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Xpress yourself with Rocktron?s exciting new Xpression?, th ... Read more

Xpress yourself with Rocktron?s exciting new Xpression?, the easy to use, yet professional, multi-Effects Processor where 100% of the processing power is dedicated to producing rich, lush effects and EQ for BOTH guitar and bass. Pre-Loaded with 128 professional presets custom designed for guitar and bass including a combination of vintage AND modern voiced effects based on our years of experience in signal processing. The vintage effects include many classic stomp box style effects like Flanger, Phaser, Rotary and Tremolo that were modeled after actual vintage products no longer available on the market today. Rocktron's multi-voiced Delay and Chorus are designed for Guitar and Bass for BOTH live and recording situations. A Tap Button for "Delay" and "Rate" control is on the front panel and is MIDI Programmable. Reverb, Multi-Pitch Shifting, Compressor and much more are included. The Xpression is designed to maximize EFFECTS to be used WITH your favorite preamp or amplifier, thus there are no distortion presets in the Xpression?. Rocktron's SIMbiotic? 4-Band Parametric EQ offered in the Xpression? is the ultimate tool for tonal shaping of your sound and it has also been designed specifically for Guitar and Bass. Separate Input and Output Level controls to accommodate all kinds of guitars and basses with active and passive pickups. Speaker Simulator allows you to RECORD DIRECT using your favorite preamp or amplifier OR to connect directly to a PA System using your fav... Minimize

Does your bass sound dull and lifeless? Sound engineers and ... Read more

Does your bass sound dull and lifeless? Sound engineers and professional bass players have known for years that high-quality limiting and enhancement makes bass tracks pop in the mix. The BASS LIMITER ENHANCER BLE400 gives your playing that same velvety finishing touch by smoothing out inconsistent volume peaks. This is especially noticeable if your performance involves slapping and popping styles. The BLE400 will make your tone as solid as your performance. Why You Need a Limiter. Even if you employ the best technique, there will be volume inconsistencies in your sound. This becomes really obvious when you switch from finger-style playing to slapping and popping. The BLE400 can help smooth out these inconsistencies and improve your sound. How? A limiter works by reducing the dynamic range of a signal, often referred to as compression. This means that loud signals are turned down and softer sounds are turned up, so they more closely match each other. The resulting sound is more powerful, focused and rich in tone. Surgical Enhancement, By its very nature, extreme compression tends to suck the high-end out of any signal, so we added a tone compensation circuit to the BLE400. This dedicated Enhance control lets you dial in just the right amount of sparkle, without giving your bass that over-processed or brittle sound. This feature alone will make the BLE400 one of your favorite secret weapons! Simple, Intuitive Operation. The dedicated LEVEL, ENHANCE, RATIO and THRESHOLD controls provide easy and intuitive sound shaping. Just set the Ratio control for the amount of compression you want and adjust the Thresh(old) control to where you want the compressor to kick in. Then, turn the Level knob to match the volume of your bass when the effect is switched off. It's just that easy! Minimize

During more than 30 years playing and recording with iconic ... Read more

During more than 30 years playing and recording with iconic rock musicians including Zakk Wylde’s Black Label Society, David Lee Roth, Ozzy Osbourne, Slash’s Snake Pit, White Lion and now Megadeth, James envisioned a bass drive effect that operates entirely unlike any other distortion unit currently available. Now Ashdown has made that vision a reality. In the LoMenzo Hyper Drive, a band of frequencies within the midrange of the bass signal is filtered out and the distortion effect is added only to this band. The filtered frequencies can be ‘tuned’ to the precise range that gives the optimum effect. The degree of distortion available is variable from a subtle break up to huge overdrive, enabling a new range of extreme effects for bass to be created. The distortion effect can then be mixed with the original dry bass signal to maintain a powerful, full-bodied bass tone with distortion overtones. “I’ve been using the Hyper Drive every night and it’s truly astounding,” reports James from the current Megadeth tour. “It turns all my basses into fire breathers!” Minimize

The behringer buf300 is the ultimate bass flanger effects p ... Read more

The behringer buf300 is the ultimate bass flanger effects pedal! the buf300 effects pedal lets you lift off with swirling jet sounds, thick chorus, vibrato and short delay effects without affecting the bass fundamentals, keeping the original bass punch and clarity. the buf300 features dedicated resonance, rate, depth and manual controls for awesome sound shaping. a cool blue status led for effect on/off and battery check plus a first-class electronic on/off switch for highest signal integrity in bypass mode are included. the buf300 runs on a 9 v battery or a dc power supply (not included). take off with the buf300 and boost your bass to a new musical sphere! Minimize

The Total Effects Bundle includes 4 award-winning effect pl ... Read more

The Total Effects Bundle includes 4 award-winning effect plug-in suites for guitar, bass, mixing and mastering, all modeled after the most sought-after hardware gear. It features the argest range of analog modeled effects in one package with 90 ultra accurate DSP emulations. Finally, a bundle covering every studio need, including guitar and bass recording, a comprehensive selection of studio reverbs, and high-end mixing and mastering tools. Minimize

AdrenaLinn III from Roger Linn Design is a beat-synced mult ... Read more

AdrenaLinn III from Roger Linn Design is a beat-synced multi-effects processor for guitar, keyboard or bass that combines 3 products in one:1) A beat-synched multi-effects processor with exclusive Filter SequencerWhat are beat-synched filter effects? Examples include tremolo, auto-pan, filter tremolo, flanger, chorus, rotary, vibrato and more, all in perfect synch to the internal drumbeats or to MIDI clock. That out-of-synch tremolo on your guitar amp won't seem as useful anymore. Plus you get innovative new effects including: • Random filtering, flanging or tremolo—like a wah pedal that instantly switches to a new random position on every 1/8 or 1/16 note in sync to the beat. Or a flanger that switches to a new random frequency every 1/8 or 1/16 note. Or a tremolo in which each pulse level is randomly chosen, adding a syncopated rhythm to even simple chords. • Filter sequences: Looped 2-measure rhythmic sequences of filter tones in sync to the beat or to MIDI. Chosen one of the preset sequences or program your own. A great idea generator. • Tremolo sequences: Looped 2-measure sequences of programmed volume pulses. Like that used in Green Day's "Boulevard of Broken Dreams". • Arpeggio Sequences: Looped 2-measure sequences of tuned resonances, as used in John Mayer's "Bigger than My Body". • Delay Loops: Set the beat-synced delay to 1 full measure, then jam with yourself by playing chords over the first bar and solo over them on the next. You also get note-triggered filter effects like Auto-Wah, Talk Box simulator, Guitar Synth sounds, plus stereo reverb, compression, tuner and a completely transparent noise gate. And AdrenaLinn III's filters are warm and very analog-sounding with emulations of classic Moog and Oberheim synthesizer filter designs. 2) A superb amp modeler40 superb models of vintage and modern guitar amps from Fender, Marshall, Vox, Mesa Boogie and more, including 4 classic bass amps. Plus distortion boxes and a warm tube Minimize

This device features EQ, compression and switchable overdri ... Read more

This device features EQ, compression and switchable overdrive in a double wide die-cast box for bass and guitar players alike. As the first effects pedal in the "GainShaper Series", it features 4-Band, 18dB/octave crossover EQ filters, squeeze compressor with auto-return to 0dB sustain, plus a switchable 2 level limiter overdrive with depth control for dialing the right amount of distortion. It is pure analog and true bypass. Operates from 12-18VDC (adapter included). Specs: Switching: True Bypass (TPDT) Input Impedance: 300K (min) Input Jack: Neutrik ¼ Inch Phone Jack Output Impedance: 4K (max at 5Hz) Output Jack: Neutrik ¼ Inch Phone Jack Current Consumption: (Operating): 60mA @ 18VDC (Max) (Standby): 54mA @ 18VDC Power: 12VDC AC Adapter(Supplied); Voltage Range: 12.0VDC-18.0VDC Connector: 2.1mm x 5.5mm, Tip Positive Dimensions: 4.87(W) x 3.72(D) x 2.25(H) Weight: 0.92 lbs. Minimize

Xpress yourself with Rocktron?s exciting new Xpression?, th ... Read more

Xpress yourself with Rocktron?s exciting new Xpression?, the easy to use, yet professional, multi-Effects Processor where 100% of the processing power is dedicated to producing rich, lush effects and EQ for BOTH guitar and bass. Pre-Loaded with 128 professional presets custom designed for guitar and bass including a combination of vintage AND modern voiced effects based on our years of experience in signal processing. The vintage effects include many classic stomp box style effects like Flanger, Phaser, Rotary and Tremolo that were modeled after actual vintage products no longer available on the market today. Rocktron's multi-voiced Delay and Chorus are designed for Guitar and Bass for BOTH live and recording situations. A Tap Button for "Delay" and "Rate" control is on the front panel and is MIDI Programmable. Reverb, Multi-Pitch Shifting, Compressor and much more are included. The Xpression is designed to maximize EFFECTS to be used WITH your favorite preamp or amplifier, thus there are no distortion presets in the Xpression?. Rocktron's SIMbiotic? 4-Band Parametric EQ offered in the Xpression? is the ultimate tool for tonal shaping of your sound and it has also been designed specifically for Guitar and Bass. Separate Input and Output Level controls to accommodate all kinds of guitars and basses with active and passive pickups. Speaker Simulator allows you to RECORD DIRECT using your favorite preamp or amplifier OR to connect directly to a PA System using your fav... Minimize

For well over four decades I've been a working guitarist. B ... Read more

For well over four decades I've been a working guitarist. Because of this one simple fact all of my wah models so far have been geared towards guitars. Well, I became a working bassist in 2009 and realized that I needed a unique bass wah to compliment my playing. To make sure I helped real bassists, and not just depend on my own guitarist-turned-bassist indulgences, I started working with professional bass players around the world to find what it was they wanted in a wah pedal. To all of those remarkable players, and to all you bassists reading, I dedicate my RMC9-Bass Eqwahlyzer. The RMC9 starts off with a great bass wah sound (the wah envelope extends down below 100Hz) and expands from there. A small toggle switch located under the rocker lets you change the overall resonance of the wah effect from normal to enhanced. The tone-shaping capability continues with the switchable 5-band graphic equalizer located on the front slope of the case. The EQ is within the wah circuit, only available when the wah is turned on, and then only if you want the EQ to be on. You can shape your bass wah sound like you've always wanted to, all in real-time. The RMC9 is all analog and built with double clad copper circuit boards, through-hole components in the wah circuit, surface mount components in the equalizer circuit, 5 bands of +/- 15 db equalization with center-detent sliders, LED indicator light for the EQ circuit so you know when the EQ is active, EMI resistant Karmaflux inductor, heavy-duty Italian true-bypass on/off switch, dependable one million cycle ROC-POT 5.2 wah potentiometer, and case-mounted input and output jacks. The RMC9-Bass Eqwahlyzer is housed in our new extended wah shell with a silk-screened bottom plate, multi-sparkle universal black finish, and topped with a black footpad. Minimize

Are you ready for the dirtiest, the filthiest, the grimiest ... Read more

Are you ready for the dirtiest, the filthiest, the grimiest and the absolutely heaviest bass distortion of all times? This is the box that the Devil made me build. Oh yeah, Satan is a bass player! This stompbox from hell aptly named "Black Magic" will not, as most bass distortions do, totally destroy your Low-end sound but in fact raises it to the point of insanity! it wil transform your little shoebox amp into an infernal legion of Ampeg 8x10 growlers that will empty your bowels and shake off your skin! This ain't about pickin' daisies and puppy love... This is dangerous shit!!! Minimize

BJF design guitar and bass Auto Wah/ Voltage Control Filter ... Read more

BJF design guitar and bass Auto Wah/ Voltage Control Filter pedal Hand-made in Finland premium quality auto wah pedal. The SNOW WHITE AUTOWAH (SWAW) circuit is based on a 1991 BJF rack mount remote wah circuit and is tuned like a real wah. The circuit was redesigned with envelope controls and built into small size pedal. It has very fast tracking and accuracy rarely found on auto wahs/ envelope filters. With the four knobs you can have total control of the effect. SWAW works both with guitar and bass and you can fine-tune the pedal to suit your instru-ment, your playing style and your taste of tone. The pedal has a unique decay control for the filter frequency fall speed. You can set it to be fast for wah effects on every note, or slower for a more traditional auto wah sound. Like all Mad Professor pedals SWAW is hand made in Finland using only premium compo-nents, to give years of trouble free operation with superb musical tone. Controls SENSITIVITY: Sets the filter trigger level, tune this carefully to fit your guitar/bass output and your playing touch. You can further change the sensitivity from your guitar volume knob while playing. BIAS: Controls the filter resonance frequency. When Sensitivity is turned fully off the Bias can be used as a sweepable filter. RESONANCE: Controls the sharpness or Q-factor of the filter. DECAY: Controls how fast the filter frequency falls back to resting point (that is set with the Bias control). This can be set fast (CW) so you get the wah effect on every note or slow for a more traditional auto wah sound. PLAYING: Please take time to get used to the controls and as this is a voltage control filter it will react to your playing touch. The envelope control circuit is carefully designed to follow the dynamics of guitar/bass and it might take some time to master the Auto Wah playing technics. Minimize

Carl Martin 3 Band Parametric Pre-Amp has been specially de ... Read more

Carl Martin 3 Band Parametric Pre-Amp has been specially developed for musicians who play ACOUSTIC GUITAR, VIOLIN, ACCORDION, DOUBLE BASS, etc. These musicians often use combo amps and do not find the use of 19 inch rack equipment very practical. Experience has shown us that these instruments often require a high quality EQ and balanced line driver. Carl Martin have integrated those features into a handy stomp box format. For maximum flexibility, Carl Martin found it necessary to create a high quality 3 band semi-parametric EQ. Carl Martin 3 Band Parametric Pre-Amp works equally well for tweaking the sound of electric guitars, basses and other electronic instruments as well as for direct studio recordings. The 3 Band Parametric Pre-Amp has a built in regulated (+-12V) power supply which enables Carl Martin to design circuitry of the highest quality with maximum headroom. Minimize