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Ingrid Fliter is a one-off, the kind of pianist we have not ... Read more

Ingrid Fliter is a one-off, the kind of pianist we have not seen in years. She plays Beethoven with an old-master's touch and Chopin with reckless passion. (La Scena Musicale) For her third EMI Classics recording, Ingrid Fliter turns to three of the most passionate and powerful Beethoven sonatas with titles to match: Op. 13 `Pathétique', Op. 31 No. 2 `Tempest' and Op. 57 `Appassionata'. The iTunes bonus tracks are the Opus 33 Bagatelles Nos. 2, 6 and 7. Fliter said recently, "Through working on Beethoven's music I discovered the man, the humanity he expressed in his music. He took his life and music -and his mission- very seriously. He was an extremist. He did not give any concessions or compromises. He was not afraid of showing himself as he was and as such made many enemies as well as friends, lovers and admirers. I am among the latter." Reviewing a recent recital that included Beethoven's Sonata No. 18, Op 31 No. 3, Chicago Classical Review wrote, "Fliter brought not just a sterling technique but just the right sense of quirky humor and individuality to this music. Rarely will one hear the jocular side of Beethoven put across with such spirit, the dynamic contrasts underlined, and Fliter's light articulation bringing a vivacious Haydnesque wit to the music. [...] She also brought out the pensive side of the songful Menuetto and the rollicking Presto was aptly con fuoco making a rousing conclusion to a first-rate Beethoven performance." Fliter is associated in many people's minds with the music of Chopin. She was the Silver Medal winner of the Frédéric Chopin Competition in Warsaw in 2000, since which time she has performed his music extensively and made two critically acclaimed Chopin recordings for EMI Classics. Comparing the music of Chopin and Beethoven, she said, "Playing Beethoven requires a totally different approach than playing Chopin. Chopin is more about him. You are the interpreter, you create the sound and people receive the beauty from you. But Beethoven is all about him wishing to communicate with the world. He wanted to catch the sky, catch nature and be part of it. He was all about giving. And this is something I want to create when I play. It's not about me, it's about the music, it's about Beethoven." Of the three Beethoven sonatas performed on this CD, only one was assigned its title by the composer. This was the `Grande sonate pathétique', composed in 1798 in Vienna and dedicated to Prince Karl Lichnowsky, a supporter who had introduced Beethoven to Viennese aristocracy. The sonata was composed at a time when Beethoven was becoming aware of his encroaching deafness. Although Beethoven did not name his sonata Op. 31 No. 2 `Tempest,' there are unconfirmed reports that he thought of Shakespeare's play in connection with the music. Beethoven's only sonata in the unusual key of D minor dates from 1802, a dark period in his life and the year of his Heiligenstadt Testament, a letter addressed to his brothers "to be read and executed after my death". In it, he described his despair over the progression of his deafness, his rejection of suicide and his decision to "endure this wretched existence" for the sake of his work. The name Appassionata affixed to Beethoven's Sonata Op. 57 was not chosen by the composer but is very apt as the work is passionate, dramatic and tempestuous. The title was chosen by the publisher in 1838, 11 years after the composer's death. The Appassionata was composed in 1804/1805 and possibly into 1806. It cost Beethoven a great deal of time and effort in the same period that he was composing the Eroica Symphony, the Kreutzer Sonata and the Leonora Overture No.2. Beethoven is said to have considered Op. 57 his greatest sonata until he composed the Hammerklavier in 1818. Ingrid Fliter began her studies in her native Buenos Aires before moving to Europe to continue them in France and Italy. She won prizes at important competitions, including the Busoni Co Minimize

Digitally remastered edition of this album from the songwri ... Read more

Digitally remastered edition of this album from the songwriting legend. Mort Shuman's classic partnership with Doc Pomus produced some of the best known songs in history: "Surrender", "Viva Las Vegas", "Little Sister", "Kiss Me Quick" (Elvis Presley), "Save The Last Dance For Me", "Sweets For My Sweet", "This Magic Moment" (the Drifters), "A Teenager In Love" (Dion And The Belmonts), "Can't Get Used To Losing You" (Andy Williams), "Suspicion" (Terry Stafford), "Seven Day Weekend" (Gary "U.S." Bonds), "Spanish Lace" (Gene McDaniels) the list just goes on and on. In 1965 Shuman came to London, where he wrote many, many more hits. Next, he moved to Paris, writing for such gallic isons as Johnny Hallyday, performing his one man show, and discovering the work of Jacques Brel. During this time, he recorded this, the first of his solo albums....a deeply personal, adult, eccentric, theatrical and songwriting tour de force, wildly off kilter, standing with albums as disparate as Jim Dickinson's "Dixie Fried". Jim Webb's early solo albums, Peter Wyngarde's sole album, and the wilder shores of Serge Gainsbourgh's work...yet remaining a total pop classic! Rev-Ola. 2009. Minimize

Reproduced from original art by Karen Cannon, these delight ... Read more

Reproduced from original art by Karen Cannon, these delightful music art cards cover a wide variety of music themes. Each card measures 5 inch. x 7 inch. and is blank inside, ready for any message or occasion. North Pole Recording Co.: Santa seems to have Minimize

Benedikt Koehlen was born in Speyer and received his traini ... Read more

Benedikt Koehlen was born in Speyer and received his training as a pianist with Elisabeth Moritz Conrad, Richard Laugs, Friedrich Wührer, and Geza Anda. He also studied conducting with Karl Mennerich, Kurt Eichhorn, and Jan Koetsier. He was awarded numerous distinctions in international competitions, like the Van Cliburn Competition and the Ferruccio Busoni Competition. Extensive concert appearances led to his appearance on international platforms from the very start of his career. His 1968 debut in Munich provoked enthusiastic reviews. He appeared repeatedly at major festivals, and as a soloist with orchestras and conductors of repute. A high point of the last season was Koehlen's performance of both volumes of Bach's Well-Tempered Clavier on the 250th anniversary of Bach's death, during the Bach Night at the Munich Culture Centre am Gasteig. His first co-production (Karl Amadeus Hartmann/Leos Janáˇcek) reached the final list for the German Record Critics' Prize. Further releases of works by Stravinsky, Antheil, Satie, Artur Schnabel, and Hindemith (complete violin sonatas, with Ulf Hoelscher) followed. During his career to date, Koehlen has maintained longstanding chamber music partnerships with soloists like Ulf Hoelscher, Christoph Henkel, and Michael Schopper. Since the foundation of the Balance Trio in 1996, his activities in this area have seen further expansion. Minimize

The record label didn't want Nelson to do this project, ins ... Read more

The record label didn't want Nelson to do this project, inspired partially by the death of pop crooner Bing Crosby. Standard material - "Moonlight in Vermont", "All of Me", "Don't Get Around Much Anymore" - is arranged by Booker T. Jones of Green Onions fame and recorded in Nelson's inimitable style in Emmylou Harris' house. Track Listing 1. Stardust 2. Georgia On My Mind 3. Blue Skies 4. All of Me 5. Unchained Melody 6. September Song 7. On The Sunny Side Of The Street 8. Moonlight in Vermont 9. Dont Get Around Much Anymore 10. Someone to Watch Over Me Minimize

This songbook matching the 2006 release from these metal le ... Read more

This songbook matching the 2006 release from these metal legends features notes & tab for all 10 intense tracks: Brighter Than a Thousand Suns ? Different World ? For the Greater Good of God ? The Legacy ? The Longest Day ? Lord of Light ? Out of the Shadows ? The Pilgrim ? The Reincarnation of Benjamin Breeg ? These Colours Don't Run. Minimize

Libretto by Alice Goodman

This talented pianist and his group Brasil '66 have scored ... Read more

This talented pianist and his group Brasil '66 have scored several Latin-flavored hits. This disk includes eight great favorites performed by Shannon Grama: Berimbau The Fool on the Hill Like a Lover The Look of Love Mas Que Nada Pretty World So Many Stars Watch What Happens. Minimize

Life, Death, Love and Freedom is the 2008 Folk rock album b ... Read more

Life, Death, Love and Freedom is the 2008 Folk rock album by singer-songwriter John Mellencamp and produced by T-Bone Burnett. Mellencamp has characterized the album as a collection of "modern Electric Folk songs." The album's first single is "My Sweet Love." 14 tracks. Minimize

Owning and operating a recording studio presents the same c ... Read more

Owning and operating a recording studio presents the same challenges faced by other businesses. Successful recording studio owner Tom Volinchak reveals the ins and outs of how to turn your musical passion into a profitable venture. In this enlightening book, he covers in detail: sales and marketing techniques; promotional tools; adding value to your business; finding new business; making your studio demo; equipment tips; studio profiles; resource listings; and much more. "If recording means more than a hobby to you, get this book - it'll pay for itself in spades." - Lorenz Rychner, Editor, Recording magazine Minimize

Ingrid Fliter is a one-off, the kind of pianist we have not ... Read more

Ingrid Fliter is a one-off, the kind of pianist we have not seen in years. She plays Beethoven with an old-master's touch and Chopin with reckless passion. (La Scena Musicale) For her third EMI Classics recording, Ingrid Fliter turns to three of the most passionate and powerful Beethoven sonatas with titles to match: Op. 13 `Pathétique', Op. 31 No. 2 `Tempest' and Op. 57 `Appassionata'. The iTunes bonus tracks are the Opus 33 Bagatelles Nos. 2, 6 and 7. Fliter said recently, "Through working on Beethoven's music I discovered the man, the humanity he expressed in his music. He took his life and music -and his mission- very seriously. He was an extremist. He did not give any concessions or compromises. He was not afraid of showing himself as he was and as such made many enemies as well as friends, lovers and admirers. I am among the latter." Reviewing a recent recital that included Beethoven's Sonata No. 18, Op 31 No. 3, Chicago Classical Review wrote, "Fliter brought not just a sterling technique but just the right sense of quirky humor and individuality to this music. Rarely will one hear the jocular side of Beethoven put across with such spirit, the dynamic contrasts underlined, and Fliter's light articulation bringing a vivacious Haydnesque wit to the music. [...] She also brought out the pensive side of the songful Menuetto and the rollicking Presto was aptly con fuoco making a rousing conclusion to a first-rate Beethoven performance." Fliter is associated in many people's minds with the music of Chopin. She was the Silver Medal winner of the Frédéric Chopin Competition in Warsaw in 2000, since which time she has performed his music extensively and made two critically acclaimed Chopin recordings for EMI Classics. Comparing the music of Chopin and Beethoven, she said, "Playing Beethoven requires a totally different approach than playing Chopin. Chopin is more about him. You are the interpreter, you create the sound and people receive the beauty from you. But Beethoven is all about him wishing to communicate with the world. He wanted to catch the sky, catch nature and be part of it. He was all about giving. And this is something I want to create when I play. It's not about me, it's about the music, it's about Beethoven." Of the three Beethoven sonatas performed on this CD, only one was assigned its title by the composer. This was the `Grande sonate pathétique', composed in 1798 in Vienna and dedicated to Prince Karl Lichnowsky, a supporter who had introduced Beethoven to Viennese aristocracy. The sonata was composed at a time when Beethoven was becoming aware of his encroaching deafness. Although Beethoven did not name his sonata Op. 31 No. 2 `Tempest,' there are unconfirmed reports that he thought of Shakespeare's play in connection with the music. Beethoven's only sonata in the unusual key of D minor dates from 1802, a dark period in his life and the year of his Heiligenstadt Testament, a letter addressed to his brothers "to be read and executed after my death". In it, he described his despair over the progression of his deafness, his rejection of suicide and his decision to "endure this wretched existence" for the sake of his work. The name Appassionata affixed to Beethoven's Sonata Op. 57 was not chosen by the composer but is very apt as the work is passionate, dramatic and tempestuous. The title was chosen by the publisher in 1838, 11 years after the composer's death. The Appassionata was composed in 1804/1805 and possibly into 1806. It cost Beethoven a great deal of time and effort in the same period that he was composing the Eroica Symphony, the Kreutzer Sonata and the Leonora Overture No.2. Beethoven is said to have considered Op. 57 his greatest sonata until he composed the Hammerklavier in 1818. Ingrid Fliter began her studies in her native Buenos Aires before moving to Europe to continue them in France and Italy. She won prizes at important competitions, including the Busoni Co Minimize

(Rare Jazz and Popular Songs from the American Songbook) Pe ... Read more

(Rare Jazz and Popular Songs from the American Songbook) Performed by Dinah Washington. Songbook for voice and piano. 64 pages. Published by Professional Music Institute. (PM.44008) ISBN 1933657081. Standards. 9x12 inches. A new collection of rare and hard-to-find songs recorded by Dinah Washington. All are great Jazz & Pop songs from the Great American Songbook. Complete Piano/Vocal Sheet Music arrangements with verses and chord names beautifully printed and engraved. Size 9 x 12 Published by Professional Music Institute. Contents: After You've Gone Ain't Nobody's Business If I Do All Of Me Baby, Won't You Please Come Home? Birth Of The Blues, The Blue Gardenia Destination Moon Do Nothin' Till You Hear From Me For All We Know Good Morning Heartache I Didn't Know About You I Won't Cry Anymore More Than You Know T'aint Nobody's Biz-ness If I Do Teach Me Tonight There Goes My Heart There'll Be Some Changes Made They Didn't Believe Me Without A Song You Go To My Hea Minimize

In the early '80s former Commodore Lionel Richie had more ... Read more

In the early '80s former Commodore Lionel Richie had more than a dozen tunes enter the Top Ten including five that reached Number One. On this disk Joel Plimmer plays eight romantic favorites from this soft rock superstar: Endless Love Hello Nightshift Penny Lover Say You Say Me Still Stuck on You Three Times a Lady. Minimize

Although it's nearly impossible to top being a key member o ... Read more

Although it's nearly impossible to top being a key member of the greatest band of all time Paul McCartney hasn't rested on his laurels. This disk showcases eight great songs culled from McCartney's solo career as well as his days with Wings: Band on the Run Ebony and Ivory Jet Live and Let Die No More Lonely Nights Say Say Say With a Little Luck. Minimize

Purveyors of "pure American death metal," these VA metalcor ... Read more

Purveyors of "pure American death metal," these VA metalcore kings don't disappoint on their 2006 CD. Our songbook features note-for-note transcriptions with tab for all 11 drop-D delights, including the hit single "Redneck" and: Again We Rise * Descending * Pathetic * Requiem * and more. PARENTAL ADVISORY: EXPLICIT LANGUAGE Minimize

Here are 18 vocal selections from Maury Yeston's 2011 off-B ... Read more

Here are 18 vocal selections from Maury Yeston's 2011 off-Broadway sensation, widely acclaimed for its lush and romantic score. Songs: Alive! · Alone Here with You · Bathing Music · Centuries · Death Is in the House · December Time · Finally to Know · How Will I Know? · I Thought That I Could Live · Life's a Joy · Losing Roberto · More and More · Pavane · Roberto's Eyes · Shimmy like They Do in Paree · What Do You Do · Who Is This Man? · Why Do All Men?. Includes a special 4-page section of full-color production photos, and a plot synopsis. Minimize

We proudly present the matching folio to the highly anticip ... Read more

We proudly present the matching folio to the highly anticipated CD by these heavy metal masters - the first to feature bassist Robert Trujillo, and the first produced by Rick Rubin. Includes artist-approved notes and tab for the hit single "The Day That Never Comes" and 9 more: All Nightmare Long * Broken, Beat and Scarred * Cyanide * End of the Line * The Judas Kiss * My Apocalypse * Suicide and Redemption * That Was Just Your Life * The Unforgiven III. Minimize

Presenting the matching folio to the highly anticipated CD ... Read more

Presenting the matching folio to the highly anticipated CD by these heavy metal masters - the first to feature bassist Robert Trujillo, and the first produced by Rick Rubin. Includes artist-approved notes & tab for the hit single "The Day That Never Comes" and 9 more: All Nightmare Long - Broken, Beat & Scarred - Cyanide - End of the Line - The Judas Kiss - My Apocalypse - Suicide & Redemption - That Was Just Your Life - The Unforgiven III. Minimize

John Eliot Gardiner, the Monteverdi Choir and the English B ... Read more

John Eliot Gardiner, the Monteverdi Choir and the English Barque Soloists devoted the year 2000, the 250th anniversary of the death of J.S. Bach, to performing and recording every church one of the 200 extant church cantatas written by the barque composer. This program gives a taste of this formidable challenge, sitting in on Gardiner's first rehearsals with the choir and chamber orchestra of Cantata No. 63, "Christen, atzet diesen Tag." Composed to celebrate Christ's Nativity, the joyful and festive work is more like an oratorio that a typical cantata, requiring a sizeable orchestra and four soloist, on this occasion Ann Monoyios (soprano), Sara Mingardo (alto), Rufus Muller (tennor), and Stephan Loges (bass). Minimize