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The Taylor 2012 GA8-L Rosewood/Spruce Grand Auditorium Left ... Read more

The Taylor 2012 GA8-L Rosewood/Spruce Grand Auditorium Left-Handed Acoustic Guitar represents a classic combination of universally appealing tonewoods. This exquisite guitar blends the crispness of a sitka spruce top with the full-spectrum tone of a rosewood body. Deluxe appointments include an ebony fretboard, Ivoroid binding, abalone inlays and gold tuners.Grand Auditorium (GA)Body Width: 16" / Body Depth: 4 5/8" / Body Length: 20"Taylors signature shape embodies the ultimate all purpose acoustic.Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpickers guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GAs overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA wont let you down.Indian RosewoodOrigin: East IndiaOne of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewoods vintage heritage has helped firmly establish its acoustic legacy. Its a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music certain strains of Americana, for example rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. Its very consistent, so players can usually rely on it to deliver.Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with dark hands. If youre looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.The Taylor 2012 GA7 Rosewood/Cedar Grand Auditorium Acoustic Guitar represents the classic combination of universally appealing tonewoods. This exquisite guitar blends the warmth of a cedar top with the expansive tone of a rosewood body. Deluxe appointments include an ebony fretboard, Ivoroid binding, abalone inlays and gold tuners.Grand Auditorium (GA)Body Width: 16" / Body Depth: 4 5/8" / Body Length: 20"Taylors signature shape embodies the ultimate all purpose acoustic.Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpickers guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, pro Minimize

~Specifications~ 6 String Acoustic Body Shape: New Yorker R ... Read more

~Specifications~ 6 String Acoustic Body Shape: New Yorker Rosette: Abalone Top: Solid Spruce Inlays: Abalone Back: 3 Pc Rosewood / Quilted Maple Sides: Rosewood Fingerboard: Rosewood Tuners: Gold Features: * Small body. * Huge tone. * Stunning good looks. * The perfect partner for a songwriting session. * Left handed Minimize

The heralded Dreadnought is the most traditional of all aco ... Read more

The heralded Dreadnought is the most traditional of all acoustics. By definition, its a battleship of a guitar, and the models in Taylor's non-cutaway DN Series pay tribute to that legacy while also refining that potent sound. The 2012 DN5-L Mahogany/Spruce Dreadnought Left-Handed Acoustic Guitar's robust bass and articulate mids dare you to dig in and challenge your flatpicking prowess. If youre a mahogany-loving picker, youll want to take this DN5 for a spin.Dreadnought (DN)Body Width: 16" / Body Depth: 4 5/8" / Body Length: 20"The potent tone flatpickers and strummers love.The most traditional of guitar shapes, Bob Taylor has evolved the Taylor Dreadnought over time to honor its enduring sonic heritage yet also refine the look and sound into a more modern package. The Taylor Dreadnought still boasts that powerful dreadnought tone that old school pickers expect, with deep lows and crisp highs, but with a voice that, like every Taylor, is more evenly balanced across the entire tonal spectrum. Perhaps more than any other shape, the Dreadnought remains linked with roots music like bluegrass and folk, in part because of its traditional role in defining those sounds. Pickers and strummers with an aggressive attack will love our Dreadnoughts blend of power and articulation, which allows for clear lead lines and crisp, driving rhythms.Tropical MahoganyOrigin: Central and South AmericaMahogany is a good wood to anchor a discussion of tones, as a lot of other wood tones can be described in relation to it. Its essential sonic profile is well represented in the midrange frequencies. Acoustic guitars in general tend to live in the midrange portion of the sound spectrum, but mahogany in particular displays a lot of midrange character. That thick, present midrange sound is sometimes described in guitar circles as meaty, organic or even chewy wherever a player digs in on the fretboard, theyre tapping into the core of the harmonic content of what a guitar produces. Those great midrange frequencies produce overtones that stack up and produce bloom, giving the sound extra girth. When one hears the resulting harmonics, the chewy tone serves up a big mouthful of midrange. As a popular tonewood for many decades, mahogany has been used on scads of old school acoustic recordings, and that sonic heritage carries across various strains of roots music, from blues to folk to slack key.Goes well with: A broad range of players and musical styles; people who like a well-balanced tone, nice dynamic range and a healthy serving of overtones. Blues and other rootsy players tend to respond well to mahoganys midrange character. A smaller body mahogany guitar (GC or GA) might appeal to fingerstyle players, whereas more aggressive flatpickers might opt for a mahogany Dreadnought or GS. For versatility, a mahogany GA is a good bet. Because of mahoganys midrange, a player with dark hands will tend to sound darker on a mahogany guitar. A bright player will sound slightly less bright.Shape: Left-Handed DreadnoughtBack/Side Wood: Tropical MahoganyTop Wood: Engelmann SpruceNeck/Heel: Tropical MahoganyElectronics: NoneBracing: Forward Shifted Pattern with Relief RoutBinding: IvoroidFretboard Wood: EbonyFretboard Inlay: 4mm Abalone DotsHeadstock Overlay: Indian RosewoodBridge Inlay: NoneBridge Pins: Ebony with Abalone DotsNut & Saddle: TusqTuners: Taylor GoldTruss Rod Cover: Indian RosewoodBack/Side Finish: GlossTop Finish: GlossNeck Finish: SatinCutaway: NonePickguard: NoneTaylor hardshell case Minimize

Taylor's 2012 214-L Rosewood/Spruce Grand Auditorium Left-H ... Read more

Taylor's 2012 214-L Rosewood/Spruce Grand Auditorium Left-Handed Acoustic Guitar features a desirable gloss finish that you'll take a shine to. The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company's 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA guitar has the width and depth of a dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble "zing" across the guitar's tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because Taylor removes mass from the width of the GA's braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The Taylor GA acoustic guitar is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.The Taylor 214-L acoustic guitar features a solid Sitka spruce top, a top-quality wood, known for its balanced tone and clarity. The Indian rosewood back and sides, also premiere wood, produces rich, booming sound, with the perfect element of projection. The 25-1/2" scale, 1-11/16" nut width, and 15" radius adds comfort for intricate movements up and down the ebony fretboard. The NT neck joint fits into a specially cut pocket in the body of the Taylor acoustic guitar. The frets are supported equally by the neck, creating a more stable playing surface, one that is continually straight, from the bottom to the top of the neck. The mahogany neck is strong and provides added presence and clarity in the tone, and the ebony bridge and fretboard bring out lasting sustain. Taylor tuners keep the acoustic guitar in precise tuning and chrome hardware add an extra sleek look to this already stunning offering from Taylor.Left-Handed modelExcellent sound across the full tonal spectrumBeautiful gloss finish over solid spruce topMahogany neck with smooth ebony fretboardIncludes Taylor gig bag Minimize

This 12-string model features classic 1960's design with 33 ... Read more

This 12-string model features classic 1960's design with 335 body style, 22 frets on a rosewood fretboard, set maple neck, laminated maple hollow body with flamed maple top. Tone is superb featuring two New York Mini-Humbuckers. Minimize

Most Eastwood models feature tremolos. This time we decided ... Read more

Most Eastwood models feature tremolos. This time we decided to focus on that famous 60's Country Classic George Harrison look to develop an instrument with great balance and feel. Maple top back and sides, set maple neck with unique fret markers. It's made for that everyday player that can stand and twang for hours! Minimize

Purchase includes Gear Guardian extended warranty that cove ... Read more

Purchase includes Gear Guardian extended warranty that covers manufacturer's defects for one full year after manufacturer's warranty has expired. Defective products will be repaired, replaced, or substituted with a comparable product without charge. Additional details can be found on warranty document included with purchase.The Classic Vibe Stratocaster '50s provides unmistakable '50s-era Fender vibe and tone. The alder body has a Two-color Sunburst finish; the vintage-tint gloss-maple neck has a maple fingerboard with 21 medium-jumbo frets and a modern 9.5" radius. That long-familiar tone comes from a custom set of alnico III single-coil pickups-clear and bright, with terrific sustain even in crunch mode. Custom staggered polepieces provide improved string-to-string balance. This versatile guitar is now available in a left-handed model. Minimize

Designed for left-handed players Full-size dreadnought acou ... Read more

Designed for left-handed players Full-size dreadnought acoustic guitar Cut-away body design Spruce top with satin finish Chrome die-cast tuners Rosewood fretboard and bridge 25.75" scale with 20 frets 4 5/8" body depth D'Addario strings Body binding Includes 2 self-adhesive pick guards Comes with a polishing cloth Dimensions: 41" long x 16" wide x 5" high Weight: 5 lbs. Minimize

Most Eastwood models feature tremolos. This time we decided ... Read more

Most Eastwood models feature tremolos. This time we decided to focus on that famous 60's Country Classic George Harrison look to develop an instrument with great balance and feel. Maple top back and sides, set maple neck with unique fret markers. It's made for that everyday player that can stand and twang for hours! Minimize

The Taylor 2012 GS8-L Rosewood/Spruce Grand Symphony Left-H ... Read more

The Taylor 2012 GS8-L Rosewood/Spruce Grand Symphony Left-Handed Acoustic Guitar has two tonewoods that represent a classic combination of nearly universal appeal. With a Sitka spruce top, Taylor adds a touch of crispness to the Indian rosewoods big, bold tone. Indian rosewood seems as if it was created to be on a guitar. The clarity, balance, sustain, excellent bass response, and wonderful coloration and figure are without equal. Paired with Sitka spruce, it is an unstoppable combination.Grand Symphony (GS)Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, in symphony with fuller mids and balanced highs.Gloss Top, Back & SidesThe finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes.Introduced in 2006, the GS is an original design from top to bottom and the first new Taylor shape in over a decade. It was a hit right out of the gate. Expect acoustic power with every note, with deep, piano-like bass, rich mids and clear, balanced highs and plenty of volume. Its a whole new flavor of Taylor tone.Shape: Left-Handed Grand SymphonyBack/Side Wood: Indian RosewoodTop Wood: Sitka SpruceNeck/Heel: Tropical MahoganyElectronics: NoneBracing: CV Bracing with Relief RoutBinding: IvoroidFretboard Wood: EbonyFretboard Inlay: 4mm Abalone DotsHeadstock Overlay: Indian RosewoodBridge Inlay: NoneBridge Pins: Ebony with Abalone DotsNut & Saddle: TusqTuners: Taylor GoldTruss Rod Cover: Indian RosewoodBack/Side Finish: GlossTop Finish: GlossNeck Finish: SatinCutaway: NonePickguard: NoneCase: Taylor Deluxe Hardshell Brown Minimize

Winner of several awards,the S6 is perhaps the instrument t ... Read more

Winner of several awards,the S6 is perhaps the instrument that best represents the Seagull philosophy. The S6 offers entry level players the opportunity to experience the great feel and superb sound provided by a hand finished neck, select solid Cedar top and a Custom Polished Finish. * Finish: Semi-Gloss Custom Polished Finish Minimize

No detail was neglected in the Taylor 2012 GA5-L Mahogany/C ... Read more

No detail was neglected in the Taylor 2012 GA5-L Mahogany/Cedar Grand Auditorium Left-Handed Acoustic Guitar. Western red cedar provides the soundboard for this balanced and articulate mahogany guitar, while traditional acoustic guitar styling projects an elegant, understated look.Grand Auditorium (GA)Taylors signature shape embodies the ultimate all-purpose acoustic. The mid-size Grand Auditorium falls between a Dreadnought and Grand Concert. The shape produces an original acoustic voice that is big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GAs overall presence tracks well with other instruments both in a studio mix and on stage.Tropical MahoganyWell represented in the midrange frequencies. Its thick, present midrange sound is sometimes described as meaty, organic or even chewy. As a popular tonewood for many decades, mahogany has been used on scads of old school acoustic recordings, and that sonic heritage carries across various strains of roots music, from blues to folk to slack key.Shape: left-Handed Grand AuditoriumBack/side wood: tropical mahoganyTop wood: western red cedarNeck/heel: tropical mahoganyElectronics: noneBracing: Forward Shifted Pattern with Relief RoutBinding: ivoroidFretboard: EbonyFretboard inlay: abalone dotsHeadstock overlay: Indian rosewoodBridge inlay: noneBridge pins: ebony with abalone dotsNut and saddle: tusqTuners: Taylor GoldTruss rod cover: Indian rosewoodBack/side finish: glossTop finish: glossNeck finish: satinPickguard: noneTaylor hardshell case Minimize