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Learn About Trumpet Mouthpiece Deign and Construction - HER
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Learn About Trumpet Mouthpiece Deign and Construction - HEREThe rim contours of each diameter are unique. Although each rim is consistent within it's size range (ex., Curry 1C rim contour is the same as Curry 1Z rim contour), it is much different than the 1 1/4 rim. For example, if the Curry 1 1/2 C rim is the most comfortable rim you've ever felt, but seems a little "tight", it is wrong to assume that moving to the 1 1/4 size would solve that problem. The correct solution would be to get a custom mouthpiece using the 1 1/2C rim contours. The "tightness" issue could be solved in a couple of ways. The rim profile could simply be moved a few thousandths to the outside, or perhaps the bite radius could be increased which would also give a few thousandths more room. There are others ways to get the "feel" you're looking for, but you shouldn't be concerned with that. I'm the mouthpiece makerInner diameter "numbers" mean very little. Most manufacturers reference charts are expressed in both inches and millimeter sizes. One "major" manufacturer's published "numbers" are totally wrong! In fact, the millimeter conversions in their manual do not match the decimal numbers! And, they've reprinted the same mistakes year after year! The point I'm making here is that every manufacturer has different criteria for measuring the inner diameter. My personal criteria for measuring the inner diameter varies from rim to rim. In my 30 plus years of trumpet playing, I've learned that the feel of a mouthpiece can vary from rim to rim. The spot on your face where you "feel" a 1C rim is much different than the "contact point of the 1 1/2C rim. Although they only vary in "size" by a few thousandths of an inch, the difference in feel can seem like a country mile. Don't get hung up on the numbers too much. If they do matter to you, buy some dial calipers. A good enough pair (Chinese-made are just fine) of calipers will run about $60 in an industrial supply store. By the way, of my several thousa
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The Opera 545 trumpet mouthpiece is designed for symphony p
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The Opera 545 trumpet mouthpiece is designed for symphony players, jazz players and others desiring a less aggressive, more legitimate sound with good projection. The upper rim has a well defined inner edge for reliable upper lip suspension, good flexibility and clean attack. The rim surface is semi curved with a slightly higher inboard surface, and slightly softened outside edge for comfort and endurance. The bottom rim inner edge has also been softened to improve low register performance and flexibility. The #2 Schmitt style backbore, effectively deeper cup (minimal cup/backbore separation) and 25 throat (.150") along with massive cup and shank weighting tend to provide excellent slotting and a somewhat darker, more Teutonic sound, ideal for symphonic, operatic or jazz performances. Enhanced range and endurance are here, too. This combination of features in a legitimate, orchestral mouthpiece is hard to find.
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Learn About Trumpet Mouthpiece Deign and Construction - HER
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Learn About Trumpet Mouthpiece Deign and Construction - HEREThe rim contours of each diameter are unique. Although each rim is consistent within it's size range (ex., Curry 1C rim contour is the same as Curry 1Z rim contour), it is much different than the 1 1/4 rim. For example, if the Curry 1 1/2 C rim is the most comfortable rim you've ever felt, but seems a little "tight", it is wrong to assume that moving to the 1 1/4 size would solve that problem. The correct solution would be to get a custom mouthpiece using the 1 1/2C rim contours. The "tightness" issue could be solved in a couple of ways. The rim profile could simply be moved a few thousandths to the outside, or perhaps the bite radius could be increased which would also give a few thousandths more room. There are others ways to get the "feel" you're looking for, but you shouldn't be concerned with that. I'm the mouthpiece makerInner diameter "numbers" mean very little. Most manufacturers reference charts are expressed in both inches and millimeter sizes. One "major" manufacturer's published "numbers" are totally wrong! In fact, the millimeter conversions in their manual do not match the decimal numbers! And, they've reprinted the same mistakes year after year! The point I'm making here is that every manufacturer has different criteria for measuring the inner diameter. My personal criteria for measuring the inner diameter varies from rim to rim. In my 30 plus years of trumpet playing, I've learned that the feel of a mouthpiece can vary from rim to rim. The spot on your face where you "feel" a 1C rim is much different than the "contact point of the 1 1/2C rim. Although they only vary in "size" by a few thousandths of an inch, the difference in feel can seem like a country mile. Don't get hung up on the numbers too much. If they do matter to you, buy some dial calipers. A good enough pair (Chinese-made are just fine) of calipers will run about $60 in an industrial supply store. By the way, of my several thousa
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This book describes how to use the new Asper Trumpet Mouthp
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This book describes how to use the new Asper Trumpet Mouthpiece Visualizer as part of a daily mouthpiece buzzing routine. It also describes the use of the Asper Trumpet Mouthpiece Visualizer to properly fit the trumpet mouthpiece! You will learn how to assess the structure of the face and then fit the trumpet mouthpiece accordingly. An essential resource for those players who play heavily on a frequent basis and need to cope with "morning after" embouchure fatigue. The ideal mouthpiece buzzing guide for high school, collegiate and advanced trumpet students and teachers. A unique new trumpet method book that reflects the author's 40 years as an educator and his practical use of educational theories.
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EMPEROR Trumpet outfit comes complete with trumpet, mouthpi
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EMPEROR Trumpet outfit comes complete with trumpet, mouthpiece and ABS hard shell case. The mouthpiece is silver plated brass, the body is brass and the valves are nickle silver plated . 2 water keys and thumb rest at the first valve. Easy to play trumpet with great sound and durability. Instructional DVD included.
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EMPEROR Trumpet outfit comes complete with trumpet, mouthpi
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EMPEROR Trumpet outfit comes complete with trumpet, mouthpiece and ABS hard shell case. The mouthpiece is silver plated brass, the body is brass and the valves are nickle silver plated . 2 water keys and thumb rest at the first valve. Easy to play trumpet with great sound and durability. Instructional DVD included.
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This book describes how to use the new Asper Trumpet Mouthp
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This book describes how to use the new Asper Trumpet Mouthpiece Visualizer as part of a daily mouthpiece buzzing routine. It also describes the use of the Asper Trumpet Mouthpiece Visualizer to properly fit the trumpet mouthpiece! You will learn how to assess the structure of the face and then fit the trumpet mouthpiece accordingly. An essential resource for those players who play heavily on a frequent basis and need to cope with "morning after" embouchure fatigue. The ideal mouthpiece buzzing guide for high school, collegiate and advanced trumpet students and teachers. A unique new trumpet method book that reflects the author's 40 years as an educator and his practical use of educational theories.
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The Standard Monette mouthpiece range in size and much of t
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The Standard Monette mouthpiece range in size and much of the selection process is very personal. The mouthpieces are designed to be played with an understanding of proper technique and body control. Monette makes several variations which not only vary in size but also purpose. Please contact our store or go to www.monette.net for more details on the Monette methodology and individual mouthpiece design/purpose. Whether you want to get a mouthpiece for playing lead or just want to become a better player, Monette mouthpieces can get you there. STC B4S S2: Very similar to the B4 but with less bite to the rim and a slightly brighter sound. This mouthpiece is as deep as the B4, but has a more efficient shape to the cup, making it especially good for upper register work. The original B4S was made for New York jazz artist Lew Soloff. This model of the B4S goes beyond the normal B4S and incorporates the SLAP cup design to get a more colorful sound, more immediate response, and more percussive articulation when played aggressively.
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The Standard Monette mouthpiece range in size and much of t
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The Standard Monette mouthpiece range in size and much of the selection process is very personal. The mouthpieces are designed to be played with an understanding of proper technique and body control. Monette makes several variations which not only vary in size but also purpose. Please contact our store or go to www.monette.net for more details on the Monette methodology and individual mouthpiece design/purpose. Whether you want to get a mouthpiece for playing lead or just want to become a better player, Monette mouthpieces can get you there. STC B2.5: Many players like the rim feel of a B2, but want something just a little smaller. Or even more commonly, they play a B3 and they want something just a little larger - but they find the B2 is too large. This mouthpiece really feels like its own size - and it does produce a larger sound than the B3 without losing the intimacy many classical chamber musicians need. We can't say that this mouthpiece was developed for any one player, as so many have commented over the years that we should make it. Here it is!
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The Standard Monette mouthpiece range in size and much of t
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The Standard Monette mouthpiece range in size and much of the selection process is very personal. The mouthpieces are designed to be played with an understanding of proper technique and body control. Monette makes several variations which not only vary in size but also purpose. Please contact our store or go to www.monette.net for more details on the Monette methodology and individual mouthpiece design/purpose. Whether you want to get a mouthpiece for playing lead or just want to become a better player, Monette mouthpieces can get you there. LT MFII:The MF II was Maynard Ferguson's first radical change in mouthpiece rim and cup design in over 20 years. Dave Monette worked personally with Maynard to develop the design. The result is an unusually easy-to-play, mainstream (pun intended) lead mouthpiece that has a huge sound. It "slots" almost like a classical mouthpiece! If you have ever tried our classic BL2 design, then imagine the same basic mouthpiece with a bigger sound and larger targets for an even more forgiving, stable response.
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The Schilke Trombone Bass Trombone MouthpiecesIdentificatio
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The Schilke Trombone Bass Trombone MouthpiecesIdentification LevelsNumbers 40 through 53 for tenor trombone baritone and euphonium. The numbers 57 through 60 are for the Bass tromboneNumbering SystemWhen a Schilke mouthpiece has a standard backbore, rim and cup, only the cup diameter (first number) is shown on the mouthpiece. In the example above only the 9 is necessary to identify the mouthpiece because the C is the standard cup volume, 3 is the standard rim, and C is the standard backbore. Whenever measurements differ from the standard sizes the alterations are shown on the mouthpiece.CUP DIAMETER (First number in label)Most trumpet and cornet mouthpieces have a cap diameter that falls between .600 and .725. Numbers 1 to 25 in the Schilke system represent sections of .005 each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diameters.CUP VOLUME (First letter in label)In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke C cup is a comprise which offers both full tone and ease of production. In switching from one instrument to another i.e., Bb trumpet to D trumpet, it is usually good to use a mouth piece that is .025 shallower in the cup volume with all other dimensions remaining the same. The higher the instrument is, the shallower the cup should be. A player who needs primarily a good range without sacrificing much tone can consider a hollow mouthpiece with a widened 2nd cup. The shallow 1st cup affords support in the top register and the widened 2nd cup allows a full tone.RIM CONTOUR (Second number in label)The 3 Schilke rim has the feel that most players prefer in a rim. It has flat enough contour to distribute the slight pressure needed to provide an air seal but is rounded slightly to offer increas
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![Hal Leonard Michael Harris: Beginning Trumpet [VHS] Musical Instruments](http://di1-4.shoppingshadow.com/images/pi/25/28/53/103780378-60x60-0-0_Hal+Leonard+Michael+Harris+Beginning+Trumpet+VHS.jpg "Hal Leonard Michael Harris: Beginning Trumpet [VHS] Musical Instruments")
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The Schilke Trombone Bass Trombone MouthpiecesIdentificatio
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The Schilke Trombone Bass Trombone MouthpiecesIdentification LevelsNumbers 40 through 53 for tenor trombone baritone and euphonium. The numbers 57 through 60 are for the Bass tromboneNumbering SystemWhen a Schilke mouthpiece has a standard backbore, rim and cup, only the cup diameter (first number) is shown on the mouthpiece. In the example above only the 9 is necessary to identify the mouthpiece because the C is the standard cup volume, 3 is the standard rim, and C is the standard backbore. Whenever measurements differ from the standard sizes the alterations are shown on the mouthpiece.CUP DIAMETER (First number in label)Most trumpet and cornet mouthpieces have a cap diameter that falls between .600 and .725. Numbers 1 to 25 in the Schilke system represent sections of .005 each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diameters.CUP VOLUME (First letter in label)In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke C cup is a comprise which offers both full tone and ease of production. In switching from one instrument to another i.e., Bb trumpet to D trumpet, it is usually good to use a mouth piece that is .025 shallower in the cup volume with all other dimensions remaining the same. The higher the instrument is, the shallower the cup should be. A player who needs primarily a good range without sacrificing much tone can consider a hollow mouthpiece with a widened 2nd cup. The shallow 1st cup affords support in the top register and the widened 2nd cup allows a full tone.RIM CONTOUR (Second number in label)The 3 Schilke rim has the feel that most players prefer in a rim. It has flat enough contour to distribute the slight pressure needed to provide an air seal but is rounded slightly to offer increas
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The Schilke Trombone Bass Trombone MouthpiecesIdentificatio
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The Schilke Trombone Bass Trombone MouthpiecesIdentification LevelsNumbers 40 through 53 for tenor trombone baritone and euphonium. The numbers 57 through 60 are for the Bass tromboneNumbering SystemWhen a Schilke mouthpiece has a standard backbore, rim and cup, only the cup diameter (first number) is shown on the mouthpiece. In the example above only the 9 is necessary to identify the mouthpiece because the C is the standard cup volume, 3 is the standard rim, and C is the standard backbore. Whenever measurements differ from the standard sizes the alterations are shown on the mouthpiece.CUP DIAMETER (First number in label)Most trumpet and cornet mouthpieces have a cap diameter that falls between .600 and .725. Numbers 1 to 25 in the Schilke system represent sections of .005 each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diameters.CUP VOLUME (First letter in label)In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke C cup is a comprise which offers both full tone and ease of production. In switching from one instrument to another i.e., Bb trumpet to D trumpet, it is usually good to use a mouth piece that is .025 shallower in the cup volume with all other dimensions remaining the same. The higher the instrument is, the shallower the cup should be. A player who needs primarily a good range without sacrificing much tone can consider a hollow mouthpiece with a widened 2nd cup. The shallow 1st cup affords support in the top register and the widened 2nd cup allows a full tone.RIM CONTOUR (Second number in label)The 3 Schilke rim has the feel that most players prefer in a rim. It has flat enough contour to distribute the slight pressure needed to provide an air seal but is rounded slightly to offer increas
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Created by John Lynch, professional trumpet player and nucl
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Created by John Lynch, professional trumpet player and nuclear physicist/engineer, the Asymmetric Lead 342 Trumpet Mouthpiece is an incredible innovation in mouthpiece technology. If you're tired of playing the same old, warmed-over version of a 1938 radially symmetric trumpet mouthpiece, try the new Asymmetric! It extends the range of your trumpet a half-octave! The Lead 342 mouthpiece is the ultimate embodiment of the concept, having laserlike cutting power and a bright, full, brutal sound. Semi-flat upper rim, 24 throat, and a dual semi-tight backbore. Asymmetric Lead 342 mouthpiece comes with pouch and brush.
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Schilke MouthpieceSchilke Mouthpiece Numbering SystemsThe S
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Schilke MouthpieceSchilke Mouthpiece Numbering SystemsThe Schilke method of mouthpiece labeling has been designed to assist the student, teacher, amateur and professional in selecting a mouthpiece to meet the needs of the player. All mouthpieces come with standard rim shapes, cup volumes. and backbores unless shown otherwise on the mouthpieces. Further explanation of the Schilke numbering system can be found below. Using this method it is possible for the player to know the characteristics of any mouthpiece.Example9C3c (trumpet mouthpiece)9 refers to the CUP DIAMETER Smallest numbers have smallest diameters C E. Large C refers to the CUP VOLUME A. Small Cup B. Medium-small C. Standard (medium size) D. Medium-large E. Large 3 refers to the RIM CONTOUR 1 Rounded 2 Semi-rounded 3 Standard 4 Semi-flat 5 Only slightly rounded c refers to the BACKBORE a. Tight b. Straight c. Standard d. Slightly curved out e. Large When a Schilke mouthpiece has a standard backbore, rim and cup, only the cup diameter (first number) is shown on the mouthpiece. In the example above only the #9 is necessary to identify the mouthpiece because the C is the standard cup volume, 3 is the standard rim, and c is the standard backbore. Whenever measurements differ from the standard sizes the alterations are shown on the mouthpiece.CUP DIAMETER (First number in label)Most trumpet and cornet mouthpieces have a cap diameter that falls between .600" and . 725". Nos. 1 to 25 in the Schilke system represent sections of .005" each between these two measurements. Cup diameters for mouthpieces other than trumpet and cornet are relative to each other with the smallest numbers representing the smallest diametersCUP VOLUME (First letter in label)In general the deep cup mouthpieces produce the darkest sounds. In reverse the shallow cup mouthpieces produce the brightest sounds and also aid in the production of the high register. The Schilke "C" cup is a comprise which offers both full tone and ease of production.
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