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Do you like to modulate? The Vibro Man packs three kinds of ... Read more

Do you like to modulate? The Vibro Man packs three kinds of modulating effects into one pedal: Vibrato, tremolo and vibrating filter. The vibrato offers a smooth pitch-varying effect that you can adjust from subtle to radical and everything in between. The tremolo adds beautiful sine-wave tremolo typical of classic tube amps. But by cranking the depth you can get square-wave chopping effects that add more bite to your sound. The best part is that both vibrato and tremolo can be enabled together and controlled by a single speed knob. But if you thought that was enough, the fine folks at Kilpatrick Audio decided it might be fun to be able to switch the vibrato for something a bit more dramatic. The vibrating band-pass filter fits the bill with a high-Q sweeping filter. The depth affects the frequency range of the filter sweeping. And of course it can be used along with the tremolo effect for incredible sounds. All of the effects are produced in stereo, so that you get two synchronized, but different channels which sound great when played through two amps. The Vibro Man is the first Kilpatrick Audio pedal with a touch-sensitive mode. By enabling the Touch footswitch, the depth of each effect reacts to your playing. For instance, start with a subtle vibrato that gets deeper as you play louder. This really brings new possibility to effects which are conventionally non-reactive. The results are really quite interesting and fun to use. With high-quality construction using only high quality parts the Vibro Man is designed for a lifetime of rocking. The enclosure is made from cold-rolled steel with a powder-coated paint job for long life. Circuitry is hand-wired and tested for perfection. Battery life is long due to a low-power design, and with the unique Pure Bypass technology, pristine sound quality is maintained in your signal path when the effect is out of the circuit. Minimize

Features: 18 x 14 FireWire audio interface 8 x 24-bit/96kHz ... Read more

Features: 18 x 14 FireWire audio interface 8 x 24-bit/96kHz analog inputs (1/4 1/2 TS) 4 x 24-bit/96kHz analog outputs (1/4' TRS/TS) 2 x 4 24-bit/192kHz analog I/O capability 8 x 8 ADAT Lightpipe I/O Digital S/PDIF (coaxial) I/O w/ 2-channel PCM Digital out also supports pass-through of AC-3/DTS surround-encoded content Dual mic/instrument preamps (Neutrik XLR/ 1/4 TS) with: input level controls; 20dB pad; phantom power; signal LEDs Two independently assignable headphone outputs with individual level controls (1/4" TRS) Flexible software-controlled mixing of hardware and software I/O Aux sends on all channels and aux output assign allows for dedicated headphone mixes and sends to external effects User-assignable front-panel level control (output, input, software return, aux send) Near zero-latency hardware direct monitoring Low-latency ASIO software direct monitoring Momentary switch for A/B cueing two software-assignable headphone sources or switching ASIO monitoring on/off 1 x 1 16-channel MIDI I/O Wordclock (BNC) for sync to external devices Power on/off switch with indicator LED Powered via FireWire bus* or included DC power adapter Two convenient high-bandwidth FireWire ports Rugged steel construction *Requires 6-pin connectionSpecifications:Line Inputs (TS) 1-8 Frequency Response: +/- 0.1 dB, 22Hz to 22kHz Dynamic Range: 105dB, A-weighted Signal-to-noise Ratio: -105dB, A-weighted THD+N: <0.00281% (-91dB) Crosstalk: -107dB @ 1 kHz Nominal Input Level: -10dBV Maximum Input Level: +2.1dBV, typical Input Impedance: 10k Ohms, typical Minimize

Why a 'passive' mixer, we hear you say? For software multi- ... Read more

Why a 'passive' mixer, we hear you say? For software multi-track and hardware synth users, there are plenty of good reasons. Without getting too technical about it, the upshot is that your mixdowns will simply sound better as a result.Those of us who mix using computer software are faced with an inevitable compromise. You can spend a great deal of time trying to build up a mix to sound clear and dynamic, with great depth and dimension. Yet, as you're building things up, things just don't seem to sound the way they should. Then, by the time you listen to the stereo CD, you're not smiling anymore.Even while folks might be congratulating you on a job well done, you know something is not right.Don't worry! It's not your imagination. Your ears are telling you the truth!Just as with hardware mixing consoles, software faces similar challenges when it comes to modifying and merging multiple audio signals into a single stereo stream. Something strange always seems to happen to the sound. Software developers spend an enormous amount of time and money trying to get this right. This partly explains why the best software also costs big bucks. Even when multi-tracking with software, this is why top studio producers and engineers around the world will almost unanimously opt for using a good hardware console for final mixdowns.So, for those of us who would prefer not to spend mega-dollars on a high-end mixing console but would like to get closer to the real deal, all you need do is hook up a multi-channel audio interface to the PM-8 Passive Summing Box and you'll be wanting to remix everything you've ever done!Using high quality components, the PM-8 merges up to eight analog channels into a clean and clear stereo pair, with all the sonic depth and dynamics intact. If your software is not cutting it, just use it for what it's best at multi-tracking! Leave the merging of the final stereo mix to the PM-8. And if you need more channels just hook up another PM-8! As with all passive mix Minimize

The PSC DV ProMix 1 combines several features into one flex ... Read more

The PSC DV ProMix 1 combines several features into one flexible audio tool for field production. The DV ProMix 1 contains a balanced XLR input with switchable 12T or 48PH microphone powering, followed by a very low noise microphone pre-amp with continuously variable gain and switchable low cut filter. The DV ProMix 1 also incorporates a bright sunlight readable LED peak meter, a transformer balanced line driver and switchable limiters on both the pre-amp and the line driver amplifiers. In addition, the DV ProMix 1 features a monitor return amplifier with a balanced XLR input and continuously variable gain for flexibility. Headphone monitoring can be selected from Direct to both ears, Monitor to both ears, or a combination of the two. The DV ProMix 1 will also except an optional Boom Pole Remote slide fader like our AlphaMix for easy operation while booming. Power is provided by two, 9 volt batteries or external 7-16Vdc. A belt clip is provided. The PSC DV ProMix 1 can be used for Boom operators feeding DV cams or other types of recorders, or for use as microphone to line amp or as a standalone limiter, or for radio remotes or as a mic power supply and pre-amp or in a host of other ways. Minimize

The Death by Audio Robot is the latest in a line of sonic m ... Read more

The Death by Audio Robot is the latest in a line of sonic mayhem inducing pedals from our boys in NYC. The Robot brings Death by Audio into the low-fi, bit-crushing business. This insane pedal is a lo-fi pitch transposer that produces sweet, 8-bit ring mod effects to your guitar. The Robot features four operational modes; Normal, Octave Up, Octave Down, and Arpeggiator. The Octave Up and Octave Down modes are pretty self explanatory. The Control knob, when fully clockwise, yields either octave up or down depending on the mode. When turned down, it bends the pitch of the octave down so you can dial in the exact tone you want. In Normal mode the Robot acts as a lo-fi fuzz pedal and the Control knob bends the pitch down from clockwise. The amount of fuzz can be further toyed with using the internal gain control. Now the fun part. The Death by Audio Robot also features an arpeggiator. The pitch will arpeggiate in a sequence and the Control knob will adjust the speed of the arpeggiation. It also makes a slight change in the pitch, allowing the arpeggiator to go higher. With all this fun, who needs anything else? Arpeggiation, whacky robotic nonsense, and 8-bit fuzz fun are all jam packed together in the Death by Audio Robot. Death by Audio Robot Features: * True Bypass * Internal Gain Control * Octave Up/Down * Arpeggiator * Insanity! Minimize

Finding a fault in a large audio system can be a real pain, ... Read more

Finding a fault in a large audio system can be a real pain, particularly if it's to do with phase or polarity. Such problems are difficult to isolate without spending precious time re-plugging and testing. Often imitated, but never bettered, the LA Audio Phase Checking system's wide band pulse can detect polarity inversions both acoustically and electronically irrespective of distance or time delay, making it easy to isolate cable, speaker or processor faults quickly. The PC90 is the latest incarnation of this advanced system, capable of measuring phase accuracy in any audio system.The separate emitter and receiver can be placed anywhere throughout an audio system, using either its internal speaker and microphone, or a balanced XLR connection. As soon as the emitter seeks out its little pulse, the receiver will indicate whether the signal is received in or out of phase. Barely seconds later, when your problem has been solved, the two units couple together, ready to be thrown into your pocket or toolbox. So, if you need a time saving, hassle free, rock solid and cool looking little audio friend, look no further than PC90. Minimize

Avid KeyStudio pack by M-Audio contains Pro ToolsSE softwar ... Read more

Avid KeyStudio pack by M-Audio contains Pro ToolsSE software and the M-Audio KeyStudio keyboard. Avid KeyStudio will turn your computer into afeature-packed recording studio. Pro Tools SE software lets you record, editand produce mixes using the same platform used by top audio professionals.   Whether you prefer hip-hop,pop, jazz or rock, this software package boasts an extensive library oftemplates and loops to suit your needs. There are over 100 virtual instrumentsto choose from; you can fly solo or be the entire band. Meanwhile, the M-Audio KeyStudio keyboard has 49 notes and is compatible with the collection of virtualinstruments contained within the Pro Tools SE software package.Features:Other features : Mix up to 24 tracks (16 audio tracks, 8 virtual instrument tracks)Includes over 100 different virtual instrumentsComes with over 3 GB of audio loops to quickly construct songs and ideasGeneral information:Included accessories : Pro Tools SE software, M-Audio KeyStudio keyboard, Micro USB M-Audio audio interface, USB cableOther : Software available in French, Italian, German and Spanish Windows 7 or XPMac OS X 10.5.38 or over1.8 GHz processor2 GB RAM for Windows 7 64 bits, or 1 GB RAM for Windows XP and 7 32 bits1 GB RAM for Mac OS1 free USB portDimensions in mm (WxHxD) : 864 x 102 x 241 Weight (in kg) : 2.948 kg Minimize

What do your mixes sound like outside the studio — out ther ... Read more

What do your mixes sound like outside the studio — out there in the "real" world? Keep a pair of Avantone's MixCubes mini reference monitors at the ready and you'll know. After you dial in that monster mix on your super-accurate studio monitors, keep in mind that somebody's going to hear it on earbuds or on a crummy car stereo. Or on tiny computer speakers. MixCubes let you hear your stuff the way it's going to be heard out there, so you can optimize your mixes. These cool little 'Cubes are loaded with quality, from their speaker and cabinet construction to their connections. Want to make your tunes translate? Check 'em out on MixCubes first! Minimize

Introducing the Black Lion Audio Auteur Rack ... Now in rac ... Read more

Introducing the Black Lion Audio Auteur Rack ... Now in rack, with power indicator and switch on front of unit. There are lots of mic preamps available these days. What makes ours so special? For one, it's a design that's somewhat unique in its approach. Being admirers of the fully balanced transformer-less circuits found in highly acclaimed recording consoles, we chose to use a similar topology. We began with a high speed input stage that would pick up lots of detail and nuance, and then followed it with a high current output stage. Circuit headroom is plentiful, and the input stage is very difficult to clip. Because of its fully balanced design, it can handle input signals as large as +15dB with ease. Minimize

Delivers the tube amp sounds with superb clarity and low no ... Read more

Delivers the tube amp sounds with superb clarity and low noise. Allows clean boost to mild to medium overdrive. Using a frequency selective range control you change what gets distorted; not just the amount. Hear bass chords clearly by dialing in the exact amount of edge, grit, growl and crunch. Achieve extra bite without becoming fuzzy and muddled. BLEND - Sets the mixture from 100% clean to 100% distorted signal. CUT - Pre-distortion low-cut filter removes bite from your signal by reducing upper harmonics to give a warmer tone. RANGE - Sets hi-pass cut-off frequency from full spectrum distortion to narrow high frequencies. DRIVE - Controls the amount of overdrive. SYM - Selects clipping (distortion) mode: either asymmetric (for full textured bite) or symmetric (for tighter, smoother overdrive). PAD - Engages -9dB pad for active basses. VOL - Sets the overall output volume of the blended signal. From off to +12dB boost. Other Features: Noiseless true bypass Dimensions: 4.7? x 3.7? Laser-etched, die-cast aluminum chassis Internal 18V operation for high headroom 9V batt or standard 9V center negative DC power Low battery LED indicator, visible LED settings during bypass Designed and manufactured in the USA Minimize

AMPLIVOX Audio Portable Sound System goes anywhere you need ... Read more

AMPLIVOX Audio Portable Sound System goes anywhere you need to give multimedia presentations. An excellent companion for your projector or laptop. Sound reaches audiences up to 1000. Includes a professional dynamic cardioid mic with 15' cord. Lightweight (weighs only 4 lbs. (8 lbs. with batteries)—easy to carry with shoulder strap or handle. Contains AmpliVox 50-watt multimedia stereo amplifier and one 6x8â? Jensen designed speaker. Rugged, durable case. Includes (2) audio interface cables (7' projector interface cable with stereo 3.5mm male/2 RCA jacks and a 5' computer interface cable with stereo 3.5mm male/male jacks). Operates on (10) D-cell alkaline batteries (not included) for up to 200 hours. Minimize

Zodiac is a digital-to-Analog Converter with 64-bit Acousti ... Read more

Zodiac is a digital-to-Analog Converter with 64-bit Acoustically Focused Clocking, 129dB Dynamic Range, S/PDIF and Optical Inputs, 2 Headphone Outputs, and Digital Volume Display.Choosing Zodiac means you are taking a big step into a new world of digital sound clarity, where your listening experience will expand with warmth and detail. Connect your PC, Mac, CD player, or any other digital source and enjoy sublime performance from the high grade headphone amplifiers or analog outputs to your speaker. Minimize

Want to sound cool? Better yet, do you want to LOOK cool wh ... Read more

Want to sound cool? Better yet, do you want to LOOK cool when you're tracking vocals and instruments in the studio? Heck, yeah! But, seriously, do you want to get classic, smooth ribbon tones, in a retro-styled mic that's not gonna break the bank? Then you need Avantone's CR-14! This dual-ribbon mic gives you killer looks, awesome sound, and the kind of high SPL handling that will stand up to vocals, drum kits, loud amps, and more. The CR-14 is built out of primo stuff, so it'll be a big part of your studio arsenal for a long time to come! Minimize

Leave it to PS Audio to engineer one of the quietest and mo ... Read more

Leave it to PS Audio to engineer one of the quietest and most versatile phono stages we've ever used. The PS Audio GCPH Phono Preamp works with any MM moving magnet or MC moving coil cartridge on the market. And because of its proprietary Gain Cell technology, it can act as a stand-alone phono system feeding a power amp directly. But wait until you hear how it sounds! The GCPH wins "Recommended Component" status in the April 2006 issue of Stereophile magazine. "The sound had the same sort of tonal neutrality, combined with high resolution of detail, that characterized the [PS Audio] GCC-100," reports Robert Deutsch. The GCPH was also an "Award Winner" for 2007 in Hi-fi News magazine, which calls it "the default phono stage even at twice the price." Just how good is this highly versatile preamp? "The GCPH was easily the match of any $1000 preamp I've heard, and better than many," observes Michael Fremer in the July 2006 issue of Stereophile. "With its Phase and Mono switches, plus its versatile gain and output capabilities, it's one of the best values in under-a-grand phono preamps, and easy to recommend!" "Whether you evaluate it from the standpoint of design, construction, or sound quality, PS Audio's $995 GCPH phonostage seems like it ought to cost more than it does," says Chris Martens in his April 2009 review for The Absolute Sound magazine. "Overall, PS Audio's GCPH is the most versatile and best sounding sub-$1k phonostage I've yet heard." The GCPH Phono Preamp boasts a passive RIAA curve with accuracy to within one tenth of one decibel. The compact chassis houses the kind of huge high-current power supply that is more commonly found inside a power amplifier. Not only does this meticulously designed power plant make sure that the GCPH never runs out of juice, but it also keeps the music signal significantly quiet. You hear detail instead of noise, bringing out nuances you may never have experienced before in your favorite vinyl recordings. Minimize

An advanced dynamics processor and tone shaping device with ... Read more

An advanced dynamics processor and tone shaping device with simple controls. It gives your tone a feel, depth and sustain that is clean yet powerful. The key to its magic is the interaction between the compressor and a potent filter that can be applied in a variety of ways. This pedal covers the transparent and easy-to-use compressor needs and then moves beyond that by allowing dual slope dynamics with an independent limiter and compressor, an adaptive RMS detector and an optional state variable filter. Unique clean, phat, funky tones. BLEND - Sets the mixture from 100% clean to 100% wet signal. SHAPE - Sets the cutoff frequency of the low-pass or high-pass filter. LIM - Sets the independent limiter threshold. COMP - Sets the compression ratio from 1:1 (no compression) to 15:1. HIGH - Selects high-pass or low-pass filter mode for the SHAPE control. VCA - Selects the filter mode: either VCA (audio) path for radical tone shaping or sidechain for frequency dependent compression. VOL - Sets the overall output volume of the blended signal. From off to +12dB boost. Other Features: Noiseless true bypass Dimensions: 4.7? x 3.7? Laser-etched, die-cast aluminum chassis Internal 18V operation for high headroom 9V batt or standard 9V center negative DC power Low battery LED indicator, visible LED settings during bypass Designed and manufactured in the USA Minimize

Strikes the perfect balance of clean bass mixed with heavy ... Read more

Strikes the perfect balance of clean bass mixed with heavy distortion for that two-track sound popular with studio engineers. From moderate to crunchy distortion or even thick fuzz, the Laser Cannon allows your bass to cut through the mix in genres like rock, metal, industrial and hardcore. Silicon or germanium diodes in the same box selectable for distinctive distortion textures. BLEND - Sets the mixture from 100% clean to 100% distorted signal. ATTACK - Pre-distortion low-cut filter reduces upper harmonics for smoother distortion. RANGE - Sets hi-pass cut-off frequency from full spectrum distortion to narrow mid-range frequencies. WAVE - Controls the amount of distortion. E=PC - Selects diode type: Either silicon or germanium for distinct distortion textures. PAD - Engages -9dB pad for active basses. VOL - Sets the overall output volume of the blended signal. From off to +12dB boost. Other Features: Noiseless true bypass Dimensions: 4.7? x 3.7? Laser-etched, die-cast aluminum chassis Internal 18V operation for high headroom 9V batt or standard 9V center negative DC power Low battery LED indicator, visible LED settings during bypass Designed and manufactured in the USA Minimize