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This device features EQ, compression and switchable overdri ... Read more

This device features EQ, compression and switchable overdrive in a double wide die-cast box for bass and guitar players alike. As the first effects pedal in the "GainShaper Series", it features 4-Band, 18dB/octave crossover EQ filters, squeeze compressor with auto-return to 0dB sustain, plus a switchable 2 level limiter overdrive with depth control for dialing the right amount of distortion. It is pure analog and true bypass. Operates from 12-18VDC (adapter included). Specs: Switching: True Bypass (TPDT) Input Impedance: 300K (min) Input Jack: Neutrik ¼ Inch Phone Jack Output Impedance: 4K (max at 5Hz) Output Jack: Neutrik ¼ Inch Phone Jack Current Consumption: (Operating): 60mA @ 18VDC (Max) (Standby): 54mA @ 18VDC Power: 12VDC AC Adapter(Supplied); Voltage Range: 12.0VDC-18.0VDC Connector: 2.1mm x 5.5mm, Tip Positive Dimensions: 4.87(W) x 3.72(D) x 2.25(H) Weight: 0.92 lbs. Minimize

AdrenaLinn III from Roger Linn Design is a beat-synced mult ... Read more

AdrenaLinn III from Roger Linn Design is a beat-synced multi-effects processor for guitar, keyboard or bass that combines 3 products in one:1) A beat-synched multi-effects processor with exclusive Filter SequencerWhat are beat-synched filter effects? Examples include tremolo, auto-pan, filter tremolo, flanger, chorus, rotary, vibrato and more, all in perfect synch to the internal drumbeats or to MIDI clock. That out-of-synch tremolo on your guitar amp won't seem as useful anymore. Plus you get innovative new effects including: • Random filtering, flanging or tremolo—like a wah pedal that instantly switches to a new random position on every 1/8 or 1/16 note in sync to the beat. Or a flanger that switches to a new random frequency every 1/8 or 1/16 note. Or a tremolo in which each pulse level is randomly chosen, adding a syncopated rhythm to even simple chords. • Filter sequences: Looped 2-measure rhythmic sequences of filter tones in sync to the beat or to MIDI. Chosen one of the preset sequences or program your own. A great idea generator. • Tremolo sequences: Looped 2-measure sequences of programmed volume pulses. Like that used in Green Day's "Boulevard of Broken Dreams". • Arpeggio Sequences: Looped 2-measure sequences of tuned resonances, as used in John Mayer's "Bigger than My Body". • Delay Loops: Set the beat-synced delay to 1 full measure, then jam with yourself by playing chords over the first bar and solo over them on the next. You also get note-triggered filter effects like Auto-Wah, Talk Box simulator, Guitar Synth sounds, plus stereo reverb, compression, tuner and a completely transparent noise gate. And AdrenaLinn III's filters are warm and very analog-sounding with emulations of classic Moog and Oberheim synthesizer filter designs. 2) A superb amp modeler40 superb models of vintage and modern guitar amps from Fender, Marshall, Vox, Mesa Boogie and more, including 4 classic bass amps. Plus distortion boxes and a warm tube Minimize

The Total Effects Bundle includes 4 award-winning effect pl ... Read more

The Total Effects Bundle includes 4 award-winning effect plug-in suites for guitar, bass, mixing and mastering, all modeled after the most sought-after hardware gear. It features the argest range of analog modeled effects in one package with 90 ultra accurate DSP emulations. Finally, a bundle covering every studio need, including guitar and bass recording, a comprehensive selection of studio reverbs, and high-end mixing and mastering tools. Minimize

Carl Martin Chorus xII is a dual stereo chorus foot pedal. ... Read more

Carl Martin Chorus xII is a dual stereo chorus foot pedal. Designed by Canadian electronics wizard Daniel Van Kranendonk, the unit is the result of five years of careful research and development. It has two identical but independent sets of speed and depth controls. Each "chorus" has an LED indicator that lights up when in use and also flashes an indication of the speed setting. The Chorus xII has a stereo output via two quarter inch jacks. The "on" switch allows you to engage or bypass the chorus. The "select" switch allows you to switch between the two chorus settings mid song or mid set without having to get down on your knees alter the controls. The Carl Martin Chorus xII is the perfect choice for guitar, bass or keyboards. It is unbelievably rich in sound, totally quiet, and most important of all, does not change the basic sound. The Carl Martin Chorus xII has a built in, regulated (+-12V) power supply which enables us to design circuitry of the highest quality with maximum headroom. Minimize

Carl Martin Chorus xII is a dual stereo chorus foot pedal. ... Read more

Carl Martin Chorus xII is a dual stereo chorus foot pedal. Designed by Canadian electronics wizard Daniel Van Kranendonk, the unit is the result of five years of careful research and development. It has two identical but independent sets of speed and depth controls. Each "chorus" has an LED indicator that lights up when in use and also flashes an indication of the speed setting. The Chorus xII has a stereo output via two quarter inch jacks. The "on" switch allows you to engage or bypass the chorus. The "select" switch allows you to switch between the two chorus settings mid song or mid set without having to get down on your knees alter the controls. The Carl Martin Chorus xII is the perfect choice for guitar, bass or keyboards. It is unbelievably rich in sound, totally quiet, and most important of all, does not change the basic sound. The Carl Martin Chorus xII has a built in, regulated (+-12V) power supply which enables us to design circuitry of the highest quality with maximum headroom. Minimize

For well over four decades I've been a working guitarist. B ... Read more

For well over four decades I've been a working guitarist. Because of this one simple fact all of my wah models so far have been geared towards guitars. Well, I became a working bassist in 2009 and realized that I needed a unique bass wah to compliment my playing. To make sure I helped real bassists, and not just depend on my own guitarist-turned-bassist indulgences, I started working with professional bass players around the world to find what it was they wanted in a wah pedal. To all of those remarkable players, and to all you bassists reading, I dedicate my RMC9-Bass Eqwahlyzer. The RMC9 starts off with a great bass wah sound (the wah envelope extends down below 100Hz) and expands from there. A small toggle switch located under the rocker lets you change the overall resonance of the wah effect from normal to enhanced. The tone-shaping capability continues with the switchable 5-band graphic equalizer located on the front slope of the case. The EQ is within the wah circuit, only available when the wah is turned on, and then only if you want the EQ to be on. You can shape your bass wah sound like you've always wanted to, all in real-time. The RMC9 is all analog and built with double clad copper circuit boards, through-hole components in the wah circuit, surface mount components in the equalizer circuit, 5 bands of +/- 15 db equalization with center-detent sliders, LED indicator light for the EQ circuit so you know when the EQ is active, EMI resistant Karmaflux inductor, heavy-duty Italian true-bypass on/off switch, dependable one million cycle ROC-POT 5.2 wah potentiometer, and case-mounted input and output jacks. The RMC9-Bass Eqwahlyzer is housed in our new extended wah shell with a silk-screened bottom plate, multi-sparkle universal black finish, and topped with a black footpad. Minimize

Are you ready for the dirtiest, the filthiest, the grimiest ... Read more

Are you ready for the dirtiest, the filthiest, the grimiest and the absolutely heaviest bass distortion of all times? This is the box that the Devil made me build. Oh yeah, Satan is a bass player! This stompbox from hell aptly named "Black Magic" will not, as most bass distortions do, totally destroy your Low-end sound but in fact raises it to the point of insanity! it wil transform your little shoebox amp into an infernal legion of Ampeg 8x10 growlers that will empty your bowels and shake off your skin! This ain't about pickin' daisies and puppy love... This is dangerous shit!!! Minimize

BJF design guitar and bass Auto Wah/ Voltage Control Filter ... Read more

BJF design guitar and bass Auto Wah/ Voltage Control Filter pedal Hand-made in Finland premium quality auto wah pedal. The SNOW WHITE AUTOWAH (SWAW) circuit is based on a 1991 BJF rack mount remote wah circuit and is tuned like a real wah. The circuit was redesigned with envelope controls and built into small size pedal. It has very fast tracking and accuracy rarely found on auto wahs/ envelope filters. With the four knobs you can have total control of the effect. SWAW works both with guitar and bass and you can fine-tune the pedal to suit your instru-ment, your playing style and your taste of tone. The pedal has a unique decay control for the filter frequency fall speed. You can set it to be fast for wah effects on every note, or slower for a more traditional auto wah sound. Like all Mad Professor pedals SWAW is hand made in Finland using only premium compo-nents, to give years of trouble free operation with superb musical tone. Controls SENSITIVITY: Sets the filter trigger level, tune this carefully to fit your guitar/bass output and your playing touch. You can further change the sensitivity from your guitar volume knob while playing. BIAS: Controls the filter resonance frequency. When Sensitivity is turned fully off the Bias can be used as a sweepable filter. RESONANCE: Controls the sharpness or Q-factor of the filter. DECAY: Controls how fast the filter frequency falls back to resting point (that is set with the Bias control). This can be set fast (CW) so you get the wah effect on every note or slow for a more traditional auto wah sound. PLAYING: Please take time to get used to the controls and as this is a voltage control filter it will react to your playing touch. The envelope control circuit is carefully designed to follow the dynamics of guitar/bass and it might take some time to master the Auto Wah playing technics. Minimize

Catalinbread Merkin Fuzz Effect Pedal The Catalinbread Mer ... Read more

Catalinbread Merkin Fuzz Effect Pedal The Catalinbread Merkin is a fuzz pedal that's just rite for classic sixties fuzz sounds and beyond! Extended and refined from a classic fuzz circuit, this 3 silicon transistor circuit is very textural, varying from blunt to ripping. It's controls are simple, a volume, and a texture knob with huge range, from cleanish blend counter-clockwise to full fuzz as you turn the knob clockwise. When developing the Merkin, they chose components for sweet yet buzzing tone which still has a very touch sensitive response. The Merkin is also very responsive to your guitar's volume and tone controls so you can spend less time stooped over your pedalboard, and more time actually playing. Along with a slew of sixties fuzz sounds from the Ventures to the Stooges and many points in between, The Merkin Fuzz is able to do octave-up sounds by using your guitar's neck pickup with the tone rolled off. It works great for bass too. The life-blood of a fuzz is its power supply and the Merkin is no different. Use a carbon battery for warm vintage tone and smooth response. Use an alkaline or 9 volt dc supply for a harder sound, or run on 18 volt DC supply for even more output and an aggressive sound! Volume unity for the Merkin resides around 9:00, which means there's lots of boost on tap. Minimize

A sensitive and touchy bass fuzz with tremendous bottom end ... Read more

A sensitive and touchy bass fuzz with tremendous bottom end and a beautiful harmonic structure that sounds blistering with a guitar, too. The harmonic structure can be radically altered using the "PINCH" knob. It adjusts the pulse width of the waveform. In the leftmost position, the waveshape is quite symmetrical which produces a smooth creamy sound. Turning it up slightly introduces lovely intermodulation distortion. Turning it clockwise narrows the waveshape into asymmetrical pulses, making the tone reedier and brassier. This also introduces an unusually smooth 'gating' action, which gives you an absolutely eerie silence between notes. Minimize

Carl Martin 3 Band Parametric Pre-Amp has been specially de ... Read more

Carl Martin 3 Band Parametric Pre-Amp has been specially developed for musicians who play ACOUSTIC GUITAR, VIOLIN, ACCORDION, DOUBLE BASS, etc. These musicians often use combo amps and do not find the use of 19 inch rack equipment very practical. Experience has shown us that these instruments often require a high quality EQ and balanced line driver. Carl Martin have integrated those features into a handy stomp box format. For maximum flexibility, Carl Martin found it necessary to create a high quality 3 band semi-parametric EQ. Carl Martin 3 Band Parametric Pre-Amp works equally well for tweaking the sound of electric guitars, basses and other electronic instruments as well as for direct studio recordings. The 3 Band Parametric Pre-Amp has a built in regulated (+-12V) power supply which enables Carl Martin to design circuitry of the highest quality with maximum headroom. Minimize

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATC ... Read more

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATCH CABLE INCLUDED! One pedal that you can use in every gig for the rest of your life... Seriously. We ran this pedal through the mill with touring bands all over the country in every genre and venue possible and it came out a winner. The right side is our "4 Wheeler Fuzz" that can dish out almost any fuzz tone your bass desires. The left side is a special preamp/overdrive that is based on the famous SVT tone that has held it's ground on millions of stages and albums for decades. With Volume, Drive, Bass and Treble, you can set this side for an always-on preamp/enhancement all the way to a tube flavored distortion with all the ranges in-between. Lot's of players have found this pre-amp side as an answer to their dull or lifeless rig while others can't believe how it awakened new tones and sensitivity from what they thought couldn't get any better. With these two totally independent channels that can be used alone or stacked on top of each other, this is like a bass swiss army knife that will never leave you lacking the tone you need. V2 now has alot more clean headroom on the Panda Pre side per request! If you have any questions please feel free to contact us. Thanks for looking and ROCK ON! Minimize

The Agent 00Funk Mark II (pronounced "agent double O funk m ... Read more

The Agent 00Funk Mark II (pronounced "agent double O funk mark two") is an envelope filter pedal that turns bass guitars and other electric instruments into instant funky squelching fatness. The Agent 00Funk Mark II features a highly resonant lowpass filter that sweeps up or down with every note you play giving you a super-punchy automatic wah tone.Based on the highly acclaimed original Agent 00Funk, the Mark II stompbox squeezes extra funk into a more convenient, easier to use package. Now with true bypass and only the best quality analogue electronics, the Agent 00Funk Mark II is perfect effect pedal for all you clean sound freaks. For maximum squelch, the new envelope input allows you to use a clean envelope prior to fuzz or distortion. Plug the Chunk Systems Brown Dog gated bass fuzz pedal straight in to create some truly amazing synth tones.ControlsIn addition to the high-quality metal bypass switch, the Agent 00Funk Mark II has four knobs and a switch:The pitch control determines the filter frequency when the input is silent. You use it to determine the overall pitch of the filter effect. Turning it lower will tend to give you fatter, bassier tones while higher settings will affect only the higher end of your sound.The smoothness control determines how quickly the filter sweeps in response to changes in input level. If you set it low, the filter will make large, jerky jumps on each note. This tends to sound squidgy and warbles a little as the filter responds to individual audio cycles. If you set it high, the filter makes smaller, slower movements.Adjusting the sweep control changes how wide the filter sweeps are. When you set it low, the filter sweeps over a narrow range and is not very responsive to the dynamics of your playing. When you set it high, the filter sweeps over a wider range and the dynamics of your playing will have a greater affect.The squelch control determines how extreme the filtering effect is by adjusting the resonance of the filter. As yo Minimize