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The Standard Monette mouthpiece range in size and much of t ... Read more

The Standard Monette mouthpiece range in size and much of the selection process is very personal. The mouthpieces are designed to be played with an understanding of proper technique and body control. Monette makes several variations which not only vary in size but also purpose. Please contact our store or go to www.monette.net for more details on the Monette methodology and individual mouthpiece design/purpose. Whether you want to get a mouthpiece for playing lead or just want to become a better player, Monette mouthpieces can get you there. STC B2.5: Many players like the rim feel of a B2, but want something just a little smaller. Or even more commonly, they play a B3 and they want something just a little larger - but they find the B2 is too large. This mouthpiece really feels like its own size - and it does produce a larger sound than the B3 without losing the intimacy many classical chamber musicians need. We can't say that this mouthpiece was developed for any one player, as so many have commented over the years that we should make it. Here it is! Minimize

The Standard Monette mouthpiece range in size and much of t ... Read more

The Standard Monette mouthpiece range in size and much of the selection process is very personal. The mouthpieces are designed to be played with an understanding of proper technique and body control. Monette makes several variations which not only vary in size but also purpose. Please contact our store or go to www.monette.net for more details on the Monette methodology and individual mouthpiece design/purpose. Whether you want to get a mouthpiece for playing lead or just want to become a better player, Monette mouthpieces can get you there. LT B6LD S1:This extremely popular mouthpiece is versatile enough for many players to use for jazz, classical, and lead playing. It is the shallowest mouthpiece Monette makes that is still designed for the classically trained player. With a medium bite to the rim and an efficient cup shape, it is a favorite all-around mouthpiece, popular with students and professionals alike. This mouthpiece also has the popular SLAP cup design and is the lightweight version. Minimize

The Standard Monette mouthpiece range in size and much of t ... Read more

The Standard Monette mouthpiece range in size and much of the selection process is very personal. The mouthpieces are designed to be played with an understanding of proper technique and body control. Monette makes several variations which not only vary in size but also purpose. Please contact our store or go to www.monette.net for more details on the Monette methodology and individual mouthpiece design/purpose. Whether you want to get a mouthpiece for playing lead or just want to become a better player, Monette mouthpieces can get you there. STC B4S S2: Very similar to the B4 but with less bite to the rim and a slightly brighter sound. This mouthpiece is as deep as the B4, but has a more efficient shape to the cup, making it especially good for upper register work. The original B4S was made for New York jazz artist Lew Soloff. This model of the B4S goes beyond the normal B4S and incorporates the SLAP cup design to get a more colorful sound, more immediate response, and more percussive articulation when played aggressively. Minimize

The Standard Monette mouthpiece range in size and much of t ... Read more

The Standard Monette mouthpiece range in size and much of the selection process is very personal. The mouthpieces are designed to be played with an understanding of proper technique and body control. Monette makes several variations which not only vary in size but also purpose. Please contact our store or go to www.monette.net for more details on the Monette methodology and individual mouthpiece design/purpose. Whether you want to get a mouthpiece for playing lead or just want to become a better player, Monette mouthpieces can get you there. LT MFII:The MF II was Maynard Ferguson's first radical change in mouthpiece rim and cup design in over 20 years. Dave Monette worked personally with Maynard to develop the design. The result is an unusually easy-to-play, mainstream (pun intended) lead mouthpiece that has a huge sound. It "slots" almost like a classical mouthpiece! If you have ever tried our classic BL2 design, then imagine the same basic mouthpiece with a bigger sound and larger targets for an even more forgiving, stable response. Minimize

The Standard Monette mouthpiece range in size and much of t ... Read more

The Standard Monette mouthpiece range in size and much of the selection process is very personal. The mouthpieces are designed to be played with an understanding of proper technique and body control. Monette makes several variations which not only vary in size but also purpose. Please contact our store or go to www.monette.net for more details on the Monette methodology and individual mouthpiece design/purpose. Whether you want to get a mouthpiece for playing lead or just want to become a better player, Monette mouthpieces can get you there. STC B4LD S1: This new "SLAP" version of the popular B4LD is so new that not many players know about it yet- but we think that will change! As with our other "S-Series" mouthpieces, the B4LD S1 has a more colorful sound, a more immediate response, and when played aggressively a more percussive articulation than its "non-SLAP" predecessor. Minimize

This is one of the most popular mouthpieces we make for par ... Read more

This is one of the most popular mouthpieces we make for part time classical players and students. With a semi-flat rim but with a more efficient shape to the cup making it better than the original C4 for upper register work, it is also popular with jazz players looking for a brighter sound than the C4. Minimize

This extremely popular mouthpiece is versatile enough for m ... Read more

This extremely popular mouthpiece is versatile enough for many players to use for jazz, classical, and lead playing. It is the shallowest mouthpiece we make that is still designed for the classically trained player. With a medium bite to the rim and an efficient cup shape, it is a favorite all-around mouthpiece, popular with students and professionals alike. Minimize

The Marcinkiewicz company developed mouthpieces for many bi ... Read more

The Marcinkiewicz company developed mouthpieces for many big name players over the years. Now they offer exact copies of these mouthpieces to the public. Each of these mouthpieces was designed for a specific player at a specific point in time. Marcinkiewicz Signature Mouthpieces Trumpet Signature models These mouthpieces are made to each specific player's specifications. Measurements such as inner diameter, venturi, etc., are not arranged systematically, however this line is also numbered progressively by cup depth from deep to shallow.What the players say "The best thing I've put to my chops" -Scott Englebright, Lead Trumpet Maynard Ferguson & Big Bop Nouveau- Plays Marcinkiewicz E14 Minimize

Jet Tone Vintage Series Trumpet Mouthpieces Ds-B - Silver

A brand new trumpet Accessory 7C Mouthpiece is silver plate ... Read more

A brand new trumpet Accessory 7C Mouthpiece is silver plated Size of this Trumpet Mouthpiece 7C: 8.5cm long Weight of this Trumpet Mouthpiece: 93g, Manufacturer: uxcell Minimize

The same style of cup and rim as No.7, but with smaller cup ... Read more

The same style of cup and rim as No.7, but with smaller cup diameter. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today. Minimize

FAXX Brass Mouthpieces are CNC machine manufactured to be c ... Read more

FAXX Brass Mouthpieces are CNC machine manufactured to be consistent replicas of popular models and cup sizes. Economically prices for rentals and a great step up choice for all levels of players. Minimize

Learn About Trumpet Mouthpiece Deign and Construction - HER ... Read more

Learn About Trumpet Mouthpiece Deign and Construction - HEREThe rim contours of each diameter are unique. Although each rim is consistent within it's size range (ex., Curry 1C rim contour is the same as Curry 1Z rim contour), it is much different than the 1 1/4 rim. For example, if the Curry 1 1/2 C rim is the most comfortable rim you've ever felt, but seems a little "tight", it is wrong to assume that moving to the 1 1/4 size would solve that problem. The correct solution would be to get a custom mouthpiece using the 1 1/2C rim contours. The "tightness" issue could be solved in a couple of ways. The rim profile could simply be moved a few thousandths to the outside, or perhaps the bite radius could be increased which would also give a few thousandths more room. There are others ways to get the "feel" you're looking for, but you shouldn't be concerned with that. I'm the mouthpiece makerInner diameter "numbers" mean very little. Most manufacturers reference charts are expressed in both inches and millimeter sizes. One "major" manufacturer's published "numbers" are totally wrong! In fact, the millimeter conversions in their manual do not match the decimal numbers! And, they've reprinted the same mistakes year after year! The point I'm making here is that every manufacturer has different criteria for measuring the inner diameter. My personal criteria for measuring the inner diameter varies from rim to rim. In my 30 plus years of trumpet playing, I've learned that the feel of a mouthpiece can vary from rim to rim. The spot on your face where you "feel" a 1C rim is much different than the "contact point of the 1 1/2C rim. Although they only vary in "size" by a few thousandths of an inch, the difference in feel can seem like a country mile. Don't get hung up on the numbers too much. If they do matter to you, buy some dial calipers. A good enough pair (Chinese-made are just fine) of calipers will run about $60 in an industrial supply store. By the way, of my several thousa Minimize

APM Trumpet Mouthpiece 3C!

Schilke MouthpieceSchilke Mouthpiece Numbering SystemsThe S ... Read more

Schilke MouthpieceSchilke Mouthpiece Numbering SystemsThe Schilke method of mouthpiece labeling has been designed to assist the student, teacher, amateur and professional in selecting a mouthpiece to meet the needs of the player. All mouthpieces come with standard rim shapes, cup volumes. and backbores unless shown otherwise on the mouthpieces. Further explanation of the Schilke numbering system can be found below. Using this method it is possible for the player to know the characteristics of any mouthpiece.Example9C3c (trumpet mouthpiece)9 refers to the CUP DIAMETER Smallest numbers have smallest diameters C E. Large C refers to the CUP VOLUME A. Small Cup B. Medium-small C. Standard (medium size) D. Medium-large E. Large 3 refers to the RIM CONTOUR 1 Rounded 2 Semi-rounded 3 Standard 4 Semi-flat 5 Only slightly rounded c refers to the BACKBORE a. Tight b. Straight c. Standard d. Slightly curved out e. Large When a Schilke mouthpiece has a standard backbore, rim and cup, only the cup diameter (first number) is shown on the mouthpiece. In the example above only the #9 is necessary to identify the mouthpiece because the C is the standard cup volume, 3 is the standard rim, and c is the standard backbore. Whenever measurements differ from the standard sizes the alterations are shown on the mouthpiece.CUP DIAMETER (First number in label)Most trumpet and cornet mouthpieces have a cap diameter that falls between .600" and . 725". Nos. 1 to 25 in the Schilke system represent sections of .005" each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diametersCUP VOLUME (First letter in label)In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke "C" cup is a comprise which offers both full tone and ease of production. Minimize