> Books > 19600 media gustave flaubert

With this volume, the University of Chicago Press completes ... Read more

With this volume, the University of Chicago Press completes its translation of a work that is indispensable not only to serious readers of Flaubert but to anyone interested in the last major contribution by one of the twentieth century's greatest thinkers.That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel or biography or "criticism-fiction" which is the summation of Sartre's philosophical, social, and literary thought. In the preface, Sartre writes: "The Family Idiot is the sequel to Search for a Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case."Sartre discusses Flaubert's personal development, his relationship to his family, his decision to become a writer, and the psychosomatic crisis or "conversion" from his father's domination to the freedom of his art. Sartre blends psychoanalysis with a sociological study of the ideology of the period, the crisis in literature, and Flaubert's influence on the future of literature.While Sartre never wrote the final volume he envisioned for this vast project, the existing volumes constitute in themselves a unified work—one that John Sturrock, writing in the Observer, called "a shatteringly fertile, digressive and ruthless interpretation of these few cardinal years in Flaubert's life."A virtuoso perfomance. . . . For all that this book does to make one reconsider his life, The Family Idiot is less a case study of Flaubert than it is a final installment of Sartre's mythology. . . . The translator, Carol Cosman, has acquitted herself brilliantly."—Frederick Brown, New York Review of Books"A splendid translation by Carol Cosman. . . . Sartre called The Family Idiot a 'true novel,' and it does tell a story and eventually reach a shattering climax. The work can be described most simply as a dialectic, which shifts between two seemingly alternative interpretations of Flaubert's destiny: a psychoanalytic one, centered on his family and on his childhood, and a Marxist one, whose guiding themes are the status of the artist in Flaubert's period and the historical and ideological contradictions faced by his social class, the bourgeoisie."—Fredric Jameson, New York Times Book ReviewJean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press. Minimize

Flaubert wrote to his mistress, Louise Colet: "An author in ... Read more

Flaubert wrote to his mistress, Louise Colet: "An author in his book must be like God in the universe, present everywhere and visible nowhere." In his books, Flaubert sought to observe that principle; but in his many impassioned letters he allowed his feelings to overflow, revealing himself in all of his human complexity. Sensuous, witty, exalted, ironic, grave, analytical, the letters illustrate the artist's life--and they trumpet his artistic opinions--in an outpouring of uninhibited eloquence. An acknowledged master of translation, Francis Steegmuller has given us by far the most generous and varied selection of Flaubert's letters in English. He presents these with an engrossing narrative that places them in the context of the writer's life and times. We follow Flaubert through his unhappy years at law school, through his tumultuous affair with Louise Colet; we share his days and nights amid the temples and brothels of Egypt, then on to Palestine, Turkey, Greece, and Rome. And the letters chronicle one of the central events in literary history--the conception and composition of what has been called the first modern novel, Madame Bovary. Steegmuller's selection concludes with Flaubert's standing trial for immoral writing, Madame Bovary's immediate popular success, and Baudelaire's celebration of its psychological and literary power. Throughout this exposition in Flaubert's own words of his views on life, literature, and the passions, readers of his novels will be powerfully reminded of the fertility of his genius, and delighted by his poetic enthusiasm. "Let us sing to Apollo as in ancient days," he wrote to Louise Colet, "and breathe deeply of the fresh cold air of Parnassus; let us strum our guitars and clash our cymbals and whirl like dervishes in the eternal hubbub of forms and ideas!" Flaubert's letters are documents of life and art; lovers of literature and of the literary adventure can rejoice in this edition. Minimize

Gustave Flaubert is probably the most famous novelist of ni ... Read more

Gustave Flaubert is probably the most famous novelist of nineteenth-century France, and his best known work, Madame Bovary, is read in numerous comparative literature and French courses. His fiction set the standard to which other authors turned to learn their craft, and his cult of art and his unrelenting search for stylistic perfection inspired many later writers. This reference is a convenient guide to his life and work. Included are hundreds of alphabetically arranged entries for individual works, major characters, historical persons, themes, critical approaches, and other topics. Each entry is written by an expert contributor and most close with a brief bibliography. Minimize

Seen by many as the culmination of Sartre's thought and pro ... Read more

Seen by many as the culmination of Sartre's thought and project, and viewed by Sartre himself as an attempt to answer the question, "What, at this point in time, can we know about a man?" this monumental work continues to perplex its fascinated critics and admirers, who have argued about its precise nature. However, as reviews of the first volume in this translation agreed, whatever The Family Idiot may be called—"a dialectic" (Fredric Jameson, New York Times Book Review); "biography, philosophy, or politics? Surely . . . all of these together" (Renee Winegarten, Commentary); "a new form of fiction?" (Victor Brombert, Times Literary Supplement); or simply, "mad, of course" (Julian Barnes, London Review of Books)—its prominent place in intellectual history is indisputable.Volume 3 consists of "School Years" and "Preneurosis," which are the second and third books of part 2 of the original French work. In vivid detail, Sartre renders Flaubert's secondary-school experiences and relationships: his part in a student rebellion against the faculty, his teenage infatuation with Romantic literature, his friendships and rivalries with his classmates, and the ironies inherent in the schoolboys' bourgeois existence. Sartre then discusses Flaubert's years at law school, where he studied at his father's insistence. This volume also contains Sartre's most sustained analysis of Madame Bovary. Sartre's approach to his complex subject, whether jaunty or judicious, psychoanalytical or political, is captured in all of its rich variety in Carol Cosman's translation. Minimize

Flaubert wrote to his mistress, Louise Colet: "An author in ... Read more

Flaubert wrote to his mistress, Louise Colet: "An author in his book must be like God in the universe, present everywhere and visible nowhere." In his books, Flaubert sought to observe that principle; but in his many impassioned letters he allowed his feelings to overflow, revealing himself in all of his human complexity. Sensuous, witty, exalted, ironic, grave, analytical, the letters illustrate the artist's life--and they trumpet his artistic opinions--in an outpouring of uninhibited eloquence. An acknowledged master of translation, Francis Steegmuller has given us by far the most generous and varied selection of Flaubert's letters in English. He presents these with an engrossing narrative that places them in the context of the writer's life and times. We follow Flaubert through his unhappy years at law school, through his tumultuous affair with Louise Colet; we share his days and nights amid the temples and brothels of Egypt, then on to Palestine, Turkey, Greece, and Rome. And the letters chronicle one of the central events in literary history--the conception and composition of what has been called the first modern novel, Madame Bovary. Steegmuller's selection concludes with Flaubert's standing trial for immoral writing, Madame Bovary's immediate popular success, and Baudelaire's celebration of its psychological and literary power. Throughout this exposition in Flaubert's own words of his views on life, literature, and the passions, readers of his novels will be powerfully reminded of the fertility of his genius, and delighted by his poetic enthusiasm. "Let us sing to Apollo as in ancient days," he wrote to Louise Colet, "and breathe deeply of the fresh cold air of Parnassus; let us strum our guitars and clash our cymbals and whirl like dervishes in the eternal hubbub of forms and ideas!" Flaubert's letters are documents of life and art; lovers of literature and of the literary adventure can rejoice in this edition. Minimize

Gustave Flaubert is probably the most famous novelist of ni ... Read more

Gustave Flaubert is probably the most famous novelist of nineteenth-century France, and his best known work, Madame Bovary, is read in numerous comparative literature and French courses. His fiction set the standard to which other authors turned to learn their craft, and his cult of art and his unrelenting search for stylistic perfection inspired many later writers, such as Maupassant, Proust, Conrad, Faulkner, and Joyce. His denunciation of materialistic, corrupt society; his fascination with altered states of consciousness; his oscillation between metaphysical longings and a radical nihilism; and his deep-seated mistrust of the adequacy of words themselves anticipate the works of contemporary authors. This reference is a convenient guide to his life and writings.Included in this volume are several hundred alphabetically arranged entries on Flaubert's individual works and major characters; historical persons and events that shaped his life; the themes that run throughout his writings; the critical approaches employed by scholars studying his works; and related topics of interest. Each entry is written by an expert contributor and most close with a brief bibliography. All of his major works are treated at length, and the volume mentions nearly every unpublished project of his that has a title. The book concludes with a selected, general bibliography of major studies. Minimize

Seen by many as the culmination of Sartre's thought and pro ... Read more

Seen by many as the culmination of Sartre's thought and project, and viewed by Sartre himself as an attempt to answer the question, "What, at this point in time, can we know about a man?" this monumental work continues to perplex its fascinated critics and admirers, who have argued about its precise nature. However, as reviews of the first volume in this translation agreed, whatever The Family Idiot may be called—"a dialectic" (Fredric Jameson, New York Times Book Review); "biography, philosophy, or politics? Surely . . . all of these together" (Renee Winegarten, Commentary); "a new form of fiction?" (Victor Brombert, Times Literary Supplement); or simply, "mad, of course" (Julian Barnes, London Review of Books)—its prominent place in intellectual history is indisputable.Volume 4 consists of part three, books one and two, of the original French work. This volume, the fourth in a projected five-volume English-language edition, includes Sartre's discussion of the onset of Flaubert's illness, or neurosis, in 1844, and a significant reading of his L'Education sentimentale.Sartre's approach to his complex subject, whether jaunty or judicious, psychoanalytic or political, is captured in all of its rich variety in Carol Cosman's translation. Minimize

From the highly acclaimed author of Zola: A Life comes the ... Read more

From the highly acclaimed author of Zola: A Life comes the definitive biography of Gustave Flaubert, author of Madame Bovary.Gustave Flaubert (1821-1880), whose Madame Bovary outraged the right-thinking bourgeoisie, is now brought to life as the singular person and artist he was. As Frederick Brown reveals, Flaubert was fraught with contradiction--a sedentary man who took epic voyages through Egypt and the Middle East; a man of genius who could be flamboyantly uncouth, but was fanatically devoted to beautifully cadenced prose. While making much of his camaraderie with male friends, Flaubert depended upon the emotional nurture of maternal women, notably George Sand, with whom he engaged in a justly celebrated correspondence. His assorted mistresses--French, Egyptian, and English--fed both his richly erotic imagination and his fictional characters, and his letters provide a record of them.Flaubert's time and place literally put him on trial for portraying lewd behavior in Madame Bovary. His milieu also made him a celebrity and, indirectly, brought about his financial ruin. Flaubert died suddenly at the age of fifty-nine, and soon afterward, his beloved retreat near Rouen was torn down and converted into a distillery to cover his niece's debts. He privately dreamed of popular success, which he in fact achieved with Madame Bovary, but never sacrificed to it his ideal of artistic integrity. Frederick Brown's magisterial biography honors his subject's life, times, and legacy. Minimize

Serving as a perfect introduction to this well-known French ... Read more

Serving as a perfect introduction to this well-known French writer, Flaubert scholar Meryl Tyers’ work covers the remarkable life of the renowned author of Madame Bovary and A Sentimental Education. Accompanying Memoirs of a Madman and November, both published by Hesperus, this highly informative work explores Flaubert’s fascinating and at times controversial life, examining his works and the circumstances in which they were written and published. This book will make compelling and enlightening reading for anyone with an interest in Flaubert or 19th-century France. Minimize

Gustave Flaubert is probably the most famous novelist of ni ... Read more

Gustave Flaubert is probably the most famous novelist of nineteenth-century France, and his best known work, Madame Bovary, is read in numerous comparative literature and French courses. His fiction set the standard to which other authors turned to learn their craft, and his cult of art and his unrelenting search for stylistic perfection inspired many later writers, such as Maupassant, Proust, Conrad, Faulkner, and Joyce. His denunciation of materialistic, corrupt society; his fascination with altered states of consciousness; his oscillation between metaphysical longings and a radical nihilism; and his deep-seated mistrust of the adequacy of words themselves anticipate the works of contemporary authors. This reference is a convenient guide to his life and writings. Included in this volume are several hundred alphabetically arranged entries on Flaubert's individual works and major characters; historical persons and events that shaped his life; the themes that run throughout his writings; the critical approache Minimize

Although many writers blend autobiography and fiction, few ... Read more

Although many writers blend autobiography and fiction, few have been so forthright in admitting it as Gustave Flaubert. In reference to his legendary novel and protagonist, he wrote: "Madame Bovary, c'est moi." Madame Bovary has become an icon for casual readers and feminists alike, but, as Dacia Maraini argues, she is one of the most problematic, though fascinating, female protagonists in modern literature. In this lively, learned, and very personal study, Maraini explores the profound and contradictory relationship between the writer Flaubert and the character his readers have grown to love.Maraini argues that in their desire to claim Emma Bovary as a standard-bearer of revolt, women have often overlooked the bitter, pitiless way in which Flaubert evokes Emma's insignificance and vulgarity. Searching for Emma guides the reader through Flaubert's novel and many of his letters, seeking out the sources of his obsessive cruelty toward Emma. Maraini relates Flaubert's contempt for Emma to his relationship with his mistress, Louise Colet, to his general terror of women, and to his own self-loathing. It was entirely in spite of himself, Maraini writes, that Flaubert created the female Don Quixote so admired for her restlessness and determination.Searching for Emma offers a novelist's insight into the complex relationship between author and character, and into the deepest motivations of fiction. Minimize

Based on Flaubert's own youthful passion for an older woman ... Read more

Based on Flaubert's own youthful passion for an older woman, Sentimental Education was described by its author as "the moral history of the men of my generation." It follows the amorous adventures of Frederic Moreau, a law student who, returning home to Normandy from Paris, notices Mme Arnoux, a slender, dark woman several years older than himself. It is the beginning of an infatuation that will last a lifetime. He befriends her husband, an influential businessman, and as their paths cross and re-cross over the years, Mme Arnoux remains the constant, unattainable love of Moreau's life. Blending love story, historical authenticity, and satire, Sentimental Education is one of the great French novels of the nineteenth century. Minimize

Seen by many as the culmination of Sartre's thought and pro ... Read more

Seen by many as the culmination of Sartre's thought and project, and viewed by Sartre himself as an attempt to answer the question, "What, at this point in time, can we know about a man?" this monumental work continues to perplex its fascinated critics and admirers, who have argued about its precise nature. However, as reviews of the first volume in this translation agreed, whatever The Family Idiot may be called—"a dialectic" (Fredric Jameson, New York Times Book Review); "biography, philosophy, or politics? Surely . . . all of these together" (Renee Winegarten, Commentary); "a new form of fiction?" (Victor Brombert, Times Literary Supplement); or simply, "mad, of course" (Julian Barnes, London Review of Books)—its prominent place in intellectual history is indisputable.Volume 2, consisting of the first book of part 2 of the original French work, takes the reader through Flaubert's adolescence well into his evolution as an artist. Sartre's approach to his complex subject, whether jaunty or ponderous, psychoanalytical or political, is captured in all of its rich variety of Carol Cosman's translation. Minimize

From the highly acclaimed author of Zola: A Life comes the ... Read more

From the highly acclaimed author of Zola: A Life comes the definitive biography of Gustave Flaubert, author of Madame Bovary.Gustave Flaubert (1821-1880), whose Madame Bovary outraged the right-thinking bourgeoisie, is now brought to life as the singular person and artist he was. As Frederick Brown reveals, Flaubert was fraught with contradiction--a sedentary man who took epic voyages through Egypt and the Middle East; a man of genius who could be flamboyantly uncouth, but was fanatically devoted to beautifully cadenced prose. While making much of his camaraderie with male friends, Flaubert depended upon the emotional nurture of maternal women, notably George Sand, with whom he engaged in a justly celebrated correspondence. His assorted mistresses--French, Egyptian, and English--fed both his richly erotic imagination and his fictional characters, and his letters provide a record of them.Flaubert's time and place literally put him on trial for portraying lewd behavior in Madame Bovary. His milieu also made him a celebrity and, indirectly, brought about his financial ruin. Flaubert died suddenly at the age of fifty-nine, and soon afterward, his beloved retreat near Rouen was torn down and converted into a distillery to cover his niece's debts. He privately dreamed of popular success, which he in fact achieved with Madame Bovary, but never sacrificed to it his ideal of artistic integrity. Frederick Brown's magisterial biography honors his subject's life, times, and legacy. Minimize

Store Search search Title, ISBN and Author Best Known Works ... Read more

Store Search search Title, ISBN and Author Best Known Works of Gustave Flaubert (1904) by Gustave Flaubert Estimated delivery 3-12 business days Format Paperback Condition Brand New Details ISBN 1104623412 ISBN-13 9781104623418 Title Best Known Works of Gustave Flaubert (1904) Author Gustave Flaubert Format Paperback Pages 662 Publisher Kessinger Publishing Dimensions 6 in. x 1.4 in. x 9 in. About Us Grand Eagle Retail is the ideal place for all your reading and entertainment needs! With fast s Minimize

The start of the most ambitious editorial project in Dalkey ... Read more

The start of the most ambitious editorial project in Dalkey Archive’s history.Historically, English-language readers have been great fans of European literature, and names like Franz Kafka, Gustave Flaubert, and Thomas Mann are so familiar we hardly think of them as foreign at all. What those writers brought to English-language literature was a wide variety of new ideas, styles, and ways of seeing the world. Yet times have changed, and how much do we even know about the richly diverse literature being written in Europe today? Best European Fiction 2010 is the inaugural installment of what will become an annual anthology of stories from across Europe. Edited by acclaimed Bosnian novelist and MacArthur “Genius-Award” winner Aleksandar Hemon, and with dozens of editorial, media, and programming partners in the U.S., UK, and Europe, the Best European Fiction series will be a window onto what’s happening right now in literary scenes throughout Europe, where the next Kafka, Flaubert, or Mann is waiting to be discovered. List of contributors Preface: Zadie Smith Introduction: Aleksandar Hemon Ornela Vorpsi (Albania): from The Country Where No One Ever Dies Antonio Fian (Austria): from While Sleeping Peter Terrin (Belgium: Dutch): from "The Murderer" Jean-Philippe Toussaint (Belgium: French): "Zidane's Melancholy" Igor Stiks (Bosnia): "At the Sarajevo Market" Georgi Gospodinov (Bulgaria): "And All Turned Moon" Neven Usumovic (Croatia): "Veres" Naja Marie Aidt (Denmark): "Bulbjerg" Elo Viiding (Estonia): "Foreign Women" Juhani Brander (Finland): from Extinction Christine Montalbetti (France): "Hotel Komaba Eminence" (with Haruki Murakami) George Konrád (Hungary): "Jeremiah's Terrible Tale" Steinar Bragi (Iceland): "The Sky Over Thingvellir" Julian Gough (Ireland: English): "The Orphan and the Mob" Ornaní Choileáin (Ireland: Irish): "Camino" Giulio Mozzi (AKA Carlo Dalcielo) (Italy): "Carlo Doesn't Know How to Read" Inga Abele (Latvia): "Ants and Bumblebees" Mathias Ospelt (Liechtenstein): "Deep In the Snow" Giedra Radvilaviciute˙ (Lithuania): "The Allure of the Text" Goce Smilevski (Macedonia): "Fourteen Little Gustavs" Stephan Enter (Netherlands): "Resistance" Jon Fosse (Norway): "Waves of Stone" Michal Witkowski (Poland): "Didi" Valter Hugo Mãe (Portugal): "dona malva and senhor josé ferreiro" Cosmin Manolache (Romania): "Three Hundred Cups" Victor Pelevin (Russia): "Friedmann Space" David Albahari (Serbia): "The Basilica in Lyon" Peter Kristúfek (Slovakia): from The Prompter Andrej Blatnik (Slovenia): from You Do Understand? Julián Ríos (Spain: Castilian): "Revelation on the Boulevard of Crime" Josep Fonalleras (Spain: Catalan): "Noir in Five Parts and an Epilogue" Peter Stamm (Switzerland): "Ice Moon" Deborah Levy (United Kingdom: England): from Swimming Home Alasdair Gray (United Kingdom: Scotland): "The Ballad of Ann Bonny" Penny Simpson (United Kingdom: Wales): "Indigo's Mermaid" Minimize

Nowadays it is difficult to conceive of the impact that Gus ... Read more

Nowadays it is difficult to conceive of the impact that Gustave Courbet's paintings made on French art of the mid-nineteenth century. At once casting himself as revolutionary, bohemian and peasant, Courbet (1819-1877) overturned a deeply-entrenched tradition of academic painting in France, and, eschewing the Romanticism of Delacroix and the NeoClassicism of Ingres, coined instead an idiom he named "Realism." Realism was not pretty, classically proportioned or literary; rather, it confronted the conditions of rural working life, then an unimaginable subject for art. The first masterpiece of this new style was "Burial at Ornans" (1849-1850), a colossal anti-epic that depicted an ordinary funeral in Courbet's home town. The contrast between the work's scale and its subject matter was pronounced, and its murky earth tones struck critics as willfully ugly--a defining reaction that would recur throughout the Modern period, particularly in the reception of early works by Manet and Picasso. Courbet's palette emphasized mass and body politically--that is, in a manner that affirmed the world itself rather than the transcendence of it. His equally famous "The Origin of the World" of 1866, which presented the female genitalia close-up, made this stance explicit. The conceptual beginnings of the "painting of Modern life" are as much in Courbet's Realism as in Charles Baudelaire's famous essay of the same name.In this new assessment, published on the occasion of a major 2008 traveling exhibition, renowned experts shed light on the development of Courbet's realistic, critical style and trace his influence on his contemporaries and subsequent generations, as well as his relationship to early photography. At 480 pages, this monumental volume provides a long-overdue reckoning of this great artist's work. Minimize

Free Worldwide Delivery : Sentimental Education (RED) : Pap ... Read more

Free Worldwide Delivery : Sentimental Education (RED) : Paperback : Penguin Books Ltd : 9780141195483 : 0141195487 : 01 Dec 2010 : Frederic Moreau, a young man in search of excitement, falls in love with Mme Arnoux, a beautiful, dark haired older woman. His fascination will last a lifetime, as he works to become first an acquaintance of her husband, then a firm family friend. But Frederic's hard-won closeness to Mme Arnoux will not bring satisfaction. Minimize

Store Search search Title, ISBN and Author The Temptation o ... Read more

Store Search search Title, ISBN and Author The Temptation of St. Anthony by Gustave Flaubert Estimated delivery 3-12 business days Format Paperback Condition Brand New 1930. With illustrations by Mahlon Blaine. Flaubert was a French novelist of the realist school, best-known for his story of Madame Bovary. The Temptation of St. Anthony was based on the story of the 4th-century Christian anchorite, who lived in the Egyptian desert and experienced philosophical and physical temptations. Its fanta Minimize

The French Realist painter Gustave Courbet (1819-77), apivo ... Read more

The French Realist painter Gustave Courbet (1819-77), apivotal figure in the emergence of modern painting, remainsan artist whose interests, attitudes, and friendships arelittle understood. A voluminous correspondent, Courbethimself, through his letters, offers a tantalizing avenuetoward a keener assessment of his character andaccomplishments. In her critical edition of over six hundredof the artist's letters, Petra ten-Doesschate Chu presentsjust such a look at the inner life of the artist; herunparalleled feat of gathering together all of Courbet'sknown letters, many heretofore unpublished and untranslated,is sure to change our evaluation of Courbet's creativity andof his place in nineteenth-century French life.Beginning when Courbet left his provincial home ateighteen and ending eight days before his death in exile inSwitzerland, this correspondence enables readers to followthe artist's development from youth to mature artist ofinternational repute. Addressed to correspondents such asthe poet Charles Baudelaire, the painter Claude Monet, thewriters Champfleury, Victor Hugo, and Théeophile Gautier,the political theorist Pierre-Joseph Proudhon, and thepolitician Jules Simon, the letters offer numerous insightsinto Courbet's life and art as well as the cultural andpolitical activity of his day. In fascinating detail, theypresent the artist's relation to the contemporary media, hisdeliberate choice of subject matter for Salon paintings, hispreoccupation with photography, and his participation in theCommune.Besides collecting, translating, and annotating theletters, Chu provides an introduction, a chronology,biographies of persons appearing frequently in the letters,and a list of paintings and sculptures mentioned in theletters. Her work is an essential resource of immediate useto historians of art and culture, political and socialhistorians, and readers of biography.Petra ten-Doesschate Chu is professor and head of theDepartment of Art and Music at Seton Hall University. Minimize

The George Sand-Gustave Flaubert Letters, written by legend ... Read more

The George Sand-Gustave Flaubert Letters, written by legendary author George Sand and Gustave Flaubert is widely considered to be one of the greatest books of all time. This great classic will surely attract a whole new generation of readers. For many, The George Sand-Gustave Flaubert Letters is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by George Sand and Gustave Flaubert is highly recommended. Published by Classic Books International and beautifully produced, The George Sand-Gustave Flaubert Letters would make an ideal gift and it should be a part of everyone's personal library. Minimize

Featuring an all new translation, three pieces of short fic ... Read more

Featuring an all new translation, three pieces of short fiction by the nineteenth-century French naturalist author--"A Simple Heart," "The Legend of Saint Julian Hospitator," and "Herodias"--are introduced by a new essay describing his life, works, and artistic abilities, as well as explanatory notes, a chronology, and suggestions for further reading. Reprint. Minimize

The start of the most ambitious editorial project in Dalkey ... Read more

The start of the most ambitious editorial project in Dalkey Archive’s history.Historically, English-language readers have been great fans of European literature, and names like Franz Kafka, Gustave Flaubert, and Thomas Mann are so familiar we hardly think of them as foreign at all. What those writers brought to English-language literature was a wide variety of new ideas, styles, and ways of seeing the world. Yet times have changed, and how much do we even know about the richly diverse literature being written in Europe today? Best European Fiction 2010 is the inaugural installment of what will become an annual anthology of stories from across Europe. Edited by acclaimed Bosnian novelist and MacArthur “Genius-Award” winner Aleksandar Hemon, and with dozens of editorial, media, and programming partners in the U.S., UK, and Europe, the Best European Fiction series will be a window onto what’s happening right now in literary scenes throughout Europe, where the next Kafka, Flaubert, or Mann is waiting to be discovered. List of contributors Preface: Zadie Smith Introduction: Aleksandar Hemon Ornela Vorpsi (Albania): from The Country Where No One Ever Dies Antonio Fian (Austria): from While Sleeping Peter Terrin (Belgium: Dutch): from "The Murderer" Jean-Philippe Toussaint (Belgium: French): "Zidane's Melancholy" Igor Stiks (Bosnia): "At the Sarajevo Market" Georgi Gospodinov (Bulgaria): "And All Turned Moon" Neven Usumovic (Croatia): "Veres" Naja Marie Aidt (Denmark): "Bulbjerg" Elo Viiding (Estonia): "Foreign Women" Juhani Brander (Finland): from Extinction Christine Montalbetti (France): "Hotel Komaba Eminence" (with Haruki Murakami) George Konrád (Hungary): "Jeremiah's Terrible Tale" Steinar Bragi (Iceland): "The Sky Over Thingvellir" Julian Gough (Ireland: English): "The Orphan and the Mob" Ornaní Choileáin (Ireland: Irish): "Camino" Giulio Mozzi (AKA Carlo Dalcielo) (Italy): "Carlo Doesn't Know How to Read" Inga Abele (Latvia): "Ants and Bumblebees" Mathias Ospelt (Liechtenstein): "Deep In the Snow" Giedra Radvilaviciute˙ (Lithuania): "The Allure of the Text" Goce Smilevski (Macedonia): "Fourteen Little Gustavs" Stephan Enter (Netherlands): "Resistance" Jon Fosse (Norway): "Waves of Stone" Michal Witkowski (Poland): "Didi" Valter Hugo Mãe (Portugal): "dona malva and senhor josé ferreiro" Cosmin Manolache (Romania): "Three Hundred Cups" Victor Pelevin (Russia): "Friedmann Space" David Albahari (Serbia): "The Basilica in Lyon" Peter Kristúfek (Slovakia): from The Prompter Andrej Blatnik (Slovenia): from You Do Understand? Julián Ríos (Spain: Castilian): "Revelation on the Boulevard of Crime" Josep Fonalleras (Spain: Catalan): "Noir in Five Parts and an Epilogue" Peter Stamm (Switzerland): "Ice Moon" Deborah Levy (United Kingdom: England): from Swimming Home Alasdair Gray (United Kingdom: Scotland): "The Ballad of Ann Bonny" Penny Simpson (United Kingdom: Wales): "Indigo's Mermaid" Minimize

Gustave Flaubert (1821–1880) is counted among the greatest ... Read more

Gustave Flaubert (1821–1880) is counted among the greatest Western novelists. He is known especially for the masterpiece MADAME BOVARY, and for his scrupulous devotion to his art. The story focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Though the basic plot is rather simple, the novel's true art lies in its details and hidden patterns. Flaubert was notoriously a perfectionist about his writing and claimed always to be searching for le mot juste ("the right word"). The novel was attacked for obscenity by public prosecutors when it was first serialized, resulting in a trial that made the story notorious. After the acquittal, it became a bestseller when it was published as a book, and now stands virtually unchallenged not only as a seminal work of Realism, but as one of the most influential novels of all time. Minimize

National Book Critics Circle Award Finalist for Biography ... Read more

National Book Critics Circle Award Finalist for Biography A New York Times Notable Book Publishers Weekly Best Book of the Year In this riveting landmark biography, Frederick Brown illuminates the life and career of the author of Madame Bovary. He describes Flaubert's fraught relationship with his longtime mistress Louise Colet, his liaisons with many other women, and his friendships with luminaries such as Turgenev and Zola. Here too is Brown's description of Flaubert's meticulous compositional habits, his painstaking search for the sentence that is deeply, rhythmically right. Brown brings his subject remarkably and fully to life, illuminating not only the novelist but also his milieu--the Paris and Normandy of the revolution of 1848 and of the Second Empire--with arresting clarity and a deepening sense of Flaubert's time and place. Flaubert is a sophisticated, thorough, and utterly absorbing re-creation of the life and times of the man who is arguably the architect of the modern novel. (20080202) Minimize

Free Worldwide Delivery : A Sentimental Education : Paperba ... Read more

Free Worldwide Delivery : A Sentimental Education : Paperback : Wordsworth Editions Ltd : 9781840221213 : 1840221216 : 05 Dec 2001 : Set against the backdrop of the 1848 Revolution, this is the story of young lawyer Frederic Moreau's infatuation with the demurely exotic Madame Arnoux. This ironic depiction of uneventful lives in a troubled period of European history is considered one of the greatest novels of the 19th century. Minimize

In 1831, Alexis de Tocqueville and his friend Gustave de Be ... Read more

In 1831, Alexis de Tocqueville and his friend Gustave de Beaumont visited the United States on behalf of the French government to study American prisons. In their nine months in the U.S. they studied not just the prison system but every aspect of American life, public and private—the political, economic, religious, cultural, and above all social life of the young nation. From Tocqueville's copious notes of what he had seen and heard came the classic text De la Démocratie en Amérique, published in two large volumes, the first in 1835, the second in 1840. The first volume focused primarily on political society; the second, on civil society. Tocqueville's account of the travels and adventures of the two Frenchmen aimed to get down the truth about America, not only to praise the new country's strengths but also to critique its shortcomings when these were all too evident to outside eyes.For Tocqueville, virtually every aspect of the new republic was fascinating:  the laws and the customs, the manners and the mores of a people so very different from the populations of the kingdoms of Europe. He was particularly interested in the success of democracy in America, specifically of republican representative democracy, which seemed to have failed elsewhere, most conspicuously in revolutionary France. Perhaps because Tocqueville, an aristocrat, was by no means sympathetic to "pure" democracy, which seemed tainted by its associations with the Terror of the French Revolution, he examined American democracy with a thoroughness such as had never been seen before, and seldom if ever since. Tocqueville considered the tendency of democracy to degenerate into either the tyranny of the majority or what he called soft despotism, a sovereign power that “extends its arms over the entire society; it covers the surface of society with a network of small, complicated, minute, and uniform rules. . . .it does not tyrannize, it hinders, it represses, it enervates, it extinguishes, it stupifies, and finally it reduces each nation to being nothing more than a flock of timid and industrious animals, of which the government is the shepherd.” (Book IV, chapter 6.)Tocqueville noted that religion played a leading role in American life in the 1830s, due to its being constitutionally separated from government. Far from objecting to this situation, he observed that Americans found this disestablishment quite satisfactory, in contrast to France, with its outright antagonism between avowedly religious people and supporters of democracy.The Liberty Fund bilingual Democracy in America includes Eduardo Nolla's historical-critical edition of the French text and notes on the lefthand pages and James Schleifer's English translation on the right. This is the fullest historical-critical edition of the Democracy, and the notes offer an extensive selection of early outlines, drafts, manuscript variants, marginalia, unpublished fragments, and other materials. From the foreword to the French edition: “This new Democracy is not only the one that Tocqueville presented to the reader of 1835, then to the reader of 1840. It is enlarged, amplified by a body of texts. . . . the reader will see how Tocqueville proceeded with the elaboration of the main ideas of his book.”Alexis de Tocqueville (1805–1859) was a French writer and politician. With his friend Gustave Beaumont he spent nine months in America and with him published a study of the American penal system and its applicability to France. Tocqueville's fame was established by his De la Démocratie en Amérique, published in two volumes in 1835 and 1840. He was elected to the Chamber of Deputies in 1839, was a member of the Constituent Assembly in 1848 and of the Legislative Assembly in 1849, was minister of foreign affairs in 1849, and was imprisoned in 1851 for his opposition to the coup d’état of Louis-Napoléon. At his Minimize

In 1831, Alexis de Tocqueville and his friend Gustave de Be ... Read more

In 1831, Alexis de Tocqueville and his friend Gustave de Beaumont visited the United States on behalf of the French government to study American prisons. In their nine months in the U.S. they studied not just the prison system but every aspect of American life, public and private—the political, economic, religious, cultural, and above all social life of the young nation. From Tocqueville's copious notes of what he had seen and heard came the classic text De la Démocratie en Amérique, published in two large volumes, the first in 1835, the second in 1840. The first volume focused primarily on political society; the second, on civil society. Tocqueville's account of the travels and adventures of the two Frenchmen aimed to get down the truth about America, not only to praise the new country's strengths but also to critique its shortcomings when these were all too evident to outside eyes.For Tocqueville, virtually every aspect of the new republic was fascinating:  the laws and the customs, the manners and the mores of a people so very different from the populations of the kingdoms of Europe. He was particularly interested in the success of democracy in America, specifically of republican representative democracy, which seemed to have failed elsewhere, most conspicuously in revolutionary France. Perhaps because Tocqueville, an aristocrat, was by no means sympathetic to "pure" democracy, which seemed tainted by its associations with the Terror of the French Revolution, he examined American democracy with a thoroughness such as had never been seen before, and seldom if ever since. Tocqueville considered the tendency of democracy to degenerate into either the tyranny of the majority or what he called soft despotism, a sovereign power that “extends its arms over the entire society; it covers the surface of society with a network of small, complicated, minute, and uniform rules. . . .it does not tyrannize, it hinders, it represses, it enervates, it extinguishes, it stupifies, and finally it reduces each nation to being nothing more than a flock of timid and industrious animals, of which the government is the shepherd.” (Book IV, chapter 6.)Tocqueville noted that religion played a leading role in American life in the 1830s, due to its being constitutionally separated from government. Far from objecting to this situation, he observed that Americans found this disestablishment quite satisfactory, in contrast to France, with its outright antagonism between avowedly religious people and supporters of democracy.The Liberty Fund bilingual Democracy in America includes Eduardo Nolla's historical-critical edition of the French text and notes on the lefthand pages and James Schleifer's English translation on the right. This is the fullest historical-critical edition of the Democracy, and the notes offer an extensive selection of early outlines, drafts, manuscript variants, marginalia, unpublished fragments, and other materials. From the foreword to the French edition: “This new Democracy is not only the one that Tocqueville presented to the reader of 1835, then to the reader of 1840. It is enlarged, amplified by a body of texts. . . . the reader will see how Tocqueville proceeded with the elaboration of the main ideas of his book.”Alexis de Tocqueville (1805–1859) was a French writer and politician. With his friend Gustave Beaumont he spent nine months in America and with him published a study of the American penal system and its applicability to France. Tocqueville's fame was established by his De la Démocratie en Amérique, published in two volumes in 1835 and 1840. He was elected to the Chamber of Deputies in 1839, was a member of the Constituent Assembly in 1848 and of the Legislative Assembly in 1849, was minister of foreign affairs in 1849, and was imprisoned in 1851 for his opposition to the coup d’état of Louis-Napoléon. At his Minimize

Nowadays it is difficult to conceive of the impact that Gus ... Read more

Nowadays it is difficult to conceive of the impact that Gustave Courbet's paintings made on French art of the mid-nineteenth century. At once casting himself as revolutionary, bohemian and peasant, Courbet (1819-1877) overturned a deeply-entrenched tradition of academic painting in France, and, eschewing the Romanticism of Delacroix and the NeoClassicism of Ingres, coined instead an idiom he named "Realism." Realism was not pretty, classically proportioned or literary; rather, it confronted the conditions of rural working life, then an unimaginable subject for art. The first masterpiece of this new style was "Burial at Ornans" (1849-1850), a colossal anti-epic that depicted an ordinary funeral in Courbet's home town. The contrast between the work's scale and its subject matter was pronounced, and its murky earth tones struck critics as willfully ugly--a defining reaction that would recur throughout the Modern period, particularly in the reception of early works by Manet and Picasso. Courbet's palette emphasized mass and body politically--that is, in a manner that affirmed the world itself rather than the transcendence of it. His equally famous "The Origin of the World" of 1866, which presented the female genitalia close-up, made this stance explicit. The conceptual beginnings of the "painting of Modern life" are as much in Courbet's Realism as in Charles Baudelaire's famous essay of the same name.In this new assessment, published on the occasion of a major 2008 traveling exhibition, renowned experts shed light on the development of Courbet's realistic, critical style and trace his influence on his contemporaries and subsequent generations, as well as his relationship to early photography. At 480 pages, this monumental volume provides a long-overdue reckoning of this great artist's work. Minimize