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Brahms: Ein Deutsches Requiem, Op. 45 - CD NEW Format: CD A ... Read more

Brahms: Ein Deutsches Requiem, Op. 45 - CD NEW Format: CD Artist: Brahms, Johannes Runtime: Not Available Retail Price: $15.95 Minimize

Recording information: Orchestra Hall, Chicago (09/1992/01/ ... Read more

Recording information: Orchestra Hall, Chicago (09/1992/01/1993). Minimize

Recording information: TAP de Poitiers (09/12/2010-09/15/20 ... Read more

Recording information: TAP de Poitiers (09/12/2010-09/15/2010). Minimize

Recording information: Philharmonie Berlin (11/2009).

By Johannes Brahms (1833-1897). Edited by Lara Hoggard. For ... Read more

By Johannes Brahms (1833-1897). Edited by Lara Hoggard. For SATB choir with soprano voice solo & bass voice solo (Accompaniment: Piano). Sacred, Concert. Medium Advanced Adult. Full score. Published by Hinshaw Music Inc. Minimize

With diction lessons recorded by Irene Spiegelman, German d ... Read more

With diction lessons recorded by Irene Spiegelman, German diction coach at the Metropolitan Opera, and piano accompaniments recorded by Laura Ward, this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it, showing flow of the language and mood, followed by a slow, deliberate lesson, allowing time for the student to repeat each line. This experienced language coach adapts the ''R'' in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings. Contents: Botschaft * Dein blaues Auge * Die Mainacht * Feldeinsamkeit * Immer leiser wird mein Schlummer * Meine Liebe ist grün * Mondnacht * O liebliche Wangen * O wüsst ich doch den Weg zurück * Sapphische Ode * Sonntag * Ständchen (Kugler) * Vergebliches Ständchen * Von ewiger Liebe * Wie Melodien zieht es mir. Minimize

By Johannes Brahms (1833-1897). Edited by Gunter Graulich. ... Read more

By Johannes Brahms (1833-1897). Edited by Gunter Graulich. This edition: paperbound. Score available separately - see item CA.4017901. Sacred, Motets; Choral Collections, Mixed Choir; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Mourning, Death. Score. 192 pages. Published by Carus Verlag Minimize

With diction lessons recorded by Irene Spiegelman, German d ... Read more

With diction lessons recorded by Irene Spiegelman, German diction coach at the Metropolitan Opera, and piano accompaniments recorded by Laura Ward, this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it, showing flow of the language and mood, followed by a slow, deliberate lesson, allowing time for the student to repeat each line. This experienced language coach adapts the "R" in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings. Contents: Botschaft * Dein blaues Auge * Die Mainacht * Feldeinsamkeit * Immer leiser wird mein Schlummer * Meine Liebe ist grün * Mondnacht * O liebliche Wangen * O wüsst ich doch den Weg zurück * Sapphische Ode * Sonntag * Ständchen (Kugler) * Vergebliches Ständchen * Von ewiger Liebe * Wie Melodien zieht es mir. Minimize

In this highly anticipated book, Eric Sams examines each of ... Read more

In this highly anticipated book, Eric Sams examines each of Johannes Brahms's 213 songs, translates the texts into English, and provides original commentary on points of musicology and literary detail. Sams here reveals for the first time the full extent of the poetry, fantasy, and humour of the composer's work. After an introduction to Brahms as a song-writer and to his use of motifs, the book offers a complete song-by-song analysis and will serve as an invaluable companion for students, performers, and listeners alike. Sams demonstrates how Brahms built a verbal expressiveness from his unsurpassed devotion to musicianship and musicology. Songs were among Brahms's first and last works, and much of his music is associated with words, whether overt texts or covert allusions. Essential to the composer's method of song-writing was a harmony between musical form and poetic text. Sams underscores the use of motifs at the core of Brahms's song-music. He argues that it is not so much with words that Brahms sings to us, but with the very music itself. Brahms became the innovator of an all-pervasive new language in which musical form became a medium for poetic dialogue. Minimize

(Motet, Es ist das Heil uns kommen her, op. 29, No. 1 for c ... Read more

(Motet, Es ist das Heil uns kommen her, op. 29, No. 1 for chorus). By Johannes Brahms (1833-1897). Henle Music Folios. Sacred. G. Henle Verlag #S-027. Published by G. Henle Verlag Minimize

In this highly anticipated book, Eric Sams examines each of ... Read more

In this highly anticipated book, Eric Sams examines each of Johannes Brahms's 213 songs, translates the texts into English, and provides original commentary on points of musicology and literary detail. Sams here reveals for the first time the full extent of the poetry, fantasy, and humour of the composer's work. After an introduction to Brahms as a song-writer and to his use of motifs, the book offers a complete song-by-song analysis and will serve as an invaluable companion for students, performers, and listeners alike. Sams demonstrates how Brahms built a verbal expressiveness from his unsurpassed devotion to musicianship and musicology. Songs were among Brahms's first and last works, and much of his music is associated with words, whether overt texts or covert allusions. Essential to the composer's method of song-writing was a harmony between musical form and poetic text. Sams underscores the use of motifs at the core of Brahms's song-music. He argues that it is not so much with words that Brahms sings to us, but with the very music itself. Brahms became the innovator of an all-pervasive new language in which musical form became a medium for poetic dialogue. Minimize

"The song translations by Stanley Appelbaum are excellent. ... Read more

"The song translations by Stanley Appelbaum are excellent. Stark's commentaries are concise, intelligent, highly readable... Laymen and specialists alike will find [this book] a useful reference book to have on their shelves." —Fontes Artis Musicae"This book would be a warmly welcomed addition to the library of any lover of art song." —American Music Teacher"It is informative, insightful, illuminating, an invaluable resource for singers, teachers, coach-accompanists, highly recommended for anyone having anything to do with Brahms lieder." —Journal of Singing"Stark's understanding and affectionate discussion of the relationship between music and text draws the reader to examine more of Brahms's songs." —ChoiceLucien Stark analyzes in detail more than 200 solo songs by Brahms and gives us translations of the texts. For performers, students, and teachers, this is a treasure-house of information and insight about a rich and varied repertoire. Minimize

By Johannes Brahms (1833-1897). For brass quintet. Romantic ... Read more

By Johannes Brahms (1833-1897). For brass quintet. Romantic; German. Part(s). Published by Masters Music Publications Inc. Minimize

An English translation of a movement from Brahms' Requiem. ... Read more

An English translation of a movement from Brahms' Requiem. This edition for SATB Choir by John E. West can be used with either a Piano or Organ Accompaniment. Songs: How Lovely Are Thy Dwellings Minimize

Influenced by Robert and Clara Schumann and Joseph Joachim, ... Read more

Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental works in his subsequent career. During the final year of his life, however, he returned to pure organ composition with a set of chorale preludes--though many of these are thought to have been revisions of earlier works. Today, the organ works of Johannes Brahms are recognized as beautifully-crafted compositions by church and concert organists across the world and have become a much-cherished component of the repertoire. Until now, however, most scholarly accounts of Brahms's life and work treat his works for the organ as a minor footnote in his development as a composer. Precisely because the collection of organ works is not extensive, the pieces--composed at different times during Brahms's lifetime--help to map his path as a composer, pinpointing various stages in his artistic development. In this volume, Barbara Owen offers the first in-depth study of this corpus, considering Brahms's organ works in relation to his background, methods, and overall artistic development, his contacts with organs and organists, the influence of his predecessors and contemporaries, and analyses of each specific work and its place in Brahms's career. Her expert history and analysis of Brahms's individual organ works and their interpretation also investigates contemporary practices relative to the performance of these pieces. The book's three valuable appendices present a guide to editions of Brahms's organ works, a discussion of the organ in Brahms's world that highlights some organs the composer would have heard, and a listing of the organ transcriptions of Brahms's work. Blending unique insights into composition and performance practice, this book will be read eagerly by performers, students, and scholars of the organ, Brahms, and the music of the Nineteenth Century. Minimize

By Johannes Brahms (1833-1897). For Low voice solo. Piano a ... Read more

By Johannes Brahms (1833-1897). For Low voice solo. Piano accompaniment to the Vocal part recorded on compact disc. (Text Language: German). Play Along. Accompaniment CD only. Published by Music Partner CD Minimize

Influenced by Robert and Clara Schumann and Joseph Joachim, ... Read more

Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental works in his subsequent career. During the final year of his life, however, he returned to pure organ composition with a set of chorale preludes--though many of these are thought to have been revisions of earlier works. Today, the organ works of Johannes Brahms are recognized as beautifully-crafted compositions by church and concert organists across the world and have become a much-cherished component of the repertoire. Until now, however, most scholarly accounts of Brahms's life and work treat his works for the organ as a minor footnote in his development as a composer. Precisely because the collection of organ works is not extensive, the pieces--composed at different times during Brahms's lifetime--help to map his path as a composer, pinpointing various stages in his artistic development. In this volume, Barbara Owen offers the first in-depth study of this corpus, considering Brahms's organ works in relation to his background, methods, and overall artistic development, his contacts with organs and organists, the influence of his predecessors and contemporaries, and analyses of each specific work and its place in Brahms's career. Her expert history and analysis of Brahms's individual organ works and their interpretation also investigates contemporary practices relative to the performance of these pieces. The book's three valuable appendices present a guide to editions of Brahms's organ works, a discussion of the organ in Brahms's world that highlights some organs the composer would have heard, and a listing of the organ transcriptions of Brahms's work. Blending unique insights into composition and performance practice, this book will be read eagerly by performers, students, and scholars of the organ, Brahms, and the music of the Nineteenth Century. Minimize

By Johannes Brahms / Felix Mendelssohn Bartholdy / Franz Sc ... Read more

By Johannes Brahms / Felix Mendelssohn Bartholdy / Franz Schubert. Edited by Wolfgang Bretschneider / Hans-Christian Dromann. This edition: paperbound. Sacred, Hymns, Hymn settings, Masses, German, Mass Sections, Motets, Secular Choral Music; Choral Collections, Mixed Choir; Occasions: First Communion, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Tantu. Choral collection. 96 pages. Published by Carus Verlag Minimize

By Johannes Brahms (1833-1897). For tenor voice. Choral Sin ... Read more

By Johannes Brahms (1833-1897). For tenor voice. Choral Singing - The Easy Way to Learn. Classical Period and Play Along. Difficulty: medium-difficult. Accompaniment CD. Text Language: German. Op. 45. Published by Music Partner CD Minimize

(Hungarian Dance No. 5, Lullaby Op. 49, No. 4, Finale from ... Read more

(Hungarian Dance No. 5, Lullaby Op. 49, No. 4, Finale from Symphony No. 1 - Full Score). By Johannes Brahms (1833-1897). Arranged by Joseph Compello. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Euphonium, Bassoon, Tuba, Bells, Timpani, Snare Drum, Bass Drum, Suspended Cymbal, Tambourine. Carl Fischer First Plus Performance Series. Grade 1.5. Full Score. Standard notation. 20 pages. Published by Carl Fischer Minimize

By Johannes Brahms (1833-1897). Edited by Sergej Rogowoj. T ... Read more

By Johannes Brahms (1833-1897). Edited by Sergej Rogowoj. This edition: paperbound. Choral Songs; Choral Collections for Mixed Choir. Score. 40 pages. Published by Carus Verlag Minimize

(For Full Orchestra). By Johannes Brahms (1833-1897). Arran ... Read more

(For Full Orchestra). By Johannes Brahms (1833-1897). Arranged by Roy Phillippe. Orchestra. For Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Percussion I, Snare Drum, Bass Drum, Pe. This edition: score & parts. Carl Fischer Performance Series - Concert Full Orchestra. Classical. Medium Easy - Medium. Score and part(s). Standard notation. 16 pages. Published by Carl Fischer Minimize

The music, composed long ago, still speaks to us. It reache ... Read more

The music, composed long ago, still speaks to us. It reaches out to tell us of profound struggles and great genius, of aching setbacks and glorious triumphs, of three people whose names, like their music, echo across the years: Clara Wieck, Robert Schumann and Johannes Brahms. The intertwined lives of the three musical legends form A Song of Love, a sumptuously produced and skillfully played biopic set to 11 musical pieces that include Schumann's poignant Arabeske, Brahms' tender Lullaby and the Mephisto Waltz of Franz Liszt. Katharine Hepburn portrays renowned pianist Wieck, married to troubled Schumann (Paul Henreid) yet romantically admired by Brahms (Robert Walker). And virtuoso pianist Artur Rubenstein ghosts the recorded pieces that the stars, in a deft display of acting prowess, seem to play on screen. Bravo to all! Minimize

Introduce your choir to an orchestral masterwork with this ... Read more

Introduce your choir to an orchestral masterwork with this choral adaptation of the main theme from Brahm's Symphony No. 1. A new text exults the dream of freedom shared by all the world's peoples. SoundTrax CD features live strings, or add your own string orchestra. Minimize