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The Taylor 2012 114-L Sapele/Spruce Grand Auditorium Left-H ... Read more

The Taylor 2012 114-L Sapele/Spruce Grand Auditorium Left-Handed Acoustic Guitar will change your expectations about what a serious entry-level instrument can embody. Featuring a solid Sitka spruce top and laminated sapele back and sides. The 114 has the signature Taylor guitar look, tone, and feelin an affordable package.Sapele LaminateWhile the rich tones of solid wood remain unmatched, laminates can yield great sound in a beautiful, durable and affordable instrument. Such is the case with sapele laminate, in which we use interior and exterior veneers of sapele with a filler layer between them. One of the benefits of laminates for guitars is extra resilience in the face of fluctuating humidity conditions. This comes in handy for guitars like the GS Mini and Baby Taylor models, which are travel-friendly guitars that may be more directly exposed to different environments. All Taylor laminate models do feature a solid wood top to optimize the tonal response.Grand Auditorium (GA)The GA is Taylors most versatile and popular shape, excelling at light-touch fingerstyle to full-blown strumming. Great for micing and recording, the GAs balanced mid-range and bright tone exemplify the Taylor voice.Left-handed modelComfortable Grand Auditorium body sizeSolid spruce top for great toneSmooth ebony fingerboardTUSQ nut and saddle for improved sustainIncludes Taylor gig bag Minimize

Taylor 2012 DN7-L Rosewood/Spruce Dreadnought Left-Handed A ... Read more

Taylor 2012 DN7-L Rosewood/Spruce Dreadnought Left-Handed Acoustic Guitar Natural Minimize

The Taylor 2012 DN7-L Rosewood/Spruce Dreadnought Left-Hand ... Read more

The Taylor 2012 DN7-L Rosewood/Spruce Dreadnought Left-Handed Acoustic Guitar is an update on the most traditional of all acoustics. Taylors DN Series pay tribute to that legacy while also refining the dreadnoughts potent sound, robust bass and articulate mids blend power and balance. The DN7-L showcases spruce's bright, focused tone, allowing you to drive the guitar with a strong rhythmic attack.Dreadnought (DN)Taylor evolved the dreadnought in a way that honors its enduring sonic heritage yet also refines the look and sound into a more modern package. The Taylor Dreadnought still boasts that powerful dreadnought tone that old school pickers expect, with deep lows and crisp highs, but with a voice that is more evenly balanced across the entire tonal spectrum. Pickers and strummers with an aggressive attack will love the blend of power and articulation of the DN7-L dreadnought, which allows for clear lead lines and crisp, driving rhythms.Indian RosewoodA strong midrange thats deeper in the low end and brighter on the top end than mahogany. Versatile and consistent, you can fingerpick it, strum it and flatpick it. Players can rely on it to deliver.Dreadnought shapeIndian rosewood on back and sidesEngelmann spruce topTropical mahogany neck and heelForward shifted pattern bracing with relief routIvoroid bindingEbony fingerboardAbalone dots inlaysIndian rosewood headstock overlayEbony bridge pins with abalone dotsTusq nut and saddleTaylor Gold tunersIndian rosewood truss rod coverGloss finish on top, back and sidesSatin finish on neck Includes a Taylor hardshell case Minimize

Taylor's 2012 214-L Rosewood/Spruce Grand Auditorium Left-H ... Read more

Taylor's 2012 214-L Rosewood/Spruce Grand Auditorium Left-Handed Acoustic Guitar features a desirable gloss finish that you'll take a shine to. The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company's 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA guitar has the width and depth of a dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble "zing" across the guitar's tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because Taylor removes mass from the width of the GA's braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The Taylor GA acoustic guitar is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.The Taylor 214-L acoustic guitar features a solid Sitka spruce top, a top-quality wood, known for its balanced tone and clarity. The Indian rosewood back and sides, also premiere wood, produces rich, booming sound, with the perfect element of projection. The 25-1/2" scale, 1-11/16" nut width, and 15" radius adds comfort for intricate movements up and down the ebony fretboard. The NT neck joint fits into a specially cut pocket in the body of the Taylor acoustic guitar. The frets are supported equally by the neck, creating a more stable playing surface, one that is continually straight, from the bottom to the top of the neck. The mahogany neck is strong and provides added presence and clarity in the tone, and the ebony bridge and fretboard bring out lasting sustain. Taylor tuners keep the acoustic guitar in precise tuning and chrome hardware add an extra sleek look to this already stunning offering from Taylor.Left-Handed modelExcellent sound across the full tonal spectrumBeautiful gloss finish over solid spruce topMahogany neck with smooth ebony fretboardIncludes Taylor gig bag Minimize

The Taylor 2012 GS8-L Rosewood/Spruce Grand Symphony Left-H ... Read more

The Taylor 2012 GS8-L Rosewood/Spruce Grand Symphony Left-Handed Acoustic Guitar has two tonewoods that represent a classic combination of nearly universal appeal. With a Sitka spruce top, Taylor adds a touch of crispness to the Indian rosewoods big, bold tone. Indian rosewood seems as if it was created to be on a guitar. The clarity, balance, sustain, excellent bass response, and wonderful coloration and figure are without equal. Paired with Sitka spruce, it is an unstoppable combination.Grand Symphony (GS)Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, in symphony with fuller mids and balanced highs.Gloss Top, Back & SidesThe finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes.Introduced in 2006, the GS is an original design from top to bottom and the first new Taylor shape in over a decade. It was a hit right out of the gate. Expect acoustic power with every note, with deep, piano-like bass, rich mids and clear, balanced highs and plenty of volume. Its a whole new flavor of Taylor tone.Shape: Left-Handed Grand SymphonyBack/Side Wood: Indian RosewoodTop Wood: Sitka SpruceNeck/Heel: Tropical MahoganyElectronics: NoneBracing: CV Bracing with Relief RoutBinding: IvoroidFretboard Wood: EbonyFretboard Inlay: 4mm Abalone DotsHeadstock Overlay: Indian RosewoodBridge Inlay: NoneBridge Pins: Ebony with Abalone DotsNut & Saddle: TusqTuners: Taylor GoldTruss Rod Cover: Indian RosewoodBack/Side Finish: GlossTop Finish: GlossNeck Finish: SatinCutaway: NonePickguard: NoneCase: Taylor Deluxe Hardshell Brown Minimize

No detail was neglected in the Taylor 2012 GA5-L Mahogany/C ... Read more

No detail was neglected in the Taylor 2012 GA5-L Mahogany/Cedar Grand Auditorium Left-Handed Acoustic Guitar. Western red cedar provides the soundboard for this balanced and articulate mahogany guitar, while traditional acoustic guitar styling projects an elegant, understated look.Grand Auditorium (GA)Taylors signature shape embodies the ultimate all-purpose acoustic. The mid-size Grand Auditorium falls between a Dreadnought and Grand Concert. The shape produces an original acoustic voice that is big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GAs overall presence tracks well with other instruments both in a studio mix and on stage.Tropical MahoganyWell represented in the midrange frequencies. Its thick, present midrange sound is sometimes described as meaty, organic or even chewy. As a popular tonewood for many decades, mahogany has been used on scads of old school acoustic recordings, and that sonic heritage carries across various strains of roots music, from blues to folk to slack key.Shape: left-Handed Grand AuditoriumBack/side wood: tropical mahoganyTop wood: western red cedarNeck/heel: tropical mahoganyElectronics: noneBracing: Forward Shifted Pattern with Relief RoutBinding: ivoroidFretboard: EbonyFretboard inlay: abalone dotsHeadstock overlay: Indian rosewoodBridge inlay: noneBridge pins: ebony with abalone dotsNut and saddle: tusqTuners: Taylor GoldTruss rod cover: Indian rosewoodBack/side finish: glossTop finish: glossNeck finish: satinPickguard: noneTaylor hardshell case Minimize

200 Series, Rosewood, Grand Auditorium, Cutaway, ES-T, Toba ... Read more

200 Series, Rosewood, Grand Auditorium, Cutaway, ES-T, Tobacco Sunburst Top, Lefty Minimize