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The Lush Puppy was designed from the ground up as a flexibl ... Read more

The Lush Puppy was designed from the ground up as a flexible and great sounding reverb pedal. If you're looking for something either as a replacement for and improvement to the typical spring reverb unit found in most guitar amps, then the Lush Puppy will take your sound to new heights. It has two hand-tuned reverb effects to choose from: Small and Big. Small gives you a very typical spring sound without any nasty rough edges. Slightly fluttery and sparse, it sounds great for faster playing without ever getting muddy or boomy. Big gives you an amazingly lush and smooth reverb sound great for slower passages. Again, the sound is rich without being boomy. Both reverbs can be controlled with both the mixture amount, and the apparent size of the effect. But the Lush Puppy can do more than reverb. Often it sounds great to have a single slap-back delay to fatten up the blues, add some extra punch to a country lick, or whatever your preference. The Lush Puppy can add a footswitch-controlled delay effect with a delay time controllable up to 500ms. Add extra punch when you need it, or step on the switch to turn it off when you don't. The chosen reverb sound and settings remain the same no matter whether the delay is on or off. The Lush Puppy truly combines two great effects into one! With high-quality construction using only high quality parts the Lush Puppy is designed for a lifetime of rocking. The enclosure is made from cold-rolled steel with a powder-coated paint job for long life. Circuity is hand-wired and tested for perfection. Battery life is long due to a low-power design, and with the unique Pure Bypass technology, pristine sound quality is maintained in your signal path when the effect is out of the circuit. Minimize

The Pigtronix Philosopher King is a compressor, sustainer, ... Read more

The Pigtronix Philosopher King is a compressor, sustainer, distortion and polyphonic amplitude synthesizer. Combining our award-winning Philosopher's Tone circuit with a next generation envelope generator, the Philosopher King takes tone several steps further with a full set of ADSR (Attack/Decay/Sustain/Release) controls including swell, fade, hold level, speed range, one-shot mode, selectable auto reset, CV i/o and expression pedals for swell and fade times. With the Swell and Fade functions switched off, the Philosopher King provides transparent optical compression with endless sustain on tap. Adjustable compression (ratio), sustain (threshold) and treble (2k cut / boost) controls allow the musician to tailor the nature of the effect to meet the needs of the material at hand. From a subtle dash of added punch to massive, over-the-top howling sustain, the Philosopher King delivers clean, powerful optical compression. The grit control blends in a layer of sweet harmonic distortion that plays nice with other gain pedals as well as amplifier-generated tube distortion. The Philosopher King's swell function provides a pick triggered volume swell effect. The volume swell can be reset at any moment by muting or held open by continuous playing. This "slow gear" type effect is smooth and controllable with variable timing from extremely fast to very slow. Minimize

Redefining the phaser effect from the ground up, Empress Ef ... Read more

Redefining the phaser effect from the ground up, Empress Effects has created a phaser unlike anything else on the market. Employing a unique VCA based design, the Empress Phaser offers unparalleled signal-to-noise ratio. Choose between 2 stage, 4 stage or an Empress exclusive 3 stage mode; all controllable via tap tempo sweeping through an impressive set of 8 waveforms. Empress Phaser The Empress Phaser is the next generation in the evolution of digitally-controlled analog technology. It features an all-analog signal path but is controlled by a microprocessor, allowing it to maintain all its character and analog flavor while adding a ton of possibilities for control and adaptability. Sure, it does the classic jet sounds, super funky auto-wah and ring modulators, as well as having vibrato and Univibe sounds on tap. But what really sets the Empress Phaser apart are the auto modes: envelope following, audio-triggered sweeps, rhythms and direct control are just a few of the settings found on the Empress Phaser. It also offers unsurpassed connectivity by featuring expression pedal control as well as accepting control voltage, external tap, external audio control and MIDI. All of this comes in a rock solid die cast aluminum enclosure with true bypass keeping things clean. Empress Phaser Features: 2, 3, and 4 Stage Phasing Tap Tempo 8 Waveforms Low Signal to Noise Ratio All Analog Signal Path Auto Mode (Envelope Following, Audio-Triggering, and More) True Bypass Minimize

Remember the late sixties? Jimi turning everyone on to wild ... Read more

Remember the late sixties? Jimi turning everyone on to wild fuzz stuff? Maybe not. But you don't have to be old enough to be a hippie to get off on this wild pedal. The circuit uses a combination of germanium diode and transistor fuzz generation and a ring modulator to turn simple chords into nutso note combinations and complex chords into incredible noise...and makes solos soar impossibly high. IN:Far right knob controls input (drive) level. Use just enough for fun but not too much if you need less noise during quiet spots. OUT:Output level is on the left Watch out when you turn it up. TONE:Turn to right for mid scoop tone ( mellow)...to left for more mids (aggressive). HINTS:Use simple chords...three notes if possible... or limit voicing to octaves and fifths. This way you let the pedal generate thirds and control the color of the chords. For solos, play at the twelfth fret (double dot) or higher, using the rhythm pickup. This gives you the purest upper octave result with any brand of high octaver. IMPROVEMENTS:The newest Octane has the exact same audio circuit as the older ones, but has a special LED switching system that preserves the true-bypass while adding an LED on/off indicator. Also, this switching system silences the pedal's circuitry while it is in the "off" mode so it doesn't squeal or hiss in the background. Finally, there are two improvements to reduce radio reception, which was a serious problem with the older designs, and the main reason why I discontinued the pedal in the first place. In some cities, the older octanes picked up radio louder than the guitar! WARNING:As with any fuzz, the nuances of the pedal's tone are lost with a distorted amp. Play fuzz boxes on a cleaner setting to hear the tone... this pedal is so distorted that you won't need any more distortion anyway. Like all Z. Vex designs, current flow is low in this circuit, enhancing battery life. Boards are hand soldered and the electronics are tested three times before... Minimize

Two years in the making ! David Tarnowski the original A/DA ... Read more

Two years in the making ! David Tarnowski the original A/DA owner and designer has brought back his original Flanger ! Mr. Modulation is BACK ! The ADA Flanger is a second generation electronic flanger capable of producing a broad range of sound colorations, dramatically enhancing the effect of any amplified musical instrument, voice or percussive instrument. The term "flanging" refers to the technique of manually varying the speed of two tape recorders independently with the same program material, while mixing down in recording studios. The ADA Flanger electronically simulates varying speed in real time, during the performance. The capabilities of the ADA Flanger are numerous and astounding. Effects such as rotating speakers, chilling vibrato, "jet" sounds, resonance modification, intensified studio flanging and incredible filter matrices, to name a few, suggest that experimentation will certainly find the sound you have been looking for. When two identical signals separated by a short time delay are added together, reinforcements (peaks) and cancellations (notches) occur in the output level. The positions of the peaks and notches are mathematically related to the time delay as can be seen in the graph opposite. The example shows the "comb filter" that occurs at the output of the ADA Flanger at 1 msec time delay. If a 500 Hz signal is introduced into the Flanger at 1 msec delay, it will not be heard at the output. However a 1000 Hz signal will be reinforced, thus heard at the output. By changing the time delay, we move the position of the peaks and notches up or down the audio frequency spectrum creating flanging effects. The 2009 Reissue A/DA Flanger is designed by the original designer of the late 1970s A/DA Flangers using very similar parts. The differences between your Reissue Flanger and the original A/DA Flangers are: 1. The Reissue has True Bypass and the originals did not. Minimize

Machine is a dual frequency-tripler circuit that uses cross ... Read more

Machine is a dual frequency-tripler circuit that uses crossover distortion for the first time in any pedal. This pedal basically sounds horrible. It's primary purpose is to cut through. Pedal users in 1999 are very sophisticated. Take the old conventions: of in on the right, out on the left, battery connected when input plug is in place, use this pedal before that one for a certain sound, reverse for another, positive ground, negative ground, pedal switching systems... we're living in a 'been there, done that' pedal world. Most every guitarist is familiar with the limitations of putting one fuzz or distortion into another... losing the detail but perhaps gaining that fun "shutdown" effect as one overloads the other, and the "where's my fuzz?" experience of playing a fuzz into a really dirty amp. Limitations. They increase your creativity but hob-gobble your plan. Zvex designed this new distortion generator, Machine, with some different limitations. Like try playing chords through it. Hmmm. But put it in front of any string of fuzz pedals, and try to make it disappear. Machine is actually a dual frequency-tripler circuit that uses crossover distortion for the first time in any pedal, ever. It generates the distortion of the wave in the sloped part of the cycle, instead of the peaks and valleys like all other distorters and fuzzes. In other words, it distorts when your guitar string is in the middle of vibrating, while it's swinging, not as it's turning around. That's the same place where your speaker cone is sort of coasting, between all the way in and all the way out. Where nothing is happening, this pedal happens. With Machine you can leave your favorite distorting pedals on and still add a new element of energetic grind. One thing to keep in mind, however, is that this pedal basically sounds horrible. It's primary purpose is to cut through. But like a wild man with a machete, it is not nice. Knobs are In, which is drive; Limit, which clips the original... Minimize

Do you like to modulate? The Vibro Man packs three kinds of ... Read more

Do you like to modulate? The Vibro Man packs three kinds of modulating effects into one pedal: Vibrato, tremolo and vibrating filter. The vibrato offers a smooth pitch-varying effect that you can adjust from subtle to radical and everything in between. The tremolo adds beautiful sine-wave tremolo typical of classic tube amps. But by cranking the depth you can get square-wave chopping effects that add more bite to your sound. The best part is that both vibrato and tremolo can be enabled together and controlled by a single speed knob. But if you thought that was enough, the fine folks at Kilpatrick Audio decided it might be fun to be able to switch the vibrato for something a bit more dramatic. The vibrating band-pass filter fits the bill with a high-Q sweeping filter. The depth affects the frequency range of the filter sweeping. And of course it can be used along with the tremolo effect for incredible sounds. All of the effects are produced in stereo, so that you get two synchronized, but different channels which sound great when played through two amps. The Vibro Man is the first Kilpatrick Audio pedal with a touch-sensitive mode. By enabling the Touch footswitch, the depth of each effect reacts to your playing. For instance, start with a subtle vibrato that gets deeper as you play louder. This really brings new possibility to effects which are conventionally non-reactive. The results are really quite interesting and fun to use. With high-quality construction using only high quality parts the Vibro Man is designed for a lifetime of rocking. The enclosure is made from cold-rolled steel with a powder-coated paint job for long life. Circuitry is hand-wired and tested for perfection. Battery life is long due to a low-power design, and with the unique Pure Bypass technology, pristine sound quality is maintained in your signal path when the effect is out of the circuit. Minimize

Pigtronix Keymaster is a dual, true bypass FX loop pair tha ... Read more

Pigtronix Keymaster is a dual, true bypass FX loop pair that can be run in series or parallel. This intuitive, impedance matching device will route any signal into pedals and then back out to any where else. The Keymaster opens up new worlds of tone from the effects pedals you already own. Keymaster lets musicians Crossfade between different effects (or entire pedal boards) with a standard expression pedal. The Keymaster also allows you to add an expression pedal controlled Blend function to your favorite delay pedal or any other effect. A player can turn effects off gradually this way for smooth transitions.You can even make your own custom Disnortion by blending two crunch pedals together in parallel to achieve the ultimate thick wall of sound without the added noise of running multiple high gain pedals in series.In the studio, Keymaster provides the ideal re-amp solution for engineers who wish to run a line level signal out of their console, into effects and then into an amplifier or back into the console; all from a single, easy to use interface sporting XLR as well as 1/4" (balanced or un-ballanced) inputs and outputs. Minimize

For those that need to switch between instruments and want ... Read more

For those that need to switch between instruments and want the ability to employ a programmable boost for fills and solos, Whirlwind introduces the Commander 2, a two-channel instrument switcher, booster, feedback eliminator and tuner with built-in DI. Each channel features an input gain control for compensating for different pickup types and balancing the level between instruments. Then easily switch between instruments with a touch of the A/B footswitch. Each channel also features a programmable boost. Set the amount of boost for each instrument and then switch between your rhythm and lead volumes and back again with the BOOST footswitch. The unit also features a built-in chromatic tuner with a fast, bright, easy to read display. A tuner button activates the tuner and mutes the outputs for silent tuning. A built-in polarity reverse switch is included along with a sweepable notch filter to subdue feedback without affecting your tone. A 1/4" output jack and a built-in transformer isolated DI out with XLR jack are provided to feed an onstage monitor, mixer and/or house PA. A ground lift switch is also provided for breaking the ground connection to the DI output to help eliminate ground loop hum and buzz. An effects loop is provided for inserting outboard EQ or effects and the SEND jack can be used by itself to provide a third output. Minimize

Welcome to the pure analog, Versa VibeTM by DLS EffectsTM! ... Read more

Welcome to the pure analog, Versa VibeTM by DLS EffectsTM! This new effect is called "Versa Vibe" for a reason? it is more versatile than most vibe effects out there! DLS innovation includes Optical Technology plus industry New controls such as; Bass Throb, Wet-Dry, and Waveform pots to dial in any Vibe sound imaginable! There is even a new internal Brightness pot to adjust brighter or darker Chorus (Vibe) Tone. Switch between Vibrato & Chorus for pitch bending vibrato, or signature Trower and Gilmour vibes. Dial in that classic Jimi & SRV sound, or vintage Magnatone® amp vibrato, not to mention some new radical vibes like double pulse throb sounds. Select Vintage for more intense, thicker, traditional sounds, or switch to Modern for brighter tones. A charge pump circuit increases the analog voltage so you get warm, dynamic, high headroom pure analog sound without clipping! An Expression pedal input jack is available for rate with a foot pedal. True switch bypass and non polarity 9vdc input put the Versa Vibe over the top. Minimize

The Pigtronix Philosopher King is a compressor, sustainer, ... Read more

The Pigtronix Philosopher King is a compressor, sustainer, distortion and polyphonic amplitude synthesizer. Combining our award-winning Philosopher's Tone circuit with a next generation envelope generator, the Philosopher King takes tone several steps further with a full set of ADSR controls including swell, fade, hold level, speed range, one-shot mode, selectable auto reset, CV i/o and expression pedals for swell and fade times. With the Swell and Fade functions switched off, the Philosopher King provides transparent optical compression with endless sustain on tap. Adjustable compression (ratio), sustain (threshold) and treble (2k cut / boost) controls allow the musician to tailor the nature of the effect to meet the needs of the material at hand. From a subtle dash of added punch to massive, over-the-top howling sustain, the Philosopher King delivers clean, powerful optical compression. The grit control blends in a layer of sweet harmonic distortion that plays nice with other gain pedals as well as amplifier-generated tube distortion. The Philosopher King's swell function provides a pick triggered volume swell effect. The volume swell can be reset at any moment by muting or held open by continuous playing. This "slow gear" type effect is smooth and controllable with variable timing from extremely fast to very slow. The fade function can be used independently of the swell and is also pick triggered. A major new feature of the decay cycle in this pedal is the ability to fade out from peak level only partially, bringing the audio down to a predetermined level, set by the hold control. The hold level is then maintained until the player releases the note to close the cycle. With the auto reset turned on, the cycle will begin again immediately, creating undulating amplitude modulation and even pulsating tremolo stutter effects at faster decay settings. With the auto-reset turned off, the player determines the exact timing for the beginning of the next cycle. Minimize

Sitar is as unique and fascinating instrument as the music ... Read more

Sitar is as unique and fascinating instrument as the music it creates. There are different types of sitars and the construction of a quality sitar differs for each type. Making of sitar is a complex process. These instruments are crafted by experienced sitar 'makers' or 'fitters'. The neck, faceplate, and gourd of the finely-crafted sitar are typically constructed of a combination of mahogany and teak wood, and its bridges are made from materials such as deer horn, ebony, or even camel bone, although synthetic materials are also used in modern times, often to lesser effect albeit. Expert sitar makers string the instrument with a bridge through the process of optimizing the sitar's tonal quality called jawari, and then allow the instrument rest for around a week to allow the neck to bend slightly. This is done so that it settles in before the sympathetic peg holes are drilled, which ensures that the fret setting is accurate and done correctly. Proper selection of wood and other materials, as well as many years of knowledge, patience, and craftsmanship that have been passed on from generation to generation of sitar builders, which are necessary to build a quality sitar are all taken care of on this site. We are directly in touch with craftsmen who are into making sitar for generations. For all your sitar related queries feel free to contact us and expect a prompt response. PACKAGE CONTAINS Flat Wood Tumba Sitar Music Instrument Length: 42 Inches To 44 Inches approx. Width: 12 Inches To 14 Inches approx. Height: 3 Inches To 4 Inches approx Weight: 2.5 KG To 4 KG approx. One Sturdy Storage Case One Mizrjba FREE! One Set of Strings Free! Learn How To Play Sitar Book. MATERIALS Tun Wood, Brass Metal Minimize

The Diamond Halo Chorus pedal is a uniquely styled, hand-bu ... Read more

The Diamond Halo Chorus pedal is a uniquely styled, hand-built modulation effect. The Halo Chorus features a pitch modulation as well as a phase modulation effect due to it's dual path design. Each effect can be controlled individually via the Pm and Ch mix knobs. This allows the Halo Chorus to be capable of all kinds of crazy swirling madness. The Diamond Halo Chorus features an NOS Bucket-Brigade MN3007 chip that operates at 15v for extended headroom and clarity, premium Panasonic Capacitors and Burr-Brown op-amps, and true-bypass switching for pristine signal path with the effect on or off. The Diamond Halo Chorus also features stereo operation for room spinning chorus and phase (this feature is really fun with drunk people). The Diamond Halo Chorus also features an expression jack that gives the option of foot controlled modulation for rotary speaker style effects. The Diamond Halo Chorus provides some of the smoothest modulation of any pedal on the market. The full frequency response yields full, even chorus that doesn't sound thin or raspy. The Halo Chorus phaser function is funky and cool with super rich tone. When both are blended together there is some excellent spatial psychedelia that can be had. The Diamond Halo Chorus also features a kill-dry switch that allows for use in a parallel effects loop or you can use the chorus path for vibrato! How cool is that? Chorus, vibrato, and phase all in one pedal. The Halo Chorus from Diamond Pedals is the be-all end-all in modulation stompboxes. * Parallel combination of delay/pitch modulation and phase modulation gives versatile control over modulation effects from light chorusing to deep 'vibey' swirl Minimize

The Tortuga Effects Yeti is a huge sounding yet tightly foc ... Read more

The Tortuga Effects Yeti is a huge sounding yet tightly focused fuzz machine that can create sounds very close to a distortion pedal. That is why it is called the Fuzz-Stortion. The Tortuga Effects Yeti Fuzz-Stortion is capable of creating sounds ranging from your favorite 1970's fuzz tones all the way to scooped metal tones of the 90's and beyond. It is able to pull this off with a 4-way rotary knob called Anger. The different voices of Anger are Classic Scooped Mids, Flat Mids, Mid Hump & Tone Bypass. The Rotary knobs give some very distinct voices usually not included in just one fuzz pedal. A cool touch is the Tone Bypass which is louder that the other voices. If you are good with your feet you can use this as a volume boot for your solos. Nice! A great addition to any guitar pedal board and cool graphics too, check out the Tortuga Effects Yeti Fuzz-Stortion. Minimize

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATC ... Read more

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATCH CABLE INCLUDED! The Diablo is a versatile low to medium high gain overdrive with an exceptionally dynamic response. It preserves the character of your instruments and is very sensitive to your playing technique. Thanks to the effective and musical controls, the Diablo works equally well with any kind of guitar, amp or playing style. People use it for so many different sounds, you would hardly believe that they use the same pedal. Besides the usual Gain, Tone and Level knobs, the Diablo has some more interesting controls: FEED affects the amount of bass in the input signal. You know the problem: an overdrive sound gets muddy rapidly if the input signal is too bass heavy (that's why the treble booster was invented). With the FEED control you can make even the fattest neck humbucker sound clear and transparent or beef up weak pickups a little. The BODY control takes effect on mids and compression. Another important feature is the HEADROOM SWITCH. Set to the "HI" position, an internal electronic voltage doubler is activated - the Diablo runs on 18 Volts from a regular 9 V battery or power supply. The higher voltage gives more dynamic range, more headroom and tighter bass - just try it! If you have any questions please feel free to contact us. Thanks for looking and ROCK ON! Minimize

Representing the ultimate craftsmanship from Ovation's flag ... Read more

Representing the ultimate craftsmanship from Ovation's flagship workshop in New Hartford,Connecticut,the Adamas 1687 GT features a unidirectional carbon-graphite suspended soundboard with Quintad bracing, which provides a bold, clear voice and lightning-fast response. Each top is precisely fitted with "AST" - Adamas Suspended Top - technology that allows the ultra-thin top to vibrate more freely than traditionally constructed acoustic guitars.The non-cutaway Deep Bowl composite body is made by hand from fiberglass cloth and works in tandum with the top to enhance frequency response and improve projection. The Adamas GT's detailed ornamentation-including a carved peghead scroll, carved walnut bridge, and elaborately decorated soundholes-make a striking visual statement.The OP-Pro Studio with XLR combines state-of-the-art audio quality with exclusive features designed to meet the needs of professional guitarists.The easy-to-operate unit offers 3-band EQ, exciter and compressor/limiter circuitry,and a chromatic tuner.Ovation's exclusive Expressor and Drive sliders put dynamic control and harmonic enhancement at your fingertips, allowing you to precisely dial in the sustain and punch you need. The XLR jack provides a balanced line connection to mixers, recording consoles, and high-end acoustic amps. It also provides phantom power to the OP-Pro-an essential feature for touring professionals. Minimize

One output analog spring reverb VanAmps, LLC is proud to ... Read more

One output analog spring reverb VanAmps, LLC is proud to introduce the newest member of the Reverbamate series, "Sole-Mate". This analog spring reverb pedal is based on the original Reverbamate circuitry, which has become the reverb standard of choice for the serious guitar player the world over. The Sole-Mate differs from the original Reverbamate in that it has a single output and is fully compatible with any guitar amp on the market today, yesterday or in the future. From surf to jazz and everything in-between, no other reverb comes close. Those who have a one input amp and want the sparkling reverb effect that the original Reverbamate is famous for can now claim that awesome reverb tone for their very own. In addition, the Sole-Mate sports status indicators for power and effect, and comes in a variety of coverings to complement or match just about any amp. The Sole-Mate is a true bypass effect and is fully buffered against loading, meaning you get your true guitar sound unaltered at the output, no rolled off highs or changes in level -- just the way you want it. Coverings: Vintage Tweed, Vintage Black, Vintage Cream, Vintage Brown. NEW Special Coverings: Red/White Striped, Blue/White Striped Click here to view the Sole-Mate manual Features Dwell and Output controls Accutronics® Spring reverb unit AC power adaptor Dim. 10"w x 6"d x 2" h Comes with a 110V USA Power Supply Weight 2 lbs. Minimize

One output analog spring reverb VanAmps, LLC is proud to ... Read more

One output analog spring reverb VanAmps, LLC is proud to introduce the newest member of the Reverbamate series, "Sole-Mate". This analog spring reverb pedal is based on the original Reverbamate circuitry, which has become the reverb standard of choice for the serious guitar player the world over. The Sole-Mate differs from the original Reverbamate in that it has a single output and is fully compatible with any guitar amp on the market today, yesterday or in the future. From surf to jazz and everything in-between, no other reverb comes close. Those who have a one input amp and want the sparkling reverb effect that the original Reverbamate is famous for can now claim that awesome reverb tone for their very own. In addition, the Sole-Mate sports status indicators for power and effect, and comes in a variety of coverings to complement or match just about any amp. The Sole-Mate is a true bypass effect and is fully buffered against loading, meaning you get your true guitar sound unaltered at the output, no rolled off highs or changes in level -- just the way you want it. Coverings: Vintage Tweed, Vintage Black, Vintage Cream, Vintage Brown. NEW Special Coverings: Red/White Striped, Blue/White Striped Click here to view the Sole-Mate manual Features Dwell and Output controls Accutronics® Spring reverb unit AC power adaptor Dim. 10"w x 6"d x 2" h Comes with a 110V USA Power Supply Weight 2 lbs. Minimize

One output analog spring reverb VanAmps, LLC is proud to ... Read more

One output analog spring reverb VanAmps, LLC is proud to introduce the newest member of the Reverbamate series, "Sole-Mate". This analog spring reverb pedal is based on the original Reverbamate circuitry, which has become the reverb standard of choice for the serious guitar player the world over. The Sole-Mate differs from the original Reverbamate in that it has a single output and is fully compatible with any guitar amp on the market today, yesterday or in the future. From surf to jazz and everything in-between, no other reverb comes close. Those who have a one input amp and want the sparkling reverb effect that the original Reverbamate is famous for can now claim that awesome reverb tone for their very own. In addition, the Sole-Mate sports status indicators for power and effect, and comes in a variety of coverings to complement or match just about any amp. The Sole-Mate is a true bypass effect and is fully buffered against loading, meaning you get your true guitar sound unaltered at the output, no rolled off highs or changes in level -- just the way you want it. Coverings: Vintage Tweed, Vintage Black, Vintage Cream, Vintage Brown. NEW Special Coverings: Red/White Striped, Blue/White Striped Click here to view the Sole-Mate manual Features Dwell and Output controls Accutronics® Spring reverb unit AC power adaptor Dim. 10"w x 6"d x 2" h Comes with a 110V USA Power Supply Weight 2 lbs. Minimize

One output analog spring reverb VanAmps, LLC is proud to ... Read more

One output analog spring reverb VanAmps, LLC is proud to introduce the newest member of the Reverbamate series, "Sole-Mate". This analog spring reverb pedal is based on the original Reverbamate circuitry, which has become the reverb standard of choice for the serious guitar player the world over. The Sole-Mate differs from the original Reverbamate in that it has a single output and is fully compatible with any guitar amp on the market today, yesterday or in the future. From surf to jazz and everything in-between, no other reverb comes close. Those who have a one input amp and want the sparkling reverb effect that the original Reverbamate is famous for can now claim that awesome reverb tone for their very own. In addition, the Sole-Mate sports status indicators for power and effect, and comes in a variety of coverings to complement or match just about any amp. The Sole-Mate is a true bypass effect and is fully buffered against loading, meaning you get your true guitar sound unaltered at the output, no rolled off highs or changes in level -- just the way you want it. Coverings: Vintage Tweed, Vintage Black, Vintage Cream, Vintage Brown. NEW Special Coverings: Red/White Striped, Blue/White Striped Click here to view the Sole-Mate manual Features Dwell and Output controls Accutronics® Spring reverb unit AC power adaptor Dim. 10"w x 6"d x 2" h Comes with a 110V USA Power Supply Weight 2 lbs. Minimize

Redefining the phaser effect from the ground up, Empress Ef ... Read more

Redefining the phaser effect from the ground up, Empress Effects has created a phaser pedal unlike anything else on the market. Employing a unique VCA based design, the Empress Phaser Pedal offers unparalleled signal-to-noise ratio. Choose between 2 stage, 4 stage or an Empress exclusive 3 stage mode; all controllable via tap tempo sweeping through an impressive set of 8 waveforms. The Empress Phaser Pedal is the next generation in the evolution of digitally-controlled analog technology. It features an all-analog signal path but is controlled by a microprocessor, allowing it to maintain all its character and analog flavor while adding a ton of possibilities for control and adaptability. Sure, it does the classic jet sounds, super funky auto-wah and ring modulators, as well as having vibrato and Univibe sounds on tap. But what really sets the Empress Phaser Pedal apart are the auto modes: envelope following, audio-triggered sweeps, rhythms and direct control are just a few of the settings found on the Empress Phaser Pedal. It also offers unsurpassed connectivity by featuring expression pedal control as well as accepting control voltage, external tap, external audio control and MIDI. All of this comes in a rock solid die cast aluminum enclosure with true bypass keeping things clean. Minimize

The Plush® Tube FX LoopTM is the most affordable and flexib ... Read more

The Plush® Tube FX LoopTM is the most affordable and flexible all-tube external effects loop on the market! Unlike other "tube pedals," the Tube FX LoopTM features a power supply with a unique regulated switching technology that takes the incoming 9 volts and converts it up to the optimal 300-Volt high voltage a tube really needs to operate best. In addition, a precision 6-volt DC regulator provides consistent DC power for the tube filament assuring lowest noise and consistent performance despite any changes to incoming line voltage. It can also be used as a tube buffer to convert an incoming high impedance signal to a low impedance for long cable runs or driving a pedal board. The recovery (gain) stage can be used to boost the level of a guitar or pedal board with a true tube audio stage. It provides a warm sweet utility gain stage with a multitude of uses. The Tube FX Pedal features a unity gain cathode follower to work with any amp that has passive preamp output - power amp input patch jacks, and to add features to amps with simple series active effects loops. Works great with like Ceriatone®, Dumble®, Bludotone®, Brown Note®, Quinnamp, and many other amps with passive loops. It has a send level control and high headroom. The return portion of the loop features a high impedance input (250-K) and a low output impedance (5-K) with its own level control as well. The loop can be run in series or parallel modes, and features a level adjust switch for rack or pedal style effects. A 9-volt DC adaptor is provided. Minimize

The Mai Tai is a beautiful take on a classic "script" era p ... Read more

The Mai Tai is a beautiful take on a classic "script" era phaser. It has a warm and sloshy midrange sweep that encompasses everything we want in a great phaser and even travels a bit into "vibe" territory. As with any Tortuga effect, the Mai Tai does not take anything away from your tone; it only enhances it, makes it bigger and simply more lush. It also has a dual set of depth (Mix) and rate (Rum) controls that can be set separately and switched between so it's like having two Mai Tai in one. I mean, we all know once you start, you can't have just one Mai Tai.Dual Classic Phaser Features:1.Foot-switchable Dual Depth and Rate controls 2.Internal 9v battery and external 9v power adaptor jack 3.100% true bypass4.Hand wired in the USA5.Enclosure Size: 3 5/8 x 4 5/8 x 1 1/4 Minimize

Whammy Effects plus Drop Tuning You've heard it on hundreds ... Read more

Whammy Effects plus Drop Tuning You've heard it on hundreds of records: the renowned Whammy pedal. Now, DigiTech jams guitar pitch shift effects up a notch with Whammy DT. The DT stands for - you guessed it - drop tuning. Modify your tunings without awkward pauses or guitar changes. When you've got control of your audience, you don't want to lose it with something as antiquated as messing with your tuning pegs! With Whammy DT, key changes are instantaneous - and right under your toes. Full drop and raised tuning, on top of classic Whammy shifting. That's powerful stuff to be packing in your arsenal. DigiTech Whammy DT GuitarPitch-Shift Effect Pedal Features at a Glance: Alternate tunings are right under your toes Step down or step up 7 half steps or an entire octave You get all the Classic Whammy pedal effects Momentary footswitch for hammer-on and pull-off effects Whammy DT gives you classic Whammy effects plus drop tuning! Specification Detail Type Pitch-shift, drop-tune Inputs 1 x Instrument, MIDI Outputs 2 x 1/4" Power Supply Included Yes Batteries No batteries Height 2.35" Depth 7.725" Width 8.2" Weight 5 lbs Manufacturer Part Number WhammyDT Minimize

Don't let the name fool you. There is nothing tiny about th ... Read more

Don't let the name fool you. There is nothing tiny about the sound of this device. THE MINI-ARK is in a class of its own in the world of guitar synths and tracking boxes. THE MINI-ARK is the little brother to the one-of-a-kind AUDIO ARK, SNAZZY FX's super processor. It has the capability to take your guitar input, track it precisely, add an octave of your choice below or above, an interval of your choosing above (or below) and the capability to mix the two in any combination with the original signal or a dirty version of the original signal. This is huge. You can now create chords or thickened notes in thousands of combinations, all by changing the mix knobs and the position of the Interval and Octave selectors. But that's just the beginning. In addition to the Octave and Interval sections, there is also an Infinite Hold section which allows you to stomp on a second switch and let the note go on and on and on and on. While the sound is droning, there is an additional octave down effect that you can play on top of the continuous sound. Think of it this way - you could be playing a lead, the lead could be mimicked a 3rd above, and 3 octaves below, and then get mixed with a distorted version of the same guitar. Then, you could step on the infinite switch, and start playing the distorted guitar and an octave below on top of the already holding 3rd above and 2 octaves below. Its really something you have to hear in action. There is also a Gate/Sustain switch. This allows you to have notes blend continuously into each other as you play or create very artificial staccato effects. Minimize