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Songs: Come Thou Fount of Every Blessing We Seek His face F
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Songs: Come Thou Fount of Every Blessing We Seek His face Father We Are Here We Bow Down He Is Exalted Lamb of God When the Roll Is Called Up Yonder Fountain of Grace The Warrior Is a Child / Do I Trust You I Will Listen The Joy of the Lord God Is in Control My Lips Will Praise You How Beautiful We Will Glorify
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One of today's most popular praise and worship artists, Twi
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One of today's most popular praise and worship artists, Twila Paris is lauded as "the modern-day hymnwriter." This book includes all 12 songs from her acclaimed 2003 release: Christ in Us * Come Emmanuel * Fill My Heart * For Eternity * Glory and Honor * God of All * I Want the World to Know * Make Us One * Not My Own * We Bow Down * We Will Glorify * You Are God.
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Recorded at the historic Olympia Theatre in Paris in Novemb
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Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver combo of bassist John Clayton, drummer Jeff Hamilton, and guitarist John Pisano (on some tracks), Krall's jazz heritage comes through loud and clear on this program of standards, ballads, and bossa novas. On Peggy Lee's "I Love Being Here with You," Bob Dorough's "Devil May Care," and Frank Sinatra's "Fly Me to the Moon," Krall's snappy, postbop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just the Way You Are" (a studio track from a film called The Guru), with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future.--Eugene Holley Jr.
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John Lewis (composer, pianist, and founder of the acclaimed
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John Lewis (composer, pianist, and founder of the acclaimed Modern Jazz Quartet) penned Afternoon in Paris in the '50s and it has remained a jazz standard ever since. This nicely crafted version for younger bands opens with a small group on the head and drums on brushes. Solos for trumpet and tenor follow, along with full ensemble statements.
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1- RE: PERSON I KNEW 2- TURN OUT THE STARS 3- GLORI
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1- RE: PERSON I KNEW 2- TURN OUT THE STARS 3- GLORIA'S STEP 4- TWO LONELY PEOPLE 5- WALTZ FOR DEBBY 6- WHAT ARE YOU DOING FOR THE REST OF YOUR LIFE? 7- T.T.T 8- SUGAR PLUM 1- QUIET NOW 2- VERY EARLY 3- AUTUMN LEAVES 4- TIME REMEMBERED 5- MY ROMANCE 6- SOMEDAY MY PRINCE WILL COME 7- NARDIS
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Here's an easy version of this big band favorite from the C
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Here's an easy version of this big band favorite from the Count Basie Orchestra. Your audience is sure to recognize this one, and it's the perfect way to introduce young players to one of the great bands of all time.
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How Beautiful (Twila Paris) - P/V/G Songs: How Beautiful
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Howard Smither has written the first definitive work on the
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Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio.Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate. The second part recounts the development of the oratorio in Italy, circa 1640-1720. It reviews the social contexts, patrons, composers, poets, librettos, and music of the oratorio in Italy, especially in Vienna and Paris.The procedure adapted throughout the work is to treat first the social context, particularly the circumstances of performance of the oratorio in a given area and period, then to treat the libretto, and finally the music. For each geographic area and period, the author has selected for special attention a few oratorios that appear to be particularly important or representative. He has verified the information offered in the specialized literature whenever possible by reference to the music or documents. In a number of areas, particular seventeenth-century Italy, in which relatively few previous studies have been undertaken or secondary sources have proven to be inadequate, the author has examined the primary sources in manuscript and printed form—music, librettos, and documents of early oratorio history. Impressive research and intelligent integration of disparate elements make this complicated, diffuse subject both readable and accessible to the student of music.Volume 2, The Oratorio in the Baroque Era: Protestant Germany and England, and Volume 3, The Oratorio in the Classical Era, continue and expand the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume.This new work—the first English-language study of the history of the oratorio will become the standard work on its subject and an enduring contribution to music and scholarship.
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The popular gospel singer offers sixty meditations on garde
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The popular gospel singer offers sixty meditations on gardening and life's lessons, arranged by the seasons
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Recorded at the historic Olympia Theatre in Paris in Novemb
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Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver combo of bassist John Clayton, drummer Jeff Hamilton, and guitarist John Pisano (on some tracks), Krall's jazz heritage comes through loud and clear on this program of standards, ballads, and bossa novas. On Peggy Lee's "I Love Being Here with You," Bob Dorough's "Devil May Care," and Frank Sinatra's "Fly Me to the Moon," Krall's snappy, postbop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just the Way You Are" (a studio track from a film called The Guru), with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future.--Eugene Holley Jr.
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Recorded at the historic Olympia Theatre in Paris in Novemb
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Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver combo of bassist John Clayton, drummer Jeff Hamilton, and guitarist John Pisano (on some tracks), Krall's jazz heritage comes through loud and clear on this program of standards, ballads, and bossa novas. On Peggy Lee's "I Love Being Here with You," Bob Dorough's "Devil May Care," and Frank Sinatra's "Fly Me to the Moon," Krall's snappy, postbop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just the Way You Are" (a studio track from a film called The Guru), with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future.--Eugene Holley Jr.
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Digitally remastered two-fer from the Jazz great. Contains
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Digitally remastered two-fer from the Jazz great. Contains the complete original soundtrack to Martin Ritt's feature film Paris Blues, starring Paul Newman and Sidney Poitier. All of the music was composed by Duke Ellington and Billy Strayhorn, and Louis Armstrong was a featured star on two tracks. Ellington's complete original soundtrack to Otto Preminger's movie Anatomy Of A Murder, has been added here as a bonus. Jazz Soundtrack. 2010.
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Howard Smither has written the first definitive work on the
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Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio.Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate. The second part recounts the development of the oratorio in Italy, circa 1640-1720. It reviews the social contexts, patrons, composers, poets, librettos, and music of the oratorio in Italy, especially in Vienna and Paris.The procedure adapted throughout the work is to treat first the social context, particularly the circumstances of performance of the oratorio in a given area and period, then to treat the libretto, and finally the music. For each geographic area and period, the author has selected for special attention a few oratorios that appear to be particularly important or representative. He has verified the information offered in the specialized literature whenever possible by reference to the music or documents. In a number of areas, particular seventeenth-century Italy, in which relatively few previous studies have been undertaken or secondary sources have proven to be inadequate, the author has examined the primary sources in manuscript and printed form—music, librettos, and documents of early oratorio history. Impressive research and intelligent integration of disparate elements make this complicated, diffuse subject both readable and accessible to the student of music.Volume 2, The Oratorio in the Baroque Era: Protestant Germany and England, and Volume 3, The Oratorio in the Classical Era, continue and expand the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume.This new work—the first English-language study of the history of the oratorio will become the standard work on its subject and an enduring contribution to music and scholarship.
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Christmas Carols of the Young Messiah // 1. Have Yourself A
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Christmas Carols of the Young Messiah // 1. Have Yourself A Merry Little Christmas - Twila Paris 2. O Come All Ye Faithful - Steven Curtis Chapman 3. Hark! The Herald Angels Sing - Point Of Grace 4. O Come, O Come Emmanuel - Wes King 5. Joy To The World - Steve Green 6. The First Noel - BeBe And CeCe 7. Season Of Love - 4Him 8. O Holy Night - Sandi Patti 9. Angel Medley (Angels From The Realms Of Glory/Angels we have heard on high/Hark the heralds angels sing) - Wayne Watson 10. Go Tell It On The Mountain - Babbie Mason 11. The Christmas Song - Clay Crosse 12. A King Is Born - Ron Kenoly 13. Saviour's Day - Chris Eaton 14. For Unto You - Carman 15. Amen - Larnelle Harris
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Digitally remastered two-fer from the Jazz great. Contains
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Digitally remastered two-fer from the Jazz great. Contains the complete original soundtrack to Martin Ritt's feature film Paris Blues, starring Paul Newman and Sidney Poitier. All of the music was composed by Duke Ellington and Billy Strayhorn, and Louis Armstrong was a featured star on two tracks. Ellington's complete original soundtrack to Otto Preminger's movie Anatomy Of A Murder, has been added here as a bonus. Jazz Soundtrack. 2010.
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It has been said that zarzuela means to Spain what operetta
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It has been said that zarzuela means to Spain what operetta means to Vienna, Offenbach to Paris, Gilbert and Sullivan to London, and the musical to Broadway. Zarzuela is Spain's unique contribution to lyric theatre, a mixture of spoken and sung drama with a complex history extending over four centuries. The Zarzuela Companion is a comprehensive guide to zarzuela's most popular and romantic works written after 1850, with chapters devoted to the major Spanish zarzuela composers, writers and singers. Complete synopses of all sixty works selected are delivered at the level of detail necessary for non-Spanish speakers to follow along with ease. The book also features special sections on the history of the genre, and on the parallel Catalan and Cuban zarzuela traditions. A foreword by PlĂ¡cido Domingo, a selected discography with current catalog reference numbers, a brief bilingual bibliography and glossary of Spanish terms make this book indispensable for the newcomer and aficionado alike.
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Producer: Robert Huber. An elegant evening of French sympho
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Producer: Robert Huber. An elegant evening of French symphonic music and the songs of Maurice Chevalier s Paris My Paris is designed as a stand-alone concert, which may also be presented as the second half of a symphonic pops concert. The orchestra opens with the music of such composers as Saint-Saëns, Darius Milhaud, Maurice Ravel, Eric Satie, Claude Debussy, Gabriel Fauré. My Paris follows intermission. Enhance the French ambiance of the evening with a champagne reception, bilingual announcements and program notes, black-tie or period dress suggested. My Paris is ideal for a fundraiser or similar gala event. Songs arranged for symphonic orchestra by Peter Matz, one of the foremost musical director/arranger/composers in every medium of entertainment. He received three Emmy Awards for My Name is Barbra, The Sounds of Burt Bacharach and The Carol Burnett Show (during his 8-year engagement as the show s musical director), and a Grammy Award for Barbra Streisand s People album, among the five he arranged for her. He also had two Tony nominations, a Clio Award and an Academy Award nomination for the Streisand film, Funny Lady. Matz s original scores for more than 40 other feature films and television movies earned additional critical acclaim. He also arranged and conducted for such legends as Noel Coward, Marlene Dietrich, Bernadette Peters, Peggy Lee, Lena Horne, Bing Crosby, Liza Minnelli, and Tony Bennett. Peter Matz contributed arrangements and orchestrations to five annual Academy Awards telecasts. Tony Sandler s My Paris was the final project of the late Peter Matz. Tony Sandler is under contract with Huber Entertainment Group, Inc. Tony records under the Butterfly Label through Butterfly Productions.
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It has been said that zarzuela means to Spain what operetta
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It has been said that zarzuela means to Spain what operetta means to Vienna, Offenbach to Paris, Gilbert and Sullivan to London, and the musical to Broadway. Zarzuela is Spain's unique contribution to lyric theatre, a mixture of spoken and sung drama with a complex history extending over four centuries. The Zarzuela Companion is a comprehensive guide to zarzuela's most popular and romantic works written after 1850, with chapters devoted to the major Spanish zarzuela composers, writers and singers. Complete synopses of all sixty works selected are delivered at the level of detail necessary for non-Spanish speakers to follow along with ease. The book also features special sections on the history of the genre, and on the parallel Catalan and Cuban zarzuela traditions. A foreword by PlĂ¡cido Domingo, a selected discography with current catalog reference numbers, a brief bilingual bibliography and glossary of Spanish terms make this book indispensable for the newcomer and aficionado alike.
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What the 12 Cellists do is simply marvelous" --Sir Simon R
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What the 12 Cellists do is simply marvelous" --Sir Simon Rattle The 12 Cellists of the Berlin Philharmonic Orchestra return to their "French Roots" with their latest release Fleur de Paris. Since their formation in 1974, this unique and highlyacclaimed ensemble has excited audiences with their technical brilliance, popular arrangements, and beautiful ensemble sound. Fleur de Paris features arrangements of both beloved classical works, including Fauré's Pavane, Ravel's Pavane pour une infante défunte, Debussy's Clair de lune and Satie's Gymnopédies Nos. 1 & 2, and popular French songs, including the signature song of French national treasure Edith Piaf, "La vie en rose." The release's central work, Poulenc's La figure humaine, was originally composed for two unaccompanied choirs of six voices. Based on eight poems by surrealist French poet Paul Éluard, the last Liberté, was parachuted over German-occupied France during World War II by the Royal Airforce as a hymn of freedom. According to the 12 Cellists, "France produced many of the greatest cellists, including Pierre Fournier, Maurice Gendron and Paul Tortelier...When we were looking for music for our new CD, we found lots of pieces that -- even if they hadn't been originally written for our instrumental combination -- were wonderfully suited to the sound of 12 cellos.
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Producer: Robert Huber. An elegant evening of French sympho
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Producer: Robert Huber. An elegant evening of French symphonic music and the songs of Maurice Chevalier s Paris My Paris is designed as a stand-alone concert, which may also be presented as the second half of a symphonic pops concert. The orchestra opens with the music of such composers as Saint-Saëns, Darius Milhaud, Maurice Ravel, Eric Satie, Claude Debussy, Gabriel Fauré. My Paris follows intermission. Enhance the French ambiance of the evening with a champagne reception, bilingual announcements and program notes, black-tie or period dress suggested. My Paris is ideal for a fundraiser or similar gala event. Songs arranged for symphonic orchestra by Peter Matz, one of the foremost musical director/arranger/composers in every medium of entertainment. He received three Emmy Awards for My Name is Barbra, The Sounds of Burt Bacharach and The Carol Burnett Show (during his 8-year engagement as the show s musical director), and a Grammy Award for Barbra Streisand s People album, among the five he arranged for her. He also had two Tony nominations, a Clio Award and an Academy Award nomination for the Streisand film, Funny Lady. Matz s original scores for more than 40 other feature films and television movies earned additional critical acclaim. He also arranged and conducted for such legends as Noel Coward, Marlene Dietrich, Bernadette Peters, Peggy Lee, Lena Horne, Bing Crosby, Liza Minnelli, and Tony Bennett. Peter Matz contributed arrangements and orchestrations to five annual Academy Awards telecasts. Tony Sandler s My Paris was the final project of the late Peter Matz. Tony Sandler is under contract with Huber Entertainment Group, Inc. Tony records under the Butterfly Label through Butterfly Productions.
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60 minute video featuring Twila Paris and Steven Curtis Cha
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60 minute video featuring Twila Paris and Steven Curtis Chapman
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What the 12 Cellists do is simply marvelous" --Sir Simon R
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What the 12 Cellists do is simply marvelous" --Sir Simon Rattle The 12 Cellists of the Berlin Philharmonic Orchestra return to their "French Roots" with their latest release Fleur de Paris. Since their formation in 1974, this unique and highlyacclaimed ensemble has excited audiences with their technical brilliance, popular arrangements, and beautiful ensemble sound. Fleur de Paris features arrangements of both beloved classical works, including Fauré's Pavane, Ravel's Pavane pour une infante défunte, Debussy's Clair de lune and Satie's Gymnopédies Nos. 1 & 2, and popular French songs, including the signature song of French national treasure Edith Piaf, "La vie en rose." The release's central work, Poulenc's La figure humaine, was originally composed for two unaccompanied choirs of six voices. Based on eight poems by surrealist French poet Paul Éluard, the last Liberté, was parachuted over German-occupied France during World War II by the Royal Airforce as a hymn of freedom. According to the 12 Cellists, "France produced many of the greatest cellists, including Pierre Fournier, Maurice Gendron and Paul Tortelier...When we were looking for music for our new CD, we found lots of pieces that -- even if they hadn't been originally written for our instrumental combination -- were wonderfully suited to the sound of 12 cellos.
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The Atlanta Chamber Winds led by Robert J. Ambrose, offer a
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The Atlanta Chamber Winds led by Robert J. Ambrose, offer a sparkling concert of music for wind ensemble by composers who lived and worked in Paris. All but one (the Pierné) are world premiere recordings and offer a substantial addition to the wind ensemble discography. Perhaps most interesting is Francis Chagrin who was born in Bucharest as Alexander Paucker but moved to Paris in 1928 and changed his name. He was most famous for his film music but he also wrote chamber music, two symphonies and songs.
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Haydn's Symphonies Nos. 82-7 are seminal works in Haydn's o
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Haydn's Symphonies Nos. 82-7 are seminal works in Haydn's output and mark a new level of compositional attainment, launching the important cycle of mature Haydn symphonies written for an international audience. This book considers both stylistic aspects of the symphonies and their broader cultural context, in particular the important phenomenon of Haydn's international success in the 1780s, the reception of Haydn's symphonies by Parisian audiences, and the aesthetic basis for their extraordinary appeal at the end of the eighteenth century.
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