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The Faxx mouthpieces were developed as facsimiles of the mo ... Read more

The Faxx mouthpieces were developed as facsimiles of the more common designs at more economical prices. Only the most popular sizes have been reproduced to guarantee the lowest prices possible for these quality mouthpieces. Minimize

The Asymmetric Trumpet MouthpieceMust Be Played To Be Belie ... Read more

The Asymmetric Trumpet MouthpieceMust Be Played To Be Believed!This is referred to as a "Range Enhancing Mouthpiece" by the manufacturer. The unique cup design provides more support for the lower lip allowing a greater freedom in the high register of the instrument.The Lead 342 ModelThe ultimate embodiment of the concept, having laser-like cutting power and a bright, full, brutal sound. Designed for demanding high register performance, with semi-flat upper rim, medium cup depth, 25 throat (.150") and dual, modified straight backbore for a good low register and a bigger altissimo sound. Effective in any playing situation, but most appropriately applied as a lead trumpet mouthpiece. The Opera 545 ModelFor Symphony players, Jazz players and others desiring a less aggressive, more legitimate sound with good projection, but somewhat less edge than either the 3C+544 or the Lead 342. The upper rim has a well defined inner edge for reliable upper lip suspension, good flexibility and clean attack. The rim surface is semi-curved with a slightly higher inboard surface, and slightly softened outside edge for comfort and endurance. The bottom rim inner edge has also been softened to improve low-register performance and flexibility. The #2 Schmitt style backbore, effectivly deeper cup (minimal cup/backbore separation) and 25 throat (.150") along with massive cup and shank weighting tend to provide excellent slotting and a somewhat darker, more Teutonic sound, ideal for symphonic, operatic or jazz performances. The 3C+544 ModelSimilar in design to the Opera 545 but effectivly slightly shallower due to more cup/backbore separation (longer cylinder) with much less weighting, a different backbore configuration and a slightly different rim geometry. These design features tend to produce a little brighter sound than the Opera 545, but without the edge and cutting power of the Lead 342. Slotting is also a little less for more overall, non-specialized performance requirements. They also incorporate the intonation and ease of playing frequently associated with a 3C. But this is a 3C "plus". The plus means easier high-register, more endurance and several additional semitones of high range. Like the other Asymmetrics, the throat is open (.150") for a bigger sound, but not to the point of adversely affecting endurance or intonation. And, the cup and backbore have been balanced. Definitely the mouthpiece of choice for players requiring a mouthpiece for more all around application, and light years ahead of the competition. The Lead 342M ModelThe Lead 342M is for the power player who likes to put more air through the mouthpiece. The Lead 342M is identical to the Lead 342 except it has a shorter (0.100-inch) cylindrical section below the throat and a very slightly larger backbore. This mouthpiece will go up to double C without breaking up and can deliver (depending on the player) slightly more power over the complete acoustic range, but it takes a little more air and is a little less resistant. If you need power with slightly less resistance, the Lead 342M is it.Band DirectorsStart your students on Asymmetric "3C+544"s to avoid the unnecessary handicaps of poor range and endurance. And, switch your more advanced players to Asymmetric "Lead 342"s and have a powerhouse trumpet section in a few months!! Minimize

The Jet-Tone Vintage Series Trumpet Mouthpieces are a re-in ... Read more

The Jet-Tone Vintage Series Trumpet Mouthpieces are a re-introduction of Jet-Tones most popular models from the past in cooperation with some of the worlds greatest players. The Vintage Series Trumpet Mouthpieces are the same exact models built to the same precise specifications of each great artist through exact CNC machining techniques. Minimize

The Claude Gordon silver mouthpieces all have the same rim ... Read more

The Claude Gordon silver mouthpieces all have the same rim size and contour. This gives the most consistent feel possible when changing between trumpet, cornet, and flugelhorn. The outside design is based on Claudes own design. This outside design has been maintained to aid in the identity of the Claude Gordon Series.Claude Gordon 3Designed for the bugle and used by trumpet players as well, the CG3, now called the Claude Gordon 3 is based on an earlier Claude Gordon design, with the exception of the outside shape which was standard at the time. This mouthpiece has a bowl shaped C style cup and is shallower, (see specs.) than the Claude Gordon P model. With the permission of Patty Gordon and for identification purposes, we agreed to keep the outside shape the same as the Claude Gordon Personal mouthpiece and will do so on all other Claude Gordon designed mouthpieces within the Claude Gordon Mouthpiece Series.Claude Gordon Personal - Mouthpiece IdentificationFor identification Purpose the CG Personal mouthpiece is now marked with his name spelled out and with the letter P for Personal. This mouthpiece is a V cup design with your choice of a #20 or #22 drill. Claude felt these and all models were aerodynamically correct and his finest achievement in mouthpiece design, enduring for a player throughout their career. It was this strong passion that led Claude to lend his name to it as the C.G. Personal now marked Claude Gordon P. Silver-plated brassConsistent feel while switching hornsV cup designAerodynamically correct Minimize

Faithful reissues of the classic Parduba double cup trumpet ... Read more

Faithful reissues of the classic Parduba double cup trumpet mouthpieces. The double cup design enables a great ease of playing in the high register. Inner diameters runs from 3(smallest) to 8 (largest).The Original Parduba Mouthpieces (Double-Cup)Gives you two mouthpieces in one. The scientific reaming of the top cup furnishes the shallow cup which is necessary to secure the extreme high tones and they come with the greatest of ease, G a bad tone for many performers, comes true. High Bb comes as effortless and with as great volume as G is ordinarily produced.The extreme high tones, which occur occasionally in ordinary music and frequently in solo playing or in difficult passages, are produced more easily and with full volume because the shallow upper cup puts them within reach by increasing the performers range. This is accomplished with the Parduba Double-Cup Mouthpiece without sacrificing tone quality or volume in the middle and lower registers because the lower part of the cup is of the regular conventional bore. Minimize

Warburton mouthpieces have been designed with total flexibi ... Read more

Warburton mouthpieces have been designed with total flexibility so that the player can "build" his ideal mouthpiece that best suits his or her needs.Tops: Shallow bowl (S); medium shallow V cup (SV); medium V cup (M); medium bowl (MC); medium deep bowl (MD); deep bowl (D); extra deep V cup (XD); Ken Titmus shallow cup with #6 diameter (KT), Bill Carmichael shallow cup with small diameter (WCC). Backbore: Tight commercial sound (1, 2, 3); tight to medium (4, 5, 6); lead style with good middle register (Q); commercial/lead (KT); medium large (7, 8, 9); large symphonic (10, 11, 12) Minimize

The Marcinkiewicz company developed mouthpieces for many bi ... Read more

The Marcinkiewicz company developed mouthpieces for many big name players over the years. Now they offer exact copies of these mouthpieces to the public. Each of these mouthpieces was designed for a specific player at a specific point in time. Marcinkiewicz Signature Mouthpieces Trumpet Signature models These mouthpieces are made to each specific player's specifications. Measurements such as inner diameter, venturi, etc., are not arranged systematically, however this line is also numbered progressively by cup depth from deep to shallow.What the players say "The best thing I've put to my chops" -Scott Englebright, Lead Trumpet Maynard Ferguson & Big Bop Nouveau- Plays Marcinkiewicz E14 Minimize