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PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and le ... Read more

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and let us know if there is anything we can do to make your experience better. RogueGuitarShop.com Questions/Order/Comments 541.979.0080 Call for best price. The RockboxTM The Red DogTM is a distinctive distortion pedal with volume and gain controls to easily dial in tones from a tweed-like overdrive to aggressive punch. The Red Dog was originally voiced to work best as an "always on" distortion and respond to picking dynamics and the volume knob on a guitar. In recent auditions by our family of artists, however, we are finding that the Red DogTM is also a great distintive solo machine with a signature note bloom and immediacy not present in other distortion devices, especially above the 12th fret. The Red DogTM is also a superior solo machine when placed after the Boiling PointTM, with the Boiling PointTM set to mild clean boost. If you are a volume knob player, you will love how this pedal will clean up for a thick, classic rhythm sound. The Red DogTM is built using the finest audiophile grade components we can find, with minimum signal path interference for a very present response. Final assembly of our effects are followed one final test: Each finished pedal is auditioned using the best test we know of - we listen to it. We truly believe that the Red DogTM is one of the finest distortion effects you will ever purchase. The Red DogTMwill add a wide range of useful tones to your toolbox. Even with the Red DogTM signature sound, it will allow your guitar's sound to remain the foundation of that sound even with the most aggressive distortion settings. If you are like most of us, and have wasted money in the past on effects that just didn't cut it, the Red DogTM will make a believer out of you. We think that you will find the Red DogTM to be a useful tool in your arsenal of sound, and will get a permanent spot on your pedalboard. Minimize

Machine is a dual frequency-tripler circuit that uses cross ... Read more

Machine is a dual frequency-tripler circuit that uses crossover distortion for the first time in any pedal. This pedal basically sounds horrible. It's primary purpose is to cut through. Pedal users in 1999 are very sophisticated. Take the old conventions: of in on the right, out on the left, battery connected when input plug is in place, use this pedal before that one for a certain sound, reverse for another, positive ground, negative ground, pedal switching systems... we're living in a 'been there, done that' pedal world. Most every guitarist is familiar with the limitations of putting one fuzz or distortion into another... losing the detail but perhaps gaining that fun "shutdown" effect as one overloads the other, and the "where's my fuzz?" experience of playing a fuzz into a really dirty amp. Limitations. They increase your creativity but hob-gobble your plan. Zvex designed this new distortion generator, Machine, with some different limitations. Like try playing chords through it. Hmmm. But put it in front of any string of fuzz pedals, and try to make it disappear. Machine is actually a dual frequency-tripler circuit that uses crossover distortion for the first time in any pedal, ever. It generates the distortion of the wave in the sloped part of the cycle, instead of the peaks and valleys like all other distorters and fuzzes. In other words, it distorts when your guitar string is in the middle of vibrating, while it's swinging, not as it's turning around. That's the same place where your speaker cone is sort of coasting, between all the way in and all the way out. Where nothing is happening, this pedal happens. With Machine you can leave your favorite distorting pedals on and still add a new element of energetic grind. One thing to keep in mind, however, is that this pedal basically sounds horrible. It's primary purpose is to cut through. But like a wild man with a machete, it is not nice. Knobs are In, which is drive; Limit, which clips the original... Minimize

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and l ... Read more

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and let us know if there is anything we can do to make your experience better. RogueGuitarShop.com Questions/Order/Comments 541.979.0080 Call for best price. Caroline Cannonball Our CannonballTM pedals are our very limited, one-off unique or custom order pieces. Each is a work of art, with the enclosure custom painted by a noteworthy artist and then specially wired by hand in our shop. Each begins with our acclaimed Wave CannonTM distortion circuit, but we put a couple special tweaks inside to make each pedal unlike any other. Then we load the Havoc switch, but this time we put it on a rugged latched or momentary footswitch that you can activate with your foot. Each CannonballTM also includes the following extra treats: *A signed card of authenticity replete with preposterous levels of pomp and circumstance *A pair of Grolsch beer gaskets that double as the best cheap strap locks ever *An invitation to the original owner of the pedal to join us for a drink at one of our favorite watering holes on our dime. Should they ever have occasion to visit Columbia, SC. The bearer of this certificate is expected to have a conversation topic; should they be unable to afford one, a conversation topic WILL BE ASSIGNED TO THEM. Minimize

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and l ... Read more

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and let us know if there is anything we can do to make your experience better. RogueGuitarShop.com Questions/Order/Comments 541.979.0080 Call for best price. Caroline Cannonball Our CannonballTM pedals are our very limited, one-off unique or custom order pieces. Each is a work of art, with the enclosure custom painted by a noteworthy artist and then specially wired by hand in our shop. Each begins with our acclaimed Wave CannonTM distortion circuit, but we put a couple special tweaks inside to make each pedal unlike any other. Then we load the Havoc switch, but this time we put it on a rugged latched or momentary footswitch that you can activate with your foot. Each CannonballTM also includes the following extra treats: *A signed card of authenticity replete with preposterous levels of pomp and circumstance *A pair of Grolsch beer gaskets that double as the best cheap strap locks ever *An invitation to the original owner of the pedal to join us for a drink at one of our favorite watering holes on our dime. Should they ever have occasion to visit Columbia, SC. The bearer of this certificate is expected to have a conversation topic; should they be unable to afford one, a conversation topic WILL BE ASSIGNED TO THEM. Minimize

The Pigtronix Philosopher King is a compressor, sustainer, ... Read more

The Pigtronix Philosopher King is a compressor, sustainer, distortion and polyphonic amplitude synthesizer. Combining our award-winning Philosopher's Tone circuit with a next generation envelope generator, the Philosopher King takes tone several steps further with a full set of ADSR controls including swell, fade, hold level, speed range, one-shot mode, selectable auto reset, CV i/o and expression pedals for swell and fade times. With the Swell and Fade functions switched off, the Philosopher King provides transparent optical compression with endless sustain on tap. Adjustable compression (ratio), sustain (threshold) and treble (2k cut / boost) controls allow the musician to tailor the nature of the effect to meet the needs of the material at hand. From a subtle dash of added punch to massive, over-the-top howling sustain, the Philosopher King delivers clean, powerful optical compression. The grit control blends in a layer of sweet harmonic distortion that plays nice with other gain pedals as well as amplifier-generated tube distortion. The Philosopher King's swell function provides a pick triggered volume swell effect. The volume swell can be reset at any moment by muting or held open by continuous playing. This "slow gear" type effect is smooth and controllable with variable timing from extremely fast to very slow. The fade function can be used independently of the swell and is also pick triggered. A major new feature of the decay cycle in this pedal is the ability to fade out from peak level only partially, bringing the audio down to a predetermined level, set by the hold control. The hold level is then maintained until the player releases the note to close the cycle. With the auto reset turned on, the cycle will begin again immediately, creating undulating amplitude modulation and even pulsating tremolo stutter effects at faster decay settings. With the auto-reset turned off, the player determines the exact timing for the beginning of the next cycle. Minimize

A very transparent overdrive and distortion guitar pedal de ... Read more

A very transparent overdrive and distortion guitar pedal designed specifically for tube amplifiers that retains the sound and characteristics of your amp. It produces a sweet singing Medium Boost tone, and a fat highly overdriven Maximum Boost tone, even at lower volume levels. It also does not lose its bottom and tone at lower volume settings. Your neighbors and nightclub managers won't yell at you anymore to turn it down. You can get just the tone you want at any volume. Fat-4 Switch A 4-way rotary switch that selects 4 different degrees of low-end fatness. This dials the pedal into your guitar and amp setup. It selects 4 different input tones to compensate for the guitar pickup and the amp/speaker cabinet combination that is being used. Volume and Tone Controls Controls the overall volume and tone without loosing fatness when at lower volume. Med/Max Foot Switch Selects Medium Boost (right side green LED) or Maximum Boost (left side red LED). On/Off Foot Switch True bypass with independent LED circuit that is not in the signal path. Power: 9-volt DC battery or input jack 2.1mm Top Quality Parts Metal case, metal Switchcraft jacks, and metal potentiometers. Almost bullet proof Amp Like Sensitivity All ToneCandy pedals have amp like touch sensitivity and they clean up when you turn down your guitar volume control. Hand Crafted Each pedal is hand soldered with pre-tested top quality components for long lasting durability. No machines are used in the assembly process and every step of construction is inspected thoroughly. The pedal circuit is a 3 stage class A analog preamp using discrete components. There are no digital chips or opamps in this circuit. I use top quality FET transistors, capacitors and resistors to shape the tone for each preamp stage. I promise that this is not another modified Tubescreamer clone or a fuzztone. Minimize

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and le ... Read more

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and let us know if there is anything we can do to make your experience better. RogueGuitarShop.com Questions/Order/Comments 541.979.0080 Call for best price. The RockboxTM Boiling PointTM Overdrive Boost incorporates a 3 position diode selector for a nearly endless variety of harmonic flavor. In the Plexi mode, the pedal has very Marshall-like response. For the Symetrical Overdrive mode, we gave the pedal a truly organic, tube-like distortion, with greater output. You will notice the overtones and response is like no other pedal. The middle position is a clean boost, with more than enough gain to send your favorite tube amp into overdrive heaven. While we gave the Overdrive Boost a tremendous amount of gain, we paid close attention to how the pedal cleans up. If you are a volume knob player, you will love how this pedal will clean up for a thick, creamy clean rhythm sound. In a recent pedal shootout that included many of the "holy-grail" and vintage pedals like Landgraff, Klon, Fulltone, Lovepedal, Way Huge, Analog Man and Paul Cochrane, the Boiling PointTM was consistently named the "Best of Class" by all the players who participated. If you are like most of us, and have wasted money in the past on effects that just didn't cut it, the Boiling PointTM will make a believer out of you. We think that you will find the Boiling PointTM to be a useful tool in your arsenal of sound, and will get a permanent spot on your pedalboard. Minimize

The Tortuga Effects Yeti is a huge sounding yet tightly foc ... Read more

The Tortuga Effects Yeti is a huge sounding yet tightly focused fuzz machine that can create sounds very close to a distortion pedal. That is why it is called the Fuzz-Stortion. The Tortuga Effects Yeti Fuzz-Stortion is capable of creating sounds ranging from your favorite 1970's fuzz tones all the way to scooped metal tones of the 90's and beyond. It is able to pull this off with a 4-way rotary knob called Anger. The different voices of Anger are Classic Scooped Mids, Flat Mids, Mid Hump & Tone Bypass. The Rotary knobs give some very distinct voices usually not included in just one fuzz pedal. A cool touch is the Tone Bypass which is louder that the other voices. If you are good with your feet you can use this as a volume boot for your solos. Nice! A great addition to any guitar pedal board and cool graphics too, check out the Tortuga Effects Yeti Fuzz-Stortion. Minimize

The Valve JobTM Perhaps the closest tone to a boutique tube ... Read more

The Valve JobTM Perhaps the closest tone to a boutique tube amp, without the size, weight, and price! Just because you can't afford a boutique tube amp, doesn't mean you shouldn't get the chance to sound like you do! The Plush Valve Job was designed for those who want the true tone, response and feel the only a real tube can provide. Like The Plush DriveTM, The Valve JobTM features a unique 4-knob circuit which gives unprecedented control over the most important aspects of your tone. On the input end, the gain and touch controls allow you to set just the right amount of distortion and pick response, based on your guitar and playing style. On the output end, a subtle tone control and level control allow you to set both your overall lead tone and solo level. A unique bi-fet integrated circuit matched to a real 12AX7 vacuum tube emulates the smooth overload of a tube amp, but with the shimmering harmonics only a tube can provide. Besides a Santana horn-like musical distortion, The Valve JobTM can provide one of the greatest gnarly slide guitar tones you'll ever hear. It has a unique "almost out of control" feel that only a real tube can provide. Minimize

Keeler Designs presents the Stretch Wah, an extraordinary b ... Read more

Keeler Designs presents the Stretch Wah, an extraordinary boutique wah that will send you reeling. With high quality boutique components, and exceptional build quality, the Keeler Stretch Wah gets some throaty midrange and beautiful wah inflections with clean tones. The Keeler Stretch Wah will take to any and all distortion, overdrive, and fuzz pedals, so retain the clarity and punch of your tone every time you decide to work out your wah. We can talk all day about how extraordinary the tone of the Keeler Stretch Wah is, but the proof is in the video. Take a listen to the new standard for boutique wah pedals. Go from sick and gnarled fuzz wah grind to pristine and drifting clean wah sounds. Keeler Electronics has set the bar very high with the introduction of their Stretch Wah. Keeler Designs Stretch Wah Now is the time to get that old, noisy, and unflattering wah off your board. You've been waiting for the perfect wah pedal to enhance the already sweet tone of your amp, guitar, and board of boutique pedals. Now comes the Keeler Designs Stretch Wah to put the final touches to your sound. If you've been seeking the perfect wah for your board, then look no further. The Keeler Designs Stretch Wah is the new wah in town. Keeler Designs Stretch Wah Features: Boutique components Parts: BC109 Transistors PRP Resistors Roederstein Capacitors Mil Spec Wire Custom Inductor True Bypass Muse Audio Electrolytic Capacitors Rugged build quality All black build Enhanced sweep and mid range frequencies 9vdc power Minimize

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATC ... Read more

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATCH CABLE INCLUDED! Aggressive british crunch, classic heavy metal, modern high gain stuff or anything in between - the Dominator will do the job. This box has nothing in common with those overcompressed, artificial sounding "bedroom metal" distortion pedals that disappear in the mix if you try to use them in a real band situation. Raw natural gain structure, explosive attack, tight low end and great chord definition make the difference - the Dominator works equally well at home practice or stage level. The active 3-band EQ with switchable mid range frequency provides effective and intuitive control over a broad range of sounds. (For extensive descriptions of the controls and some sample settings please refer to the user manual). Like the other OKKO drive pedals, the Dominator features an internal voltage doubler. The three gain stages and the EQ stage operate on different individually filtered voltages up to 18 volts for optimal dynamic response and very low noise performance. The Dominator works best in front of a clean amp with some headroom, especially if you use very bass heavy "chugga chugga" settings. If you have any questions please feel free to contact us. Thanks for looking and ROCK ON! Minimize

The "TONE AXE frequency divider plus manual jetlizer and fu ... Read more

The "TONE AXE frequency divider plus manual jetlizer and fuzz with gate" (AX) is an effect pedal which divides the frequency of the input signal with distortion. The effect of this pedal changes depending on the input signal, it can be transformed to a low pitch, powerful fuzz sound or jet sound. The name "TONE AXE" comes from the circuit which this pedal is based on, called "frequency divider". Also the sound of this pedal is very powerful and solid like an axe. From the left; "LEVEL", "SENS", and "DIVIDE". "LEVEL" controls the overall output level when the effect is on. "SENS" controls the sensitivity of the effect. "DIVIDE" controls the frequency division. The effect sounds different depending on the input signal. If the input is a single sound of a high pitch, it is transformed to a low pitch. The "DIVIDE" knob controls pitch jumps. It distorts if the input signal has many ingredients, so the knob controls the tone of the fuzz or jet sound. On the right side, there is an INPUT jack. The sound generated by the pedal will change depending on the input. There is a jack for an AC ADAPTER on the top. On the left side, there are jacks for the OUTPUT and CV PEDALS. The CV PEDAL jack can be connected to a CV pedal for "DIVIDE" alterations. If you have a foot CV pedal, you can control the "DIVIDE" with your foot. The "CV pedal" (Control Voltage pedal) is also known as an "expression pedal". Unfortunately, we do not manufacture these pedals yet. Some manufacturers make "expression pedals" and almost all of them can be used in combinations with our pedals, but effects will vary depending on the manufacturer. We recommend using the "MOOG FP-01" for the "AX - divider fuzz". SIZE L:70mm W:115mm H:55mm WEIGHT 280g JACKS INPUT, OUTPUT, CV PEDAL SWITCHES ON/OFF CONTROLS LEVEL, SENS, DIVIDE POWER BATTERY 006P or AC adapter(DC9V "barrel" type tip negative) Minimize

The Heat Blaster HBL-3 takes the bold, overtone-rich high-g ... Read more

The Heat Blaster HBL-3 takes the bold, overtone-rich high-gain tube amp sound of the earlier HBL-2 version to the next level with fatter lows and mids that add even more presence and power. The fast response of the HBL-2 is retained for outstanding articulation. By removing sonic components that can degrade the quality of the presence range while maintaining the most desirable harmonics, the HBL-3 sculpts a rich distortion sound with outstanding projection that won't get buried in an ensemble. The HBL-3 has also been carefully designed to avoid excessive compression that can result in a flat, lifeless sound. The result is tube-amp type sensitivity so that picking nuances are directly and fully expressed in the tone. The HBL-3 is ideal for use with the clean channel of a multi-channel amplifier. Bass Boost Switch Boosts the low-frequency range. This function achieves extra low-end impact with humbucking and single-coil pickups. Advanced S.C.T. Circuit In a normal True-Bypass circuit, in bypass mode the audio signal passes through two switch contacts. But in the HBL-3, in bypass mode the audio passes through a single contact, thanks to a single contact true-bypass circuit. The result is much higher sound quality and reliability than that provided by previously existing products. A new development in the S.C.T. Circuit now makes it possible to further reduce any change or deterioration in sound quality and gives the feeling that the footswitch circuit is removed entirely from your signal chain. New Double-contact Grounding Circuit (D.C.G. Circuit) In designing the new pot, we were seeking smooth operation and durability. The new design ensures that the shaft of the pot won't be pressed into the housing even if it is accidentally stepped on. Minimize

The goal in designing the 3OD was to create something contr ... Read more

The goal in designing the 3OD was to create something contrary to the the traditional style overdrive. The desired end result was simple. It needed to be open, natural sounding, and respond to playing Dynamics. Most importantly it HAD to clean up well and remain Dynamic throughout the guitars volume range. So what you are left with is a 3 germanium transistor design in a buffer + 2 cascading gain stage arrangement. The pick dynamics are VERY responsive to attack -clean to crunch depending on how light or how hard you nail it - ! Best of all the clean up is outstanding! Gradual gain reduction NOT TONE with only the guitars volume. The tone remains clear and articulate through out the guitars volume range. The 3OD really brings the player into the sound because it feels like you can "lean into it" while you dig in . The 3OD is, overall, a low to mid gain overdrive that feels like a natural extension of you guitar to your amp. It has plenty of level on tap to push a slightly broken up amp into tube saturated bliss. This is truly one of the most versatile overdrive pedals ever made if with endless tonal possibilities. Minimize

Strikes the perfect balance of clean bass mixed with heavy ... Read more

Strikes the perfect balance of clean bass mixed with heavy distortion for that two-track sound popular with studio engineers. From moderate to crunchy distortion or even thick fuzz, the Laser Cannon allows your bass to cut through the mix in genres like rock, metal, industrial and hardcore. Silicon or germanium diodes in the same box selectable for distinctive distortion textures. BLEND - Sets the mixture from 100% clean to 100% distorted signal. ATTACK - Pre-distortion low-cut filter reduces upper harmonics for smoother distortion. RANGE - Sets hi-pass cut-off frequency from full spectrum distortion to narrow mid-range frequencies. WAVE - Controls the amount of distortion. E=PC - Selects diode type: Either silicon or germanium for distinct distortion textures. PAD - Engages -9dB pad for active basses. VOL - Sets the overall output volume of the blended signal. From off to +12dB boost. Other Features: Noiseless true bypass Dimensions: 4.7? x 3.7? Laser-etched, die-cast aluminum chassis Internal 18V operation for high headroom 9V batt or standard 9V center negative DC power Low battery LED indicator, visible LED settings during bypass Designed and manufactured in the USA Minimize

Delivers the tube amp sounds with superb clarity and low no ... Read more

Delivers the tube amp sounds with superb clarity and low noise. Allows clean boost to mild to medium overdrive. Using a frequency selective range control you change what gets distorted; not just the amount. Hear bass chords clearly by dialing in the exact amount of edge, grit, growl and crunch. Achieve extra bite without becoming fuzzy and muddled. BLEND - Sets the mixture from 100% clean to 100% distorted signal. CUT - Pre-distortion low-cut filter removes bite from your signal by reducing upper harmonics to give a warmer tone. RANGE - Sets hi-pass cut-off frequency from full spectrum distortion to narrow high frequencies. DRIVE - Controls the amount of overdrive. SYM - Selects clipping (distortion) mode: either asymmetric (for full textured bite) or symmetric (for tighter, smoother overdrive). PAD - Engages -9dB pad for active basses. VOL - Sets the overall output volume of the blended signal. From off to +12dB boost. Other Features: Noiseless true bypass Dimensions: 4.7? x 3.7? Laser-etched, die-cast aluminum chassis Internal 18V operation for high headroom 9V batt or standard 9V center negative DC power Low battery LED indicator, visible LED settings during bypass Designed and manufactured in the USA Minimize

The TwinSonic combines a clean boost (MORE!) and low-to-med ... Read more

The TwinSonic combines a clean boost (MORE!) and low-to-medium-gain overdrive (ROCK!) The overdrive gives you the sound of your (non-master) amp cranked... at any volume. Therefore it is very neutral sounding by itself - it doesn't change the sonic or dynamic character of your setup. Besides the Gain and Level controls, the TwinSonics overdrive section features two controls for precise fine-tuning. The TONE control affects the mids - turn it to the left for more lower mids and a fatter, softer tone or to the right for a punchy "in your face" sound with pronounced upper mids. The CUT control rolls of treble when turned clockwise (like in the old Vox amps). The boost part of the TwinSonic provides a clean signal boost up to 20 dB. When used in conjunction with the overdrive, the signal can be boosted before the OD for more gain and sustain or after the OD for a volume boost or both at the same time! Like the Diablo, the TwinSonic features the HEADROOM SWITCH for more dynamic range, more headroom and tighter bass in the HI position. Minimize

The T-Rex Hobo Drive Overdrive Guitar Effects Pedal is a sp ... Read more

The T-Rex Hobo Drive Overdrive Guitar Effects Pedal is a spectacular overdrive pedal that's built to put you firmly in the driver's seat. Hobo Drive is so configurable and so gorgeous sounding, it's hard to imagine that no one has thought of it before. Would you expect anything less from T-Rex? Start with a 2-stage preamp At its core, Hobo Drive is a 2-stage preamp controlled via traditional PREAMP and MASTER volume controls. But that's not all. A TONE control lets you customize your overdrive sound right from the start, shaping its timbre to your exact tastes. Don't worry: No matter how you set it, the Hobo Drive pedal delivers the warm, vintage sounding tone T-Rex is famous for. Then add an adjustable BOOST switch On top of the preamp core, you get a very useful boost function for soloing, single-note lines, you name it. This not only makes Hobo Drive a more versatile effects pedal, it can eliminate the need for an external boost pedal if you normally use an overdrive sound for your lead playing. Finally, the real sauce... When you kick your Hobo Drive into boost mode, it takes your overdrive sound up to the volume level you've set. But Hobo Drive lets you do something else: An ingenious PRE/ POST switch gives you the option of boosting your signal before it hits the preamp to add even more drive as you raise the stakes with extra volume. This is truly one of T-Rex's finest pedals! Minimize

Joemeek makes uncompromisingly excellent, top-shelf gear, a ... Read more

Joemeek makes uncompromisingly excellent, top-shelf gear, and the gbQ distortion pedal is a perfect example. Thanks to an onboard FET Class-A preamp, a Structure control, a 3-band MeEQualizer, and other great features, the gbQ can sound like any of your favorite boutique distortion pedal. This amazing box lets you work with both odd and even harmonics, for the ultimate in distortion tweakage. You also get hard/soft knee adjustment, pre-/post-distortion EQ, send and return jacks, and even a DI output. Your favorite distortion pedal lives inside the gbQ! Hi-Z FET Class-A preamp with up to 20dB of gain Odd and even harmonic distortion or clean enhancement Unique Structure control for even more tone shaping 3-band swept MeEQualizer - pre or post distortion Master volume Overall bypass switch Send and return DI output with ground lift Headphone output Minimize

The T Rex Dr Swamp delivers some good ol' vintage overdrive ... Read more

The T Rex Dr Swamp delivers some good ol' vintage overdrive straight from the bayou. Thick with heat, and smooth overdrive gain, this sweet overdrive pedal oozes vintage tones, with some serious bottom end and mid range punch that is perfect for a variety of classic rock, hard rock, metal, and blues styles. If ya need a pedal that delivers some real rock tone, this is the one to get. T Rex is world renowned for their incredible quality and superior pedals, and with the Dr Swamp, T Rex has delivered an outstanding overdrive pedal. This is a dual channel overdrive, with the same controls on each side of the stompbox. Use the left side as a clean boost - it gives 15db, with some nice grit on the edges of the tone. Use the right side for more saturated overdrive. And of course, the Dr Swamp cleans up exceptionally well with a turn of your guitar's volume knob, giving you even more tonal options. With higher gain settings, the harmonic overtones are utterly rich and resonant. This is true bypass, totally transparent, and delivers some nice bottom end also. This dual gain stage pedal is truly versatile. But that wouldn't mean anything if it didn't deliver sweet vintage drenched overdrive that tone chasers demand. T Rex Dr Swamp The T Rex Dr Swamp will get ya'll back to gator country in a hurry, fo' sho'. This is a sweet vintage overdrive that flirts with disaster, shakes its moneymaker, and ain't afraid of no rats in the cellar. Get back in the saddle of vintage overdrive with this two tailed tone swamp monster. This smokin' pedal will get you down and dirty with some grit and a promise. Two channels can give ya plenty of overdrive choices....get the led out and get dialed in back to the bayou country. Dr Swamp is ready to surface and give ya a prescription laced with 100 proof swamp juice mojo. T Rex Dr Swamp Features: The Gain A knob controls the amount of distortion, when using switch A. Minimize

The idea of blending amps together has been a studio trick ... Read more

The idea of blending amps together has been a studio trick used on countless recordings over the years. Being able to blend the stregths of certain amplifiers and have other amps fill in the weaknesses produces a richer, better balanced sound. Up until now, the only way to repoduce this live was to haul a few amps around with you on the road. After a few gigs of doing that, a lot of players end up compromising tone for the ease of carrying 1 amp around with them. This is where the multidrive shines. The multidrive allows you to blend Overdrive, Distortion and Fuzz together, creating a full and rich array of tones that would not be available otherwise. Let the sustain of fuzz, the bite of distortion and the clarity and note definition of overdrive all work together! It's like having an overdrive pedal, a fuzz pedal, and a distortion pedal, all in one box. The Empress Multidrive is three killer drive tones in one box with the ability to blend them to taste. Each drive can be individually high-pass and low-pass filtered giving you infinite possibilities at your finger tips. Don't be fooled, this isn't a box of clones, its three new innovative circuits delivering tube preamp sound in a 4x3 inch box. Minimize

Propellerhead Balance withReason Essentials The music produ ... Read more

Propellerhead Balance withReason Essentials The music production package that has everything you need to create anything you want. 2-in 2-out audio interfaceSounds as good as it looks. Works as great as it feels. We've taken care of all the tedious stuff - calibration, setup, the works. You can concentrate on having fun instead: making music. With two channels of pristine audio recording, and with inputs for all your gear, your instruments are always connected and you are always ready to record.Integrated music recording environmentBalance is perfectly integrated with Reason and Reason Essentials. With Clip Safe you'll never lose a good take to distortion again. Big Meter lets you tune your guitar and set the levels from across the room. Use it with our software, other pro audio apps, or even iTunes - Balance works withReason EssentialsReason Essentials packs all the recording, editing, effects, instruments, and mixing tools you need to sound great. With its generous sound bank and familiar creative flow, it's the software that lets you focus on the music and finish that song. Upgrade to Reason for even more instruments, sounds, and effects. Minimize

The Box of Metal (tm) is an aggressive high-gain pedal with ... Read more

The Box of Metal (tm) is an aggressive high-gain pedal with a highly-effective built-in switchable gate which dramatically reduces noise and unwanted feedback. It is available in Vexter (2-year warranty) and hand-painted (lifetime warranty-my lifetime) versions. Its gain and tonal characteristics are somewhat similar to high-gain tube amplifiers that have been the staple of hard rock and metal sounds since the 80's. On the right, there is a true- bypass switch with an indicator LED to bypass the entire effect. On the left is a gate switch which is only effective when the pedal is on (the gate cannot be used separately.) When the gate's LED (on the left side of the pedal) is ON, the gate will be active whenever the pedal is turned on. The gate is very useful for cleaning up any noise between palm-muted chords and lead phrases, but may be switched off to initiate feedback or to stretch out soloed notes that are fading into noise. Switching off and on the gate is silent so the gating action of the pedal can instantly be changed during any part of the performance to fluidly integrate soloing and palm-muted chords. Minimize

The Abduction may be the single greatest thing to happen to ... Read more

The Abduction may be the single greatest thing to happen to your sound. It was designed to blend beautifully with your tube amp to add richness and gain without sacrificing your original tone. With three completely different gain circuits, each with dual foot-switchable gain controls, the sonic possibilities are almost endless. The Abduction has two different sets of old-stock Germanium diodes at its core that add a depth and color not available from most overdrives. Also, with the addition of an internal Kill voicing trim pot, you can truly customize your tone. So now you must ask yourself, are you ready for an out-of-this-world Abduction? Tortuga Effects Abduction Germanium Overdrive Features: Three completely different gain circuits Old stock Germanium diodes in channels 1 and 2 Foot-switchable dual Probe and Kill gain settings Internal trim pot for Kill voicing Internal 9v battery and external 9v power adaptor jack 100% true bypass Hand made in the USA Enclosure Size: 3 5/8 x 4 5/8 x 1 1/4 Minimize

The new A/DA APP-1 Pedal PreampTM is designed by David Tarn ... Read more

The new A/DA APP-1 Pedal PreampTM is designed by David Tarnowski and is a no-compromise 2 channel low noise all analog preamp, and the first product to use his new patent-pending "D-TORSION" Core Technology to achieve greater dynamics, string sensitivity and a wider range of guitar tones. You can go from crystal clear clean to over-the-top grind without touching a single knob on your guitar, pedals or amplifier. It has more bloom than the most nimble Class-A tube combo amp and can ring-out single-coil harmonics to frightening levels - all done with the subtlety of how hard you hit the strings. You can also dial-in more "squeeze" than a classic germanium diode distortion box. Minimize

The Phoenix symbolizes the resurrection of a Legend. Our P ... Read more

The Phoenix symbolizes the resurrection of a Legend. Our Phoenix Professional Overdrive is a faithful rebirth of a classic, highly sought after circuit that is no longer available on the open market. It produces a full, smooth tone no matter the gain setting, and most players use it as an 'always on' effect. The controls are simply Gain, Treble, and Volume. The focal point of the circuit is a fixed low-mid "hump" with the ability to blend in treble as you see fit. There is a unique interaction between all of these controls, just like our Seed of Life VII, that allows you to shape your tone in anyway you see fit whether it be to create a natural, tube like overdrive or to simply use it as a clean boost. We have gone out of our way to source exact valued components, NOS diodes and proper integrated circuit chips, though some advancements have been made to the esthetics of the original such as a smaller (hammond style 1950BB) enclosure and a standard 2.1mm (boss style) male power jack as the sole means of power for modern applications. Minimize