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In this highly anticipated book, Eric Sams examines each of
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In this highly anticipated book, Eric Sams examines each of Johannes Brahms's 213 songs, translates the texts into English, and provides original commentary on points of musicology and literary detail. Sams here reveals for the first time the full extent of the poetry, fantasy, and humour of the composer's work. After an introduction to Brahms as a song-writer and to his use of motifs, the book offers a complete song-by-song analysis and will serve as an invaluable companion for students, performers, and listeners alike. Sams demonstrates how Brahms built a verbal expressiveness from his unsurpassed devotion to musicianship and musicology. Songs were among Brahms's first and last works, and much of his music is associated with words, whether overt texts or covert allusions. Essential to the composer's method of song-writing was a harmony between musical form and poetic text. Sams underscores the use of motifs at the core of Brahms's song-music. He argues that it is not so much with words that Brahms sings to us, but with the very music itself. Brahms became the innovator of an all-pervasive new language in which musical form became a medium for poetic dialogue.
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Influenced by Robert and Clara Schumann and Joseph Joachim,
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Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental works in his subsequent career. During the final year of his life, however, he returned to pure organ composition with a set of chorale preludes--though many of these are thought to have been revisions of earlier works. Today, the organ works of Johannes Brahms are recognized as beautifully-crafted compositions by church and concert organists across the world and have become a much-cherished component of the repertoire. Until now, however, most scholarly accounts of Brahms's life and work treat his works for the organ as a minor footnote in his development as a composer. Precisely because the collection of organ works is not extensive, the pieces--composed at different times during Brahms's lifetime--help to map his path as a composer, pinpointing various stages in his artistic development. In this volume, Barbara Owen offers the first in-depth study of this corpus, considering Brahms's organ works in relation to his background, methods, and overall artistic development, his contacts with organs and organists, the influence of his predecessors and contemporaries, and analyses of each specific work and its place in Brahms's career. Her expert history and analysis of Brahms's individual organ works and their interpretation also investigates contemporary practices relative to the performance of these pieces. The book's three valuable appendices present a guide to editions of Brahms's organ works, a discussion of the organ in Brahms's world that highlights some organs the composer would have heard, and a listing of the organ transcriptions of Brahms's work. Blending unique insights into composition and performance practice, this book will be read eagerly by performers, students, and scholars of the organ, Brahms, and the music of the Nineteenth Century.
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With diction lessons recorded by Irene Spiegelman, German d
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With diction lessons recorded by Irene Spiegelman, German diction coach at the Metropolitan Opera, and piano accompaniments recorded by Laura Ward, this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it, showing flow of the language and mood, followed by a slow, deliberate lesson, allowing time for the student to repeat each line. This experienced language coach adapts the ''R'' in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings. Contents: Botschaft * Dein blaues Auge * Die Mainacht * Feldeinsamkeit * Immer leiser wird mein Schlummer * Meine Liebe ist grün * Mondnacht * O liebliche Wangen * O wüsst ich doch den Weg zurück * Sapphische Ode * Sonntag * Ständchen (Kugler) * Vergebliches Ständchen * Von ewiger Liebe * Wie Melodien zieht es mir.
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With diction lessons recorded by Irene Spiegelman, German d
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With diction lessons recorded by Irene Spiegelman, German diction coach at the Metropolitan Opera, and piano accompaniments recorded by Laura Ward, this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it, showing flow of the language and mood, followed by a slow, deliberate lesson, allowing time for the student to repeat each line. This experienced language coach adapts the "R" in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings. Contents: Botschaft * Dein blaues Auge * Die Mainacht * Feldeinsamkeit * Immer leiser wird mein Schlummer * Meine Liebe ist grün * Mondnacht * O liebliche Wangen * O wüsst ich doch den Weg zurück * Sapphische Ode * Sonntag * Ständchen (Kugler) * Vergebliches Ständchen * Von ewiger Liebe * Wie Melodien zieht es mir.
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An English translation of a movement from Brahms' Requiem.
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An English translation of a movement from Brahms' Requiem. This edition for SATB Choir by John E. West can be used with either a Piano or Organ Accompaniment. Songs: How Lovely Are Thy Dwellings
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(Hungarian Dance No. 5, Lullaby Op. 49, No. 4, Finale from
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(Hungarian Dance No. 5, Lullaby Op. 49, No. 4, Finale from Symphony No. 1 - Full Score). By Johannes Brahms (1833-1897). Arranged by Joseph Compello. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Euphonium, Bassoon, Tuba, Bells, Timpani, Snare Drum, Bass Drum, Suspended Cymbal, Tambourine. Carl Fischer First Plus Performance Series. Grade 1.5. Full Score. Standard notation. 20 pages. Published by Carl Fischer
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Introduce your choir to an orchestral masterwork with this
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Introduce your choir to an orchestral masterwork with this choral adaptation of the main theme from Brahm's Symphony No. 1. A new text exults the dream of freedom shared by all the world's peoples. SoundTrax CD features live strings, or add your own string orchestra.
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Simplified Masterwork Solo.
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Johannes Brahms was not the only great composer to write a
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Johannes Brahms was not the only great composer to write a beautiful lullaby. Virgin Classics is proud to release a brand new compilation containing 18 exquisite, gentle pieces to help you rock your baby to sleep, by such masters as Chopin, Strauss, Debussy, Ravel and Fauré. Classic Lullabies features great artists including Truls Mørk, Anne Sofie von Otter, Danielle Laval, The Nash Ensemble and Kun Woo Paik. These artists are heard performing such classics as Brahms' Wiegenlied, Debussy's Claire de Lune, and Saint-Saëns' Aquarium from Le Carnaval des Animaux. This soothing collection of lullabies will guarantee the sweetest classical dreams.
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By Johannes Brahms (1833-1897). Arranged by Andrew Balent.
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By Johannes Brahms (1833-1897). Arranged by Andrew Balent. Concert Band. For Flute I, Flute II, Oboe, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Tenor I, Tenor II, Baritone (Treble Clef. Carl Fischer Concert Performance Series. Classical. Grade 3-3.5. Score and Set of Parts. Standard notation. 15 pages. Published by Carl Fischer
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We Are God's People Instrumental Parts. Combining the regal
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We Are God's People Instrumental Parts. Combining the regal melody of Johannes Brahms with inspired lyrics from Bryan Jeffrey Leach, Fred Bock created a meaningful hymn for the church. Bruce Greer's arrangement of this proud hymn adds a stunning dimension to the whole. Thrilling yet appropriate
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English hymn text writer, Bryan Jeffery Leech, took the pri
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English hymn text writer, Bryan Jeffery Leech, took the primary theme from Johannes Brahms' 1st Symphony, 4th movement and wrote lyrics which have become a hymn standard. We Are God's People is a majestic statement befitting Brahm's regal theme. Allan R
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These two noble and heroic rhapsodies are among Johannes Br
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These two noble and heroic rhapsodies are among Johannes Brahms's best-known works. This Alfred edition is based on the composer's personal copies of the first edition. Dr. Hinson offers valuable performance suggestions along with editorial fingerings and pedal markings, clearly distinguished from the composer's indications as described in the foreword and footnotes. Pianists with small hands may find the first rhapsody somewhat challenging.
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The music, composed long ago, still speaks to us. It reache
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The music, composed long ago, still speaks to us. It reaches out to tell us of profound struggles and great genius, of aching setbacks and glorious triumphs, of three people whose names, like their music, echo across the years: Clara Wieck, Robert Schumann and Johannes Brahms.The intertwined lives of the three musical legends form A Song of Love, a sumptuously produced and skillfully played biopic set to 11 musical pieces that include Schumann's poignant Arabeske, Brahms' tender Lullaby and the Mephisto Waltz of Franz Liszt. Katharine Hepburn portrays renowned pianist Wieck, married to troubled Schumann (Paul Henreid) yet romantically admired by Brahms (RobertWalker). And virtuoso pianist Artur Rubenstein ghosts the recorded pieces that the stars, in a deft display of acting prowess, seem to play on screen. Bravo to all!This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.This product is expected to play back in DVD Video "play only" devices, and may not play in other DVD devices, including recorders and PC drives.
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A pianist and composer, Zemlinsky s primary musical influen
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A pianist and composer, Zemlinsky s primary musical influence was Johannes Brahms. The centerpiece of this program is Maiblumen blühten überall, a short (possibly unfinished) masterpiece of chamber music for soprano and string sextet. The text is based on the first twenty lines of a morbid, mystical poem by Richard Dehmel. We owe the resurrection of these youthful scores by Zemlinsky to the scholarship of musicologist Antony Beaumont.Performers include the Zemlinsky Quartet, the Prazák Quartet, soprano Lucie Hájková and pianist Jaromír Klepác.
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The most readable and comprehensive guide to enjoying over
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The most readable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond.The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features:-- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times;-- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement;-- a glossary of musical terms, from a cappella to woodwinds;-- a step-by-step guide to building a great classical music library.Written with wit and a clarity that both musical experts and beginners can appreciate, The Vintage Guide to Classical Music is an invaluable source-book for music lovers everywhere.
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From Zemlinsky's early success as a composer and widely rec
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From Zemlinsky's early success as a composer and widely recognized achievements as a conductor to his eventual descent into obscurity, this new biography places Zemlinsky against the backdrops of Vienna, Prague and Berlin and illuminates his relationships with figures like Johannes Brahms, Alma Schindler, Gustav Mahler and Arnold Schoenberg. Moskovitz's exploration of Zemlinsky's songs, operas, choral works, chamber music and symphonic compositions follows the composer's search for a distinctly personal sound, revealing an artist caught up in the music of his time yet unwilling to abandon his 19th century roots. Alexander Zemlinsky: A Lyric Symphony includes an Afterword by conductor James Conlon and a complete discography of Zemlinsky recordings.
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The selections are: 1. Uyai Mose (sung in Shona and English
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The selections are: 1. Uyai Mose (sung in Shona and English). 2. Old One Hundredth, 3. And I Saw A New Heaven - Edgar L. Bainton, 4. Here from All Nations, 5. We Will Rejoice! - Roy Hopp , 6. Alleluis! Jesus Is Risen, 7. How Lovely Is Thy Dwelling Place (from The German Requiem - Johannes Brahms), 8. Festival Concertato on Jerusalem the Golden - Larry Visser, 9. Arise, Shine - Donald Peaerson, 10. The Tree Of Life - K. Lee Scott, 11. E'en So, Lord Jesus, Quickly Come - Paul Manz, 12. Go To The World, 13. Allegro from Concerto in G Minor - Karl Heinrich Graun.
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Perform timeless Arias with accompaniment from John Wustman
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Perform timeless Arias with accompaniment from John Wustman, pianist for Pavarotti! Johannes Brahms' beautiful Lieder for high voice make up this album of treasured classics for high voice, now digitally remastered with CD+G encoding. Not to be missed! The CD contains 2 versions of each performance: one with the solo voice, and one without, so YOU’RE the star and perform with Wustman! Perfect for practice, rehearsal, auditions, performances and more! Includes a high-quality printed vocal score and a CD+G graphics-encoded compact disc with stereo accompaniments to each piece. CD+G lyric display requires a CD+G-capable compact disc player and a television set (audio content is playable on any compact disc player, however).
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Sacred Mixed Voices
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1.Felix Mendelsohn - Hear My Prayer ("O for the wings of a
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1.Felix Mendelsohn - Hear My Prayer ("O for the wings of a dove") 2. Bernard Rose - Feast Song for St. Cecilia 3. Johannes Brahms - Ye now are sorrowful 4. Gregorio Allegri - Miserere mei Deus (Psalm 51), motet for chorus 5. Jonathan Harvey - Come Holy Ghost, plainsong hymn 6. John Tavener - Wedding Greeting (I will lift up mine eyes) 7. Michael Wise - The Ways of Zion Do Mourn, anthem Sir Charles Stanford 8. Magnificaat 9. Nunc Dimits 10. Benjamin Britten - Festival Te Deum, for trumpet, chorus & organ, Op. SPARS code: DDD
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Classics for Children Series Designed for the Classics for
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Classics for Children Series Designed for the Classics for Children Series, this lush art song by Johannes Brahms was originally written for solo voices and has been crafted into a 2-part arrangement. The lovely melody and harmonic structure remains and J
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