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Alexander Superial ReedsA New Style of ReedSpecially design ... Read more

Alexander Superial ReedsA New Style of ReedSpecially designed blade contour featuring a softer tip provides instant response and tonal balance throughout the registers. Made from the finest of wild grown Var cane, each and every reed table is checked under light for flatness and hand adjusted if necessary Minimize

Alexander Superial ReedsA New Style of ReedSpecially design ... Read more

Alexander Superial ReedsA New Style of ReedSpecially designed blade contour featuring a softer tip provides instant response and tonal balance throughout the registers. Made from the finest of wild grown Var cane, each and every reed table is checked under light for flatness and hand adjusted if necessary Minimize

Alexander Superial ReedsA New Style of ReedSpecially design ... Read more

Alexander Superial ReedsA New Style of ReedSpecially designed blade contour featuring a softer tip provides instant response and tonal balance throughout the registers. Made from the finest of wild grown Var cane, each and every reed table is checked under light for flatness and hand adjusted if necessary Minimize

For years the most popular jazz mouthpiece on the market, M ... Read more

For years the most popular jazz mouthpiece on the market, Meyer mouthpieces offer a variety of sounds, responses and dynamic ranges. Select from different chambers and facings to personalize your tone. Minimize

For years the most popular jazz mouthpiece on the market, M ... Read more

For years the most popular jazz mouthpiece on the market, Meyer mouthpieces offer a variety of sounds, responses and dynamic ranges. Select from different chambers and facings to personalize your tone. Minimize

For years the most popular jazz mouthpiece on the market, M ... Read more

For years the most popular jazz mouthpiece on the market, Meyer mouthpieces offer a variety of sounds, responses and dynamic ranges. Select from different chambers and facings to personalize your tone. Minimize

Weight: 3.3 lbs

In the early 1990's, after many months of intense developme ... Read more

In the early 1990's, after many months of intense development and testing of prototypes, the original "Alexander Superial" was put into production. Our aim with this first model was to design a reed which produced a warm, resonant "buzz", good projection, even scale throughout the registers, and a wide dynamic range. In other words we wanted this reed to provide a tonal platform that was free blowing, capable of quick and accurate articulation, and one that gave immediate presence... This was in line with the tonal concept of the "American" style single cut reeds, but with more developed heart and rear vamp area, one with "spring" and natural resilience needed to produce a really big sound. We ran an extensive testing program with various professionals and we were also fortunate enough to have the valuable feedback from the renowned veteran mouthpiece maker Ralph Morgan, his excellent Minimize

In the early 1990's, after many months of intense developme ... Read more

In the early 1990's, after many months of intense development and testing of prototypes, the original "Alexander Superial" was put into production. Our aim with this first model was to design a reed which produced a warm, resonant "buzz", good projection, even scale throughout the registers, and a wide dynamic range. In other words we wanted this reed to provide a tonal platform that was free blowing, capable of quick and accurate articulation, and one that gave immediate presence... This was in line with the tonal concept of the "American" style single cut reeds, but with more developed heart and rear vamp area, one with "spring" and natural resilience needed to produce a really big sound. We ran an extensive testing program with various professionals and we were also fortunate enough to have the valuable feedback from the renowned veteran mouthpiece maker Ralph Morgan, his excellent Minimize

In the early 1990's, after many months of intense developme ... Read more

In the early 1990's, after many months of intense development and testing of prototypes, the original "Alexander Superial" was put into production. Our aim with this first model was to design a reed which produced a warm, resonant "buzz", good projection, even scale throughout the registers, and a wide dynamic range. In other words we wanted this reed to provide a tonal platform that was free blowing, capable of quick and accurate articulation, and one that gave immediate presence... This was in line with the tonal concept of the "American" style single cut reeds, but with more developed heart and rear vamp area, one with "spring" and natural resilience needed to produce a really big sound. We ran an extensive testing program with various professionals and we were also fortunate enough to have the valuable feedback from the renowned veteran mouthpiece maker Ralph Morgan, his excellent Minimize

In the early 1990's, after many months of intense developme ... Read more

In the early 1990's, after many months of intense development and testing of prototypes, the original "Alexander Superial" was put into production. Our aim with this first model was to design a reed which produced a warm, resonant "buzz", good projection, even scale throughout the registers, and a wide dynamic range. In other words we wanted this reed to provide a tonal platform that was free blowing, capable of quick and accurate articulation, and one that gave immediate presence... This was in line with the tonal concept of the "American" style single cut reeds, but with more developed heart and rear vamp area, one with "spring" and natural resilience needed to produce a really big sound. We ran an extensive testing program with various professionals and we were also fortunate enough to have the valuable feedback from the renowned veteran mouthpiece maker Ralph Morgan, his excellent Minimize

The R13 Greenline series of clarinets follows the same manu ... Read more

The R13 Greenline series of clarinets follows the same manufacturing process as the 100% grenadlla R13s. Thanks to the addition of carbon fibers, Green Line clarinets withstand admirably to variations in atmospheric conditions (temperature, humidity). The risk of cracking is therefore eliminated. Created in 1994, the Greenline series of instruments has taken advantage of the excess wood remaining from the clarinet manufacturing process. This process of combining grenadilla powder with carbon fibers produces a clarinet that is greatly resistant to environmental change and helps to relieve stress on the African grenadilla wood population.Features: Carefully selected grenadilla wood Power forged keywork, preplated in copper and finished in silver plate 17 keys and 6 rings Poly-cyndrical bore Double fish skin pads Minimize