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The Heat Blaster HBL-3 takes the bold, overtone-rich high-g ... Read more

The Heat Blaster HBL-3 takes the bold, overtone-rich high-gain tube amp sound of the earlier HBL-2 version to the next level with fatter lows and mids that add even more presence and power. The fast response of the HBL-2 is retained for outstanding articulation. By removing sonic components that can degrade the quality of the presence range while maintaining the most desirable harmonics, the HBL-3 sculpts a rich distortion sound with outstanding projection that won't get buried in an ensemble. The HBL-3 has also been carefully designed to avoid excessive compression that can result in a flat, lifeless sound. The result is tube-amp type sensitivity so that picking nuances are directly and fully expressed in the tone. The HBL-3 is ideal for use with the clean channel of a multi-channel amplifier. Bass Boost Switch Boosts the low-frequency range. This function achieves extra low-end impact with humbucking and single-coil pickups. Advanced S.C.T. Circuit In a normal True-Bypass circuit, in bypass mode the audio signal passes through two switch contacts. But in the HBL-3, in bypass mode the audio passes through a single contact, thanks to a single contact true-bypass circuit. The result is much higher sound quality and reliability than that provided by previously existing products. A new development in the S.C.T. Circuit now makes it possible to further reduce any change or deterioration in sound quality and gives the feeling that the footswitch circuit is removed entirely from your signal chain. New Double-contact Grounding Circuit (D.C.G. Circuit) In designing the new pot, we were seeking smooth operation and durability. The new design ensures that the shaft of the pot won't be pressed into the housing even if it is accidentally stepped on. Minimize

Somewhere between Progressive rock, song, world-music and e ... Read more

Somewhere between Progressive rock, song, world-music and electro, the atypical, dreamy and researched music of LAZULI takes us far from the beaten tracks with a quite unusual band. This French group uses actually in bulk Chapman Stick, marimbas, vibraphone, percussions, guitars, voice... An instrumentation not unlike Peter GABRIEL's in his early years, when his guitar player was named Robert FRIPP. And that's not by chance ! The Leode is also played here, invented and constructed in only one copy by Claude LEONETTI, being the surprising mix of a guitar, a synthesizer, a melodic saw and a Martenau wave. This instrument controls a sampling machine and a multi-effect system through a MIDI module. The instrument must be played with only one hand: the musician unfortunately lost an arm in a motorbike accident when he was young. LAZULI conceives songs like pictures, mixing colours, depicting the world or repainting it. Words question the wounds of today. The ethereal, outlandish voice swarms with puns describing man in every forming and deforming... LAZULI will enchant and bewitch you. "En Avant Doute..." might create the big surprise of that finishing year 2006. This is a beautiful collection of sophisticated songs, succeeding in combining the suggestive power of words and the sophistication of the instrumentation. ANGE lovers will appreciate the cover of a classic, "Capitaine Coeur De Miel". The CD has a bonus DVD, compiling over 20 minutes live, a documentary lasting 40 minutes, a small Leode story (With an unmistakable English translation !), the video clip of "Le Repas De L'Ogre" and a slideshow, plus other material. While releasing this second opus, the Musea label presents the reissue of the first effort "Amnesie", that had made a strong impression when first released in 2003. Highlighting a particular song wouldn't be easy, since the level is kept high throughout the album. "Mal De Chien" is extraordinary though, starting as an intimist ballad, and evolving into Minimize

Somewhere between Progressive rock, song, world-music and e ... Read more

Somewhere between Progressive rock, song, world-music and electro, the atypical, dreamy and researched music of LAZULI takes us far from the beaten tracks with a quite unusual band. This French group uses actually in bulk Chapman Stick, marimbas, vibraphone, percussions, guitars, voice... An instrumentation not unlike Peter GABRIEL's in his early years, when his guitar player was named Robert FRIPP. And that's not by chance ! The Leode is also played here, invented and constructed in only one copy by Claude LEONETTI, being the surprising mix of a guitar, a synthesizer, a melodic saw and a Martenau wave. This instrument controls a sampling machine and a multi-effect system through a MIDI module. The instrument must be played with only one hand: the musician unfortunately lost an arm in a motorbike accident when he was young. LAZULI conceives songs like pictures, mixing colours, depicting the world or repainting it. Words question the wounds of today. The ethereal, outlandish voice swarms with puns describing man in every forming and deforming... LAZULI will enchant and bewitch you. "En Avant Doute..." might create the big surprise of that finishing year 2006. This is a beautiful collection of sophisticated songs, succeeding in combining the suggestive power of words and the sophistication of the instrumentation. ANGE lovers will appreciate the cover of a classic, "Capitaine Coeur De Miel". The CD has a bonus DVD, compiling over 20 minutes live, a documentary lasting 40 minutes, a small Leode story (With an unmistakable English translation !), the video clip of "Le Repas De L'Ogre" and a slideshow, plus other material. While releasing this second opus, the Musea label presents the reissue of the first effort "Amnesie", that had made a strong impression when first released in 2003. Highlighting a particular song wouldn't be easy, since the level is kept high throughout the album. "Mal De Chien" is extraordinary though, starting as an intimist ballad, and evolving into Minimize

The Carl Martin DC Drive pedal has a few tricks up its slee ... Read more

The Carl Martin DC Drive pedal has a few tricks up its sleeve. Besides the typical Level, Tone, and Drive knobs that control the signal volume, the tone, and the amount of overdrive, Carl has smartly added a clean boost after the drive section, and a Regular/Fat switch. In Regular mode, the drive is crisp and clear, suitable for anything that calls for old-school drive—switch over to Fat and the drive gets thicker with a lot more gain, bringing out a more modern sound. The result is a multi-use guitar pedal that allows you to have a variety of rhythm and solo volumes at your feet. The Bypass footswitch engages or bypasses the DC Drive pedal—turning it on or off. The red LED lights when the pedal is engaged. When the red LED is on, the Drive knob regulates the amount of gain (overdrive) you want to use—from almost clean turned full left, to high gain turned full right.The Tone knob sets the voicing or color of the overdrive, from dark at full left turn to crystal bright at full right turn.The Level knob simply sets the overall level or volume of the effect. When the red LED is on, choose the amount of Drive you prefer, color it with the Tone knob and then set the Level knob to equal your clean volume, or set the Level slightly higher than your clean signal. Check your settings by turning the pedal on and off with the Bypass switch to compare and fine tune.The Martin DC Drive also offers 2 pre-set voicings, which selectable via the toggle switch located between the Tone and Level knobs. The Regular (REG) setting is more neutral and flat, creating more of a generic overdrive. The Fat (FAT) setting is as it suggests—fatter and beefier, giving your overdrive a shot of steroids. Both of these voicings share the Drive, Tone and Level controls.The Carl Martin DC Drive is also a 2-in-1 pedal. Along with the Drive settings, there is another switch and knob on the left side of this pedal that will add another dimension to your sound.... Minimize

Pocket POD® Pack: The ultimate Pocket POD experience at an ... Read more

Pocket POD® Pack: The ultimate Pocket POD experience at an incredible price Pocket POD® Pack delivers the ultimate Pocket POD experience at an incredible price. It includes everything guitarists need including Pocket POD, the #1 portable multi-effect unit on the market, and a complete set of essential extras. Pocket POD puts legendary POD® tone in the palm of your hand. It features many of the same immortal POD tones that have appeared on countless multi-platinum albums. Choose from over 300 presets, over 100 of which were professionally dialed in by such artists as Maroon 5, P.O.D., 311, Hoobastank and others. Instantly get the guitar tones of your heroes! Pocket POD also boasts 32 fully adjustable amp models based on* many sought-after guitar amplifiers including Blackface Fender® Twin Reverb®, Vox® AC30 Top Boost, Marshall® Plexi, Mesa/Boogie® Dual Rectifier® and more. Plus, 16 cabinet models and 16 essential effects, including Chorus, Delay, Reverb and more, are included to give you a virtually limitless range of tones. And the accurate built-in chromatic tuner is something no guitarist should be without. Jam-packed with essential extras, Pocket POD Pack includes a 1/4-inch guitar cable for connecting your guitar to your Pocket POD, a 1/8-inch auxiliary cable for connecting your MP3 player to your Pocket POD, earbuds for silent practice, a DC-1 power adapter, a USB cable, and a CD-ROM that’s loaded with jam tracks and Pocket POD tone-editing software. Pocket POD Pack includes everything you need to get legendary POD tone at an incredible price. Minimize

No musician can deny the deep, swirling glory of a vintage ... Read more

No musician can deny the deep, swirling glory of a vintage rotating speaker cabinet, that uniquely lush, pulsing tone that brings any instrument to life. So, why doesn't everyone use one? Because they are the size and weight of a bulky refrigerator, cost big bucks and are more high-maintenance than a platinum diva. But, imagine getting all of that inspiringly rich modulation with cutting-edge features in a studio-quiet, road-worthy pedal. Just one little pedal. Now imagine you can use that pedal with guitar and to record direct. The Roto Choir recreates both the rotating lower speaker and the treble rotor horn --the only way to attain that complex, multi-dimensional tone. In fact, the Roto Choir utilizes a specifically formulated SansAmp technology to deliver the entire signal chain --from the original tube power amp to the speaker and high-frequency rotor horn, to the microphone used to capture it. This is HD, 3D emulation. The simple controls hide a wealth of options. Drive adds just the right amount of compression, harmonics and grit. Low and High sculpt the tube amp emulation with powerful EQ curves. The Fast/Slow footswitch allows users to ramp up, slow down or even stop the rotating speaker. There's also a dedicated control to custom set the Top Speed of your rotor. Want to vary the intensity of the effect? Simply adjust the Position control to move the Roto Choir's virtual mic closer or further from the horns. Other features include a biamped/single-speaker mode switch, stereo output and a Speaker Sim switch for direct recording. Find the easy way to celestial sounds you can get lost in with the Roto Choir. Minimize

Pigtronix PolySaturator is a compact, multi-stage distortio ... Read more

Pigtronix PolySaturator is a compact, multi-stage distortion featuring an extra-wide gain range coupled with precision tuned low, mid and high band graphic EQs.Many of their customers have requested a stand-alone version of the Overdrive found in the OFO Disnortion pedal. The new PolySaturator takes their original design even further, adding a Class A J-FET booster stage to the front end and re-voicing the gain structure to provide an even wider range of sounds. The PolySaturator produces everything from subtle grit to blue velvet sustain inspired by their favorite tube amp lead channel.Unprecedented touch sensitivity and overall range of distortion tones is achieved through multiple gain stages, and active EQ, perfectly balanced to give the musician enhanced control and expression using picking dynamics alone. The PolySaturator excels at gritty, edge-of-overdrive tones, but crank up the gain and you will be assaulted by face-melting ultra-high gain sounds that will please shredders and shoegazers alike with impressive string to string clarity and F.A.T. tube sound. Their new JRC4558D powered EQ circuits provide 12 db / octave active filtering over three distinct audio bands. This powerful EQ structure combined with their solid-state of the art approach to tube emulation, allows the musician to dial up wildly diverse and satisfying textures of analog distortion.For those guitarists who are looking to graduate beyond outdated overdrive designs, the PolySaturator presents a flexible and affordable alternative that will outperform any other boutique or mass production distortion pedal available. Minimize

The Soundblox 2 Dimension Reverb offers 12 distinct shades ... Read more

The Soundblox 2 Dimension Reverb offers 12 distinct shades of reverb. Choose from 6 reflectively diverse room sounds, two plate and two spring reverbs, modulation reverb, and echo. The assignable "Option" knob makes it possible to adjust 9 different parameters: wet/dry mix, time (i.e. resonance), bass, treble, pre-delay, diffusion, output level, modulation rate, and modulation depth. The Soundblox 2 Dimension Reverb features a compact, durable cast aluminum housing, 2 user presets, and Multi Function In and Out jacks compatible with Hot HandÒ, the Source Audio Dual Expression Pedal, or MIDI. Use the Hot Hand Motion Sensor or the expression pedal for on-the-fly control over any of the 9 adjustable parameters, or plug in a MIDI controller for external access to presets and parameters. Features and Specifications: Diverse Sound Palette - Featuring 6 different room sounds, 2 plate reverbs, 2 spring reverbs, modulation reverb, and echo. Compact, cast aluminum housing. 2 User Presets easily recalled via two footswitches. Universal Bypass - selectable buffered or true bypass. 9 Adjustable Parameters - adjust the wet/dry mix, time (i.e. resonance), treble, bass, pre-delay, diffusion, output level, modulation rate, and modulation depth. Multi-function In - use the Source Audio Dual Expression Pedal or the Hot Hand Motion Sensor for on-the-fly control over any of the 9 adjustable parameters. MIDI Capable - the Multi-function In jack also allows MIDI access to presets and parameters. State-of-the-art DSP - Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters. 9V DC power supply included Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2.25 in./5.7cm (including knobs) Minimize

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATC ... Read more

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATCH CABLE INCLUDED! The Multiwave Distortion features 21 distinctive and modern effects not found on typical distortion pedals. Based on new proprietary algorithms, these range from basic overdrive sounds to aggressive synth-like, octave heavy and extreme foldback settings that go far beyond emulations of typical 'classic' distortions. The Multiwave Distortion's unique Multi-Band mode divides the input signal into several frequency bands, which are distorted separately before being re-combined. Guitarists can play complex distorted chords and each note can be heard with absolute clarity. Several notes can feed back or drone simultaneously while a separate melody is played on top without the typical loss of volume associated with most of other types of distortion. The Multiwave Distortion is also compatible with the Hot Hand® motion sensor. When connected, Hot Hand® controls the amount of gain. Diverse sound palette - featuring 21 varieties of our distortion algorithm Multiband processing - signal is split into multiple bands and distorted individually for unprecedented sound clarity Modern Design - a thoughtfully designed box that features rugged construction and sleek looks State-of-the-art DSP - our proprietary 56-bit Digital Singal Processor, the SA601 and crystal-clear 24-bit converters Motion Control- all Soundblox pedals are 'Hot Hand Ready' and can be used with any Hot Hand motion sensor to extend the capabilities of the unit. If you have any questions please feel free to contact us. Thanks for looking and ROCK ON! Minimize

ToadWorks Ajax is a multi-state device designed for summing ... Read more

ToadWorks Ajax is a multi-state device designed for summing and splitting two distinct instrument signals. In addition, Ajax can invert the phase of both the incoming and outgoing signals. Suggested uses for Ajax are: a two-channel mixer, input/output phase correction, multi-guitar/amp interface, stereo expander, stereo-to-mono summing node, buffered signal splitter, and clean boost. Ajax is essentially a 2-channel line mixer, combined with a buffered Y-splitter, with the ability to invert (180°) the phase of one input signal, as well as one of the output signals. ToadWorks Ajax isn't just a new device - it's a new type of device, unique in the world of effects. Ajax is the audio equivalent of a pocket multi-tool - summing, splitting, phase inversion, boosting, cutting, mixing, buffereing - Ajax does it all, and more. Every situation is different - sometimes you want to use two amps, sometimes you want to use two guitars - maybe there's another guitarist you want to accompany you on a song... maybe you have a keyboard, and you want to plug it in along side your guitar, but your amp only has one input, and you want to make the change in the middle of the song... maybe you're talented enough to do both at once... maybe you're using two amps, but one of the speakers is wired out of phase... There's alot of really good reasons for getting the ToadWorks Ajax. On stage or in the studio, Ajax is the one piece of gear that everyone will find a use for. Minimize