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'At last, the past has arrived! Performing Remains is Rebec ... Read more

'At last, the past has arrived! Performing Remains is Rebecca Schneider's authoritative statement on a major topic of interest to the field of theatre and performance studies. It extends and consolidates her pioneering contributions to the field through its interdisciplinary method, vivid writing, and stimulating polemic. Performing Remains has been eagerly awaited, and will be appreciated now and in the future for its rigorous investigations into the aesthetic and political potential of reenactments.' - Tavia Nyong'o, Tisch School of the Arts, New York University 'I have often wondered where the big, important, paradigm-changing book about re-enactment is: Schneider’s book seems to me to be that book. Her work is challenging, thoughtful and innovative and will set the agenda for study in a number of areas for the next decade.' - Jerome de Groot, University of Manchester Performing Remains is a dazzling new study exploring the role of the fake, the false and the faux in contemporary performance. Rebecca Schneider argues passionately that performance can be engaged as what remains, rather than what disappears. Across seven essays, Schneider presents a forensic and unique examination of both contemporary and historical performance, drawing on a variety of elucidating sources including the "America" plays of Linda Mussmann and Suzan-Lori Parks, performances of Marina Abramovic´ and Allison Smith, and the continued popular appeal of Civil War reenactments. Performing Remains questions the importance of representation throughout history and today, while boldly reassessing the ritual value of failure to recapture the past and recreate the "original." Minimize

This Design and Development Guide is an essential book for ... Read more

This Design and Development Guide is an essential book for those who are involved in the initiation, planning, design and building of facilities for the various performing arts, from local to metropolitan locations. It includes the stages in the development, decisions to be taken, information requirements, feasibility and advice necessary in the design and development of a new or adapted building. Part one of this guide provides the background information about the organisation of the performing arts, the prevailing issues, the client and various building types. In the second part, the author deals with the components of design and development, identifying the roles of the client, advisors and consultants, the stages to be achieved, including client's proposal feasibility, the process of briefing, design and building and eventually hand-over and opening night, with a consideration of the building use. Studies include the assessment of demand, site requirements, initial brief, building design and financial viability. Information requirements, as design standards, for the auditorium and platform/stage, and the support facilities, are included. Separate studies focus on the adaptation of existing buildings and provision for children and young persons. THE CONTENT COVERS A WIDE RANGE OF PERFORMING ARTS (CLASSICAL MUSIC, POP/ROCK, JAZZ, MUSICALS, DANCE, DRAMA) AND PROVIDES INFORMATION ON EACH AS AN ART FROM AND NECESSITIES TO HOUSE PERFORMANCES. * Comprehensive view of design and development including assessment of demand, site requirement, initial brief, building design and financial viability* Coverage includes all categories including classical music, pop/ rock, jazz, musicals, dance and drama* Links information to the design process and sequence of decision-making Minimize

Management strategies that really work—from more than 100 l ... Read more

Management strategies that really work—from more than 100 leading managers!Do you know what it takes to manage a performing arts organization today? In this comprehensive volume, more than 100 managers of top nonprofit and commercial venues share their winning strategies.* Financial management, building a funding base, labor relations, much more* Explores the realities of running a performing arts organization todayFrom theater to classical music, from opera to dance, every type of organization is included, with information on how each one is structured, key managerial figures, its best-practices for financial management, how it handles labor relations, and more. Kennedy Center, the Brooklyn Academy of Music, Lincoln Center, the Mark Morris Dance Company, the New Victory Theater, the Roundabout Theater, the Guthrie Theater, Steppenwolf Theater Company, and many other top groups are represented. Learn to manage a performing arts group successfully in today’s rapidly changing cultural environment with Performing Arts Management. Minimize

"With great originality and scholarship, Amelia Jones maps ... Read more

"With great originality and scholarship, Amelia Jones maps out an extraordinary history of body art over the last three decades and embeds it in the theoretical terrain of postmoderism. The result is a wonderful and permissive space in which the viewer...can wander"...-Moira Roth, Trefethen professor of art history, Mills College. Minimize

'At last, the past has arrived! Performing Remains is Rebec ... Read more

'At last, the past has arrived! Performing Remains is Rebecca Schneider's authoritative statement on a major topic of interest to the field of theatre and performance studies. It extends and consolidates her pioneering contributions to the field through its interdisciplinary method, vivid writing, and stimulating polemic. Performing Remains has been eagerly awaited, and will be appreciated now and in the future for its rigorous investigations into the aesthetic and political potential of reenactments.' - Tavia Nyong'o, Tisch School of the Arts, New York University 'I have often wondered where the big, important, paradigm-changing book about re-enactment is: Schneider’s book seems to me to be that book. Her work is challenging, thoughtful and innovative and will set the agenda for study in a number of areas for the next decade.' - Jerome de Groot, University of Manchester Performing Remains is a dazzling new study exploring the role of the fake, the false and the faux in contemporary performance. Rebecca Schneider argues passionately that performance can be engaged as what remains, rather than what disappears. Across seven essays, Schneider presents a forensic and unique examination of both contemporary and historical performance, drawing on a variety of elucidating sources including the "America" plays of Linda Mussmann and Suzan-Lori Parks, performances of Marina Abramovic´ and Allison Smith, and the continued popular appeal of Civil War reenactments. Performing Remains questions the importance of representation throughout history and today, while boldly reassessing the ritual value of failure to recapture the past and recreate the "original." Minimize

This Design and Development Guide is an essential book for ... Read more

This Design and Development Guide is an essential book for those who are involved in the initiation, planning, design and building of facilities for the various performing arts, from local to metropolitan locations. It includes the stages in the development, decisions to be taken, information requirements, feasibility and advice necessary in the design and development of a new or adapted building. Part one of this guide provides the background information about the organisation of the performing arts, the prevailing issues, the client and various building types. In the second part, the author deals with the components of design and development, identifying the roles of the client, advisors and consultants, the stages to be achieved, including client's proposal feasibility, the process of briefing, design and building and eventually hand-over and opening night, with a consideration of the building use. Studies include the assessment of demand, site requirements, initial brief, building design and financial viability. Information requirements, as design standards, for the auditorium and platform/stage, and the support facilities, are included. Separate studies focus on the adaptation of existing buildings and provision for children and young persons. THE CONTENT COVERS A WIDE RANGE OF PERFORMING ARTS (CLASSICAL MUSIC, POP/ROCK, JAZZ, MUSICALS, DANCE, DRAMA) AND PROVIDES INFORMATION ON EACH AS AN ART FROM AND NECESSITIES TO HOUSE PERFORMANCES. * Comprehensive view of design and development including assessment of demand, site requirement, initial brief, building design and financial viability* Coverage includes all categories including classical music, pop/ rock, jazz, musicals, dance and drama* Links information to the design process and sequence of decision-making Minimize

Free Worldwide Delivery : Philosophy of the Arts : Paperbac ... Read more

Free Worldwide Delivery : Philosophy of the Arts : Paperback : Taylor & Francis Ltd : 9780415349796 : 0415349796 : 23 Sep 2005 : Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new chapters on art and beauty, the performing arts, and modern art, and new sections on Aristotle, Hegel and Nietzsche. Minimize

The premise of this book is that artists use their art to t ... Read more

The premise of this book is that artists use their art to think about their experience; it gives them a language in which to work out a way of existing in the world. So the front and back of the cover are illustrated with some of the great artists featured in the book doing their work.   FRONT COVER: 1. Yoko Ono in the first performance of Cut Piece, Yamaichi Hall, Kyoto, 1964 photo courtesy Lenono Photo Archive © Yoko Ono 2. Ann Hamilton wearing her 1984 # 13: Toothpick Suitchair photo courtesy Ann Hamilton Studio 3. Josef Beuys lecturing with a blackboard, New York, 1974 photo photo by Peter Moore © Estate of Peter Moore/ VAGA, New York 4. Ilya Kabakov performing The Walk with Ilya Kabakov , Moscow, circa 1980 photo © Yuri Rost 5. Christo and Jeanne-Claude talking to workers at The Gates assembly plant in Queens, N.Y., February 2005 photo Wolfgang Volz 6. Jackson Pollock painting, East Hampton, N.Y., 1950 © The Pollock-Krasner Foundation ARS, NY and DACS, London 2010 , photo by Hans Namuth. Courtesy Center for Creative Photography, The University of Arizona. Photograph © Hans Namuth Estate   SPINE: 7 Cai Guo-Qiang in The Century with Mushroom Clouds–Projects for the 20th Century , 1996 Photograph by Hiro Ihara, courtesy of the artist   BACK COVER: 8. Roxy Paine welding Conjoined , Madison Park, N.Y.C., 2007 photo © Sofia M. Paine 9. Louise Bourgeois at home working on her mixed media sculpture Confrontation , New York, 1982 photo Inge Morath, courtesy Louise Bourgeois Studio/© Louise Bourgeois. DACS, London/VAGA, New York 2010 10. Andy Warhol during the filming of Lupe Velez (portrayed by Edie Sedgwick) in the home of Panna Grady at the Dakota apartment building, New York, 1965 photo © Nat Finkelstein 11. Kerry James Marshall drawing, Chicago, 2009 photo by J. Fineberg 12. David Smith welding, Bolton Landing, 1952 photo © John Stewart 13. Robert Arneson, modeling a self portrait, Benicia, California, 1978 Photo courtesy and © estate of Robert Arneson/DACS, London/VAGA, New York 2010 Minimize

From Sidney Poitier and Billie Holiday to Halle Berry and T ... Read more

From Sidney Poitier and Billie Holiday to Halle Berry and Tupac Shakur, Afrrican Americans in the Performing Arts, Revised Edition profiles African-American actors, dancers, singers, musicians, composers, and choreographers from the early years of American entertainment until the present day. Each entry provides a biographical profile, concentrating on the events in that person's life related to his or her accomplishments in the performing arts, as well as a list of further reading. A general bibliography and subject indexes complete this fascinating title. This revised volume in the A to Z of African Americans set offers a wealth of useful information for students, general readers, and lovers of the performing arts. Minimize

The entertainment world lost several legendary stars and a ... Read more

The entertainment world lost several legendary stars and a host of other men and women involved in the performing arts in 2011. Notables who died include Andy Rooney, Emmy Award winning 60 Minutes commentator; Smokin' Joe Frazier, heavyweight boxing champion; rapper Heavy D; Jane Russell, Hollywood pin-up of 1940s and '50s; and movie legend Elizabeth Taylor. Obituaries of these and other performers and filmmakers, musicians and producers, dancers and composers, writers and others associated with the performing arts who died in 2011 can be found in this comprehensive reference work. For each, the date, place, and cause of death are provided, along with a career recap. Filmographies are given for film and television performers, and many photographs are included. Books in this annual series are available dating to 1994, and a subscription plan is available for future issues. Minimize

Management strategies that really work—from more than 100 l ... Read more

Management strategies that really work—from more than 100 leading managers!Do you know what it takes to manage a performing arts organization today? In this comprehensive volume, more than 100 managers of top nonprofit and commercial venues share their winning strategies.* Financial management, building a funding base, labor relations, much more* Explores the realities of running a performing arts organization todayFrom theater to classical music, from opera to dance, every type of organization is included, with information on how each one is structured, key managerial figures, its best-practices for financial management, how it handles labor relations, and more. Kennedy Center, the Brooklyn Academy of Music, Lincoln Center, the Mark Morris Dance Company, the New Victory Theater, the Roundabout Theater, the Guthrie Theater, Steppenwolf Theater Company, and many other top groups are represented. Learn to manage a performing arts group successfully in today’s rapidly changing cultural environment with Performing Arts Management. Minimize

Among 2010's many notable losses in the performing arts are ... Read more

Among 2010's many notable losses in the performing arts are actors Tony Curtis, Dennis Hopper, Gary Coleman and Peter Graves, rock star Ronnie James Dio, and television personality, actor and athlete Don Meredith. Obituaries of these and other performers and filmmakers, musicians and producers, dancers and composers, writers and others associated with the performing arts who died in 2010 can be found in this comprehensive reference work. For each, the date, place, and cause of death are provided, along with a career recap. Filmographies are given for film and television performers, and photographs of many of the individuals are included. Individual books in this annual series are available dating back to 1994. A subscription plan is available for future issues. Minimize

This book explores the organization of creative industries, ... Read more

This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred. To assemble, distribute, and store creative products, business firms are organized, some employing creative personnel on long-term contracts, others dealing with them as outside contractors; agents emerge as intermediaries, negotiating contracts and matching creative talents with employers. Firms in creative industries are either small-scale pickers that concentrate on the selection and development of new creative talents or large-scale promoters that undertake the packaging and widespread distribution of established creative goods. In some activities, such as the performing arts, creative ventures facing high fixed costs turn to nonprofit firms. To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate. However different their superficial organization and aesthetic properties, whether high or low in cultural ranking, creative industries share the same underlying organizational logic. (20010504) Minimize

Since the 1960s, visual art practices--from body art to min ... Read more

Since the 1960s, visual art practices--from body art to minimalism--have taken contemporary art outside the museum and gallery by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. Such practices prompt us to reassess our ways of contructing meaning from art, making us receptive to the element of performance both in the processes of art production, and in the act of interpretation itself. Performing the Body/Performing the Text explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. This collection undertakes two parallel projects: exploring art practices which perform the subject, and examining ways in which modes of performativity in contemporary art offers new models for interpreting artworks. Demonstrating how modernist art criticism attempts to fix the work with more stable sets of aesthetic meanings, the contributors argue that interpretation needs to be recognised asm Minimize

ISBN13: 9780935640564. ISBN10: 0935640568. by Merce Cunning ... Read more

ISBN13: 9780935640564. ISBN10: 0935640568. by Merce Cunningham, Meredith Monk and Bill T. Jones. Published by Walker Art Center. Edition: 98 Minimize

With specific spatial and acoustic demands, the spaces and ... Read more

With specific spatial and acoustic demands, the spaces and facilities used for the performing arts present a concrete set of challenges for the architect that must also be packaged in a unique building design. Thirteen architectural projects that have suc Minimize

From David Blaine’s death-defying feats of will to Harry Po ... Read more

From David Blaine’s death-defying feats of will to Harry Potter’s boarding-school victories against evil forces, the darker side of magic and its performance clearly strikes a cultural nerve. The conjuror’s act of bringing the impossible into being and summoning both the grotesque and marvelous with a sudden gesture challenges spectators’ assumptions of reality and fantasy. Performing Dark Arts explores the paradox of the conjuror and the broader cultural implications of magic’s assault on human perception.Michael Mangan illuminates the history of the conjuring arts and tests the boundaries of theatrical scholarship by analyzing magic acts alongside more conventional dramatic forms. This bracingly original volume discusses the performances of individual magicians and public reception of their acts and locates the mysterious cultural significance of the dark arts and those who practice them. Shining a light on the grey area between acting and being, perception and reality, Performing Dark Arts is a book that will open your mind to the possibilities of magic. “If you want to learn about the one trick that all good conjurers have up their sleeve, the oldest in the book—here it is, rehearsed across the centuries. It is to make sure that whichever cup the audience looks under—mere chicanery or actual sorcery—the ball is not there.”—Mark Stafford, Times (UK) “Conjurors as performers have always had a special niche in exploiting the marvelous or the uncanny and trading upon our hope or fantasy that some real magic may be at work. Mangan’s delightful book shows that they will always be able to do so.”—Rob Hardy, Commercial Dispatch “This is an erudite book which wears its scholarship lightly and is a pleasure to read. Complex theoretical frameworks are introduced in ways that will make them accessible to the general reader, and the book's argument opens up new implications and applications for the study of magic as performance. . . . I was genuinely surprised and delighted with many of Mangan's observations.”—Roberta Mock, University of Plymouth, United Kingdom         (20070714) Minimize

This Building Type Basics book provides an accessible guide ... Read more

This Building Type Basics book provides an accessible guide to the essentials of designing these specialized environments—including the underlying issues of financing, feasibility, and the diverse roles of the design and construction team, sponsor, banks, impresario, and manager. Complete with a wealth of descriptive floor plans, diagrams, photographs, and case studies, it features need-to-know information on design including such technical topics as lighting, acoustics, and materials. Minimize

This book explores the new performativity in art theory and ... Read more

This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art. Minimize

From David Blaine’s death-defying feats of will to Harry Po ... Read more

From David Blaine’s death-defying feats of will to Harry Potter’s boarding-school victories against evil forces, the darker side of magic and its performance clearly strikes a cultural nerve. The conjuror’s act of bringing the impossible into being and summoning both the grotesque and marvelous with a sudden gesture challenges spectators’ assumptions of reality and fantasy. Performing Dark Arts explores the paradox of the conjuror and the broader cultural implications of magic’s assault on human perception.Michael Mangan illuminates the history of the conjuring arts and tests the boundaries of theatrical scholarship by analyzing magic acts alongside more conventional dramatic forms. This bracingly original volume discusses the performances of individual magicians and public reception of their acts and locates the mysterious cultural significance of the dark arts and those who practice them. Shining a light on the grey area between acting and being, perception and reality, Performing Dark Arts is a book that will open your mind to the possibilities of magic. “If you want to learn about the one trick that all good conjurers have up their sleeve, the oldest in the book—here it is, rehearsed across the centuries. It is to make sure that whichever cup the audience looks under—mere chicanery or actual sorcery—the ball is not there.”—Mark Stafford, Times (UK) “Conjurors as performers have always had a special niche in exploiting the marvelous or the uncanny and trading upon our hope or fantasy that some real magic may be at work. Mangan’s delightful book shows that they will always be able to do so.”—Rob Hardy, Commercial Dispatch “This is an erudite book which wears its scholarship lightly and is a pleasure to read. Complex theoretical frameworks are introduced in ways that will make them accessible to the general reader, and the book's argument opens up new implications and applications for the study of magic as performance. . . . I was genuinely surprised and delighted with many of Mangan's observations.”—Roberta Mock, University of Plymouth, United Kingdom         (20070714) Minimize

Store Search search Title, ISBN and Author Carnival Art, Cu ... Read more

Store Search search Title, ISBN and Author Carnival Art, Culture and Politics: Performing Life Estimated delivery 3-12 business days Format Hardcover Condition Brand New Drawing on rich insights from cultural, post-structural and postcolonial studies, this book demands that we rethink Carnival and the carnivalesque as not just celebratory moments or even as critical subtext, but also as insightful performatives of social life anywhere, given the entangled times and spaces of these performances. Minimize

Many arts organizations today find themselves in financial ... Read more

Many arts organizations today find themselves in financial difficulties because of economic constraints inherent in the industry. While other companies can improve productivity through the use of new technologies or better systems, these approaches are not available in the arts. Hamlet requires the same number of performers today as it did in Shakespeare's time. The New York Philharmonic requires the same number of musicians now as it did when Tchaikovsky conducted it over one hundred years ago. Costs go up, but the size of theaters and the price resistance of patrons limit what can be earned from ticket sales. Therefore, the performing arts industry faces a severe gap between earnings and expenses. Typical approaches to closing the gap--raising ticket prices or cutting artistic or marketing expenses--don't work.What, then, does it take to create and maintain a healthy arts organization?Michael M. Kaiser has revived four major arts organizations: the Kansas City Ballet, the Alvin Ailey America Minimize

Awakening the Performing Body is an exemplary work of pract ... Read more

Awakening the Performing Body is an exemplary work of practice-based research presented in a pedagogical format. This text is clearly laid out for any acting teacher who wishes to pursue a more spiritual approach to acting and participate in the goal of reclaiming the sacred in theatre - or indeed for any acting teacher who seeks a more body centered and imaginative approach to character and actor-audience connections. This book is a crucial contribution to acting pedagogy. Per K. Brask, University of Winnipeg, Canada Here at last, is a deep, probing and totally fascinating inquiry into the palpable yet unseen forces at work and at play in the theatre. McCutcheon, flaming torch in hand, has entered the mysterious dark cavern where one knows there's a magic exchange. AWAKENING is an awakening - to link mind, body and spirit - to holistically mine acting education where the WHOLE person is engaged, so that magic we long for and crave, becomes something you can actually set out to entice into the light - not something one hopes might appear if we are lucky. An extraordinary work. Dean Carey, Artistic Director/Founder, Actors Centre Australia Minimize

Why are some organizations more creative than others? What ... Read more

Why are some organizations more creative than others? What sets innovative, high-performing organizations apart? Can creativity and innovation be learned and enhanced? The answer to the last question, say creativity experts Nancy Napier and Mikael Nilsson, is a resounding yes. And with general consensus that creativity and innovation drive business growth, fostering creativity couldn't be more important. In The Creative Discipline, Napier and Nilsson illustrate six key factors that power creative, high-achieving organizations, and they provide managers with guidelines for incorporating those factors into their own companies. Business people will learn how innovative organizations get superior results from employees not just through disciplined methods of thinking, but also through free-flowing work spaces and work practices that help supercharge the imagination.Combining research on creative organizations in several sectors, this book argues that innovative organizations known for doing things differently (and profitably) approach creativity and innovation in similar, disciplined ways, regardless of industry or field. That discipline fosters new ideas, solutions, and approaches, and it ensures that the flow of creativity is constant. The Creative Discipline demonstrates that: -Innovative, high-performing organizations have three disciplines in common: (1) within discipline mastery, (2) out of discipline thinking, and (3) a disciplined process that leads to innovation. -Innovative organizations also have three factors that strengthen the creative disciplines: faces (creative entrepreneurs, leaders, and teams); places (the physical and organizational infrastructure that is reflected in offices, buildings, and location); and traces (elements that act as catalysts for creativity—the culture, networks, and policies that support creative and innovative endeavors). The book explains each factor for creative success in detail. Best, Napier and Nilsson show creativity and innovation at work in a range of sectors from sports to software to theater and contemporary circus. They also show how innovative practices in developed countries like the U.S. and Sweden compare to those in developing countries like Vietnam. Companies can learn to innovate and in the process reap benefits like higher sales and profits, greater productivity—while regaining a valuable element missing in so many workplaces: fun. Minimize

This Building Type Basics book provides an accessible guide ... Read more

This Building Type Basics book provides an accessible guide to the essentials of designing these specialized environments—including the underlying issues of financing, feasibility, and the diverse roles of the design and construction team, sponsor, banks, impresario, and manager. Complete with a wealth of descriptive floor plans, diagrams, photographs, and case studies, it features need-to-know information on design including such technical topics as lighting, acoustics, and materials. Minimize