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The DigiTech iPB-10 Programmable Pedalboard sets a new stan ... Read more

The DigiTech iPB-10 Programmable Pedalboard sets a new standard for guitar signal processing. By harnessing the power of the iPad, it combines the simplicity of a pedalboard with the flexibility of a multi-effects. The DigiTech iPB-10 unleashes the ability to create and control guitar effects like never before. Pedalboard Simplicity The DigiTech iPB-10 allows you to create your ultimate pedalboard, all on your iPad. Design a pedalboard by simply dragging and dropping up to 10 different pedals, in any order, to each pedalboard. You can even add an amp and cabinet to each setup. With 87 different pedals, 54 amps, and 26 cabinets to choose from, your options are virtually unlimited. Simply swipe your finger across the iPad to rearrange your pedals, turn them on and off, or to adjust their knobs. Multi-effects Flexibility Traditional multi-effects have given you the flexibility to change the entire configuration of your signal chain with a single footswitch. The DigiTech iPB-10 brings the concept of presets to a pedalboard. This allows you to save 100 of your favorite pedalboards with the touch or your finger, and instantly recall them with the stomp of your foot. You can have a different pedalboard for each gig, set, song, or even switch pedalboards within a song. Once you experience the flexibility of the DigiTech iPB-10 Programmable Pedalboard with its drag and drop design, you will change the way you think about guitar effects forever. iPB-Nexus App for iPad-Coming June 2011 The iPB-Nexus app is the perfect way to build and control your pedalboard. Using the simple and intuitive touch screen controls of the iPad, iPB-Nexus makes designing your setup for the iPB-10 Programmable Pedal board easy. Add, arrange, and adjust your pedals with a few simple gestures of your finger. iPad and iPB-Nexus app are NOT included. Minimize

The Heat Blaster HBL-3 takes the bold, overtone-rich high-g ... Read more

The Heat Blaster HBL-3 takes the bold, overtone-rich high-gain tube amp sound of the earlier HBL-2 version to the next level with fatter lows and mids that add even more presence and power. The fast response of the HBL-2 is retained for outstanding articulation. By removing sonic components that can degrade the quality of the presence range while maintaining the most desirable harmonics, the HBL-3 sculpts a rich distortion sound with outstanding projection that won't get buried in an ensemble. The HBL-3 has also been carefully designed to avoid excessive compression that can result in a flat, lifeless sound. The result is tube-amp type sensitivity so that picking nuances are directly and fully expressed in the tone. The HBL-3 is ideal for use with the clean channel of a multi-channel amplifier. Bass Boost Switch Boosts the low-frequency range. This function achieves extra low-end impact with humbucking and single-coil pickups. Advanced S.C.T. Circuit In a normal True-Bypass circuit, in bypass mode the audio signal passes through two switch contacts. But in the HBL-3, in bypass mode the audio passes through a single contact, thanks to a single contact true-bypass circuit. The result is much higher sound quality and reliability than that provided by previously existing products. A new development in the S.C.T. Circuit now makes it possible to further reduce any change or deterioration in sound quality and gives the feeling that the footswitch circuit is removed entirely from your signal chain. New Double-contact Grounding Circuit (D.C.G. Circuit) In designing the new pot, we were seeking smooth operation and durability. The new design ensures that the shaft of the pot won't be pressed into the housing even if it is accidentally stepped on. Minimize

The Line 6 Pocket POD guitar effects processor is about the ... Read more

The Line 6 Pocket POD guitar effects processor is about the size of a hand-held tuner. Yet it's the only personal amp modeling and effects processor packed with over 300 custom presets dialed in by rock stars and professional studio musicians who know great tone. With its 32 classic and modern amp models, 16 cab models, and 16 effects, Pocket POD enables you to create mind-blowing guitar tones wherever inspiration strikes.Just pop in 4 AAA batteries and you are good to go practicing with headphones or jamming with your favorite songs on your MP3 player. Let loose and play it loud with Pocket POD as your multi-effect processor in front of any amp. With Line 6's advanced A.I.R. II technology, you can even use Pocket POD guitar effect as a front-end recording device with the same tone used on countless platinum-selling albums.The Line 6 Pocket POD has a user-friendly design that makes it simple to dial in the tone you're looking for. To customize your sound even more, plug Pocket POD directly into your computer via USB and download the FREE Pocket POD tone editing software from Line6.com. Take your sound to the next level with the Pocket POD processor by connecting to CustomTone.com, the online destination for guitarists. There you can choose from a library of over 3,000 preset tones, create new tones, and share them with guitarists from around the globe. Experience world-class tone in the palm of your hand at an unbeatable price. Make your sound your own. Minimize

The Carl Martin DC Drive pedal has a few tricks up its slee ... Read more

The Carl Martin DC Drive pedal has a few tricks up its sleeve. Besides the typical Level, Tone, and Drive knobs that control the signal volume, the tone, and the amount of overdrive, Carl has smartly added a clean boost after the drive section, and a Regular/Fat switch. In Regular mode, the drive is crisp and clear, suitable for anything that calls for old-school drive—switch over to Fat and the drive gets thicker with a lot more gain, bringing out a more modern sound. The result is a multi-use guitar pedal that allows you to have a variety of rhythm and solo volumes at your feet. The Bypass footswitch engages or bypasses the DC Drive pedal—turning it on or off. The red LED lights when the pedal is engaged. When the red LED is on, the Drive knob regulates the amount of gain (overdrive) you want to use—from almost clean turned full left, to high gain turned full right.The Tone knob sets the voicing or color of the overdrive, from dark at full left turn to crystal bright at full right turn.The Level knob simply sets the overall level or volume of the effect. When the red LED is on, choose the amount of Drive you prefer, color it with the Tone knob and then set the Level knob to equal your clean volume, or set the Level slightly higher than your clean signal. Check your settings by turning the pedal on and off with the Bypass switch to compare and fine tune.The Martin DC Drive also offers 2 pre-set voicings, which selectable via the toggle switch located between the Tone and Level knobs. The Regular (REG) setting is more neutral and flat, creating more of a generic overdrive. The Fat (FAT) setting is as it suggests—fatter and beefier, giving your overdrive a shot of steroids. Both of these voicings share the Drive, Tone and Level controls.The Carl Martin DC Drive is also a 2-in-1 pedal. Along with the Drive settings, there is another switch and knob on the left side of this pedal that will add another dimension to your sound.... Minimize

FZD Multi Fuzz and Vintage DistortionThe GNI Multi Fuzz and ... Read more

FZD Multi Fuzz and Vintage DistortionThe GNI Multi Fuzz and Vintage Distortion is a very vintage pedal. It offers two effects, fuzz and distortion, and the possibility of combining them. There is also an octaver embedded with fuzz.Vintage DistortionIt's a very simple and yet powerful distortion pedal. It combines high gain with soft tones. You can adjust distortion using the three upper knobs, and turn it on / off pressing the right footswitch.Controls:TONE: Let's you adjust the amount of high tones in your sound.DISTORTION: It's the effect's gain. Increase it to add distortion. At light settings combined with larger levels, makes the pedal act like a booster pedal.LEVEL: Output level.Multi FuzzThree lower controls are the fuzz. You turn it on / off pressing the left footswitch.Controls:POWER: Effect's intensity. Actually, fuzz starts when set above half of the knob's range. Below that, it is called "gain", and can be used to get light saturation. Use these low settings to achieve some overdrive or booster style effects. It's normal to use Power at the maximum setting to achieve full fuzz.MOD: Let's you choose 3 modes for fuzz. First mode is a little softer. Second mode is very aggressive. Third mode combines fuzz with an octaverLEVEL: Output level.The Octaver - Fuzz's third mode adds an analog vintage octaver to the effect. It works best with lower tones (use your guitar's neck pickup). If you want to use the octaver without the fuzz, simply set power to a very low value, put it in third mode, and add level... Minimize

Pigtronix PolySaturator is a compact, multi-stage distortio ... Read more

Pigtronix PolySaturator is a compact, multi-stage distortion featuring an extra-wide gain range coupled with precision tuned low, mid and high band graphic EQs.Many of their customers have requested a stand-alone version of the Overdrive found in the OFO Disnortion pedal. The new PolySaturator takes their original design even further, adding a Class A J-FET booster stage to the front end and re-voicing the gain structure to provide an even wider range of sounds. The PolySaturator produces everything from subtle grit to blue velvet sustain inspired by their favorite tube amp lead channel.Unprecedented touch sensitivity and overall range of distortion tones is achieved through multiple gain stages, and active EQ, perfectly balanced to give the musician enhanced control and expression using picking dynamics alone. The PolySaturator excels at gritty, edge-of-overdrive tones, but crank up the gain and you will be assaulted by face-melting ultra-high gain sounds that will please shredders and shoegazers alike with impressive string to string clarity and F.A.T. tube sound. Their new JRC4558D powered EQ circuits provide 12 db / octave active filtering over three distinct audio bands. This powerful EQ structure combined with their solid-state of the art approach to tube emulation, allows the musician to dial up wildly diverse and satisfying textures of analog distortion.For those guitarists who are looking to graduate beyond outdated overdrive designs, the PolySaturator presents a flexible and affordable alternative that will outperform any other boutique or mass production distortion pedal available. Minimize

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATC ... Read more

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATCH CABLE INCLUDED! The Soundblox® Pro Multiwave Distortion features 23 distinct, modern, and highly tweakable effect types, plus a 7-band graphic EQ and six user preset stations. What makes the Multiwave unique is its ability to distort a signal with either multi-band or single band processing. Multi-band processing splits the signal into several distinct frequencies, distorts them separately, and recombines them for the final outputted signal. The effect is a clear distortion with sturdy attack and great note articulation. Single band processing employs a more conventional approach by applying distortion to the entire the signal. The processing categories are further broken down into three subcategories, ranging from 'normal', for a somewhat traditional distortion curve, to extreme 'foldback' and 'octave' settings, for more aggressive and synth-like distortion tones. Diverse Sound Palette- Featuring 23 varieties of our unique distortion algorithms with an added CLEAN BOOST + EQ mode. Multiband Processing- Signal is split into multiple bands and distorted individually for unprecedented sound clarity. State-of-the-art DSP- Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters. 6 User Presets- Easy to configure user presets in two banks selectable via 3 footswitches for quick access of your favorite sounds 7-Band Equalizer- Ultra-precise 7-band equalizer for in-depth tone control saved per preset. If you have any questions please feel free to contact us. Thanks for looking and ROCK ON! Minimize

This is the hard to find GP-300 EFFECTS PROCESSOR from MUZA ... Read more

This is the hard to find GP-300 EFFECTS PROCESSOR from MUZA. A great sounding processor that had gotten a very good buzz and word of mouth and then became very hard to attain.... until now. I have a few of these units (factory brand new) that I am offering here. Overview: The GP300 is a multi-effect processor designed for guitar players at any skill level. It offers you a full variety of great guitar effects including multiple Distortions, Wah Wah, Delay, Compressor, EQ, Awesome Reverb and Delay settings that Muza is known for, Amp simulations, Speaker simulation and much, much, more. Virtually guarenteed to make you a better player either for practice or stage. Run through your amp or direct to headphone for late night jams. This thing will do it all... very heavy with full metal casing (black with gold flakes) Built very well and to last. The user's friendly interface allows you to create and store up your own tones easily. It truly is your perfect companion for both practice and performance. MUZA's GP300 is Medeli's first guitar multi-effects' processor designed for you which provides you a huge selection of wonderful guitar voices including Distortion, Wah, Delay, Compressor, EQ, Reverb, Amp Simulation, Speaker Simulation and much more! You can create your own voice and music easily with its user-friendly parameters and interface. Extensive manual and Adapter included....... Minimize

ToadWorks Ajax is a multi-state device designed for summing ... Read more

ToadWorks Ajax is a multi-state device designed for summing and splitting two distinct instrument signals. In addition, Ajax can invert the phase of both the incoming and outgoing signals. Suggested uses for Ajax are: a two-channel mixer, input/output phase correction, multi-guitar/amp interface, stereo expander, stereo-to-mono summing node, buffered signal splitter, and clean boost. Ajax is essentially a 2-channel line mixer, combined with a buffered Y-splitter, with the ability to invert (180°) the phase of one input signal, as well as one of the output signals. ToadWorks Ajax isn't just a new device - it's a new type of device, unique in the world of effects. Ajax is the audio equivalent of a pocket multi-tool - summing, splitting, phase inversion, boosting, cutting, mixing, buffereing - Ajax does it all, and more. Every situation is different - sometimes you want to use two amps, sometimes you want to use two guitars - maybe there's another guitarist you want to accompany you on a song... maybe you have a keyboard, and you want to plug it in along side your guitar, but your amp only has one input, and you want to make the change in the middle of the song... maybe you're talented enough to do both at once... maybe you're using two amps, but one of the speakers is wired out of phase... There's alot of really good reasons for getting the ToadWorks Ajax. On stage or in the studio, Ajax is the one piece of gear that everyone will find a use for. Minimize