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The Agent 00Funk Mark II (pronounced "agent double O funk m ... Read more

The Agent 00Funk Mark II (pronounced "agent double O funk mark two") is an envelope filter pedal that turns bass guitars and other electric instruments into instant funky squelching fatness. The Agent 00Funk Mark II features a highly resonant lowpass filter that sweeps up or down with every note you play giving you a super-punchy automatic wah tone. Based on the highly acclaimed original Agent 00Funk, the Mark II stompbox squeezes extra funk into a more convenient, easier to use package. Now with true bypass and only the best quality analogue electronics, the Agent 00Funk Mark II is perfect effect pedal for all you clean sound freaks. For maximum squelch, the new envelope input allows you to use a clean envelope prior to fuzz or distortion. Plug the Chunk Systems Brown Dog gated bass fuzz pedal straight in to create some truly amazing synth tones. Controls In addition to the high-quality metal bypass switch, the Agent 00Funk Mark II has four knobs and a switch: The pitch control determines the filter frequency when the input is silent. You use it to determine the overall pitch of the filter effect. Turning it lower will tend to give you fatter, bassier tones while higher settings will affect only the higher end of your sound. The smoothness control determines how quickly the filter sweeps in response to changes in input level. If you set it low, the filter will make large, jerky jumps on each note. This tends to sound squidgy and warbles a little as the filter responds to individual audio cycles. If you set it high, the filter makes smaller, slower movements. Adjusting the sweep control changes how wide the filter sweeps are. When you set it low, the filter sweeps over a narrow range and is not very responsive to the dynamics of your playing. When you set it high, the filter sweeps over a wider range and the dynamics of your playing will have a greater affect. The squelch control determines how extreme the filtering effect is by adjusting the resonance of the filter. As you turn it higher, the filter has a higher gain at the filter frequency and accentuates those frequencies more, making a "squelchier" sound. The switch determines the direction of the filter sweep. In up mode the filter starts low and sweeps up to higher frequencies. This can add a lot of punch to the start of each note as the filter sweeps over the fundamental frequency. In down mode, the filter starts high and sweeps lower, which gives a different type of sound in which the note tends to get swallowed in the middle but returns at the end.Suitable for bass guitar, electric guitar and other electric instruments True bypass - input is connected directly to output when switched off Four controls allow you to fine-tune your sound Switchable up/down sweep direction Runs from a single 9V battery or external power supply (not included) Convenient form factor includes no-tools battery drawer Sturdy steel case finished in a lurid purple High quality soft-feel foot switch Compatible with Brown Dog for crazy synth tones High quality analogue electronics throughout Two pole lowpass filter with logarithmic sweep for extra funk Wide range non-optical sweep circuit for better resonance and reliability Lovingly manufactured in Australia Minimize

AdrenaLinn III from Roger Linn Design is a beat-synced mult ... Read more

AdrenaLinn III from Roger Linn Design is a beat-synced multi-effects processor for guitar, keyboard or bass that combines 3 products in one:1) A beat-synched multi-effects processor with exclusive Filter SequencerWhat are beat-synched filter effects? Examples include tremolo, auto-pan, filter tremolo, flanger, chorus, rotary, vibrato and more, all in perfect synch to the internal drumbeats or to MIDI clock. That out-of-synch tremolo on your guitar amp won't seem as useful anymore. Plus you get innovative new effects including: Random filtering, flanging or tremololike a wah pedal that instantly switches to a new random position on every 1/8 or 1/16 note in sync to the beat. Or a flanger that switches to a new random frequency every 1/8 or 1/16 note. Or a tremolo in which each pulse level is randomly chosen, adding a syncopated rhythm to even simple chords. Filter sequences: Looped 2-measure rhythmic sequences of filter tones in sync to the beat or to MIDI. Choose one of the preset sequences or program your own. A great idea generator. Tremolo sequences: Looped 2-measure sequences of programmed volume pulses. Like that used in Green Day's "Boulevard of Broken Dreams". Arpeggio Sequences: Looped 2-measure sequences of tuned resonances, as used in John Mayer's "Bigger Than My Body". Delay Loops: Set the beat-synced delay to 1 full measure, then jam with yourself by playing chords over the first bar and solo over them on the next. You also get note-triggered filter effects like Auto-Wah, Talk Box simulator, Guitar Synth sounds, plus stereo reverb, compression, tuner and a completely transparent noise gate. And AdrenaLinn III's filters are warm and very analog-sounding with emulations of classic Moog and Oberheim synthesizer filter designs. 2) A superb amp modeler40 superb models of vintage and modern guitar amps from Fender, Marshall, VOX, Mesa Boogie and more, including 4 classic bass amps. Plus distortion boxes and a warm tube preamp emulation. 3) A programmable drum machineA great-sounding programmable drum machine with 200 drumbeats from rock, pop, reggae, Brazilian, techno, hip hop, jazz and more, using over 40 well-sampled drum sounds. Run the drums through the amps and beat-synched filter processing for inspiring processed beats. Easy to use. Just select a preset and play. To adjust any of the front panel settings, simply press the UP or DOWN arrow buttons to light the light next to it, then turn the knob above it. That's it. Same with the drumbeats.Like its predecessor, AdrenaLinn III gives you modulation effects, looped filter sequences and delay loops, all playing in sync to the internal drum beats or MIDI. This model adds reverb, compression, tuner, and brings the number of amp models up to 40 (including 4 bass amps) with enhanced tube emulation and realism. New MIDI improvements permit control of nearly all settings from MIDI pedalboards, and the panel footswitches may now be reassigned to a variety of actions including amp drive boost. User presets and drumbeats are doubled to 200 each and come filled with great new examples of what this unique idea-creation box can do!40 Amp models all enhanced for accuracy, presence and improved tube distortionStereo reverbCompressionTuner200 user presets & 200 drumbeats filled with great sounds & beats.MIDI enhancements: MIDI pedalboards of up to 10 foot switches and 2 expression pedals may be assigned to control nearly all internal settings in real time.Programmable Amp BoostFoot switches can be reassigned to nearly all internal actionsIndependent guitar amp distortion for drumbeatsInternal drum sounds may be triggered from MIDIEnhanced control of beat-synched random filter and flanging effectsImproved drum sounds. Minimize

The Chunk Systems Octavius Squeezer is an analog synth peda ... Read more

The Chunk Systems Octavius Squeezer is an analog synth pedal that is designed specifically for bass guitar. The Octavius Squeezer bass pedal offers true analog reconfigurable signal path technology, true bypass switching, and a comprehensive array of analog synth, octaver, fuzz, envelope filter, and other effects all driven by a convenient digital preset system. With all this plus tuner and metronomein a size that fits in your gig bagthis is one bass pedal you can't afford to be without. The Octavius Squeezer bass synth pedal includes a dedicated filter circuit and fuzz circuit first bred in its predecessors. A digital pitch tracking stage tracks the notes you play right down to the bottom of your bass guitar's range. The tracking stage also drives an analog synthesizer, which can produce various waveforms at the same pitch as your input, 1 octave down, or 1 or even 2 octaves up. All of this output can be patched, mixed, and configured in a variety of ways to give an enormous array of available effects. Use the effect control to switch between the 50 user-editable presets that can be stored in the Octavius Squeezer pedal's onboard memory. Adjust any of the presets on-the-fly with a twist of the param knob. See the current effect and parameter settings clearly displayed on Octavius Squeezer's backlit LCD. Use the 2 user-assignable footswitches to bypass, tap-tempo, and switch effects on the fly. Save and load additional presets to an SD card (like the one in your digital camera) using the onboard card reader, and use it to upgrade Octavius's firmware as new versions become available.Designed for bass guitar Wide range of synth, octaver, envelope filter, fuzz and other effects True bypassinput is connected directly to output by a mechanical relay when switched off. True analog signal path with reconfigurable analog technology 50 digital presets onboard SD card socket (SD card not included) allows you to save/load additional presets and upgrade firmware Analog 2-pole lowpass and bandpass filter circuit Analog fuzz circuit Digital pitch tracking with advanced harmonic rejection Analog waveform synthesis with portamento 1 octave down, 1 octave up, and 2 octaves up synthesis Runs from a single 9V battery or external power supply (not included) Convenient form factor includes no-tools battery drawer Sturdy steel case finished in an eye-catching red 2 user-assignable foot switches 2 digital control knobs Backlit 2-line, 16-character LCD Blinking tempo LED Auxiliary output for click tracks and Agent 00 Funk Mark II envelope input Tuner Metronome and beat-locked effects with tap tempo mode Low Frequency Oscillator (LFO) modifies filter cutoff Beat-locked filter waveforms include triangle, ramp, square, staircase, random and step sequence Effects can be organized into banks for easy selection Additional effects planned in future firmware updates Input jack Aux jack Output jack Controls: Turn the effect control to switch between presets. Push it to enter the menu system Push the param control to toggle which parameter of the current effect you want to edit. Turn it to adjust the current parameter. The Exchange Knobs menu option lets left-handed players switch the function of the effect and param controls so that they don't obscure the LCD with their hand when switching effects Click the right footswitch to toggle between effect and bypass mode, indicated by the active LED The function of the left footswitch changes according to the current footswitch mode. Hold both footswitches to cycle through the different footswitch modes Various functions of left footswitch: Cycle forwards through the effects in the current bank (NXT mode) Cycle backwards through the effects in the current bank (PRV mode) Tune your instrument with the output muted (TUN mode) Tap a tempo for the beat-locked effects and metronome, start and stop the beat (TAP mode) Briefly enable the LFO or beat-locked effects (MOD mode) Minimize

With its high-bit resolution, the Deltalab DBFX1 Bass Multi ... Read more

With its high-bit resolution, the Deltalab DBFX1 Bass Multi Effects Pedal brings unprecedented performance and tonal control to stage and studio. Each effect and bass amp model has up to 4 fully programmable parameters to pursue new tones and effects outside of conventional presets for you to find your unique voice. Simultaneously use up to 11 effects - great for creating wildly expressive sounds as well as ripping through the mix. And with a sleek sturdy package combined with a high-grip rubberized expression pedal, you'll be enjoying the Deltalab DBFX1 bass pedal's sounds for years to come. The DeltaLab DBFX1 bass multi effects pedal combines the tonal vibe of boutique effects with the outstanding value you've been searching for. The result is an amazing level of depth and variety available to enhance your sound. With features ranging from expanded parameter controls to true bypass switching, DeltaLab effects shape your sound like never before. So whether you're capturing your favorite player's tone or discovering your own, the DeltaLab DBFX1 bass pedal sculpts your sound in ways you've only dreamed of.54 built-in effects Simultaneous use of up to 11 effects 48 user patches, 48 factory settings Expression pedal controls volume, wah, and 8 other parameters Built-in drum machine User-friendly interface with sample parameter adjustments One-year warranty Dual-action EXP pedal is always a volume pedal and allows you to click into 8 parameter controls 8 distortion types 3 wah types Noise Gate Compressor 8 Amplifier Models 8 Cabinet Models 14 Modulation Effects Pitch Shifting 4 Delay Types 4 Reverb Types Expression Pedal controls 10 different parameters DGFX1 Multi-effects SC1 Stereo Chorus DD1 Digital Delay TD1 RD1 Rock Distortion MD1 Metal Distortion Minimize

The newest addition to the Tube Screamer family is the TS9B ... Read more

The newest addition to the Tube Screamer family is the TS9B Bass Tube Screamer! The TS9B ranges from subtle overdrive to vintage fuzz and everything in between. Bass and Treble controls let you dial in the right sound for your rig, while the additional Mix control lets you find the right combination of wet/dry signals to ensure your bottom end remains intact.The first Tube Screamer designed just for bassFrom subtle overdrive to vintage fuzz and everything in betweenDrive, Level, Bass, Treble, and Mix controls Minimize

Inject a shot of high-octane fuel into your music with the ... Read more

Inject a shot of high-octane fuel into your music with the Boss SL-20 Slicer Guitar Pedal. Instantly transform a guitar, bass, keyboard, or vocal into a pulsating groove instrument. Choose from 50 onboard Slice patterns or experiment with the SL-20's innovative Harmonic Slicer feature, which generates percussive melodies, Loop Record, and unique 3D Panning. Groove and Melody Maker The SL-20 effect pedal transforms your music into percussive "chopped" grooves. Fifty rhythmic patterns are onboard, with adjustable note attack and duration, plus amazing Harmonic Slice effects. Create high-energy patterns onstage in real-time, or use the SL-20 as a songwriting and recording tool. Play the sliced sounds in realtime while capturing them with Loop Record. Flexible Control An internal tap-tempo feature is included, as well as the ability to sync to external MIDI clock. Sound characteristics of the SL-20 such as attack, duration, effect level, and direct level can be controlled by the onboard knobs or from an external Expression pedal. Universal FX The SL-20 is an addictive effect that inspires creativity. It's great for guitarists, but it's equally useful for other instrumentalists as well. Plug in a bass, keyboard, iPod, or any other instrument or music-playback device. DJs and dance-music artists will also love the SL-20 as a rhythmic-performance tool.Instant groove and percussive-melody generator 50 Slice patterns onboard, with adjustable attack and duration, including Harmonic Slice Tap Tempo via onboard pedal switch; internal and MIDI sync Sound characteristics such as attack, duration, effect level, and direct level are controllable via external Expression pedal (sold separately) Variety of output modes, including the unique 3D Panning for spacious sliced FX Minimize

The evolution of the chorus effect seems to have gotten stu ... Read more

The evolution of the chorus effect seems to have gotten stuck in '80s pop, along with over-processed guitars, cheesy synths and popped collars. Rest assured, the Tech 21 Boost Chorus Bass ain't that kind of chorus. When Tech 21 designed the Boost Chorus Bass pedal they went back to the '70s, when choruses were rich, smooth, and manly. They figured out what made these vintage stompboxes sound so good and poured that knowledge into a new kind of chorus pedal with greatly improved performance and a whole slew of never-before-heard sounds. Slapback, echo, flanging, and doubling effects are all possible from the modestly named Boost Chorus Bass pedal.Because of the way traditional chorus pedals typically interact with their amps, most bass players would rather put an angry badger on their pedalboard. The Boost Chorus Bass avoids seasick tones through a specially tailored design. It features the same control set as the standard Boost Chorus, including the Multi Voice switch, but differs in having a Detune control in place of the Pre-Delay. The Detune control adjusts the pitch of the choral voices, adding sonic girth to create thick, lush, bass-perfect chorus effects. Speed and Depth controls add modulation, so at minimum your fundamental notes are preserved.100% analog Mix, Tone, and Level controls for warm, organic soundsMix control ranges from 100% dry to 100% wetSpeed and Depth controlsDetune alters the choral voicing up or down, giving you a chorus sound without modulation when Speed and Depth are set to minimumMulti Voice switch adds dimension and thickens the sound with additional choral voicingsBuffered bypass eliminates the shortcomings associated with true bypass (pops/clicks and high-end loss when multiple pedals are connected together), as well as signal loss associated with other types of switching circuitsCustom silent-switching actuatorHeavy-duty, all-metal constructionOperable with 9V battery (not included) or optional DC power supply (Tech 21 Model DC2) Minimize