinarily. He said to me among other things - 'That...it's...the flower.' You know that the peony is Jeannin's, the hollyhock belongs to Quost, but the sunflower is somewhat my own." (source http://www.webexhibits.org/vangogh/letter/19/573.htm)
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Museum-Quality Gallery Wrapped Canvas Print. Available in m
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Road with Cypress and Star: Vincent van Gogh: Hand-painted
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Road with Cypress and Star: Vincent van Gogh: Hand-painted art oil reproduction on canvas. This lovely Vincent Van Gogh painting, Road with Cypress and Star, contains a brilliant sky, full of light. Both one bright star and the moon are present, each with their own shimmering haloes of light. The sky around them is awash with blue, up-and-downward strokes of paint. Two figures on foot and one figure in a horse-drawn carriage face away from this spectacular sight, looking at the viewer rather than at the heavens. The people are rendered as abstractions: One cannot make out faces or features and their coloring is green or white to match the background. The horse is dramatically foreshortened; the back legs of the horse can barely be seen. A dark cypress tree bisects the canvas in half and reaches up past the top of the frame. The cypress is said to be a common plant of cemeteries, and therefore, would have represented death. This cypress looks almost like a ladder, connecting the secular and the divine. The bright yellow of the fields on the left is contrasted with the blues, greens and whites of the road on the right, which flows down toward the viewer like water. Vincent Van Gogh wrote to Paul Gauguin about the painting, saying: " A last attempt—a night sky with a moon without brightness, the slender crescent barely emerging from the opaque projected shadow of the earth—a star with exaggerated brightness, if you like, a soft brightness of pink and green in the ultramarine sky where clouds run. Below, a road bordered by tall yellow canes behind which are the blue low Alpilles, an old inn with orange lighted windows and a very tall cypress, very straight, very dark. On the road a yellow carriage harnessed to a white horse, and two late walkers. Very romantic if you like, but also ‘Provençal’ I think" (source: http://www.webexhibits.org/vangogh/letter/21/642.htm)
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Museum-Quality Gallery Wrapped Canvas Print. Available in m
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Museum-Quality Gallery Wrapped Canvas Print. Available in m
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The Rocks: Vincent van Gogh: Hand-painted art oil reproduct
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The Rocks: Vincent van Gogh: Hand-painted art oil reproduction on canvas. In this Vincent van Gogh painting, The Rocks, the artist depicts a tree climbing out of the rocks, reaching to the sun. The tone of the paint is autumnal, as the bushes below are bright orange, the sky a dull brown and the grasses deepening to a dark olive green. The brush strokes here are lightning fast. Vincent van Gogh was known to work very quickly, painting as fast as possible when inspiration struck. As he said in a letter to Emile Bertrand: "I have sometimes worked excessively fast. Is it a fault? I can't help it. For instance, I painted a size 30 canvas, the “Summer Evening” at a single sitting. Take it up again? Impossible. Destroy it? Why should I! You see, I went out to do it expressly while the mistral was raging. Aren't we seeking intensity of thought rather than tranquility of touch? But under the given conditions of working spontaneously, on the spot, and given the character of it, is a calm, well-regulated touch always possible? Goodness gracious - as little, it seems to me, as during an assault in a fencing match" (source: http://www.webexhibits.org/vangogh/letter/18/B09.htm?qp=health.fatigue). In this painting, the base of the tree is drawn with one quick zigzag of gray paint, applied heavily. The grass and rushes are merely suggested, with bright daubs of paint. And the rocks themselves are also quickly executed with gray.
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Museum-Quality Gallery Wrapped Canvas Print. Available in m
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Find wall art at Target.com! This classic work of art by vi
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Find wall art at Target.com! This classic work of art by vincent van gogh is available to hang in the home. One look lets you escape to a sidewalk cafe on a warm summer's evening in paris. This beautiful framed print will be appreciated by host and guests alike.
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Boy Cutting Grass with a Sickle: Vincent van Gogh: Hand-pai
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Boy Cutting Grass with a Sickle: Vincent van Gogh: Hand-painted art oil reproduction on canvas. This watercolor painting by Vincent van Gogh stems from his early career. In later works, the human figures in van Gogh's paintings become less real and more abstract, as heavy paint obscures their faces and their fingers. But in these early works, done with charcoal and watercolor, show an amazing amount of detail. The boy's right ear is shown in accurate anatomical detail. His hair seems to wave in the breeze. His clothes are faded, crinkled. The elbow of the right sleeve has been patched with a different color of cloth. Van Gogh was particularly interested in the faded blue colors workers often wore, as he felt this color contrasted nicely with the sunburned skin tones of the workers themselves. The figure in this painting, Boy Cutting Grass with a Sickle, takes up the majority of the image space. The field is left to abstraction. This would be reversed in later paintings of workers, as the workers would become small and the fields they worked in would become vast and the focal point. Van Gogh's paintings of peasants and workers are some of his most beloved works, as they show the difficulty of day labor and allow van Gogh to express his personal belief in the holiness of manual labor. This painting, Boy Cutting Grass with a Sickle, captures what work for a poor day laborer would be like before the advent of widespread farming mechanization. The industrial revolution, yet to come, would also force many of these workers to move from the fields to the factories. Vincent van Gogh was painting a rapidly disappearing subject in this early work.
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Museum-Quality Gallery Wrapped Canvas Print. Available in m
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Autumn Landscape: Vincent van Gogh: Hand-painted art oil re
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Autumn Landscape: Vincent van Gogh: Hand-painted art oil reproduction on canvas. This Vincent van Gogh painting, Autumn Landscape, highlights the artist's versatility: Here he employs a truly Impressionist style. The color palette is limited and details are picked out accurately and completely. The earth beneath the trees is shown as one uniform color. Contrasts are shown in slender, bright white paint. The trees march through the center of the painting in rows, drifting to the edge of the canvas. The leaves are rendered in browns, yellows and oranges, with yet more highlighting in bright speckles of white. A small stand of wildflowers is shown in the lower right of the canvas. They are shedding their bright, yellow petals onto the brown earth. The blue sky is shot through with white clouds, but these are again rendered with simple brushes of paint, rather than the swirls of heaving color seen in van Gogh's later works. A few black birds circle overhead; these forms reappear in van Gogh's last work, "Wheat Field with Crows." Van Gogh would return to this grove of trees and paint this scene, with slight variations, at least three more times. These have become very popular images, appearing on mousepads, backpacks and puzzles. Van Gogh knew the power of these images, as he remarked to his brother in a letter than he thought they could achieve commercial success. Unfortunately, this did not happen during the artist's short lifetime.
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Museum-Quality Gallery Wrapped Canvas Print. Available in m
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Museum-Quality Gallery Wrapped Canvas Print. Available in m
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Product Features Framed Art is Brand New Framed Art measure
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Product Features Framed Art is Brand New Framed Art measures 19x23 inches Art Print measures 16x20 inches Solid Wood Frame, Real Glass Front Custom Finished and Expertly Crafted Comes Ready To Hang This beautiful framed art goes well in any room. Artwork and frame are manufactured in the United States using quality materials such as premium grade A solid hardwood, tempered picture frame glass, and high quality acid free lithograph art paper. Shipping Weight:14 pounds. List Price: $125.00 Our Pr
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Two Cypresses: Vincent van Gogh: Hand-painted art oil repro
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Two Cypresses: Vincent van Gogh: Hand-painted art oil reproduction on canvas. Vincent van Gogh is well-known for his painting of cypress trees. The painter was always interested in studies of light and dark, smooth and wavy. Cypress trees allowed him to express this fully, as he wrote to his brother: " The cypresses are always occupying my thoughts, I should like to make something of them like the canvases of the sunflowers, because it astonishes me that they have not yet been done as I see them. It is as beautiful of line and proportion as an Egyptian obelisk. And the green has a quality of such distinction. It is a splash of black in a sunny landscape, but it is one of the most interesting black notes, and the most difficult to hit off exactly that I can imagine" (source: http://www.webexhibits.org/vagogh/letter/20/596.htm). In this painting, Two Cypresses, two cypress trees burst from the bottom of the frame, reaching up to the cloudy blue sky. The blue-black-green of the paint contrasts beautifully with the lighter sky and bright earth. The hedges at their feet are swirling masses of yellow. The blue mountains in the distance provide yet more contrast. The sky, rendered in deep white paint, contains yet more circular brushstrokes. A small crescent moon peeps out at the top of the frame. This is a study of contrasting colors, textures and movement, truly one of the most beautiful of van Gogh's cypress series.
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Corridor in the Asylum: Vincent van Gogh: Hand-painted art
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Corridor in the Asylum: Vincent van Gogh: Hand-painted art oil reproduction on canvas. Vincent van Gogh's painting of the hallway of the asylum of Saint-Paul-de-Mausole in Saint-Rémy, shows a long hallway of the institution where the artist spent a year near the end of his life. The buildings were built in the 12th century, and the archways and vaulted ceilings of that period in architecture are well defined here. However, the archways are not consistent, as the arch nearest to the viewer seems lower and not as ornate. At the end of the tunnel of arches stands a brightly colored yellow doorway: another element commonly seen in van Gogh paintings of the time period. A figure is shown in the middle of the hallway, darting into another room. This figure, Corridor in the Asylum is not drawn in great detail. The interplay of light and dark on the floor shows itself as competing rivers of light and dark brown. These rivers are bisected with areas of yellow and green. It does not seem safe to walk here. The brushwork in this painting is significant. There are no circular swirls of color, as seen in other van Gogh paintings. The color is rendered here in swift strokes of nearly the same length and breadth throughout. The color choices are limited to browns, greens, blues and whites as well. The earth tone-based palette does not provide the shocking juxtaposition of color seen in other van Gogh paintings of this period.
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Village Street in Auvers: Vincent van Gogh: Hand-painted ar
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Village Street in Auvers: Vincent van Gogh: Hand-painted art oil reproduction on canvas. Village Street in Auvers is an oil painting by Vincent van Gogh, completed in the year 1890. The painting was composed in the Post-Impressionist style, a movement born out of reaction to the sporadic blotches of light and pigment that characterized the previous Impressionist movement from to van Gogh reacted. Notice the clear and definitive use of heavy black lines governing the structural forms of houses and walls in the painting as well as the use of impasto, or heavy application of paint along the grass running through the village. Village Street in Auvers captures van Gogh’s unique ability to paint with expression and emotion before precision, a technique that would transcend into the coming generation of Modern painters. There is a remarkable amount of fluidity to the paint that leads the eye on a direct path through the buildings where it comes to a focal point in the center of the piece. Above, a sky of rectangular blue smudges interacts freely with a dominant spread of white giving the impression of early minimalist ideology. Village Street in Auvers is a visual masterpiece for its classical approach to abstract thinking, juxtaposing the time tested approach of premeditated composition with the free thinking method of irregular line and color. It is a warm pallet of dark sepia coloring mixed with swirling hues of earthy verdant quality.
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