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Still, we have the same solitude, the same journeys and sea ... Read more

Still, we have the same solitude, the same journeys and searching, and the same favorite turns in the labyrinth of literature and history."-Boris Pasternak to Marina Tsvetaeva One of the most compelling episodes of twentieth-century Russian literature involves the epistolary romance that blossomed between the modernist poets Marina Tsvetaeva and Boris Pasternak in the 1920s. Only weeks after Tsvetaeva emigrated from Russia in 1922, Pasternak discovered her poetry and sent her a letter of praise and admiration. Tsvetaeva's enthusiastic response began a decade-long affair, conducted entirely through letters. This correspondence-written across the widening divide separating Soviet Russia from Russian émigrés in continental Europe-offers a view into the overlapping worlds of literary creativity, sexual identity, and political affiliation. Following both sides of their conversation, Catherine Ciepiela charts the poets' changing relations to each other, to the extraordinary political events of the period, and to literature itself. The Same Solitude presents the first full account of this affair of letters and poems from its beginning in the summer of 1922 to its denouement in the 1930s. Drawing on many previously untranslated letters and poems, Ciepiela describes the poets' mutual influence, both in the course of their lives and the development of their art. Neither poet saw any separation between a poet's life and work, and Ciepiela treats each poet's letters and poems as a single text. She discusses the poets' famous triangular correspondence with Rainer Maria Rilke in 1926, and she addresses the profound significance of Tsvetaeva for Pasternak, who is often perceived (mistakenly, Ciepiela asserts) as the more detached partner. Further, this book expands our understanding of poetic modernism by showing how the poets worked through ideas about gender and writing in the context of what they themselves called a literary "marriage. Minimize

Free Worldwide Delivery : Doctor Zhivago : Hardback : VINTA ... Read more

Free Worldwide Delivery : Doctor Zhivago : Hardback : VINTAGE : 9781846553790 : 1846553792 : 14 Oct 2010 : Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Yuri Zhivago finds himself instead embroiled in the battle between the Whites and the Reds, and in love with the tender and beautiful nurse Lara. Minimize

Ukrainian photographer Boris Mikhailov has become famous fo ... Read more

Ukrainian photographer Boris Mikhailov has become famous for using the social documentary style to reveal the plight of marginalized communities, particularly as they have been dispersed in the wake of the dissolution of the Soviet Union: in his 1998 Case History series, for example, Mikhailov examined the lives of the homeless population in Kharkov, in the Ukraine. Mikhailov broaches entirely new territory with this substantial volume, a dynamic portrayal of a group of actors and non-actors in the German city of Braunschweig (Brunswick), all of whom were auditioning for roles in the Aeschylus play, The Persians. The play was produced as an allegory of war and a young democracy, with members of the public taking the role of the chorus, creating a contemporary resonance that Mikhailov was immediately drawn to. The photographer became a part of the production process, and his record of the occasion is divided across three chapters: "Shooting," "Bus Stop" and "Home Theater." He writes of his process: "My former slapdash Soviet methodologies united with German reality have helped me, I believe, to manifest something new. Perhaps something very small and simple but in some way very pure." Beyond this record of a social collaboration and a singular community, Mikhailov has made a moving portrait that addresses the future of Germany. Minimize

This selection of Boris Pasternak’s correspondence with his ... Read more

This selection of Boris Pasternak’s correspondence with his parents and sisters from 1921 to 1960 sheds new and revealing light on the great writer's life and work.  His letters are accomplished literary works in their own right, on a par with his poetry in their intensity, frankness, and dazzling stylistic play. In addition, they offer a rare glimpse into his innermost self, significantly complementing the insights obtained from his work.  Those glimpses are especially poignant in that after 1923 Pasternak was never to see his parents again.The collection reflects the events of Pasternak's life during forty turbulent years. His father was a distinguished painter and his mother, a concert pianist; his admiration for them colors the entire correspondence. But other topics also find a place: descriptions of his life under the harsh Soviet regime, reflections on his work, on his meetings with famous contemporaries, and on current events, including arrests and executions. In particular, the dramatic happenings of 1956–1960—the publication of Doctor Zhivago, being awarded the Nobel Prize, and the international political storm that followed—weighed heavily on Pasternak and his family. As an evocation of his times, his letters are as powerful as his literary works, with their intimate biographical detail, emotional honesty and—despite the tightening censorship—the openness and candor of their revelations. Minimize

Pages: 211, Hardcover, University of South Carolina Press

Isaiah Berlins response to the Soviet Union was central to ... Read more

Isaiah Berlins response to the Soviet Union was central to his identity, both personally and intellectually. Born a Russian subject in Riga in 1909, he spoke Russian as a child and witnessed both revolutions in St. Petersburg in 1917, emigrating to the West in 1921. He first returned to Russia in 1945, when he met the writers Anna Akhmatova and Boris Pasternak. These formative encounters helped shape his later work, especially his defense of political freedom and his studies of pre-Soviet Russian thinkers. Never before collected, Berlins writings about the USSR include his accounts of his famous meetings with Russian writers shortly after the Second World War; the celebrated 1945 Foreign Office memorandum on the state of the arts under Stalin; his account of Stalins manipulative artificial dialectic; portraits of Osip Mandelshtam and Boris Pasternak; his survey of Soviet Russian culture written after a visit in 1956; a postscript stimulated by the events of 1989; and more. This collection includes essays that have never been published before, as well as works that are not widely known because they were published under pseudonyms to protect relatives living in Russia. The contents of this book were discussed at a seminar in Oxford in 2003, held under the auspices of the Brookings Institution. Berlins editor, Henry Hardy, had prepared the essays for collective publication and here recounts their history. In his foreword, Brookings president Strobe Talbott, an expert on the Soviet Union, relates the essays to Berlins other work. The Soviet Mind will assume its rightful place among Berlins works and will prove invaluable for policymakers, students, and those interested in Russian politics, past, present and future. Minimize

The beginning of Robert Ferguson's introduction is arrestin ... Read more

The beginning of Robert Ferguson's introduction is arresting. 'If they've heard of him at all, people tend to know two things about Knut Hamsun: that he wrote "Hunger", and that he met Hitler. Those who know a little more know that in "Hunger", "Mysteries" and "Pan", he produced novels that have had a decisive effect on European and American literature of the twentieth century. Ernest Hemingway tried to write like him; so did Henry Miller, who called him 'the Dickens of my generation'; 'never has the Nobel Prize been awarded to one worthier of it'. Thomas Mann wrote in 1929. Hermann Hesse called him 'my favourite author'. Russian writers like Andre Bely and Boris Pasternak read him keenly in their youth, and Andre Gide thought him arguable superior to Dostoevsky. They all read him - Kafka, Brecht, Gorky, Wells, and Musil. Rebecca West described him as the possessor of 'qualities that belong to the very great - the completest omniscience about human nature'. And Isaac Bashevis Singer stated that Hamsun was quite simply 'the father of the modern school of literature in his every aspect - his subjectiveness, his fragmentariness, his use of flashbacks, his lyricism'. Singer, in his foreword to "Hunger", goes on to say that 'The whole modern school of fiction in the twentieth century stems from Hamsun'. Yet in discussions of the history of modern literature, Hamsun's name is rarely mentioned. His reputation, which probably reached its height around 1929 with the world celebrations of his seventieth birthday, was in ruins by the end of the Second World War. Alone among the major European writers, he had supported Hitler. Brazenly alone, he had hailed he rise and bemoaned the fall of the epitome of spiritual tyranny in recent history'. What a subject, and in this, the first biography, Robert Ferguson brilliantly gets the measure of this awkward, paradoxical writer, or, as he calls him 'a multiple paradox, a living riddle; a human question-mark'. '"Enigma" is scholarly, very readable, warm, intelligent, shrewd, refreshingly unpretentious, invaluable, essential. A magnificent achievement' - Martin Seymour-Smith, "Washington Post". '"Enigma" is simply a pleasure to read. When Ferguson writes of the demonic muse that haunted Hamsun throughout his life, we glimpse something profound about the creative act of writing, and we come very close to the exalted emotion that every writer feels - or hopes to feel. Indeed, the highest praise that can be bestowed on Ferguson's work is to declare that "Enigma" is one of the most moving, inspiring and exciting books on the subject of writing that I have ever encountered' - Jonathan Kirsch, "Los Angeles Times". 'Robert Ferguson's is the first full length English biography of Knut Hamsun and no one could have done a more expert job' - John Carey, "Sunday Times". Minimize

Envy is the first work on that important ingredient of huma ... Read more

Envy is the first work on that important ingredient of human experience since Melanie Klein's book in 1957. Yet envy has long been identified as the critical element in the negative therapeutic reaction and accounts for at least some of the difficulty in engaging the hard-to-reach. But what exactly is it that the haves have that the have-nots envy? The breast, the penis, generativity, wealth, position, power? After studying the individual qua individual and as a member of a group and community, Harold Boris reached the conclusion that there is something even more fundamental than these - that the basis of envy is life itself. Taking off from this thesis as presented in his previous books, Passions of the Mind and Sleights of Mind, Boris shows that to be living and to grow up, marry, mate and reproduce, can be almost entirely separate from feeling that one truly has the right to do so. There are those who feel authentic and meant to be and they flourish, and there are those who feel that their life and success is an imposture. The former feel alive, the latter hollowed out with dread and culpability. It is as if there is a right that some have and some don't: those who have it - or seem to - are envied by those who don't. Though therapy can help an envious person get better, it also carries the risk of such an increase in self-envy as to bring the treatment to a screeching halt, or worse. Boris shows how at least some of the panic resulting from the self-envy that can bring therapy to an impasse or a disaster can be averted by a careful restructuring of the therapeutic relationship. Minimize

Set in a world of luxury and power, this is the story of tw ... Read more

Set in a world of luxury and power, this is the story of two remarkable women and a friendship that changed both their lives forever. For more than two decades, Mariana Pasternak and Martha Stewart were nearly inseparable. They first met over a garden gate in Westport, Connecticut, two suburban wives wedded to successful men but with grand aspirations of their own. Their bond only deepened after their marriages ended in divorce. Struggling as a single mother, but drawn into a seductive world of privilege and adventure, Pasternak watched with admiration as her friend built an empire that would make her one of the richest women in America. A European ÉmigrÉ with sophisticated tastes, Pasternak helped to smooth Stewart's rough edges, while Stewart drew Pasternak into a rarefied world, where together they navigated the sometimes hilarious and often difficult challenges of being single. The depth of their friendship not only benefited them both but also influenced how they defined themselves, through good times and bad. Friendship between women is never simple and this one was no exception. With Stewart's newfound success and Pasternak's zest for adventure, the two women's friendship was based on their mutual quest for wonder and discovery. They rode horses through the desert dunes of Egypt, hiked the winding Inca Trail to the mysterious Machu Picchu, paddled at night in dugout canoes through the Amazonian jungle. They toasted the good life with thin-stemmed champagne glasses and sipped “jade dew" green tea in Martha's Turkey Hill kitchen. This was no ordinary life. As time passed, money, men, and the arrogance of wealth frayed the bonds they had built so carefully over more than twenty years. The final break came when Pasternak was called as a witness in the high-profile trial that brought about Stewart's conviction and prison sentence. Pasternak's deeply personal memoir tells the story of their friendship with honesty and candor, reflecting on the power of such intense relationships to change our lives, and the devastating aftermath when those relationships end. Minimize

Even after his death in April 2007, Boris Yeltsin remains t ... Read more

Even after his death in April 2007, Boris Yeltsin remains the most controversial figure in recent Russian history. Although Mikhail Gorbachev presided over the decline of the Communist party and the withdrawal of Soviet control over eastern Europe, it was Yeltsin-Russia’s first elected president-who buried the Soviet Union itself. Upon taking office, Yeltsin quickly embarked on a sweeping makeover of newly democratic Russia, beginning with a program of excruciatingly painful market reforms that earned him wide acclaim in the West and deep recrimination from many Russian citizens. In this, the first biography of Yeltsin’s entire life, Soviet scholar Timothy Colton traces Yeltsin’s development from a peasant boy in the Urals to a Communist party apparatchik, and then ultimately to a nemesis of the Soviet order. Based on unprecedented interviews with Yeltsin himself as well as scores of other Soviet officials, journalists, and businessmen, Colton explains how and why Yeltsin broke with single-party rule and launched his drive to replace it with democracy. Yeltsin’s colossal attempt to bring democracy to Russia remains one of the great, unfinished stories of our time. As anti-Western policies and rhetoric resurface in Putin’s increasingly bellicose Russia, Yeltsin offers essential insights into the past, present, and future of this vast and troubled nation. Minimize

Ukrainian photographer Boris Mikhailov has become famous fo ... Read more

Ukrainian photographer Boris Mikhailov has become famous for using the social documentary style to reveal the plight of marginalized communities, particularly as they have been dispersed in the wake of the dissolution of the Soviet Union: in his 1998 Case History series, for example, Mikhailov examined the lives of the homeless population in Kharkov, in the Ukraine. Mikhailov broaches entirely new territory with this substantial volume, a dynamic portrayal of a group of actors and non-actors in the German city of Braunschweig (Brunswick), all of whom were auditioning for roles in the Aeschylus play, The Persians. The play was produced as an allegory of war and a young democracy, with members of the public taking the role of the chorus, creating a contemporary resonance that Mikhailov was immediately drawn to. The photographer became a part of the production process, and his record of the occasion is divided across three chapters: "Shooting," "Bus Stop" and "Home Theater." He writes of his process: "My former slapdash Soviet methodologies united with German reality have helped me, I believe, to manifest something new. Perhaps something very small and simple but in some way very pure." Beyond this record of a social collaboration and a singular community, Mikhailov has made a moving portrait that addresses the future of Germany. Minimize

Children's Play looks at the many facets of play and how it ... Read more

Children's Play looks at the many facets of play and how it develops from infancy through late childhood. Authors W. George Scarlett, Sophie Naudeau, Dorothy Salonius-Pasternak, and Iris Ponte take a broad approach to examining how children play by including a wide variety of types of play, play settings, and play media. The book also discusses major revolutions in the way today’s children play, including changes in organized youth sports, children’s humor, and electronic play. Children's Play addresses diversity throughout the text and explores play on the topics of gender, disabilities, socioeconomic class, and culture.   Minimize

TSAR. Is it possible? An unfrocked monk against us Leads ra ... Read more

TSAR. Is it possible? An unfrocked monk against us Leads rascal troops, a truant friar dares write Threats to us! Then 'tis time to tame the madman! Trubetskoy, set thou forth, and thou Basmanov; My zealous governors need help. Chernigov Already by the rebel is besieged; Rescue the city and citizens. Minimize

Examining the strategies employed by Mikhail Gorbachev and ... Read more

Examining the strategies employed by Mikhail Gorbachev and Boris Yeltsin to build leadership authority, George Breslauer focuses on the power of ideas, as leaders use them to mobilize support and to craft an image as effective problem solvers, indispensable consensus builders, and symbols of national unity. Throughout the book, Breslauer compares Gorbachev and Yeltsin, and Khrushchev and Brezhnev, analyzing the changes in policy, the strategies, and the political dilemmas that are common to all four administrations. He addresses such questions as: Could Yeltsin have pursued a more beneficial path to a market economy, despite Western advisors and actions of the International Monetary Fund? For the chapters about Gorbachev, Breslauer was able to interview former members of the leader's politburo, including those who plotted Gorbachev's overthrow. Interested in how leaders make changes, Breslauer looks at how these leaders justified their actions and outflanked their opponents. Breslauer sheds new light on the end of Soviet communism and Russia's transition to a market economy. George W. Breslauer, is Dean of Social Sciences and Professor at the University of California, Berkeley. He has written and edited ten books about Soviet and post-Soviet politics and foreign policy, including Counterfactual Thought Experiments in World Politics (Princeton University Press, 1996) and Khrushchev and Brezhnev as Leaders (London: Allen and Unwin, 1982). In 1998, he was awarded the Chancellor's Professorship for combining excellence in research, teaching, and university service and was most recently appointed Dean of Social Sciences at Berkeley. Minimize

Children's Play looks at the many facets of play and how it ... Read more

Children's Play looks at the many facets of play and how it develops from infancy through late childhood. Authors W. George Scarlett, Sophie Naudeau, Dorothy Salonius-Pasternak, and Iris Ponte take a broad approach to examining how children play by including a wide variety of types of play, play settings, and play media. The book also discusses major revolutions in the way today’s children play, including changes in organized youth sports, children’s humor, and electronic play. Children's Play addresses diversity throughout the text and explores play on the topics of gender, disabilities, socioeconomic class, and culture.   Minimize

Examining the strategies employed by Mikhail Gorbachev and ... Read more

Examining the strategies employed by Mikhail Gorbachev and Boris Yeltsin to build leadership authority, George Breslauer focuses on the power of ideas, as leaders use them to mobilize support and to craft an image as effective problem solvers, indispensable consensus builders, and symbols of national unity. Throughout the book, Breslauer compares Gorbachev and Yeltsin, and Khrushchev and Brezhnev, analyzing the changes in policy, the strategies, and the political dilemmas that are common to all four administrations. He addresses such questions as: Could Yeltsin have pursued a more beneficial path to a market economy, despite Western advisors and actions of the International Monetary Fund? For the chapters about Gorbachev, Breslauer was able to interview former members of the leader's politburo, including those who plotted Gorbachev's overthrow. Interested in how leaders make changes, Breslauer looks at how these leaders justified their actions and outflanked their opponents. Breslauer sheds new light on the end of Soviet communism and Russia's transition to a market economy. George W. Breslauer, is Dean of Social Sciences and Professor at the University of California, Berkeley. He has written and edited ten books about Soviet and post-Soviet politics and foreign policy, including Counterfactual Thought Experiments in World Politics (Princeton University Press, 1996) and Khrushchev and Brezhnev as Leaders (London: Allen and Unwin, 1982). In 1998, he was awarded the Chancellor's Professorship for combining excellence in research, teaching, and university service and was most recently appointed Dean of Social Sciences at Berkeley. Minimize

In the southern Ukrainian town where Boris Mikhailov's fath ... Read more

In the southern Ukrainian town where Boris Mikhailov's father was born, a factory spills untreated water directly out into the open sea. Believing these waters to have healing powers, the local people enjoy swimming in it. All year round, families gather on the shore; onlookers might be reminded of a Russian Baden-Baden. Mikhailov shot the filmic, black and white sequence of Salt Lake in 1986, capturing a Russian bohemia of uncanny, eerie proportions and muted light. Scene upon strangely timeless scene sees rough, stocky men and thick, bikini-clad women, their hair tied up in scarves, all bathing naturally on a sea shore crowded with smokestacks, brick warehouses and industrial-size pipes that lead right out into the water, like a dock. The book itself was designed by the artist using Russian paper and binding materials, and is printed in a limited edition. Minimize

Boris Kralj's photography manifests everything that makes B ... Read more

Boris Kralj's photography manifests everything that makes Belgrade so appealing, so morbidly fascinating and so dense, built upon countless layers of histories and ideologies. Twenty years after the breakout of the Yugoslav Wars, this is the evidence of one man's impulse to document the remaining fragments of the Yugoslav idea in the Serbian capital. It is a nostalgic project that is done with an earnestness and a naivety of which only someone who has never lived there could be capable. Boris Kralj has Yugoslav parents but was brought up in Germany; he attended Yugoslav school once a week, went with his parents on weekends to the Yugoslav club, followed by dinner at the local Yugoslav restaurant in his hometown. Summer holidays were spent with relatives back in Yugoslavia, but the poison of nationalism and the horrors of war in the 1990s changed everything: suddenly, his father and friends became Croats, his relatives Slovenes, acquaintances Bosnians and Belgrade an international pariah. The apparent nostalgia of this project is not reactionary, however. It responds to a more progressive idea of a Yugoslav multiculturalism, all the while resisting any idealization of the past. It is a documentary effort that capitulates to big statements - an approach that would seem made for a region that bears so many traces of the propagandas of the past. Minimize

For the acclaimed photographer Boris Mikhailov (born 1938), ... Read more

For the acclaimed photographer Boris Mikhailov (born 1938), a society's most significant paradigm shifts are often most clearly perceived in the smallest of everyday transactions. For example, in a café or restaurant in the Soviet-era Ukraine, a waiter would have offered you "tea or coffee?" Today, two decades after the fall of the Soviet bloc and the ascent of western capitalism, it's "tea, coffee, cappuccino?" In his latest body of work, Mikhailov addresses this shift by focusing on his hometown of Charkow, in the north east of the Ukraine. Here, the consumerist invasion of western capitalism is everywhere apparent in huge, colorful advertising banners and billboards, but the promises of the so-called Orange Revolution seem to have been fulfilled for only a few. Mikhailov writes that "only when one sees misery in a picture, does one begin to notice it in the street," and throughout the 200-plus photographs in this volume, he takes pains to neither dramatize nor ameliorate the conditions of life in Charkow; and so his tough-minded pictures present a bleak but rigorously honest portrait of the Ukraine and its inhabitants. Minimize

At a time in Russia's history when poets could be (and some ... Read more

At a time in Russia's history when poets could be (and sometimes were) killed for a poem, the autobiographies of three prominent poets, Osip Mandelstam, Marina Tsvetaeva, and Boris Pasternak, became a courageous defense of poetry. The Most Dangerous Art shows how these autobiographies trace an emotional trajectory that corresponds to the intensity of the social and state pressures that threatened Russian poets from the early 1920s to the late 1950s. During a period when literature became intensely political, and creative freedom became intensely risky, these autobiographies proclaim poetry's immortality and defend the poet's right to individual creativity against an increasingly threatening Soviet literary hierarchy. Donald Loewen provides detailed close readings of these biographies and juxtaposes these readings with historical context. The Most Dangerous Art is an illuminating contribution to the study of Russian literature. The volume is of special interest to researchers of 20th century Russian literature and autobiography. Minimize

Integrating theory and policy throughout, this smart yet ap ... Read more

Integrating theory and policy throughout, this smart yet approachable casebook is distinguished, in part by a tradition of outstanding authorship, begun with original author Boris Bittker of Yale and continuing through fifteen successive editions. Generations of instructors and students have praised Federal Income Taxation for the features that make it extraordinary: problems interspersed among notes and questions a unique introduction that provides historical background and economic analysis where appropriate integrated coverage of theory and policy smart and engaging text an excellent Teacher s Manual The extensively revised Fifteenth edition features: co-author Kirk Stark brings new energy and fresh perspective to a classic new comparative focus inset boxes highlighting other countries approaches to fundamental tax policy design issues new materials on opinion practice and confidence levels for giving professional tax advice designed to teach students how to express varying levels of legal uncertainty expanded discussion of constructive sales under section 1259, including text of legislative history to illustrate unresolved legal issues expanded coverage of taxing low-income households, including new materials on the earned income tax credit, the country s largest income transfer program expanded discussion of state and local taxes to gives students a basic overview of the U.S. system of subnational taxation expanded discussion of state and local taxes to gives students a basic overview of the U.S. system of subnational taxation updated materials on income-splitting including Chief Counsel s ruling on the application of Poe v. Seaborn to same-sex couples new case, Womack v. Commissioner, concerning the tax treatment of a taxpayer s sale of the right to receive lottery payments new commentary on the D.C. Circuit s controversial opinions in Murphy v. United States A classic casebook long trusted and admired by generations of law school students and professors welcomes new co-author Kirk J. Stark, whose contribution will reflect the most current scholarship and pedagogy in the field today.LOOKING FOR ADDITIONAL RESOURCES TO HELP YOU IN FEDERAL INCOME TAXATION? TRY EXAMPLES & EXPLANATIONS: FEDERAL INCOME TAX 6E (9780735599550) AND EMANUEL LAW OUTLINES: BASIC FEDERAL INCOME TAX 2011 EDITION (9780735597754) --TWO OF MANY GREAT STUDY GUIDES FROM WOLTERS KLUWER LAW & BUSINESS. Minimize

At a time in Russia's history when poets could be (and some ... Read more

At a time in Russia's history when poets could be (and sometimes were) killed for a poem, the autobiographies of three prominent poets, Osip Mandelstam, Marina Tsvetaeva, and Boris Pasternak, became a courageous defense of poetry. The Most Dangerous Art shows how these autobiographies trace an emotional trajectory that corresponds to the intensity of the social and state pressures that threatened Russian poets from the early 1920s to the late 1950s. During a period when literature became intensely political, and creative freedom became intensely risky, these autobiographies proclaim poetry's immortality and defend the poet's right to individual creativity against an increasingly threatening Soviet literary hierarchy. Donald Loewen provides detailed close readings of these biographies and juxtaposes these readings with historical context. The Most Dangerous Art is an illuminating contribution to the study of Russian literature. The volume is of special interest to researchers of 20th century Russian literature and autobiography. Minimize

"This anthology brings together essays by 20th-century poet ... Read more

"This anthology brings together essays by 20th-century poets on their own art: some concern themselves with its deep sources and ultimate justifications; others deal with technique, controversies among schools, the experience behind particular poems. The great Modernists of most countries are presented here—Paul Valéry, Federico García Lorca, Boris Pasternak, Fernando Pessoa, Eugenio Montale, Wallace Stevens—as are a range of younger, less eminent figures from the English-speaking world: Seamus Heaney, Denise Levertov, Wendell Berry. . . . The reader will find here a lively debate over the individualistic and the communal ends served by poetry, and over other issues that divide poets: inspiration and craft; the use or the condemnation of science; traditional and 'organic' form."—Alan Williamson, New York Times Book Review Minimize

Seen through the eyes of filmmaker David Teboul—who complet ... Read more

Seen through the eyes of filmmaker David Teboul—who completed a documentary about the artist in 2010—Boris Mikhailov: I’ve Been Here Before offers an overview of Ukrainian photographer Boris Mikhailov’s career. One of the most important artists to have emerged from the former Soviet Union, Mikhailov has for more than thirty years taken photographs that engage with the idea of the individual in the public sphere, as well as the breakup of the Soviet Union and its many human casualties. Extensively illustrated with stills from Teboul’s film, the book also includes transcripts of Mikhailov’s discussions with Teboul, in which he provides insight into both his work and, more generally, the life of an artist in the Soviet Union before and after its fall. This volume brings back into focus Mikhailov’s beautifully crafted and often melancholy body of work which was relatively unknown prior to the Soviet Union’s collapse. Minimize

In the southern Ukrainian town where Boris Mikhailov's fath ... Read more

In the southern Ukrainian town where Boris Mikhailov's father was born, a factory spills untreated water directly out into the open sea. Believing these waters to have healing powers, the local people enjoy swimming in it. All year round, families gather on the shore; onlookers might be reminded of a Russian Baden-Baden. Mikhailov shot the filmic, black and white sequence of Salt Lake in 1986, capturing a Russian bohemia of uncanny, eerie proportions and muted light. Scene upon strangely timeless scene sees rough, stocky men and thick, bikini-clad women, their hair tied up in scarves, all bathing naturally on a sea shore crowded with smokestacks, brick warehouses and industrial-size pipes that lead right out into the water, like a dock. The book itself was designed by the artist using Russian paper and binding materials, and is printed in a limited edition. Minimize

Boris Pasternak’s widely acclaimed novel comes gloriously t ... Read more

Boris Pasternak’s widely acclaimed novel comes gloriously to life in a magnificent new translation by Richard Pevear and Larissa Volokhonsky, the award-winning translators of War and Peace and Anna Karenina, and to whom, The New York Review of Books declared, “the English-speaking world is indebted.” First published in Italy in 1957 amid international controversy—the novel was banned in the Soviet Union until 1988, and Pasternak declined the Nobel Prize a year later under intense pressure from Soviet authorities—Doctor Zhivago is the story of the life and loves of a poet-physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago’s love for the tender and beautiful Lara: pursued, found, and lost again, Lara is the very embodiment of the pain and chaos of those cataclysmic times. Stunningly rendered in the spirit of Pasternak’s original—resurrecting his style, rhythms, voicings, and tone—and including an introduction, textual annotations, and a translators’ note, this edition of Doctor Zhivago is destined to become the definitive English translation of our time. Minimize

California Condors, Boris Karloff as Frankenstein, Japanese ... Read more

California Condors, Boris Karloff as Frankenstein, Japanese horror films and Gordon Matta-Clark are among the many influences that make up the world of Rodarte. In just five short years, Rodarte has upended the fashion scene, bringing Kate and Laura Mulleavy, the designers behind the company, to the forefront of contemporary design and visual culture. Kate and Laura, who live and work between downtown Los Angeles and Pasadena, California, have consistently brought their love of nature, film, art and science to bear upon their unconventional and exquisitely crafted collections. Burning, sanding, dyeing, knitting, twisting, staining and weaving are some of the many complex techniques that have entered into the Rodarte textural vocabulary. Kate and Laura's past collaborations have included artists, actors, musicians and writers such as Miranda July, Autumn de Wilde, Ryan McGinley, Ari Marcopoulos and Darren Aronofsky. Created in collaboration with two of the art world's most sought-after and acclaimed photographers, Catherine Opie and Alec Soth, this is the first publication to examine the world of Rodarte. For the occasion, each photographer has developed an entirely new body of work in collaboration with Kate and Laura Mulleavy, examining the many facets of Rodarte's creative spectrum.Without any formal training in fashion, California-raised sisters Kate and Laura Mulleavy, working as Rodarte, have become the most celebrated American designers at work today. Celebrities such as Kirsten Dunst, Natalie Portman and Charlotte Gainsbourg have all expressed their admiration for the Mulleavys, and Michelle Obama wore Rodarte at the opening ceremony of the 121st IOC session at the Copenhagen Opera House. (20110914) Minimize

Boris Mikhailov is one of the most influential photographer ... Read more

Boris Mikhailov is one of the most influential photographers of the former Soviet Union. Through his superimposed images, Mikhailov has created and extraordinary double world of soviet drudgery juxtaposed with sex and beauty. Previously unpublished due to artistic restrictions imposed during the Communist era. Yesterday's sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society. Minimize