> microphones—akg

What can we say? Some microphones... like talent... just "h ... Read more

What can we say? Some microphones... like talent... just "have it." And the AKG C 451 B is one of those microphones. And your talent is going to love it. This is the reborn version of the original C 451 — an ENORMOUSLY popular studio microphone. With a pair of these babies, you're gonna be set. You've never heard acoustic guitar with so much clarity, detail, and air. Awesome, awesome stuff. But it's way more versatile than that. A standout choice for overheads. People use a pair of C451 B mics on grand piano and RAVE about it. Heck, these babies even sound great on choirs. There's just something precise and natural yet "classic" about its performance. Man, we could gush on about it. But we're pretty positive you'll get a C 451 B in your hands and start doing the same thing. Seriously. Start reading reviews about the old C 451 and the picture will get clearer. The is sonically IDENTICAL to that mic of lore, just with an improved design so handling noise isn't an issue and RF interference won't plague your perfect recordings. Minimize

Universal shock mount for all microphones with shaft diamet ... Read more

Universal shock mount for all microphones with shaft diameters from 19 to 26 mm (0.75 to 1 in.), e.g. C 414 B-XLS und C 414 B-XL II.For the new C 414 B-XLS and C 414 B-XL II microphones, AKG designed a new shock mount that differs from the familiar H 100 as follows: 1.The outside ring has been reduced in diameter from 120 mm (4.7 in.) to 100 mm (4 in.).2.The color has been changed from black to dark gray.3.The clamping range has been increased from 22 - 26 mm (0.87 - 1.02 in.) to 19 - 26 mm (0.7 - 1.02 in.) to accommodate microphones with cylindrical or conical bodies or connectors including, e.g., the AKG Blue Line and ULS Series. Also, the H 85 shock mount keeps a lower profile than the H 100 and therefore looks better on the microphone. The H 85 also matches several other AKG studio microphones, e.g., the C 2000 B, C 3000 B, and C 4000 B. At present, the only microphones including an H 85 shock mount as a standard accessory are the C 414 B-XLS and C 414 B-XL II. Minimize

Featuring the outstanding sound of the rugged C5 microphone ... Read more

Featuring the outstanding sound of the rugged C5 microphone, the AKG WMS450 Vocal C5 UHF Handheld Wireless Microphone System is ready for immediate use and scalable for demanding applications. A highly flexible wireless system, the WMS450 also features perfect audio transmission and advanced wireless microphone technology. AKG WMS450 Vocal C5 UHF Handheld Wireless Microphone System Includes HT450 Handheld Transmitter with C5 microphone element SR450 Receiver SA63 Stand Adapter 1 AA size battery 2 Antennas Rack Mounting Kit Power Supply HT450 Handheld Transmitter with C5 Microphone Element Features The HT450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness. An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode. Maximized rejection against feedback Improved handling noise sensibility Spring Steel elastic wire mesh cap for safe protection of the capsule element Rugged finish for professional applications Easy configuration through optimized Infrared data download from receiver Lowest operating costs: Up to 8 hours with 1 Battery (AA) Unique battery status display Integrated charging contacts Ergonomically designed shape SR450 Receiver Features The SR450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission. Best sound in class! All metal case with rugged finish Easy set up of up to 12 channels per frequency band Programmable Status Display with Two-Color Backlight Integrated frequency scanner with country specific frequency management database Infrared data transmission link Rehearsal function for finding dead spots Minimize

The AKG Groove Pack is the perfect drum mic package for any ... Read more

The AKG Groove Pack is the perfect drum mic package for any live or studio setup, giving extremely high quality sound and built tough for the road. For the hard use on stage, all Perception live microphones feature an indestructible metal casing, a rugged spring steel microphone grill, an appealing and scratch-resistant finish, high maximum SPL and powerful sound for any application. All microphones feature gold plated XLR pins and include a practical carrying case. AKG's Groove Pack is a start-up kit for drummers. It contains 6 microphones from the new Perception live series: 1 x P 2 bass microphone, 2 x P 17 for overheads, and 3 x P 4 for toms and snare. This complete set comes in a protective aluminium carrying case with all mounting clamps and stand adapters. AKG Groove Pack Features P 2 Bass Drum Mic Dynamic microphone designed for low-pitched instruments Powerful sound with enough bass range P 4 Tom/Snare Mic Handle highest sound pressure levels Integrated stand adapter and (P 4) external bracket Response tailored for neutral reproduction of instrument sounds Rugged all-metal body withstands typical tough stage use Hum compensation coil rejects EMC noises P 17 Overhead Mic Condenser overhead microphone Switchable 20 dB attenuation pad True condenser cardioid capsule all metal construction 1/2-inch small-diaphragm instrumental microphone AKG Groove Pack Includes 1 x P 2 bass microphone 3 x P 4 drum microphone and 3 x H440 mounting clamp 2 x P 17* overhead microphone and 2 x SA60 stand adapter (*P 17 is technically identical to P 170 and not available as a single unit.) Minimize

The AKG Perception 820 Tube condenser microphone makes qual ... Read more

The AKG Perception 820 Tube condenser microphone makes quality tube mic performance affordable! This addition tothe popular Perception line gives you the rich sound only a real tube condenser can offer, while you control its stunning array of nine different pickup patterns (plus its low-cut filter and 20dB attenuation pad) from a very easy-to-use remote. The Perception 820 Tube uses a 1" dual capsule design to give you a very dimensional and smooth sound. Though this Perception flagship model excels on vocals, it's built to take the high SPLs you need to make the Perception 820 Tube a real studio workhorse. AKG Perception 820 Tube Multi-pattern Condenser Microphone at a Glance:The Perception flagship mic Take control of your mic — remotelyThe Perception flagship mic In 2005 AKG has launched the very first Perception models — a completely new series of microphones showing legendary AKG Sound & Quality at an outstanding price level. The Perception?820 Tube delivers real tube sound quality, raising the bar in its class of affordable tube microphones. This mic delivers real tube sound quality thanks to the dual one-inch large diaphragm capsule and the sophisticated ECC 83 dual-triode circuitry. You can't beat a real-tube design for classic sound and smoothness. Put the Perception 820 Tube on a vocalist and you'll know what you've been missing; put it on an instrument and you'll love the natural sound you get.Take control of your mic — remotelyThe Perception 820 Tube includes an elegant remote control unit that allows you to select from nine different pickup patterns; it also controls the switchable bass-cut filter and the attenuation pad. Moreover, a ground lift switch prevents unwanted hum if necessary. This kind of versatility makes the Perception 820 Tube an ideal addition to your mic locker.AKG Perception 820 Tube Multi-pattern Condenser Microphone Features:Two back-to-back one-inch large diaphragmsAn ECC 83 dual-triode tube circuitry emphasizes even-order harmonics for rich, smooth and three-dimensional soundRemote control unit allows selection of nine different pickup patterns from omnidirectional to cardioid to figure-8Switchable bass cut filter (80Hz, 12 dB/oct) reduces unwanted rumble or footfall noiseA 20dB allenuation pad works well for high SPL applications up to 155dBBrush-finished, anodized aluminum front plate and all-metal housing for maximum shieldingGround lift switch prevents unwanted hum if necessaryDesigned and engineered in Vienna, AustriaMic:Type: 1" dual-diaphragm, true condenser pressuregradientPolar patterns: Omnidirectional, cardioid, figure-8 plus six intermediate patterns (selectable on remote control unit)Frequency range: 20Hz-20kHzSensitivity: 20 mV/Pa (-34 dBV ?3 dB)Max. SPL: 135/155dB SPL (0/-20dB) for 0.5% THDEquivalent noise level: 16dB-A (IEC 60268-4)Preattenuation pad: 20dB (switchable on Remote Control Unit)Bass cut filter slope: 12dB/Octave, 80Hz (switchable on Remote Control Unit)Impedance: =1000 ohmsPower: Via remote control unitConnector: Dedicated 7-pin male XLRRemote Control Unit:Audio/control input: Dedicated 7-pin female XLR connectorAudio output: Standard 3-pin male XLR connector, balanced, pin 2 hotPolar pattern selector: 9-position detented rotary switchBass cut filter switch: 2-position toggle switchPreattenuation switch: 2-position toggle switchPower voltage: 210-240 VAC or 110-120 VAC, selectablePrimary fuse: 125 mA / 250 V slow-blowThe AKG Perception 820 Tube condenser microphone gives you incredible classic tube mic tones at a great value! Minimize

The AKG C214 Condenser Microphone is designed as an inexpen ... Read more

The AKG C214 Condenser Microphone is designed as an inexpensive alternative to other higher-end AKG Microphones. The C214 captures sound combining one side of the legendary C414 dual-capsule system and AKG’s patented Back-Plate Technology which results in an outstanding performance. The AKG C214 is capable of handling the rigors of high sound pressure levels like those you will find when recording guitar amplifiers, while maintaining a sensitivity level perfect for vocals and softer instruments. This microphone boasts a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch - all in an elegant but rugged package. Besides, the C214 will also work on low phantom power voltages from 12 up to 48 volts. Available as a Single Microphone or as a Stereo Set Matched Pair. AKG C214 Condenser Microphone Features AKG’s Legendary 1 Inch Edge-Terminated Large Diaphragm Sound Outstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise) Roadworthy Design Integrated Suspension to reduce mechanical noise Switchable 20 dB Attenuation Pad and Low Cut Switch Rugged double mesh grill for high RF immunity but unaffected acoustics Gold Plated XLR Output Connector for loss-free signals All-metal die-cast body with shock and scratch resistant finish Spider-type Shock Mount included Metal Carrying Case included Designed, Engineered and Built in Vienna, Austria Minimize

AKG SR450 Receiver - HT450 Handheld Transmitter with D 5 Mi ... Read more

AKG SR450 Receiver - HT450 Handheld Transmitter with D 5 Microphone Element - 2 x UHF Receiver Antennas - Receiver Power Supply - RMU 100 Rackmount Kit - AA Alkaline Battery - SA100 Microphone Stand Adapter - PB 1000 Presence Boost Adapter - Carrying Case - Manual Supplement - AKG 2 Year Parts & Labor Warranty.The AKG WMS 450 Vocal Set is a flexible handheld wireless microphone system that offers the reliability of multi-band UHF operation, professional features and a cost effective price for use in any application. The system is delivered with the SR 450 receiver and HT450C handheld microphone transmitter with condenser element. The HT 450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness. An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode. Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child's play. The SR 450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission. Being compatible with professional WMS 4000 antenna splitters, power supplies and high quality antennas, the WMS 450 enables you to set up highly complex wireless systems. In Auto Setup mode, the receiver will scan the available bands, find an interference-free channel and transmit the related frequency data to the assigned transmitter via infrared. This technique significantly reduces the time it takes to set up a multichannel system. A Rehearsal function identifying dead spots, a programmable display clearly indicating all important system parameters, two-color display backlighting warning the user of critical conditions from a distance and a transmitter battery status display on the receiver enhance reliability and add to ease of use. Minimize

AKG WMS40MINI2VOC (USA45A/C-SMPS) Wireless Microphone Set w ... Read more

AKG WMS40MINI2VOC (USA45A/C-SMPS) Wireless Microphone Set w/ 2 x Handheld Microphones New Unique HDAP (High Definition Audio Performance) technology ensures the best possible, most realistic sound at any time. The SR 40 Mini2 receiver provides three status LEDs each for channels 1 and 2, indicating ON/OFF status, received signal strength (RF OK), and audio clipping (AF CLIP). The VOLUME control sets the level at the ¼" output jack. Each receiver comes with a universal 12-V switched mode power supply with EU, UK, and US adapters. The illuminated ON/OFF button switches both channels on and off simultaneously. 2 x rugged HT 40 Mini handheld transmitters features an ON/OFF/MUTE switch and a sturdy wire-mesh cap protecting the cardioid dynamic microphone element. Battery life is the same legendary 30 hours off a single AA battery as for the standard WMS 40 models, reducing the need to replace batteries and thus saving real money in the long run. In Depth Includes SR 40 MINI2 receiver 2x HT40 Mini handheld receiver Minimize

When you're onstage with the AKG C 5, you won't have to wor ... Read more

When you're onstage with the AKG C 5, you won't have to worry about cutting through the mix. That's because AKG designed this handheld vocal condenser microphone for demanding onstage performance, with a live band behind you. The AKG C 5's cardioid pickup pattern helps it to give you a huge amount of gain before feedback — a definite plus. There's also a spring steel wire-mesh grill to stand up to plenty of use, while reliably controlling pops and wind noise when you sing into your AKG C 5 vocal condenser microphone. AKG C 5 Vocal Condenser Microphone at a Glance:Onstage with bands? Let the AKG C 5 help you cut through the mix.Cardioid polar pattern helps give you the maximum gain before feedbackSolidly built, with features to control pops, wind, and handling noiseOnstage with bands? Let the AKG C 5 help you cut through the mix.AKG knows that demanding vocal performances onstage usually involve a lot of other instruments you're trying to soar above. That's why they designed the AKG C 5 vocal condenser microphone to help you cut through even the loudest mix, while keeping your tone intact.Cardioid polar pattern helps give you the maximum gain before feedbackFeedback is a troubling onstage problem. But the AKG C 5 vocal condenser microphone's cardioid polar pickup pattern helps to avoid it. The AKG C 5 microphone picks up your voice right in front of it, while avoiding what's coming toward it from the sides and back.Solidly built, with features to control pops, wind, and handling noiseAKG built the C 5 vocal condenser microphone to be rock solid, so it's practically as strong as your stage performances. Plus, it sports a built-in shockmount and a spring steel wire-mesh grill that pull double-duty to reduce handling noise as well as reliably control pops and wind noise.AKG C 5 Vocal Condenser Microphone Features:Designed to cut your vocals through even the loudest mixCardioid polar pickup pattern gives you maximum gain before feedbackSpring steel wire-mesh grill reliably controls pops and wind noiseInternal shockmount helps to cut back on handling noise24-carat gold-plated XLR output pins ensure a reliable connectionResistant to corrosion and humidity, thanks to a gold-plated transducer caseAKG C 5 Vocal Condenser Microphone Specifications:Finish: Matte Grayish BluePolar Pattern: CardioidFrequency Range: 65Hz to 20kHzSensitivity: 4 mV/Pa (-48 dBV )Max. SPL: 140 / 145 dB SPL (for 1% / 3% THD)Equivalent Noise Level: — 25 dB-AImpedance: = 2.000 ohmsConnector: 3-pin XLRWeight: 12.2 oz.Rely on the AKG C 5 vocal condenser microphone for your professional onstage performances! Minimize

This combined system joins the outstanding sound capabiliti ... Read more

This combined system joins the outstanding sound capabilities of the SR 450 Receiver and the rugged HT 450 handheld for optimum quality recording.The HT 450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness. An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode.Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child's play.A noiseless ON-MUTE/PRG-OFF switch and status LED add to the transmitter's user-friendliness.The SR 450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission.Being compatible with professional WMS 4000 antenna splitters, power supplies, and high quality antennas, the WMS 450 enables you to set up highly complex wireless systems. In Auto Setup mode, the receiver will scan the available bands, find an interference-free channel, and transmit the related frequency data to the assigned transmitter via infrared. This technique significantly reduces the time it takes to set up a multichannel system. A Rehearsal function identifying dead spots, a programmable display clearly indicating all important system parameters, twocolor display backlighting warning the user of critical conditions from a distance, and a transmitter battery status display on the receiver enhance reliability and add to ease of use. FCC Consumer Alert: Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change.For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones. Minimize

The AKG Rhythm Pack Drum Microphone Package is the ultimate ... Read more

The AKG Rhythm Pack Drum Microphone Package is the ultimate live or recording set up for any drummer. The package includes 1 D112 Dynamic Bass Drum Microphone, 2 C430 Miniature Condenser Microphones for overhead recording and 3 D40 Dynamic Instrument Microphones for toms and snare, all in a protective aluminum carrying case. Also included are the necessary accessories: 3 mounting brackets, 3 mic stand adaptors and 2 windscreens. D112 Dynamic Bass Drum Microphone Large-diaphragm dynamic microphone for bass instruments Extremely high SPL capability Classic microphone for stage and studio applications The D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won’t faze it, because the D112 handles up to 160 dB SPL with no audible distortion. The result is a kick drum sound that ideally balances precise definition and forceful impact. The D112 is also an excellent choice for use with bass cabinets and trombones. C430 Miniature Condenser Microphone Miniature condenser microphone for cymbal and overhead miking Phantom or battery powering options Mounts securely on all commercial microphone stands Specifically designed for cymbal and overhead miking, the frequency response of the C430 ensures a uniquely crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile in any application without compromising audio quality. D40 Dynamic Instrument Microphone Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps Patented AKG Varimotion diaphragm technology Custom built capsule mounting Integrated stand adapter H440 Spring steel wire-mesh cap Rugged all-metal body withstands typical tough handling on stage The D40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use. The D40 is a highly versatile tool for use on drums and percussions as well as wind instruments and guitar amps. Minimize

AKG D 112 Kick Drum Microphone D 112 Description Developed ... Read more

AKG D 112 Kick Drum Microphone D 112 Description Developed for clean and powerful kick drum and bass miking. On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments. Channel Strips of the Stars: Ronan Chris Murphy World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A De Minimize

From the leading broadcast facilities world-wide to the rec ... Read more

From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line.The C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility.The C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks.AKG C 414 XL II Multi-pattern Condenser Microphone Features at a Glance:Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patternsLock Mode disables all controls easily for live and installation useIncredible Dynamic Range of 152 dBThree different bass cut filters and three pre-attenuation levelsPeak Hold LED even detects shortest overload peaksIncludes carrying case, pop filter, windscreen, and spider-type shock mountFrequency range: 20–20,000 HzSensitivity: 20 mV/Pa (-34 dBV) ? 0.5 dBMax. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THDEquivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)Signal/noise ratio: 88 dBPreattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchableBass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 HzImpedance: = 2,200 ohmsSupply voltage: 48 V phantom power to DIN/IECPowering: approximately 4 mAConnector: 3-pin XLR to IECDimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)Net weight: 300g (10.6oz.)The AKG 414 XL II raises the benchmark for multi-pattern condenser mics! Minimize

This combined system joins the outstanding sound capabiliti ... Read more

This combined system joins the outstanding sound capabilities of the SR 450 Receiver and the rugged HT 450 handheld for optimum quality recording.The HT 450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness. An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode.Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child's play.A noiseless ON-MUTE/PRG-OFF switch and status LED add to the transmitter's user-friendliness.The SR 450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission.Being compatible with professional WMS 4000 antenna splitters, power supplies, and high quality antennas, the WMS 450 enables you to set up highly complex wireless systems. In Auto Setup mode, the receiver will scan the available bands, find an interference-free channel, and transmit the related frequency data to the assigned transmitter via infrared. This technique significantly reduces the time it takes to set up a multichannel system. A Rehearsal function identifying dead spots, a programmable display clearly indicating all important system parameters, twocolor display backlighting warning the user of critical conditions from a distance, and a transmitter battery status display on the receiver enhance reliability and add to ease of use. FCC Consumer Alert: Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change.For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones. Minimize