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CD1)~~1. Body And Soul~~2. Embraceable You~~3. Come Rain Or
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CD1)~~1. Body And Soul~~2. Embraceable You~~3. Come Rain Or Come Shine~~4. The Song Is You~~5. As Time Goes By~~6. I Cover The Waterfront~~7. It's The Talk Of The Town~~8. September Song~~9. She's Funny That Way~~10. Someone To Watch Over Me~~11. Laura~~12. I Can't Get Started~~13. My Romance~~14. It Could Happen To You~~15. Can't We Be Friends?~~16. Bess You Is My Woman~~17. Autumn in New York~~18. What Is There To Say?~~19. Why Shouldn't I?~~20. It's All Right With Me~~~~CD2)~~1. Don't Blame Me~~2. These Foolish Things (Remind Me Of You)~~3. A Fellow Needs A Girl~~4. You Go To My Head~~5. While We're Young~~6. It's Easy To Remember~~7. I'll Be Around~~8. Willow Weep For Me~~9. Serenade in Blue~~10. Falling In Love With Love~~11. But Not For Me~~12. Fools Rush In (Where Angels Fear To Tread)~~13. There's A Small Hotel~~14. Let's Do It~~15. Begin The Beguine~~16. How Long Has This Been Going On?~~17. Then I'll Be Tired Of You~~18. I've Got You Under My Skin~~19. Blue Moon~~20. Isn't It Romantic?
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This is the third edition of this terrific book intended fo
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This is the third edition of this terrific book intended for piano teachers and piano pedagogy students preparing to enter the profession. The book covers aspects of elementary and intermediate level piano teaching for children & adults. Contents: PART 1: ELEMENTARY PIANO INSTRUCTION *Developmental characteristics of children *The preparation of the piano teacher *The private lesson - how to begin *Modes of instruction *Some whys, hows & whats of preschool piano *Selecting a piano series & supplementary music *Music reading at the piano *Naming notes is not reading - a sequential approach to music reading *Transposition *Keyboard theory for the elementary student *Technical development for elementary students *Practicing at the elementary level *Preparing students for concerts *Collaborative playing for the elementary student *Duet, duo piano & concerto play8ing for the elementary student *Holiday repertoire for the elementary student PART 2: INTERMEDIATE PIANO INSTRUCTION *An approach to Bach & Scarlatti *Essential Baroque repertoire for the middle school and high school student *An approach to class repertoire *Essential classic repertoire for the middle school & high school student *An approach to Romantic repertoire *Essential Romantic repertoire for the middle school & high school student *An approach to 20th century music *Essential 20th century repertoire for the secondary student *An approach to jazz literature *Introducing jazz to the intermediate student *Ensemble repertoire for the intermediate student *Technical development for the intermediate student *Practice techniques for the intermediate student *Internalization via memorization for the intermediate student *Fingering principles for the intermediate student *Music medicine and today's piano teacher PART 3: ADULT PIANO INSTRUCTION *The adult beginner in the studio & college *The adult in a college piano lab *Standards in piano proficiency PART 4: TECHNOLOGY & PIANO TEACHING & more
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40 Piano Solos of Pop Songs: DISC 1. everygreen/all I ask o
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40 Piano Solos of Pop Songs: DISC 1. everygreen/all I ask of you/unforgettable/with you I'm born again/wind beneath my wings/theme from Deer Hunter/from a distance/somewhere out there/Georgia on my mind/endless love/as time goes by/that's what friends are for/my funny valentine/memory/girl from Ipanema/theme from Ice Castles/sealed with a kiss/I hope I never/theme from Chess/what a wonderful world. DISC 2. Carpenters medley/somewhere/summer mist/music of the night/the way we were/theme from Lloyd George/against all odds/didn't we almost have it all/people/lady/someone to watch over me/tonight I celebrate my love/making love/piano by candelight/on my own from Les Miserables/ole devil called love/theme from Summer of '42/greatest love of all/dawn of a lifetime/unchained melody.
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Known for its richly diversified styles of repertoire and e
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Known for its richly diversified styles of repertoire and ensemble pieces and its abundance of creative materials, Contemporary Class Piano, Seventh Edition, includes the widest-ranging repertoire of solo and ensemble pieces available in any beginning piano text. Elyse Mach presents an abundant solo and ensemble repertoire--which includes classical pieces and folk, jazz, rock, pop, and blues tunes--providing ample opportunities for students to improvise, transpose, harmonize, and compose accompaniments.FEATURES OF THE NEW EDITION* Reorganized from six to ten units, the material is now more accessible for classroom use.* Twenty diverse new reading, repertoire, and ensemble pieces introduce students to music of various styles and levels of difficulty.* Unit 9 provides additional practice opportunities in interpreting chord symbols and harmonizing.* More score reading examples in three- and four-part settings provide reinforcement of chorale style reading.* Alto and tenor clef reading examples are introduced.* Two new appendices offer more help: Appendix B features vocal and instrumental accompaniments to help students further develop skills, and Appendix E offers a timeline and historical overview of the style and characteristics of music from the Baroque period through the 21st century.* Appendix A presents new material on transposing instruments.* New CD and MIDI disk icons in the text indicate track numbers for ease of reference.* "Practice Strategies" boxes give beginners helpful hints.* A "Classic Miniatures" section of excerpts contains original keyboard pieces written by master composers.* Worksheets appearing at the end of most chapters provide further practice opportunities.SUPPORT PACKAGE* A new in-text audio CD for students, which includes orchestrations by renowned composers Phillip Keveren and Jason Nyberg, presents selected pieces at both practice tempo and performance tempo.* A set of four MIDI disks--containing approximately 240 orchestration accompaniments prepared by composers Phillip Keveren and Jason Nyberg--motivates students to practice and complete their assignments more readily. This set is available free to adopters.* The Instructor's Companion Website (www.oup.com/us/classpiano) will offer suggested lesson plans, teaching tips, and full track listings for the in-text CD and Instructor MIDI disks.
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Highly acclaimed for its creative approach to beginning pia
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Highly acclaimed for its creative approach to beginning piano, Contemporary Class Piano presents materials in an engaging manner and in a logical progression of difficulty. Easily accessible to students with no prior music or keyboard experience, the book offers a well-rounded and abundant solo and ensemble repertoire--including classical pieces and folk, jazz, rock, pop, and blues tunes--with ample opportunities for students to improvise, transpose, harmonize, and compose accompaniments. New to the sixth edition · FREE TO INSTRUCTORS UPON ADOPTION: Packaged separately from the text, a set of four MIDI disks--containing approximately 200 orchestration accompaniments prepared by renowned composer Phillip Keveren--that can be used in class. These accompaniments motivate students to practice and complete their assignments more readily. · A teacher's manual with suggested lesson plans and teaching tips available at www.oup.com/us/classpiano · Thirty-one new solo repertoire and sixteen new ensemble repertoire pieces (arranged for four to eight hands) · Thirteen new songs to harmonize, six of which make up a new "Famous Themes" section, with favorites such as F�r Elise and Liebestraum · Eighteen new teacher accompaniments · Easy-to-play arrangements of three patriotic songs in Appendix C · Opportunities for students to experience aleatoric (chance) music in Unit 1
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4 discs: The Way We Were;As Time Goes By;Moonlight Sonata;R
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4 discs: The Way We Were;As Time Goes By;Moonlight Sonata;Rhapsody in Blue;Evergreen;Two For the Road;Send in the Clowns;Im always Chasing Rainbows;Annies Song;Song from 10;What I Did For Love;Softly As I Leave You;Autumn Leaves;The Girl from Ipanema;I Just Called to Save I Love You;The 59th St Bridge Song;The Impossible Dream;Hello;Canadian Sunset;Yesterday;Theme from a Summer Place;Careless Whisper;Love Theme from Techaikovskys Romeo & Juliet;O Mio Babbino Caro;Exodus;You Light Up My Life;The Greatest Love of All;Somewhere My Love;Nadias Theme;Tomorrow;Tonight;Theme from The Apartment;Theme from Lawrence of Arabia;Can You Read My Mind;Midnight Cowboy;Theme from New York New York;All the Things You Are;My Melancholy Baby;Feelings;Weve Only Just Begun;Strauss Waltzes;Love Is a Many Splendored Thing;Whispering;Somebody Loves Me;It Had to Be You;The Entertainer;Born Free;Welcome to my World;Raindrops Keep Fallin on my Head;Hey Good Lookin;The Waltz You Saved For Me;King of the road;Theme from Love Story;Last Date;Put a Little Love in your Heart; Tennessee Waltz;How Great Thou Art;Jambalaya;Danny Boy;Song from MASH;Some Enchanted Evening;Just One of Those Things;Long Ago and Far Away;Tara Theme from Gone With the Wind;The First Time Ever I Saw Your Face; So In Love;Ebb Tide; I Have Dreamed;Love Theme From Romeo & Juliet;Almost Like Being in Love;If Ever I Would Leave You;Climb Evry Mountain;Like Young;Heres That Rainy Day;Whos Sorry Now;Love Walked In;Thinking of You;Younger Than Springtime;Nevertheless;Love Is Just Around the Corner;More Than You Know;I Will Wait For You
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Master the art of stride piano playing, using the never-bef
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Master the art of stride piano playing, using the never-before explained techniques of masters like Fats Waller, James P. Johnson, and Donald Lambert to turn any song into a stride masterpiece. Stride piano stormed the New York jazz scene of the 1920s and 30s, growing from its ragtime and blues roots to become what many consider to be the fullest, most trick-filled and exciting jazz piano style ever invented. With over 50+ stride techniques and 150+ carefully explained examples plus performance tips, this book shows how to make your piano sparkle like never before. The book also includes Kast's highly acclaimed mini crash course in music theory, which serves as great background preparation for all musical styles. Audio recordings of all the tricks in the book can be heard or downloaded from the companion website at no additional charge.
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About this release Whether you agree with the guitarist An
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About this release Whether you agree with the guitarist Andrés SegovÃa, who remarked that 'the piano is a monster that screams when you touch its teeth', or with the philosopher Arthur Schopenhauer, for whom the piano was 'a little orchestra in itself', never has so comprehensive a sound-history of the instrument been assembled in a single, commercial set as this new Piano 100 box from Brilliant Classics. Opening with the godfather of the keyboard sonata, Domenico Scarlatti, and closing with one of the great devotional masterpieces of the last century, Messiaen's Vingt Regards, Piano 100 takes in, along the way, the complete sonatas of Mozart, Beethoven and Scriabin, the complete solo-piano music of Chopin, Debussy and Ravel, warhorses like Mussorgsky's Pictures at an Exhibition, masterpieces of the miniature by Grieg and Janácek, conservative studies by Czerny and wacky journeys into the instrument's far reaches with Cage. All of pianistic life is here, and among your guides are some of the great names to have touched the keyboard in the recording era: Alfred Brendel, Emil Gilels and Sviatoslav Richter. Further information - Full booklet notes included on a bonus CD-ROM Piano scores in PDF format for the majority of music on the disc on a bonus DVD-ROM specially compiled for this issue by CDSheetmusic.com
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Beethoven's piano sonatas form one of the most important co
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Beethoven's piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious pieces for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1970s through the sonatas of Beethoven's youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812-1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven's sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today's audience, Charles Rosen has written a guide that brings out the gravity, passion, and humour of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians or professional pianists. This book includes a free CD of Rosen performing extracts from several of the sonatas, illustrating points made in the text.
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This book is based on detailed notes taken by the author du
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This book is based on detailed notes taken by the author during a decade of study under one of the renowned teachers of piano, whose pupils included such pianists as Gary Graffman, Lilian Kallir, Jacob Lateiner, and Sylvia Saremba and such composer/conductors as Samuel Barber, Leonard Bernstein, Lukas Foss, and Thomas Scherman. Following a brief chapter on Vengerova's personality, the author presents the Vengerova system in respect to posture and hand position, accents, "singing tone," fingering, and pedaling. A final chapter discusses the merits of a relatively rigid system of musical instruction, concluding that Vengerova's approach encouraged 'variety with an underlying unity'- a conclusion supported in a survey of her former pupils by Joseph Rezits. The book is illustrated with photographs and excerpts from musical scores. An appendix includes an article by the Soviet musicologist Vitaly Neumann on Isabelle Vengerova's teaching at the St. Petersburg Conservatory from 1906 until the Revolution, following a concert career. It also includes an obituary by Jay S. Harrison outlining her teaching accomplishments at the Curtis Institute and the Mannes College of Music between 1924 and her death in 1956.
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Like the symphonies of Beethoven, Mozart's piano concertos
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Like the symphonies of Beethoven, Mozart's piano concertos constitute an extraordinary body of work that will never disappear from our culture. Yet despite widespread recognition of their importance, they still present many interpretive problems. In 1989, the Michigan MozartFest brought expert performers, instrument makers, critics, music theorists, and musicologists together for the first symposium devoted exclusively to Mozart's piano concertos. The twenty-one essays in Mozart's Piano Concertos, culled from that event, richly broaden our understanding of this corpus.The volume's first section consists of commentaries on the texts of the concertos, including thoughts on creating a critical edition. In subsequent sections, contributors analyze the structure of the pieces and the circumstances in which they were first composed and performed. How do these works compare with other concertos of the period? Where were Mozart's contributions truly original, where conventional? What musical references did he expect his listeners to catch?Generously illustrated with facsimiles, tables, and more than one-hundred musical examples, Mozart's Piano Concertos substantially advances our understanding of these wonderful works. Its exceptional scope--addressing everything from textual problems (what notes should be played?) to performance practice (how can we make the music sound more nearly as Mozart heard it?)--will make it invaluable to anyone who loves his piano concertos.Contributors:V. Kofi Agawu, Wye Jameson Allanbrook, Eva Badura-Skoda, Karol Berger, Richard Crawford, Ellwood Derr, Dexter Edge, Cliff Eisen, Martha Feldman, David Grayson, William Kinderman, Robert D. Levin, Janet M. Levy, David Rosen, Carl Schachter, Elaine Sisman, Jane R. Stevens, Alan Tyson, James Webster, Christoph Wolff, and Neal Zaslaw.Neal Zaslaw is Professor of Music, Cornell University.
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Pro Version. CD-ROM software. With CD-ROM. 8x9.5 inches. Pu
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Pro Version. CD-ROM software. With CD-ROM. 8x9.5 inches. Published by Jss Music.Let Dick Hyman take you on a thrilling musical journey to 52nd St, the Cotton Club, Carnegie Hall, Chicago, Kansas City, a Ragtime Saloon, New Orleans' Storyville and other legendary jazz night spots! Years in the making, this outstanding CD-ROM is a complete and informative history of jazz piano, led by the masterful Dick Hyman, a virtuoso unparalleled in his versatility. Recorded by Hyman himself on a Disklavier in his Florida studio are 103 historically important songs that highlight the diverse styles of 60 of the most influential pianists of the last 100 years, such as Count Basie, Bix Beiderbecke, Eubie Blake, Dave Brubeck, Nat Cole, Duke Ellington, Bill Evans, Thelonious Monk, Bud Powell, Art Tatum, McCoy Tyner, Fats Waller, and dozens more! This terrific reference tool includes extensive commentary and recollections by Hyman and some of the artists to whom he pays tribute, biographies, and extensive discographies of the original recordings recreated here. The Pro version includes two disks and features over 90 minutes of instrucational video, with nine complete lessons, printable scores, a MIDI studio with all of the qualities of a virtual player piano, and more! Minimum System Requirements: 12 MB RAM Windows 95/98 Mac OS 7.5/8.
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The book focuses on skill development for the beginning pia
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The book focuses on skill development for the beginning pianist. Contents: (Main headings) *Introduction *Three basic keys *Intervals *Chords *Beyond the 5 finger position *Varied accompaniment patterns *Minor keys *4 part chorale style *Holiday songs *Songs of our country *Harmonizing melodies *Duets & rounds *Studies *Classics for the piano
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Stop dreaming about playing the piano and learn now! Scott
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Stop dreaming about playing the piano and learn now! Scott The Piano Guy Houston, the pianist, author and multiple Emmy Award-winning host of the public television series, The Piano Guy. In this collection Scott teaches you exactly what you need to know to immediately start playing the music that you love on your own piano or keyboard. This 12-DVD set makes learning piano easy and is perfect for absolute beginners, intermediate players or even more advanced pianists! A simplified way to learn how to play piano Step-by-step video instruction with a teacher by your side Learn to play the non-classical songs you love to listen to Fun and easy-to-learn techniques, mini-lessons, tips, tricks and secrets Blues, pop, standards, jazz, Latin, rockabilly and kids tunes Eye-opening segments with incredible guest pianists Learn how to make your playing sound more professional Understand chords, slides, scales, melodies, roots, left-hand patterns and more Learn everything you need to know to play any piece of piano music Audio tracks let you play along with the professionals Learn to play songs including: DON T KNOW WHY IMAGINE - FLY ME TO THE MOON - AMAZING GRACE SWEET HOME ALABAMA YESTERDAY AS TIME GOES BY - MOON RIVER BYE BYE BLACKBIRD THE CHRISTMAS SONG YOUR SONG YOU ARE MY SUNSHINE IT HAD TO BE YOU SCARBOROUGH FAIR HAVE A LITTLE FAITH IN ME LOUIE, LOUIE A THOUSAND MILES NEW YORK, NEW YORK THE ENTERTAINER MACK THE KNIFE THE ROSE NEARER MY GOD TO THEE MORNING HAS BROKEN WINTER WONDERLAND JOY TO THE WORLD - CHRISTMAS TIME IS HERE WHITE CHRISTMAS AND MANY, MANY MORE! Learn to improvise, read sheet music, and build chords. Have fun playing kid tunes, learn rolling chords and root chords. Discover pedal tones, improve left-hand playing, and ballad endings. Find out how to make basic chords interesting, and change a temp for an intro.
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Luxuriously bound with a unique, faux-suede embroidered des
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Luxuriously bound with a unique, faux-suede embroidered design and an exquisite presentation box, this volume will be treasured for years to come as a book to play from, read and re-read. This lavishly produced book is the ultimate collection of West End and Broadway favorites. Carefully selected, meticulously transcribed and beautifully presented, these songs represent some of the greatest songs ever written for stage. Songs include: Ain't Misbehavin' · As Long As He Needs Me (from Oliver!) · Cabaret · Can't Help Lovin' Dat Man (from Showboat) · Do You Hear the People Sing? (from Les Miserables) · Don't Cry for Me, Argentina (from Evita) · If I Were a Rich Man (from Fiddler on the Roof) · Luck Be a Lady (from Guys and Dolls) · Oh, What a Beautiful Mornin' (from Oklahoma) · Over the Rainbow (from Wizard of Oz) · Springtime for Hitler (from The Producers) · The Music of the Night (from The Phantom of the Opera) · Till There Was You (from The Music Man) · and many more. Includes photos and a brief description of each show represented.
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This is the third edition of this terrific book intended fo
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This is the third edition of this terrific book intended for piano teachers and piano pedagogy students preparing to enter the profession. The book covers aspects of elementary and intermediate level piano teaching for children & adults. Contents: PART 1: ELEMENTARY PIANO INSTRUCTION *Developmental characteristics of children *The preparation of the piano teacher *The private lesson - how to begin *Modes of instruction *Some whys, hows & whats of preschool piano *Selecting a piano series & supplementary music *Music reading at the piano *Naming notes is not reading - a sequential approach to music reading *Transposition *Keyboard theory for the elementary student *Technical development for elementary students *Practicing at the elementary level *Preparing students for concerts *Collaborative playing for the elementary student *Duet, duo piano & concerto play8ing for the elementary student *Holiday repertoire for the elementary student PART 2: INTERMEDIATE PIANO INSTRUCTION *An approach to Bach & Scarlatti *Essential Baroque repertoire for the middle school and high school student *An approach to class repertoire *Essential classic repertoire for the middle school & high school student *An approach to Romantic repertoire *Essential Romantic repertoire for the middle school & high school student *An approach to 20th century music *Essential 20th century repertoire for the secondary student *An approach to jazz literature *Introducing jazz to the intermediate student *Ensemble repertoire for the intermediate student *Technical development for the intermediate student *Practice techniques for the intermediate student *Internalization via memorization for the intermediate student *Fingering principles for the intermediate student *Music medicine and today's piano teacher PART 3: ADULT PIANO INSTRUCTION *The adult beginner in the studio & college *The adult in a college piano lab *Standards in piano proficiency PART 4: TECHNOLOGY & PIANO TEACHING & more
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Four discs, 82 tracks. Disc one is "Unfrogettable" and "Ten
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Four discs, 82 tracks. Disc one is "Unfrogettable" and "Tenderly". Disc two is "As ime Goes By" and Thanks For The Memory". Disc three is "Easy To Love/The Music Of Cole Porter", "'S Wonderful/The Music Of George Gershwin", and "Stardust". Disc four is "Moonglow" and "Some Enchanted Evening". Sample of songs is: Moonlight In Vermont, La Vien Rose, Ebb Tide, Tenderly, Deep Purple, Canadian Sunset, As Time Goes By, Laura, Smile, Love walked In, Memories Are Made Of This, Sentimental Journey, Anything Goes, You'd Be So Nice To Come Homwe To, Always, Autumn Leaves, April In Paris, Moments To Remember, Grensleeves, Moonglow, Stars Fell On Alabama, All Of Me, Night and Day, Stranger In Paradise, You'll Never Walk Alone.
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Premiere recording of all the Roman Maciejewski mazurkas fo
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Premiere recording of all the Roman Maciejewski mazurkas for piano on a double album, performed by Anna Brozek. The Polish-American pianist, organist, choral conductor, and composer, Roman Maciejewski, was born of Polish parents in Berlin. His mother taught him to play piano at the age of 5. from 1916 to 1919 he studied at the Stern Conservatory in Berlin with S. Goldenweiser. He then studied with Zeleski at the State Conservatory in Poznan, from which he received his diploma as a concert pianist in 1922. He also studied composition with Wiechowicz in Poznan. While still a very young man, he was director of the largest choir in Poznan (S. Moniuszko Choir). In 1932 he entered the Academy of Music in Warsaw, where he studied with Szymanowski and Sikorski, but left without completing his studies to embark on a tour of the Balkan states with recitals of his own piano compositions. He went to Paris in 1934, and studied with Nadia Boulanger. At a performance of his concerto for two pianos in London Roman Maciejewski met Kurt Joos who then commissioned music for two ballets. In 1939 Maciejewski began his first "Swedish" period - he married a Swedish dancer and lived in Sweden for 12 years, active as a composer and pianist. He composed music for several theater productions of Ingmar Bergman, including Camus's Kaligula. While in Sweden, he began his life-work, the Missa pro defunctis - Requiem, which he finished fifteen years later. This monumental piece is dedicated to all the victims of all wars and remains Maciejewski's best known and highest-regarded composition. After World War II, in 1951 (or 1952), he moved from Sweden to the USA and spent a period of 26 years in California, living in Redondo Beach, working as the organist for two Catholic churches, and directing the "Roman Choir". During his American years, Maciejewski composed a number of choral pieces and masses. In 1977 he moved back to Sweden, settling in Gotteborg where he died in 1998.
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Alan Jemison s Music series is a music reading program desi
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Alan Jemison s Music series is a music reading program designed as a self-instruction so parents can learn too. Contents of Book 4: Time Signatures, Duple Time, Triple Time, 6/8 PatternsSaviour, We Come to TheeDrink to Me Only With Thine EyesYou, You Live in My HeartWake Up, Brother, Be GladSong of the MuskatellMozart: LullabyJust as Seemeth Good to TheeKirnberger: LullabyMay the Christ-life Shine in MeMozart: Longing for SpringSpirit So HolyS.Foster: The Camptown RacesSchubert: PauseHandel: Minuet from the Water MusicUnder the Poplar TreeA Harsh WindRiddle of the BowWe Rejoice in This LifeThe Lord of GloryThe NunGigue (Samuel Arnold)We ll Never Say GoodbyeBeethoven: Thanksgiving After the Storm (Symphony No.6)The Band Played OnSweet Rest in HeavenIt Came Upon the Midnight ClearC.P.E.Bach: PastoraleTchaikovsky: Scene from Swan Lake BalletJ.C.Bach: AnglaiseSchubert: The Carrier PigeonGreensleevesSchubert: The HunterBrahms LullabyDing Dong, Merrily on HighHymn: Duke StreetHandel: Aylesford PieceHandel: RigaudonSchumann: The Wild HorsemanSchumann: The Happy FarmerCockles and Mussels Author: Alan Jemison Grades: 2 and upFormat: 54 pages, comb bindingPublisher: Alan Jemison
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Alan Jemison s Music series is a music reading program desi
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Alan Jemison s Music series is a music reading program designed as a self-instruction so parents can learn too. Book 3 Set contains music book and 8 CDs. Contents:Lesson 1: Eighth Notes in Four-Four Time (Patterns, etc.)Handel: See, the Conqu ring Hero ComesSpring SongAls Ich Auf Meiner BleicheSchubert: To MusicHymn: CoronationIn My Merry OldsmobileLesson 2: Dividing the Notes on One Staff Between Two HandsMozart: Sonata K.69 for Organ and StringsCome, Ye Thankful People, ComeBrahms: The Sleep WalkerSong of the ShepherdThe Ash GroveLesson 3: Schumann: MelodyBach: Prelude in D Minor for Organ, BWV 554Meet Me in St. LouisSharps and FlatsBrahms: Bitter WordsBeethoven: German DanceCouperin: Le Petit RienLesson 4: Mozart: Andante from Eine Kleine NachtmusikLieutenant HermannThe Marine HymnHandel: Allegro from Flute Sonata No.1Purcell: AirLesson 5: Brahms: Finale from Symphony No.1Bach: Prelude and Fugue in E Minor for Organ, BWV 555Haydn: Austrian HymnBrahms: RemembranceLesson 6: Bach: Minuet (Anna Magdalena)SandmanThe Classical Minuet (explained)Mozart: Menueto from Eine Kleine NachtmusikHandel: Bourree from Flute Sonata No.2 in GLesson 7: Bach: Fugue from Prelude and Fugue in G Major, BWV 557Delibes: Waltz from CoppeliaHandel Gavotte from Flute Sonata in CHandel: MenuetBach: March (Anna Magdalena)Author: Alan Jemison Grades: 2 and upContains: 1 Comb Bind Book and 8 CdsPublisher: Alan Jemison
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Romance Music for Piano (NARADA LOTUS) 1. The Shape Of Her
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Romance Music for Piano (NARADA LOTUS) 1. The Shape Of Her Face - Michael Whalen 2. Old Family Portrait - Kostia 3. Sister Bay - Fred Simon 4. I Always Come Back To You - Douglas McKeeghan 5. Sacred Dance - Ira Stein 6. Reasons For Moving - Fred Simon 7. Minor Truths - Fred Simon 8. The Beginnings Of Love - Ira Stein 9. Melusina - Ira Stein 10. In The Path Of The Heart - Kostia 11. First Light - Michael Whalen 12. Over Shallow Water - Scooter Pietsch 13. A State Of Grace - Michael Gettel 14. First Kiss - David Arkenstone 15. Summer Fields - Wayne Gratz 16. As I Fall - Wayne Gratz 17. Land Of Seduction - Michael Whalen
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Enrique Granados (1867-1916) is one of the most compelling
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Enrique Granados (1867-1916) is one of the most compelling figures of the late-Romantic period in music. During his return voyage to Spain after the premiere of his opera Goyescas at New York's Metropolitan Opera in 1916, a German submarine torpedoed the ship on which he and his wife were sailing, and they perished in the waters of the English Channel. His death was mourned on both sides of the Atlantic as a stunning loss to the music world, for he had died at the pinnacle of his career, and his late works held the promise of greater things to come.Granados was among the leading pianists of his time, and his eloquence at the keyboard inspired critics to dub him the "poet of the piano." In Enrique Granados: Poet of the Piano, Walter Aaron Clark offers the first substantive study in English of this virtuoso pianist, composer, and music pedagogue. While providing detailed analyses of his major works for voice, piano, and the stage, Clark argues that Granados's art represented a unifying presence on the cultural landscape of Spain during a period of imperial decline, political unrest, and economic transformation. Drawing on newly discovered documents, Clark explores the cultural spheres in which Granados moved, particularly of Castile and Catalonia. Granados's best-known music was inspired by the art of Francisco Goya, especially the Goyescas suite for solo piano that became the basis for the opera. These pieces evoked the colorful and dramatic world that Goya inhabited and depicted in his art. Granados's fascination with Goya's Madrid set him apart from fellow nationalists Alb�niz and Falla, who drew their principal inspiration from Andalusia. Though he was resolutely apolitical, Granados's attraction to Castile antagonized some Catalan nationalists, who resented Castilian domination. Yet Granados also made important contributions to Catalan musical theater and was a prominent figure in the modernist movement in Barcelona.Clark also explores the personal pressures that shaped Granados's music. His passionate affair with a wealthy socialite created domestic tensions, but it was also a source of inspiration for Goyescas. Persistent financial difficulties forced him to devote time to teaching at the expense of composition, though as a result Granados made considerable contributions to piano pedagogy and music education in Barcelona through the music academy he founded there.While Granados's tragic and early demise casts a pall over his life story, Clark ultimately reveals an artist of remarkable versatility and individuality and sheds new light on his enduring significance.
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Known for its richly diversified styles of repertoire and e
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Known for its richly diversified styles of repertoire and ensemble pieces and its abundance of creative materials, Contemporary Class Piano, Seventh Edition, includes the widest-ranging repertoire of solo and ensemble pieces available in any beginning piano text. Elyse Mach presents an abundant solo and ensemble repertoire--which includes classical pieces and folk, jazz, rock, pop, and blues tunes--providing ample opportunities for students to improvise, transpose, harmonize, and compose accompaniments.FEATURES OF THE NEW EDITION* Reorganized from six to ten units, the material is now more accessible for classroom use.* Twenty diverse new reading, repertoire, and ensemble pieces introduce students to music of various styles and levels of difficulty.* Unit 9 provides additional practice opportunities in interpreting chord symbols and harmonizing.* More score reading examples in three- and four-part settings provide reinforcement of chorale style reading.* Alto and tenor clef reading examples are introduced.* Two new appendices offer more help: Appendix B features vocal and instrumental accompaniments to help students further develop skills, and Appendix E offers a timeline and historical overview of the style and characteristics of music from the Baroque period through the 21st century.* Appendix A presents new material on transposing instruments.* New CD and MIDI disk icons in the text indicate track numbers for ease of reference.* "Practice Strategies" boxes give beginners helpful hints.* A "Classic Miniatures" section of excerpts contains original keyboard pieces written by master composers.* Worksheets appearing at the end of most chapters provide further practice opportunities.SUPPORT PACKAGE* A new in-text audio CD for students, which includes orchestrations by renowned composers Phillip Keveren and Jason Nyberg, presents selected pieces at both practice tempo and performance tempo.* A set of four MIDI disks--containing approximately 240 orchestration accompaniments prepared by composers Phillip Keveren and Jason Nyberg--motivates students to practice and complete their assignments more readily. This set is available free to adopters.* The Instructor's Companion Website (www.oup.com/us/classpiano) will offer suggested lesson plans, teaching tips, and full track listings for the in-text CD and Instructor MIDI disks.
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A timeless classic in the Carl Fischer Piano Catalog, Maste
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A timeless classic in the Carl Fischer Piano Catalog, Masterpieces of Piano Music is one of the largest and most comprehensive collections of standard piano compositions ever published. This handsome volume covers all fields of classic, modern, light and operatic piano music. All pieces are edited and selected in this collection by Albert E Wier and features works by noted composers including Beethoven (Moonlight Sonata), Grieg (Erotik), Strauss (Traumerie Op.9, No. 4), Chopin (Nocturne Op.9, No.2) and many others. A must for every serious piano student!
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Harmonization at the Piano contains a thorough study of har
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Harmonization at the Piano contains a thorough study of harmony and styles of piano playing through the use of music literature of the common practice period, as well as folk and popular songs. An attempt has been made to show the similarity of chord progressions in all the music presented. This text may be used as a college text for keyboard harmony and functional piano as well as a supplementary text for classes in written harmony and music reading.
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"Bravo to Edel on his excellent presentation of the subject
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"Bravo to Edel on his excellent presentation of the subject!... highly recommended... " —ARBA 96"... filled with information for pianists with injured hands and for players and teachers seeking unusual repertoire or ways of developing left-hand technique." —Clavier"Thanks to Edel for cataloging this largely unknown area of piano repertoire and to Indiana University Press for publishing this most welcomed book." —American Music TeacherA descriptive catalog of solos, chamber works, and concertos with piano parts written for one hand, including nearly 1,000 solo compositions for the left hand. Publication data, length, level of difficulty, style, and often brief biographical information about the composer are provided for each piece.
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Feel the excitement of Miro Magloire's original composition
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Feel the excitement of Miro Magloire's original compositions and newly arranged classics from Bizet, Donizetti, Mendelssohn and Gounod. Get swept away by 25 fine selections for barre and center. Let Miro's sensitive and invigorating piano playing take you across the floor! Music For Dancers brings you this CD by dancer-composer Miro Magloire - a collection of very special music for ballet classes, made by a dancer. For you.
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1. Prelude in C sharp minor, Op. 3 No 2 (Rachmaninov) 2. So
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1. Prelude in C sharp minor, Op. 3 No 2 (Rachmaninov) 2. Song Without Words, Op. 102 No. 5 (Mendelssohn) 3. Song Without Words, Op. 19 No. 4 (Mendelssohn) 4. Jesu, Joy of Man's Desiring from Cantata No. 147 (JS Bach) 5. Impromptu No. 3 in G flat major (Schubert) 6. Bruyeres from Preludes Book 2 No. 5 (Debussy) 7. La Cathedrale Engloutie from Preludes Book 1 No. 10 (Debussy) 8. Prelude in B minor (JS Bach) 9. Prelude in C minor, Op. 23 No. 8 (Rachmaninov) 10. Song Without Words, Op. 67 No. 2 (Mendelssohn) 11. Berceuse (Granados) 12. Nocturne in D flat, Op. 84 No. 8 (Faure) 13. Nocturne in A flat, Op. 33 No. 3 (Faure) 14. Arabesque in C, Op. 18 (Schumann) 15. Waltz in C sharp minor, Op. 64 No. 2 (Chopin) 16. Nocturne in D flat, Op. 27 No. 2 (Chopin) 17. Sonata, L. 33 (Scarlatti) 18. Traumerei (Schumann)
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