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Machine is a dual frequency-tripler circuit that uses cross ... Read more

Machine is a dual frequency-tripler circuit that uses crossover distortion for the first time in any pedal. This pedal basically sounds horrible. It's primary purpose is to cut through. Pedal users in 1999 are very sophisticated. Take the old conventions: of in on the right, out on the left, battery connected when input plug is in place, use this pedal before that one for a certain sound, reverse for another, positive ground, negative ground, pedal switching systems... we're living in a 'been there, done that' pedal world. Most every guitarist is familiar with the limitations of putting one fuzz or distortion into another... losing the detail but perhaps gaining that fun "shutdown" effect as one overloads the other, and the "where's my fuzz?" experience of playing a fuzz into a really dirty amp. Limitations. They increase your creativity but hob-gobble your plan. Zvex designed this new distortion generator, Machine, with some different limitations. Like try playing chords through it. Hmmm. But put it in front of any string of fuzz pedals, and try to make it disappear. Machine is actually a dual frequency-tripler circuit that uses crossover distortion for the first time in any pedal, ever. It generates the distortion of the wave in the sloped part of the cycle, instead of the peaks and valleys like all other distorters and fuzzes. In other words, it distorts when your guitar string is in the middle of vibrating, while it's swinging, not as it's turning around. That's the same place where your speaker cone is sort of coasting, between all the way in and all the way out. Where nothing is happening, this pedal happens. With Machine you can leave your favorite distorting pedals on and still add a new element of energetic grind. One thing to keep in mind, however, is that this pedal basically sounds horrible. It's primary purpose is to cut through. But like a wild man with a machete, it is not nice. Knobs are In, which is drive; Limit, which clips the original... Minimize

The Pigtronix Philosopher King is a compressor, sustainer, ... Read more

The Pigtronix Philosopher King is a compressor, sustainer, distortion and polyphonic amplitude synthesizer. Combining our award-winning Philosopher's Tone circuit with a next generation envelope generator, the Philosopher King takes tone several steps further with a full set of ADSR controls including swell, fade, hold level, speed range, one-shot mode, selectable auto reset, CV i/o and expression pedals for swell and fade times. With the Swell and Fade functions switched off, the Philosopher King provides transparent optical compression with endless sustain on tap. Adjustable compression (ratio), sustain (threshold) and treble (2k cut / boost) controls allow the musician to tailor the nature of the effect to meet the needs of the material at hand. From a subtle dash of added punch to massive, over-the-top howling sustain, the Philosopher King delivers clean, powerful optical compression. The grit control blends in a layer of sweet harmonic distortion that plays nice with other gain pedals as well as amplifier-generated tube distortion. The Philosopher King's swell function provides a pick triggered volume swell effect. The volume swell can be reset at any moment by muting or held open by continuous playing. This "slow gear" type effect is smooth and controllable with variable timing from extremely fast to very slow. The fade function can be used independently of the swell and is also pick triggered. A major new feature of the decay cycle in this pedal is the ability to fade out from peak level only partially, bringing the audio down to a predetermined level, set by the hold control. The hold level is then maintained until the player releases the note to close the cycle. With the auto reset turned on, the cycle will begin again immediately, creating undulating amplitude modulation and even pulsating tremolo stutter effects at faster decay settings. With the auto-reset turned off, the player determines the exact timing for the beginning of the next cycle. Minimize

A very transparent overdrive and distortion guitar pedal de ... Read more

A very transparent overdrive and distortion guitar pedal designed specifically for tube amplifiers that retains the sound and characteristics of your amp. It produces a sweet singing Medium Boost tone, and a fat highly overdriven Maximum Boost tone, even at lower volume levels. It also does not lose its bottom and tone at lower volume settings. Your neighbors and nightclub managers won't yell at you anymore to turn it down. You can get just the tone you want at any volume. Fat-4 Switch A 4-way rotary switch that selects 4 different degrees of low-end fatness. This dials the pedal into your guitar and amp setup. It selects 4 different input tones to compensate for the guitar pickup and the amp/speaker cabinet combination that is being used. Volume and Tone Controls Controls the overall volume and tone without loosing fatness when at lower volume. Med/Max Foot Switch Selects Medium Boost (right side green LED) or Maximum Boost (left side red LED). On/Off Foot Switch True bypass with independent LED circuit that is not in the signal path. Power: 9-volt DC battery or input jack 2.1mm Top Quality Parts Metal case, metal Switchcraft jacks, and metal potentiometers. Almost bullet proof Amp Like Sensitivity All ToneCandy pedals have amp like touch sensitivity and they clean up when you turn down your guitar volume control. Hand Crafted Each pedal is hand soldered with pre-tested top quality components for long lasting durability. No machines are used in the assembly process and every step of construction is inspected thoroughly. The pedal circuit is a 3 stage class A analog preamp using discrete components. There are no digital chips or opamps in this circuit. I use top quality FET transistors, capacitors and resistors to shape the tone for each preamp stage. I promise that this is not another modified Tubescreamer clone or a fuzztone. Minimize

The Tortuga Effects Yeti is a huge sounding yet tightly foc ... Read more

The Tortuga Effects Yeti is a huge sounding yet tightly focused fuzz machine that can create sounds very close to a distortion pedal. That is why it is called the Fuzz-Stortion. The Tortuga Effects Yeti Fuzz-Stortion is capable of creating sounds ranging from your favorite 1970's fuzz tones all the way to scooped metal tones of the 90's and beyond. It is able to pull this off with a 4-way rotary knob called Anger. The different voices of Anger are Classic Scooped Mids, Flat Mids, Mid Hump & Tone Bypass. The Rotary knobs give some very distinct voices usually not included in just one fuzz pedal. A cool touch is the Tone Bypass which is louder that the other voices. If you are good with your feet you can use this as a volume boot for your solos. Nice! A great addition to any guitar pedal board and cool graphics too, check out the Tortuga Effects Yeti Fuzz-Stortion. Minimize

From the sound system is said to be rounded TS, bluesy soun ... Read more

From the sound system is said to be rounded TS, bluesy sound dead, so also a wide range of distortion, 9Mode universal Konaseru to hard rock (3Mode × 3Mode) overdrive.Type of Clip (LED, Thru, Diode) can choose. Diode mode, decrease the volume of the Clip mode most distorted fine. Since there are no clips Thru mode closest to the original sound is thick and glossy mode can be obtained.Compared to other modes, the distortion, it can sustain long, Blues players and focus on sound, well suited for a booster. In the middle of these two and feel the LED mode, the harmonics are moderately organized, and make a crisp texture Innovation. In each Mode, the effectiveness of the changes since the knobs and other switches, please find the best position for you. Tips to find the best position is to try and turn the knob to the extreme. And the most noteworthy features of this pedal, it Character knob. By turning this knob you can adjust the bass guitar sound to low in a liver, and TS sound system called rounded, bluesy sound dead to enjoy a variety of sound change. Normal switches have been installed next to the Character knob - Light - 3 modes to choose Warm. Sound pressure increases with the amount of distortion in the order of Light · Normal · Warm. If you have a guitar with power, ease the strain can be too forward in the Light mode and the sound pressure. IC (op amp) is inserted into sockets so I can replace the parts you like it. ? When warranty parts will not change. Exterior design is subjected to embossing die-cast aluminum case, so clear urethane coating subjected to paint poured over them, and ordered three-dimensional texture. Using carefully selected parts, resistor carbon composition resistors and metal film resistor material and the Western Electric wiring Belden, Furukawa Electric, and solder Felder Kester, used to think that the place where things WBT and almit We. Minimize

Brown Feather is 320design's Distortion Pedal for Crunch So ... Read more

Brown Feather is 320design's Distortion Pedal for Crunch Sound to Hard Distortion. You can make various sounds by using two tune control of diferrent frequency "narrow" and "wide". We use well-selected Japanese high grade resistor. Wiring material is from Belden, Western Electric and Fukukawa Electric. Handa is from Kester, Felder, WBT and almit using for each right places. True bypass and super luminosity LED are common specification for evey pedals. By setting control knobs on side surface, glitchs when stepping on foot switch would be reduced. Case design may change without prior notice. Please be forewarned that scrach and stain may arise as our pedals are handmade work. And please note 9V CENTER NEGATIVE must be used for adapter. Minimize

The Valve JobTM Perhaps the closest tone to a boutique tube ... Read more

The Valve JobTM Perhaps the closest tone to a boutique tube amp, without the size, weight, and price! Just because you can't afford a boutique tube amp, doesn't mean you shouldn't get the chance to sound like you do! The Plush Valve Job was designed for those who want the true tone, response and feel the only a real tube can provide. Like The Plush DriveTM, The Valve JobTM features a unique 4-knob circuit which gives unprecedented control over the most important aspects of your tone. On the input end, the gain and touch controls allow you to set just the right amount of distortion and pick response, based on your guitar and playing style. On the output end, a subtle tone control and level control allow you to set both your overall lead tone and solo level. A unique bi-fet integrated circuit matched to a real 12AX7 vacuum tube emulates the smooth overload of a tube amp, but with the shimmering harmonics only a tube can provide. Besides a Santana horn-like musical distortion, The Valve JobTM can provide one of the greatest gnarly slide guitar tones you'll ever hear. It has a unique "almost out of control" feel that only a real tube can provide. Minimize

The RockboxTM Boiling PointTM Overdrive Boost incorporates ... Read more

The RockboxTM Boiling PointTM Overdrive Boost incorporates a 3 position diode selector for a nearly endless variety of harmonic flavor. In the Plexi mode, the pedal has very Marshall-like response. For the Symetrical Overdrive mode, we gave the pedal a truly organic, tube-like distortion, with greater output. You will notice the overtones and response is like no other pedal. The middle position is a clean boost, with more than enough gain to send your favorite tube amp into overdrive heaven. While we gave the Overdrive Boost a tremendous amount of gain, we paid close attention to how the pedal cleans up. If you are a volume knob player, you will love how this pedal will clean up for a thick, creamy clean rhythm sound. Hand built, numbered and signed by the builder Hand painted, with an automotive clear coat for protection Each pedal is uniquely painted. No two are alike. 3 selectable positions: Plexi, Symetrical Overdrive and Clean Boost True bypass switching Bass Contour switch for humbucker & single coil operation Better input impedance matching Improved tone section for more control High Overdrive output while cleaning up nicely for the volume knob player High visibility indicator Blue LED Best quality 11-detent drive potentiometer 1% audiophile metal film resistors in most locations (with vintage carbon composition in signal path) Switchcraft jacks Panasonic audiophile capacitors Socketed chip for tonal experimentation 9v to 18v operation 2-year warranty against manufacturers defects Minimize

The RockboxTM Boiling PointTM Overdrive Boost incorporates ... Read more

The RockboxTM Boiling PointTM Overdrive Boost incorporates a 3 position diode selector for a nearly endless variety of harmonic flavor. In the Plexi mode, the pedal has very Marshall-like response. For the Symetrical Overdrive mode, we gave the pedal a truly organic, tube-like distortion, with greater output. You will notice the overtones and response is like no other pedal. The middle position is a clean boost, with more than enough gain to send your favorite tube amp into overdrive heaven. While we gave the Overdrive Boost a tremendous amount of gain, we paid close attention to how the pedal cleans up. If you are a volume knob player, you will love how this pedal will clean up for a thick, creamy clean rhythm sound. Hand built, numbered and signed by the builder Hand painted, with an automotive clear coat for protection Each pedal is uniquely painted. No two are alike. 3 selectable positions: Plexi, Symetrical Overdrive and Clean Boost True bypass switching Bass Contour switch for humbucker & single coil operation Better input impedance matching Improved tone section for more control High Overdrive output while cleaning up nicely for the volume knob player High visibility indicator Blue LED Best quality 11-detent drive potentiometer 1% audiophile metal film resistors in most locations (with vintage carbon composition in signal path) Switchcraft jacks Panasonic audiophile capacitors Socketed chip for tonal experimentation 9v to 18v operation 2-year warranty against manufacturers defects Minimize

The goal in designing the 3OD was to create something contr ... Read more

The goal in designing the 3OD was to create something contrary to the the traditional style overdrive. The desired end result was simple. It needed to be open, natural sounding, and respond to playing Dynamics. Most importantly it HAD to clean up well and remain Dynamic throughout the guitars volume range. So what you are left with is a 3 germanium transistor design in a buffer + 2 cascading gain stage arrangement. The pick dynamics are VERY responsive to attack -clean to crunch depending on how light or how hard you nail it - ! Best of all the clean up is outstanding! Gradual gain reduction NOT TONE with only the guitars volume. The tone remains clear and articulate through out the guitars volume range. The 3OD really brings the player into the sound because it feels like you can "lean into it" while you dig in . The 3OD is, overall, a low to mid gain overdrive that feels like a natural extension of you guitar to your amp. It has plenty of level on tap to push a slightly broken up amp into tube saturated bliss. This is truly one of the most versatile overdrive pedals ever made if with endless tonal possibilities. Minimize

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATC ... Read more

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATCH CABLE INCLUDED! Aggressive british crunch, classic heavy metal, modern high gain stuff or anything in between - the Dominator will do the job. This box has nothing in common with those overcompressed, artificial sounding "bedroom metal" distortion pedals that disappear in the mix if you try to use them in a real band situation. Raw natural gain structure, explosive attack, tight low end and great chord definition make the difference - the Dominator works equally well at home practice or stage level. The active 3-band EQ with switchable mid range frequency provides effective and intuitive control over a broad range of sounds. (For extensive descriptions of the controls and some sample settings please refer to the user manual). Like the other OKKO drive pedals, the Dominator features an internal voltage doubler. The three gain stages and the EQ stage operate on different individually filtered voltages up to 18 volts for optimal dynamic response and very low noise performance. The Dominator works best in front of a clean amp with some headroom, especially if you use very bass heavy "chugga chugga" settings. If you have any questions please feel free to contact us. Thanks for looking and ROCK ON! Minimize

The "TONE AXE frequency divider plus manual jetlizer and fu ... Read more

The "TONE AXE frequency divider plus manual jetlizer and fuzz with gate" (AX) is an effect pedal which divides the frequency of the input signal with distortion. The effect of this pedal changes depending on the input signal, it can be transformed to a low pitch, powerful fuzz sound or jet sound. The name "TONE AXE" comes from the circuit which this pedal is based on, called "frequency divider". Also the sound of this pedal is very powerful and solid like an axe. From the left; "LEVEL", "SENS", and "DIVIDE". "LEVEL" controls the overall output level when the effect is on. "SENS" controls the sensitivity of the effect. "DIVIDE" controls the frequency division. The effect sounds different depending on the input signal. If the input is a single sound of a high pitch, it is transformed to a low pitch. The "DIVIDE" knob controls pitch jumps. It distorts if the input signal has many ingredients, so the knob controls the tone of the fuzz or jet sound. On the right side, there is an INPUT jack. The sound generated by the pedal will change depending on the input. There is a jack for an AC ADAPTER on the top. On the left side, there are jacks for the OUTPUT and CV PEDALS. The CV PEDAL jack can be connected to a CV pedal for "DIVIDE" alterations. If you have a foot CV pedal, you can control the "DIVIDE" with your foot. The "CV pedal" (Control Voltage pedal) is also known as an "expression pedal". Unfortunately, we do not manufacture these pedals yet. Some manufacturers make "expression pedals" and almost all of them can be used in combinations with our pedals, but effects will vary depending on the manufacturer. We recommend using the "MOOG FP-01" for the "AX - divider fuzz". SIZE L:70mm W:115mm H:55mm WEIGHT 280g JACKS INPUT, OUTPUT, CV PEDAL SWITCHES ON/OFF CONTROLS LEVEL, SENS, DIVIDE POWER BATTERY 006P or AC adapter(DC9V "barrel" type tip negative) Minimize

The Heat Blaster HBL-3 takes the bold, overtone-rich high-g ... Read more

The Heat Blaster HBL-3 takes the bold, overtone-rich high-gain tube amp sound of the earlier HBL-2 version to the next level with fatter lows and mids that add even more presence and power. The fast response of the HBL-2 is retained for outstanding articulation. By removing sonic components that can degrade the quality of the presence range while maintaining the most desirable harmonics, the HBL-3 sculpts a rich distortion sound with outstanding projection that won't get buried in an ensemble. The HBL-3 has also been carefully designed to avoid excessive compression that can result in a flat, lifeless sound. The result is tube-amp type sensitivity so that picking nuances are directly and fully expressed in the tone. The HBL-3 is ideal for use with the clean channel of a multi-channel amplifier. Bass Boost Switch Boosts the low-frequency range. This function achieves extra low-end impact with humbucking and single-coil pickups. Advanced S.C.T. Circuit In a normal True-Bypass circuit, in bypass mode the audio signal passes through two switch contacts. But in the HBL-3, in bypass mode the audio passes through a single contact, thanks to a single contact true-bypass circuit. The result is much higher sound quality and reliability than that provided by previously existing products. A new development in the S.C.T. Circuit now makes it possible to further reduce any change or deterioration in sound quality and gives the feeling that the footswitch circuit is removed entirely from your signal chain. New Double-contact Grounding Circuit (D.C.G. Circuit) In designing the new pot, we were seeking smooth operation and durability. The new design ensures that the shaft of the pot won't be pressed into the housing even if it is accidentally stepped on. Minimize

The Z.Vex Lo-Fi Loop Junky is the antithesis to the modern ... Read more

The Z.Vex Lo-Fi Loop Junky is the antithesis to the modern digital looper pedal. It's all analog, with no A-to-D Conversion of any kind, it samples for up to 20 seconds, and everything you record into it will sound totally different coming out the other end. It features lots of hiss, noise, distortion, and other analog artifacts and is capable of making your little guitar loop sound like a scratched, warbly old record. The Lo-Fi Loop junky does feature a very transparent guitar preamp built in to preserve your direct tone, and a velvety, smooth compression for nice organ-esque tones. It also has a built-in Vibrato with Speed and Depth control knobs for making warped record sounds or for imparting a chorused, Leslie rotating speaker style tone to your loops. There is also a tone knob to roll off any unwanted hiss or to add warmth to your loop, but since the this pedal has a very limited frequency response (nothing above 2.6Khz) too much treble shouldn't be a huge problem. The Loop Junky has a simple LED status indicator that lights up solid while recording, blinks once at the end of every loop, and stops completely in bypass mode. In the interest of tone preservation the Lo-Fi Loop Junky does feature True Bypass switching just like all other ZVex pedals. The ZVex Lo-Fi Loop Junky pedal is super simple to operate, with five obvious knob controls, an on/off stomp switch, a record stomp switch, and a tiny save switch in the upper right-hand corner to save your beloved loop for up to 100 years. Seriously. 100 years, even with the battery unplugged, should you manage to record the Golden Loop and want to preserve it forever. The Z.Vex Lo-Fi Loop Junky Pedal is handmade and hand-painted in Minneapolis, Minnesota and is warranted to be free from manufacturing defects for as long as Zachary Vex is on earth. Minimize

Delivers the tube amp sounds with superb clarity and low no ... Read more

Delivers the tube amp sounds with superb clarity and low noise. Allows clean boost to mild to medium overdrive. Using a frequency selective range control you change what gets distorted; not just the amount. Hear bass chords clearly by dialing in the exact amount of edge, grit, growl and crunch. Achieve extra bite without becoming fuzzy and muddled. BLEND - Sets the mixture from 100% clean to 100% distorted signal. CUT - Pre-distortion low-cut filter removes bite from your signal by reducing upper harmonics to give a warmer tone. RANGE - Sets hi-pass cut-off frequency from full spectrum distortion to narrow high frequencies. DRIVE - Controls the amount of overdrive. SYM - Selects clipping (distortion) mode: either asymmetric (for full textured bite) or symmetric (for tighter, smoother overdrive). PAD - Engages -9dB pad for active basses. VOL - Sets the overall output volume of the blended signal. From off to +12dB boost. Other Features: Noiseless true bypass Dimensions: 4.7? x 3.7? Laser-etched, die-cast aluminum chassis Internal 18V operation for high headroom 9V batt or standard 9V center negative DC power Low battery LED indicator, visible LED settings during bypass Designed and manufactured in the USA Minimize

By marrying the classic Fat Control/Midboost with our new O ... Read more

By marrying the classic Fat Control/Midboost with our new Overdrive we have created the ultimate overdrive/distortion pedal. From fat crunch to extra fuzzy to over the top, this pedal does it all. The midboost goes from thin to ballsy, while the overdrive has the ability to go from edgy clean to filthy in germanium mode and edgy to dirty while in silicon mode.Fat Control: Our classic circuit updated for this pedal. The tone ranges from flat buffer to 12dB of Fat Boost. It is like turning your strat pickup into a P90. The boost frequencies are set to produce maximum sustain.Overdrive: Our new Overdrive features variable gain control from unity to over 100 times, that output drives our clip generators (silicon or germanium diodes, switchable) for the ultimate in overdrive sound variations. The overdrives controls are gain (drive), a very usable tone control, volume control, and loose/tight switch. Indicator LED and a mini-jack power connector are included. Minimize

The T-Rex Hobo Drive Overdrive Guitar Effects Pedal is a sp ... Read more

The T-Rex Hobo Drive Overdrive Guitar Effects Pedal is a spectacular overdrive pedal that's built to put you firmly in the driver's seat. Hobo Drive is so configurable and so gorgeous sounding, it's hard to imagine that no one has thought of it before. Would you expect anything less from T-Rex? Start with a 2-stage preamp At its core, Hobo Drive is a 2-stage preamp controlled via traditional PREAMP and MASTER volume controls. But that's not all. A TONE control lets you customize your overdrive sound right from the start, shaping its timbre to your exact tastes. Don't worry: No matter how you set it, the Hobo Drive pedal delivers the warm, vintage sounding tone T-Rex is famous for. Then add an adjustable BOOST switch On top of the preamp core, you get a very useful boost function for soloing, single-note lines, you name it. This not only makes Hobo Drive a more versatile effects pedal, it can eliminate the need for an external boost pedal if you normally use an overdrive sound for your lead playing. Finally, the real sauce... When you kick your Hobo Drive into boost mode, it takes your overdrive sound up to the volume level you've set. But Hobo Drive lets you do something else: An ingenious PRE/ POST switch gives you the option of boosting your signal before it hits the preamp to add even more drive as you raise the stakes with extra volume. This is truly one of T-Rex's finest pedals! Minimize

Joemeek makes uncompromisingly excellent, top-shelf gear, a ... Read more

Joemeek makes uncompromisingly excellent, top-shelf gear, and the gbQ distortion pedal is a perfect example. Thanks to an onboard FET Class-A preamp, a Structure control, a 3-band MeEQualizer, and other great features, the gbQ can sound like any of your favorite boutique distortion pedal. This amazing box lets you work with both odd and even harmonics, for the ultimate in distortion tweakage. You also get hard/soft knee adjustment, pre-/post-distortion EQ, send and return jacks, and even a DI output. Your favorite distortion pedal lives inside the gbQ! Hi-Z FET Class-A preamp with up to 20dB of gain Odd and even harmonic distortion or clean enhancement Unique Structure control for even more tone shaping 3-band swept MeEQualizer - pre or post distortion Master volume Overall bypass switch Send and return DI output with ground lift Headphone output Minimize

After hundreds of emails BEGGING Wampler to bring it back.. ... Read more

After hundreds of emails BEGGING Wampler to bring it back... they responded! The new Triple Wreck Distortion... same high gain distortion as the Limited Edition Triple Recstortion but they've added MORE flexibility....A boost switch that changes it from the triple recstortion to more of a 'big muff pi' type tone - think david gilmour tones. With this switch turned on, it have a knob that pans between creamy fuzz to crunchy distortion. If you have any questions please feel free to contact us. Thanks for looking and ROCK ON! Minimize

The T Rex Dr Swamp delivers some good ol' vintage overdrive ... Read more

The T Rex Dr Swamp delivers some good ol' vintage overdrive straight from the bayou. Thick with heat, and smooth overdrive gain, this sweet overdrive pedal oozes vintage tones, with some serious bottom end and mid range punch that is perfect for a variety of classic rock, hard rock, metal, and blues styles. If ya need a pedal that delivers some real rock tone, this is the one to get. T Rex is world renowned for their incredible quality and superior pedals, and with the Dr Swamp, T Rex has delivered an outstanding overdrive pedal. This is a dual channel overdrive, with the same controls on each side of the stompbox. Use the left side as a clean boost - it gives 15db, with some nice grit on the edges of the tone. Use the right side for more saturated overdrive. And of course, the Dr Swamp cleans up exceptionally well with a turn of your guitar's volume knob, giving you even more tonal options. With higher gain settings, the harmonic overtones are utterly rich and resonant. This is true bypass, totally transparent, and delivers some nice bottom end also. This dual gain stage pedal is truly versatile. But that wouldn't mean anything if it didn't deliver sweet vintage drenched overdrive that tone chasers demand. T Rex Dr Swamp The T Rex Dr Swamp will get ya'll back to gator country in a hurry, fo' sho'. This is a sweet vintage overdrive that flirts with disaster, shakes its moneymaker, and ain't afraid of no rats in the cellar. Get back in the saddle of vintage overdrive with this two tailed tone swamp monster. This smokin' pedal will get you down and dirty with some grit and a promise. Two channels can give ya plenty of overdrive choices....get the led out and get dialed in back to the bayou country. Dr Swamp is ready to surface and give ya a prescription laced with 100 proof swamp juice mojo. T Rex Dr Swamp Features: The Gain A knob controls the amount of distortion, when using switch A. Minimize

The idea of blending amps together has been a studio trick ... Read more

The idea of blending amps together has been a studio trick used on countless recordings over the years. Being able to blend the stregths of certain amplifiers and have other amps fill in the weaknesses produces a richer, better balanced sound. Up until now, the only way to repoduce this live was to haul a few amps around with you on the road. After a few gigs of doing that, a lot of players end up compromising tone for the ease of carrying 1 amp around with them. This is where the multidrive shines. The multidrive allows you to blend Overdrive, Distortion and Fuzz together, creating a full and rich array of tones that would not be available otherwise. Let the sustain of fuzz, the bite of distortion and the clarity and note definition of overdrive all work together! It's like having an overdrive pedal, a fuzz pedal, and a distortion pedal, all in one box. The Empress Multidrive is three killer drive tones in one box with the ability to blend them to taste. Each drive can be individually high-pass and low-pass filtered giving you infinite possibilities at your finger tips. Don't be fooled, this isn't a box of clones, its three new innovative circuits delivering tube preamp sound in a 4x3 inch box. Minimize

The Box of Metal (tm) is an aggressive high-gain pedal with ... Read more

The Box of Metal (tm) is an aggressive high-gain pedal with a highly-effective built-in switchable gate which dramatically reduces noise and unwanted feedback. It is available in Vexter (2-year warranty) and hand-painted (lifetime warranty-my lifetime) versions. Its gain and tonal characteristics are somewhat similar to high-gain tube amplifiers that have been the staple of hard rock and metal sounds since the 80's. On the right, there is a true- bypass switch with an indicator LED to bypass the entire effect. On the left is a gate switch which is only effective when the pedal is on (the gate cannot be used separately.) When the gate's LED (on the left side of the pedal) is ON, the gate will be active whenever the pedal is turned on. The gate is very useful for cleaning up any noise between palm-muted chords and lead phrases, but may be switched off to initiate feedback or to stretch out soloed notes that are fading into noise. Switching off and on the gate is silent so the gating action of the pedal can instantly be changed during any part of the performance to fluidly integrate soloing and palm-muted chords. Minimize

Big John Granny Pucker Guitar Pedal BRAND NEW! AUTH DEALER ... Read more

Big John Granny Pucker Guitar Pedal BRAND NEW! AUTH DEALER! FREE US SHIPPING! The Big John Granny Puker will give you a dirty octave (down) sound & weird distortion effects. Functions are: Volume control, Mixer control (mix-in the amount of octave down), Puke control (adjusts the amount of distortion). You can use the Granny Puker as a distortion box: turn the mixer knob to the minimum (good for chords). You can use the Granny Puker as a dirty octaver: turn the mixer knob to the maximum (good for melodies). This stompbox is designed for guitar as well as for bass guitar. Features: Completely made & handwired in Belgium Point-to-Point wiring for better connection & sound Best quality components, switches, alpha pots, thicker wiring Beautiful layout & moog-style knobs 9Vdc simple adaptor connectivity (no battery, better for nature!) Low noise performance at loud volumes Virtually indestructible die-cast housing True hardwire bypass If you have any questions please feel free to contact us. Thanks for looking and ROCK ON! Minimize