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Melvin "Wah Wah Watson" Ragin may be one of the most talent ... Read more

Melvin "Wah Wah Watson" Ragin may be one of the most talented musicians you have never heard of. As a session musician for the famed Motown Records - he had the honor of serving as a member of the Motown studio band throughout the 1970s. Wah-Wah played guitar in numerous recording sessions for a venerable who's who of artistic leaders including, Marvin Gaye, Herbie Hancock, Michael Jackson, The Temptations, Gladys Knight and the Pips, Bobbi Humphrey and more. A Detroit native, Wah Wah Watson earned his nickname from his dominating control and precision on the Wah Wah pedal. His talents made him a highly sought after commodity throughout the funk and soul heyday of the seventies. In 1976 Wah Wah decided to take a crack at a solo career, and turned his attention toward the release of his first ever studio album, "Elementary". Enlisting the help of his friends, who just so happen to be equally great and notable studio musicians, Wah Wah crafted a timeless collection of jazzy-funk grooves that was eventually found a home on Columbia Records. Unfortunately, Wah Wah's solo's career was cut short as the album received critical acclaim but was a disappointing commercial failure. Columbia did not repress "Elementary" and it remained out of print for decades. Now, thanks to the fine folks at Get On Down "Elementary" returns in an enhanced, digitally remastered format. Housed in a gatefold digipak, "Elementary" will be available for the first time anywhere on compact disc and first time anywhere in generations. Minimize

Somewhere between Progressive rock, song, world-music and e ... Read more

Somewhere between Progressive rock, song, world-music and electro, the atypical, dreamy and researched music of LAZULI takes us far from the beaten tracks with a quite unusual band. This French group uses actually in bulk Chapman Stick, marimbas, vibraphone, percussions, guitars, voice... An instrumentation not unlike Peter GABRIEL's in his early years, when his guitar player was named Robert FRIPP. And that's not by chance ! The Leode is also played here, invented and constructed in only one copy by Claude LEONETTI, being the surprising mix of a guitar, a synthesizer, a melodic saw and a Martenau wave. This instrument controls a sampling machine and a multi-effect system through a MIDI module. The instrument must be played with only one hand: the musician unfortunately lost an arm in a motorbike accident when he was young. LAZULI conceives songs like pictures, mixing colours, depicting the world or repainting it. Words question the wounds of today. The ethereal, outlandish voice swarms with puns describing man in every forming and deforming... LAZULI will enchant and bewitch you. "En Avant Doute..." might create the big surprise of that finishing year 2006. This is a beautiful collection of sophisticated songs, succeeding in combining the suggestive power of words and the sophistication of the instrumentation. ANGE lovers will appreciate the cover of a classic, "Capitaine Coeur De Miel". The CD has a bonus DVD, compiling over 20 minutes live, a documentary lasting 40 minutes, a small Leode story (With an unmistakable English translation !), the video clip of "Le Repas De L'Ogre" and a slideshow, plus other material. While releasing this second opus, the Musea label presents the reissue of the first effort "Amnesie", that had made a strong impression when first released in 2003. Highlighting a particular song wouldn't be easy, since the level is kept high throughout the album. "Mal De Chien" is extraordinary though, starting as an intimist ballad, and evolving into Minimize

Winner of the coveted Guitar Player Magazine Editor's Pick ... Read more

Winner of the coveted Guitar Player Magazine Editor's Pick Award, the ToadWorks Phantasm is the world's first 9V battery operated, opto-analog dynamic phaser with a Center-Axis control pedal (whew!). With three basic modes of operation, stunning clarity and an uparalleled feature set, ToadWorks Phantasm is truly in a class of it's own. Phantasm utilizes vactrols (opto-isolators) both in the signal and control path, resulting in remarkably smooth, ridiculously quiet operation, and the fact that it runs on 9V batteries makes it all the more miraculous. Phantasm sets the standard for noise floor in analog phaser pedals, proving that analog phasers don't have to be noisy. Phantasm is 100% pure Analog phaser. Go from a light cream smoothie to hopped-up, caffeine laden grind with a swift turn of the Feedback knob for that swooshy 70's sound. Go slow, go fast. Make the sweep window wide, make it narrow. Go shallow, go deep. Control the sweep and depth dynamically. Re-center the whole sweep window, if you feel like it. Phantasm does all this and more, and no other analog phaser pedal on the planet can make the same claim. Period. Phantasm incorporates simplicity of design with a full-figured feature set, the centerpiece being the attack controlled modes. With Phantasm's Attack Controlled Depth (ACD) and Attack Controlled Sweep (ACS) you can increase OR decrease both the Depth and Sweep based on how hard you hit the strings. With the Width control at minimum and ACS off, the Axis control is effectively a “manual” sweep control and can sweep the phaser over the entire range. The end product of three years of development, Phantasm offers studio-quality phasing at a fraction of the cost. In fact, no other battery-powered phaser comes close to the range of features available on the Phantasm. Minimize

The latest creation from Totally Wycked Audio, the Triskeli ... Read more

The latest creation from Totally Wycked Audio, the Triskelion uses vintage Synth technology to re-shape the harmonic structure of the input signal, adding punch, clarity and depth to any guitar tone.The Triskelion’s specially designed filter can create glassy clean tones, boost midrange for throaty solos, or tune your rig to any room for a wall of singing, resonant feedback. Massive amp sounds, explosive lead-breaks, infinite sustain, and downright nasty, energy-intense tones are just a few of the uses for the Triskelion – the possibilities are almost limitless!The Triskelion circuit shares similarities with vintage units such as the Maestro Parametric Filter and the Systech Harmonic Energizer – this latter pedal was prized by several well-known artists, including Jim Walsh and Greg Lake. It’s most notable advocate was guitar legend Frank Zappa, who used the Systech for many of his throaty, mid-boosted solo tones. Minimize

Propellerhead Balance withReason Essentials The music produ ... Read more

Propellerhead Balance withReason Essentials The music production package that has everything you need to create anything you want. 2-in 2-out audio interfaceSounds as good as it looks. Works as great as it feels. We've taken care of all the tedious stuff - calibration, setup, the works. You can concentrate on having fun instead: making music. With two channels of pristine audio recording, and with inputs for all your gear, your instruments are always connected and you are always ready to record.Integrated music recording environmentBalance is perfectly integrated with Reason and Reason Essentials. With Clip Safe you'll never lose a good take to distortion again. Big Meter lets you tune your guitar and set the levels from across the room. Use it with our software, other pro audio apps, or even iTunes - Balance works withReason EssentialsReason Essentials packs all the recording, editing, effects, instruments, and mixing tools you need to sound great. With its generous sound bank and familiar creative flow, it's the software that lets you focus on the music and finish that song. Upgrade to Reason for even more instruments, sounds, and effects. Minimize

In the Spring of 1977, millions of music fans rushed home t ... Read more

In the Spring of 1977, millions of music fans rushed home to throw the new Heart album "Little Queen" on their record players. What they heard was one of the most explosive and powerful guitar riffs in the history of Rock & Roll. The men playing that riff were Howard Leese & Roger Fisher, and the magic behind that sound was a custom-made analog flanger unit. Working closely with Howard Leese, ToadWorks has created an authentic, accurate emulation of the original custom-made flanger used on the 1977 smash-hit "Barracuda". ToadWorks Barracuda ® is a modern take on the analog BBD flanger. Using currently available components, ToadWorks has created a sonically superior reproduction of the original unit, with none of the hassle associated with obsolete parts. One of the most significant improvements is the stereo output. When used in mono mode, the top output jack provides the famous flanger sound you know and love. Inserting a plug into the bottom output jack splits the signal for stereo reproduction, creating a aural phenomenon that cannot be duplicated with a mono sound source. Barracuda ® is designed for use with an Expression Pedal - Connecting the Expression Pedal to the Exp. Pedal jack will disable the LFO, and the expression pedal becomes a manual sweep controller. ToadWorks Barracuda ® is the ONLY production effect pedal that is designed to reproduce the unique flanger sounds featured on the 1977 Heart classic "Barracuda". Minimize

At its core, HOBO DRIVE is a 2-stage preamp controlled via ... Read more

At its core, HOBO DRIVE is a 2-stage preamp controlled via traditional PREAMP and MASTER volume controls. But that's not all. A TONE control lets you customize your overdrive sound right from the start, shaping its timbre your exact tastes. Don't worry: No matter how you set it, HOBO DRIVE delivers the warm, vintage-sounding tone T-Rex is famous for. Then, add an adjustable BOOST switch. On top of the preamp core, you get a very useful boost function for soloing, single-note lines, you name it. This not only makes HOBO DRIVE a more versatile pedal, it can eliminate the need for an external boost pedal, if you normally use an overdrive sound for your lead playing. Minimize

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and l ... Read more

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and let us know if there is anything we can do to make your experience better. RogueGuitarShop.com Questions/Order/Comments 541.979.0080 Call for best price. Pedal played by Mike McCready of Pearl Jam, John Paul Jones, and Billy Gibbons. 'nuff said. Features: True-Bypass Built-In Noise Reduction Circuitry 3-Color, Dual LED Switch Indicators Dual Stomp Switches (on/off -- more/less) Fully Adjustable Volume and Gain 100% Lead-Free Silver Solder Silver Mica Caps (for cleaner highs) Built-In 9V DC Battery Back-Up Connection(not recommended) Locking 9V-AC to DC Power Jack (twist-lock) Ultra Rugged Die-Cast Aluminum Chassis Long Lasting High Quality Pots Solid Chromed-Brass Knurled Knobs (w/pos. indicators) Hand-Wired Using Silver wire with Teflon jacket Minimize

The RTD800 features independent Overdrive and Distortion ci ... Read more

The RTD800 features independent Overdrive and Distortion circuits combined with a dual triode tube to offer a massive array of saturated tones, from traditional tube overdrive through full-on gated metal distortion. No other tube overdrive pedal offers this degree of versatility in a single package. The selectable Overdrive and Distortion modes are configured as follows: The Overdrive circuit features two stages of clipping - a bi-directional clipping diode in the feedback loop of the op-amp and then a single-diode in the second stage for asymmetrical clipping. The Distortion circuit also features two clipping stages, but configured differently - a bi-directional clipping diode in feedback of op-amp for stage 1, and then a 2nd stage with a passive bi-directional clipping circuit. Unlike other tube overdrive pedals, the RTD800 places the tube AFTER the OD/Distortion circuits, making it the best tube overdrive pedal to recreate an authentic tube-amp tone. Gain and Master Controls allow the user to dial the amount of distortion and output level. The three Tone controls are completely independent with no frequency overlap, allowing for an unprecedented degree of tonal options. Everything is kept clean and tight via the variable VCA Noise Reduction circuit, which features an LED status indicator and On/Off switch. In addition, the RTD800 features a Foot switchable Boost function that can be varied between 3-9 dB via an internal trim pot. Like all Maxon products, the RTD800 features True Mechanical Bypass switching using a 3PDT switch. The RTD800 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world. When you require an unparalleled variety of REAL-tube tones, only the Maxon RTD800 will do. Minimize

ToadWorks Fat City is a dual channel overdrive device. It c ... Read more

ToadWorks Fat City is a dual channel overdrive device. It consists of two completely separate and unique overdrive circuits, as well as a boost circuit, capable of increasing both the volume and the sustain. In addition, The clean boost is re-routable via a mini toggle switch located directly above the boost pot. This allows you to place the boost in front of, or after the overdrive circuits, and it's all True Bypass. Overdrive 1 is thick and complex, with a midrange control and plenty of gain on tap. Perfect for heavy lead and rhythm work, this overdrive begs you to get your rawk on. Overdrive 2 is smooth and warm, with a presence control and remarkably realistic breakup. Rock, R&B, Country - you name it, this does it. The real magic happens when both overdrives are combined to create the "Fat City" sound - the combined gain structures result in a heavy, yet surprisingly defined sound. Tight and punchy, yet warm and dynamic, the "Fat City" sound is the ultimate in analog overdrive. This may well be the last overdrive you ever buy. Welcome to Fat City. Minimize

With the increased efforts of the analog design community t ... Read more

With the increased efforts of the analog design community to integrate analog high-frequency front-ends for telecommunications, there has been heightened interest in the behaviour of nonlinear circuits since this can cause considerable degradation of signals. In analog integrated circuits at lower frequencies, such as filters, nonlinear behaviour limits the dynamic range. Analog integrated circuit designers often lack insight into nonlinear circuit behaviour. Indeed, designers are trained to reason in linear or linearized circuits but not in nonlinear ones. Numerical circuit simulations of nonlinear circuit behavior do not provide enough insight to the designer. Distortion Analysis of Analog Integrated Circuits, with a foreword by Robert G. Meyer, provides both qualitative and quantitative insight into the nonlinear behavior of analog integrated circuits at low and high frequencies. General techniques to suppress nonlinear behavior such as pre-distortion, linear and nonlinear feedback are explained in detail and illustrated with realistic examples. In this way the book fills the gap between the theory of nonlinear systems and practical analog integrated circuits. Distortion Analysis of Analog Integrated Circuits provides the reader with an in-depth analysis of elementary transistor stages, both CMOS and bipolar, as well as an analysis of several larger circuits. Hereby use is made of advanced transistor models that are also discussed in the book. The analyses take into account many more effects than in existing publications, thanks to the use of a calculation method that yields closed-form expressions for nonlinear behavior. These expressions are interpreted and illustrated with realistic numerical examples. Distortion Analysis of Analog Integrated Circuits is essential reading for practicing analog and mixed-signal design engineers and researchers in the field. It is also suitable as a text for an advanced course on the subject. From the foreword: `I am sure that the analog circuit design community will [...] welcome this work by Dr. Wambacq and Prof. Sansen as a major contribution to the analog circuit design literature in the area of distortion analysis of electronic circuits. I am personally looking forward to having a copy readily available for reference when designing integrated circuits for communication systems.' Robert G. Meyer, Professor, Electrical Engineering and Computer Sciences, University of California, Berkeley. Minimize

Grady Martin plays the memorable riff on Roy Orbison's "Oh ... Read more

Grady Martin plays the memorable riff on Roy Orbison's "Oh Pretty Woman." That alone makes him candidate for Rock'n'Roll sainthood. However, he also helped invent 'guitar distortion.' A tube was blown in the middle of a take at a Marty Robbins session and the resulting fuzz-toned solo was left in the song, the 1961 smash hit "Don't Worry." Besides Chet Atkins, Martin was the only studio musician to play with both Hank Williams AND Elvis Presley. Grady Martin is one of the true legends of Nashville's original "A-Team". Though studio musicians in those days rarely received credit for their work, Martin's efforts didn't go unnoticed. Producers often designated him "session leader," which meant he led the musicians and directed the impromptu arrangements that became a landmark of Nashville sessions. Here are 32 of Grady Martin's greatest moments....listen and weep, oh ye of little faith! Minimize

Clear easy to understand explanations Diagrams, graphs and ... Read more

Clear easy to understand explanations Diagrams, graphs and charts Covers reverb, delay, chorus, phase, flange, distortion 'Before' and 'after' audio examples Creative uses of multi-effects Audio files available for download Audio effects have been a much misunderstood subject, yet there isn't a single commercial film, video or music release, in any genre, that doesn't utilize them. Sound Effects Tips and Tricks is a clear, concise and detailed guide to all aspects of audio effects. It explains what sound effects are, how they work and how best to use them. Using audio and visual exercises this book explains how best to slot bread and butter effects naturally into a project, as well as exploring many of the more 'creative' possibilities for adding the icing to your audio cake. Eddie Bazil has designed more sound effects than many people have had hot dinners, and his production skills have featured on many chart hits. Now he's letting you into the secrets of his trade. He uses easily understandable language to lead the beginner or advanced user through the subject. Each effect is looked at in detail, and the book closes with an examination of the creative use of multi-effects. Throughout the book, 'before' and 'after' audio and visual examples, taken from actual projects, are provided to help you to understand the content both visually and aurally. Minimize