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Still, we have the same solitude, the same journeys and sea
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Still, we have the same solitude, the same journeys and searching, and the same favorite turns in the labyrinth of literature and history."-Boris Pasternak to Marina Tsvetaeva One of the most compelling episodes of twentieth-century Russian literature involves the epistolary romance that blossomed between the modernist poets Marina Tsvetaeva and Boris Pasternak in the 1920s. Only weeks after Tsvetaeva emigrated from Russia in 1922, Pasternak discovered her poetry and sent her a letter of praise and admiration. Tsvetaeva's enthusiastic response began a decade-long affair, conducted entirely through letters. This correspondence-written across the widening divide separating Soviet Russia from Russian émigrés in continental Europe-offers a view into the overlapping worlds of literary creativity, sexual identity, and political affiliation. Following both sides of their conversation, Catherine Ciepiela charts the poets' changing relations to each other, to the extraordinary political events of the period, and to literature itself. The Same Solitude presents the first full account of this affair of letters and poems from its beginning in the summer of 1922 to its denouement in the 1930s. Drawing on many previously untranslated letters and poems, Ciepiela describes the poets' mutual influence, both in the course of their lives and the development of their art. Neither poet saw any separation between a poet's life and work, and Ciepiela treats each poet's letters and poems as a single text. She discusses the poets' famous triangular correspondence with Rainer Maria Rilke in 1926, and she addresses the profound significance of Tsvetaeva for Pasternak, who is often perceived (mistakenly, Ciepiela asserts) as the more detached partner. Further, this book expands our understanding of poetic modernism by showing how the poets worked through ideas about gender and writing in the context of what they themselves called a literary "marriage.
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Isaiah Berlins response to the Soviet Union was central to
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Isaiah Berlins response to the Soviet Union was central to his identity, both personally and intellectually. Born a Russian subject in Riga in 1909, he spoke Russian as a child and witnessed both revolutions in St. Petersburg in 1917, emigrating to the West in 1921. He first returned to Russia in 1945, when he met the writers Anna Akhmatova and Boris Pasternak. These formative encounters helped shape his later work, especially his defense of political freedom and his studies of pre-Soviet Russian thinkers. Never before collected, Berlins writings about the USSR include his accounts of his famous meetings with Russian writers shortly after the Second World War; the celebrated 1945 Foreign Office memorandum on the state of the arts under Stalin; his account of Stalins manipulative artificial dialectic; portraits of Osip Mandelshtam and Boris Pasternak; his survey of Soviet Russian culture written after a visit in 1956; a postscript stimulated by the events of 1989; and more. This collection includes essays that have never been published before, as well as works that are not widely known because they were published under pseudonyms to protect relatives living in Russia. The contents of this book were discussed at a seminar in Oxford in 2003, held under the auspices of the Brookings Institution. Berlins editor, Henry Hardy, had prepared the essays for collective publication and here recounts their history. In his foreword, Brookings president Strobe Talbott, an expert on the Soviet Union, relates the essays to Berlins other work. The Soviet Mind will assume its rightful place among Berlins works and will prove invaluable for policymakers, students, and those interested in Russian politics, past, present and future.
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Still, we have the same solitude, the same journeys and sea
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Still, we have the same solitude, the same journeys and searching, and the same favorite turns in the labyrinth of literature and history."-Boris Pasternak to Marina Tsvetaeva One of the most compelling episodes of twentieth-century Russian literature involves the epistolary romance that blossomed between the modernist poets Marina Tsvetaeva and Boris Pasternak in the 1920s. Only weeks after Tsvetaeva emigrated from Russia in 1922, Pasternak discovered her poetry and sent her a letter of praise and admiration. Tsvetaeva's enthusiastic response began a decade-long affair, conducted entirely through letters. This correspondence-written across the widening divide separating Soviet Russia from Russian émigrés in continental Europe-offers a view into the overlapping worlds of literary creativity, sexual identity, and political affiliation. Following both sides of their conversation, Catherine Ciepiela charts the poets' changing relations to each other, to the extraordinary political events of the period, and to literature itself. The Same Solitude presents the first full account of this affair of letters and poems from its beginning in the summer of 1922 to its denouement in the 1930s. Drawing on many previously untranslated letters and poems, Ciepiela describes the poets' mutual influence, both in the course of their lives and the development of their art. Neither poet saw any separation between a poet's life and work, and Ciepiela treats each poet's letters and poems as a single text. She discusses the poets' famous triangular correspondence with Rainer Maria Rilke in 1926, and she addresses the profound significance of Tsvetaeva for Pasternak, who is often perceived (mistakenly, Ciepiela asserts) as the more detached partner. Further, this book expands our understanding of poetic modernism by showing how the poets worked through ideas about gender and writing in the context of what they themselves called a literary "marriage.
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This selection of Boris Pasternak’s correspondence with his
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This selection of Boris Pasternak’s correspondence with his parents and sisters from 1921 to 1960 sheds new and revealing light on the great writer's life and work. His letters are accomplished literary works in their own right, on a par with his poetry in their intensity, frankness, and dazzling stylistic play. In addition, they offer a rare glimpse into his innermost self, significantly complementing the insights obtained from his work. Those glimpses are especially poignant in that after 1923 Pasternak was never to see his parents again.The collection reflects the events of Pasternak's life during forty turbulent years. His father was a distinguished painter and his mother, a concert pianist; his admiration for them colors the entire correspondence. But other topics also find a place: descriptions of his life under the harsh Soviet regime, reflections on his work, on his meetings with famous contemporaries, and on current events, including arrests and executions. In particular, the dramatic happenings of 1956–1960—the publication of Doctor Zhivago, being awarded the Nobel Prize, and the international political storm that followed—weighed heavily on Pasternak and his family. As an evocation of his times, his letters are as powerful as his literary works, with their intimate biographical detail, emotional honesty and—despite the tightening censorship—the openness and candor of their revelations.
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Ukrainian photographer Boris Mikhailov has become famous fo
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Ukrainian photographer Boris Mikhailov has become famous for using the social documentary style to reveal the plight of marginalized communities, particularly as they have been dispersed in the wake of the dissolution of the Soviet Union: in his 1998 Case History series, for example, Mikhailov examined the lives of the homeless population in Kharkov, in the Ukraine. Mikhailov broaches entirely new territory with this substantial volume, a dynamic portrayal of a group of actors and non-actors in the German city of Braunschweig (Brunswick), all of whom were auditioning for roles in the Aeschylus play, The Persians. The play was produced as an allegory of war and a young democracy, with members of the public taking the role of the chorus, creating a contemporary resonance that Mikhailov was immediately drawn to. The photographer became a part of the production process, and his record of the occasion is divided across three chapters: "Shooting," "Bus Stop" and "Home Theater." He writes of his process: "My former slapdash Soviet methodologies united with German reality have helped me, I believe, to manifest something new. Perhaps something very small and simple but in some way very pure." Beyond this record of a social collaboration and a singular community, Mikhailov has made a moving portrait that addresses the future of Germany.
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"This volume is a must for anyone interested in academic pr
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"This volume is a must for anyone interested in academic problems and will produce the emotion of recognition in those concerned, and the emotion of surprise in those outside the field."-Los Angeles Times "Professors Caplow and McGee have given scholarly respectability to what many a professor has long suspected: Competition in the academic marketplace is as severe as in the business world. [Their book] might come to have the same function for the professor as Machiavelli's work had for ambitious princes."-Midwest Journal of Political Science The Academic Marketplace is a straightforward, hard-hitting expos of the American university. Caplow and McGee consider all the working parts of the system and assess their suitability to the professed purpose. Their report on the actualities, myths, and consequences of routines thus amounts to an anatomy of an institution-an anatomy that does not present a pretty picture. We learn, for example, that the chief criteria used in making appointments are prestige and compatibility, not teaching ability. The authors describe the precipitous decline in teaching loads and then explain how this tendency is related to the new seller's market, on the one hand, and to the extravagantly indeterminate structure of the university as an institution, on the other. Not only is the temper judicious, the facts well gathered and competently marshaled, but the expression of results is invariably lucid. In a new introduction, the authors sort out fact from legend and discern trends, they address the validity of their own research methods and the applicability of their original findings to today's academic marketplace. They observe that the essential commodity offered in the academic marketplace is still the same-the mysterious intangible called prestige, by which universities, colleges, departments, disciplines, fields of inquiry, journals, and ultimately faculty candidates are ranked from high to low, and raised up and cast down accordingly. Theodore Caplow is Commonwealth Professor of Sociology at the University of Virginia. He is the author of Systems of War and Peace, American Social Trends, and Peace Games. Reece J. McGee is professor of sociology emeritus at Purdue University. He was awarded the American Sociological Association Award for Distinguished Contributions to Teaching. He is the author of Academic Janus, three textbooks, and numerous articles on the academic profession and teaching.
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Children's Play looks at the many facets of play and how it
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Children's Play looks at the many facets of play and how it develops from infancy through late childhood. Authors W. George Scarlett, Sophie Naudeau, Dorothy Salonius-Pasternak, and Iris Ponte take a broad approach to examining how children play by including a wide variety of types of play, play settings, and play media. The book also discusses major revolutions in the way today’s children play, including changes in organized youth sports, children’s humor, and electronic play. Children's Play addresses diversity throughout the text and explores play on the topics of gender, disabilities, socioeconomic class, and culture.
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In the southern Ukrainian town where Boris Mikhailov's fath
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In the southern Ukrainian town where Boris Mikhailov's father was born, a factory spills untreated water directly out into the open sea. Believing these waters to have healing powers, the local people enjoy swimming in it. All year round, families gather on the shore; onlookers might be reminded of a Russian Baden-Baden. Mikhailov shot the filmic, black and white sequence of Salt Lake in 1986, capturing a Russian bohemia of uncanny, eerie proportions and muted light. Scene upon strangely timeless scene sees rough, stocky men and thick, bikini-clad women, their hair tied up in scarves, all bathing naturally on a sea shore crowded with smokestacks, brick warehouses and industrial-size pipes that lead right out into the water, like a dock. The book itself was designed by the artist using Russian paper and binding materials, and is printed in a limited edition.
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Boris Becker shot to fame in 1985 when, at 17, he became th
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Boris Becker shot to fame in 1985 when, at 17, he became the youngest player ever to win the men’s final at Wimbledon. He went on to win two more Wimbledon titles, and a total of 49 singles and 15 doubles crowns, making him one of the greatest players of the 20th century. But his personal life always attracted as much attention as his professional triumphs. Now, in this remarkably candid autobiography, Boris Becker tells the real story behind the headlines. He talks about his marriage, his daughter, and his painful divorce. He talks about how he felt at the end of his tennis career and his battles with pills and alcohol. He also shares his memories of the good times, the championship wins, and the make-or-break matches.
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Integrating theory and policy throughout, this smart yet ap
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Integrating theory and policy throughout, this smart yet approachable casebook is distinguished, in part by a tradition of outstanding authorship, begun with original author Boris Bittker of Yale and continuing through fifteen successive editions. Generations of instructors and students have praised Federal Income Taxation for the features that make it extraordinary: problems interspersed among notes and questions a unique introduction that provides historical background and economic analysis where appropriate integrated coverage of theory and policy smart and engaging text an excellent Teacher s Manual The extensively revised Fifteenth edition features: co-author Kirk Stark brings new energy and fresh perspective to a classic new comparative focus inset boxes highlighting other countries approaches to fundamental tax policy design issues new materials on opinion practice and confidence levels for giving professional tax advice designed to teach students how to express varying levels of legal uncertainty expanded discussion of constructive sales under section 1259, including text of legislative history to illustrate unresolved legal issues expanded coverage of taxing low-income households, including new materials on the earned income tax credit, the country s largest income transfer program expanded discussion of state and local taxes to gives students a basic overview of the U.S. system of subnational taxation expanded discussion of state and local taxes to gives students a basic overview of the U.S. system of subnational taxation updated materials on income-splitting including Chief Counsel s ruling on the application of Poe v. Seaborn to same-sex couples new case, Womack v. Commissioner, concerning the tax treatment of a taxpayer s sale of the right to receive lottery payments new commentary on the D.C. Circuit s controversial opinions in Murphy v. United States A classic casebook long trusted and admired by generations of law school students and professors welcomes new co-author Kirk J. Stark, whose contribution will reflect the most current scholarship and pedagogy in the field today.LOOKING FOR ADDITIONAL RESOURCES TO HELP YOU IN FEDERAL INCOME TAXATION? TRY EXAMPLES & EXPLANATIONS: FEDERAL INCOME TAX 6E (9780735599550) AND EMANUEL LAW OUTLINES: BASIC FEDERAL INCOME TAX 2011 EDITION (9780735597754) --TWO OF MANY GREAT STUDY GUIDES FROM WOLTERS KLUWER LAW & BUSINESS.
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Boris Pasternak’s widely acclaimed novel comes gloriously t
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Boris Pasternak’s widely acclaimed novel comes gloriously to life in a magnificent new translation by Richard Pevear and Larissa Volokhonsky, the award-winning translators of War and Peace and Anna Karenina, and to whom, The New York Review of Books declared, “the English-speaking world is indebted.” First published in Italy in 1957 amid international controversy—the novel was banned in the Soviet Union until 1988, and Pasternak declined the Nobel Prize a year later under intense pressure from Soviet authorities—Doctor Zhivago is the story of the life and loves of a poet-physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago’s love for the tender and beautiful Lara: pursued, found, and lost again, Lara is the very embodiment of the pain and chaos of those cataclysmic times. Stunningly rendered in the spirit of Pasternak’s original—resurrecting his style, rhythms, voicings, and tone—and including an introduction, textual annotations, and a translators’ note, this edition of Doctor Zhivago is destined to become the definitive English translation of our time.
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When Boris Yeltsin calls out the tanks and shells parliamen
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When Boris Yeltsin calls out the tanks and shells parliament, or when he pins medals on veterans, both acts are called executive decrees, but we do not understand both to be equivalent examples of executive discretion over policymaking. Executives increasingly take (or are given) the authority to act without concurrent legislative action. This book offers a theory of political institutions that predicts when executives should turn to decree and when legislatures should accept--or even prefer--this method of making policy. Extensive case studies demonstrate how decree has been used and abused in widely different political environments.
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"It is [a] fully illuminated story that Richard Taruskin, i
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"It is [a] fully illuminated story that Richard Taruskin, in the path-breaking essays collected here, unfolds around Modest Musorgsky, Russia's greatest national composer.... [Taruskin's] tour de force comes with a frontal attack on all the Soviet-bred truisms that for a century have refashioned Musorgsky from what the evidence suggests he was--an aristocrat with an early clinical interest in true-to-life musical portraiture and a later penchant for drinking partners who were both folklore buffs and political reactionaries democrat."--From the forewordIncorporating both new and now-classic essays, this book for the first time sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers the most complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Chaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.
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California Condors, Boris Karloff as Frankenstein, Japanese
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California Condors, Boris Karloff as Frankenstein, Japanese horror films and Gordon Matta-Clark are among the many influences that make up the world of Rodarte. In just five short years, Rodarte has upended the fashion scene, bringing Kate and Laura Mulleavy, the designers behind the company, to the forefront of contemporary design and visual culture. Kate and Laura, who live and work between downtown Los Angeles and Pasadena, California, have consistently brought their love of nature, film, art and science to bear upon their unconventional and exquisitely crafted collections. Burning, sanding, dyeing, knitting, twisting, staining and weaving are some of the many complex techniques that have entered into the Rodarte textural vocabulary. Kate and Laura's past collaborations have included artists, actors, musicians and writers such as Miranda July, Autumn de Wilde, Ryan McGinley, Ari Marcopoulos and Darren Aronofsky. Created in collaboration with two of the art world's most sought-after and acclaimed photographers, Catherine Opie and Alec Soth, this is the first publication to examine the world of Rodarte. For the occasion, each photographer has developed an entirely new body of work in collaboration with Kate and Laura Mulleavy, examining the many facets of Rodarte's creative spectrum.Without any formal training in fashion, California-raised sisters Kate and Laura Mulleavy, working as Rodarte, have become the most celebrated American designers at work today. Celebrities such as Kirsten Dunst, Natalie Portman and Charlotte Gainsbourg have all expressed their admiration for the Mulleavys, and Michelle Obama wore Rodarte at the opening ceremony of the 121st IOC session at the Copenhagen Opera House. (20110914)
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`This book appears to fill a substantial gap in the literat
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`This book appears to fill a substantial gap in the literature at present. There are, quite simply, no books available which engage seriously and competently with the presentation of health issues in the media, and certainly none which focuses on representations of health and illness in as thematically coherent a manner as Seale proposes to do' - Richard Gwyn, University of Cardiff `This is an excellent resource for students. It provides a comprehensive review of secondary literature in the field and is very well researched. Students of sociology of health and illness and in media and communication studies will find the book invaluable' - David Oswell, Goldsmiths College, University of London `This is a comprehensive work on media health, providing an invaluable "toolkit" for understanding health and the media in contemporary society. Seale goes further than previous textbooks, critiquing the "lament" of media health promoters in order to explore the moralisation and commercialisation of media health' - Dr Annette Hill, University of Westminster How are health matters presented by the mass media? How accurate are the messages we are receiving? This book demonstrates how health messages in popular mass media are important influences in our lives, and that they are not neutral, being subject to many determining influences. It demonstrates the importance of mass media for understanding the experience of illness, health and health care, bringing together the latest thinking in the field of media studies and the sociology of health and illness. This book provides a thorough review of research literature on media representations of health, illness and health care, covering their production, characteristic forms and relationships with the everyday lives of media audiences. It brings together both well known and lesser-known studies in the context of an integrated, sociological argument about media and health. Media producers are subject to a variety of influences, from medical lobbies, scientific organizations, and not least the commercial pressure to satisfy media-saturated audiences. These mean that aims of health promoters are not always easily achieved, leading to considerable tensions that require a deeper understanding of media health than has hitherto been applied to them. This book will be essential reading for health educators and promoters, as well as health care providers interested in the cultural aspects of health, sociologists of health and illness, and students and academics of media studies.
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Historical scholarship - the neglected child of media studi
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Historical scholarship - the neglected child of media studies - is in the midst of a renaissance, as shown in this collection of papers from a seminar held in May 1999 at the Department of Information and Media Science, University of Aarhus. Since the 1970s, media research has focused on media policy and media politics. Change came with the publication of a three-volume Danish Media History (1996-97), which signaled a need for further and more detailed research within the neglected historical field, especially in light of the importance of the computer in the media landscape. The Aarhus seminar provided the environment for reflection on the theoretical and methodological problems inherent in the writing of media histories and looked at published histories that provide models of empirical research within various media: radio, television and print. Drs. Anderson and Curtin discuss the phenomenon of the aenetworkAe era in the United States and conclude that it is not the natural, inevitable or permanent form of radio and television that will survive there or elsewhere. Dr. Brger provides an outline of a general theory of the media; and Dr. Kolstrup looks at the structure of newspapers from 1800 to 1999, which has survived with minor changes - up to now. Other topics include television fiction, radio history and the influence of computers. Contributions from Nordic, Dutch & American researchers.
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Media Queered is a groundbreaking assessment of minorities
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Media Queered is a groundbreaking assessment of minorities and the media. Authorities including Larry Gross, Edward Alwood, Lisa Henderson, and Marguerite Moritz join several new scholars to examine four aspects of visibility: history, expertise, popularity, and technology. To supplement this research, media practitioners including journalists working in the gay and mainstream press contribute a unique series of interludes. The first is by Studs Terkel, who interviewed founders of the U.S. homophile movement. Written for scholars, students, and instructors of media and gender studies, Media Queered is also accessible for general readers intrigued by the recent flowering of queer characters, themes, and images in popular culture.AUTHORBIO: Kevin G. Barnhurst received his Ph.D. from the University of Amsterdam. He is Professor and Head of the Department of Communication at the University of Illinois at Chicago (UIC), where he teaches media theory, political and visual studies, and qualitative research methods. He is an essayist who has written on the homoerotic images of Lewis Hine, as well as a social scientist who has studied queer representations on U.S. National Public Radio. He has served on the board of the Glaad Center for the Study of Media & Society and on campus diversity committees at Syracuse University and UIC.
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Southernmost Point is a story of action, daring and mystery
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Southernmost Point is a story of action, daring and mystery. All on an island that has attracted adventurers, pirates and dreamers, Key West. Join Dan Simonton and Jimmy "Shogo" Yamada as they track a ruthless East European gangster from Southern California to Key West in order to crack a mystery and murder involving a close friend. The adventure begins when close friend and business associate Chris Smith, comes up missing after being assigned to work as a bodyguard for the mysterious Boris. Only later will Dan Simonton and Jimmy "Shogo" Yamada discover the dark truth behind Chris's disappearance and Boris's true intentions. What follows is an exciting adventure that starts in Southern California and makes its way from Mexico to Las Vegas, Las Vegas to New Orleans and finally reaches its exciting conclusion in Key West. Once you start reading Southernmost Point you better buckle your seat belt because the ride will definitely be rough!
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Religion is infiltrating the arena of consumer culture in i
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Religion is infiltrating the arena of consumer culture in increasingly visible ways. We see it in a myriad of forms--in movies, such as Mel Gibson's The Passion of the Christ, on Internet shrines and kitschy Web "altars," and in the recent advertising campaign that attacked fuel-guzzling SUVs by posing the question: What would Jesus drive? In Religion, Media, and the Marketplace, scholars in history, media studies, and sociology explore this intersection of the secular and the sacred. Topics include how religious leaders negotiate between the competing aims of the mainstream and the devout in the commercial marketplace, how politics and religious beliefs combine to shape public policy initiatives, how the religious "other" is represented in the media, and how consumer products help define the practice of different faiths. At a time when religious fundamentalism in the United States and throughout the world is inseparable from political aims, this interdisciplinary look at the mutual influences between religion and the media is essential reading for scholars from a wide variety of disciplines.
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Religion is infiltrating the arena of consumer culture in i
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Religion is infiltrating the arena of consumer culture in increasingly visible ways. We see it in a myriad of forms--in movies, such as Mel Gibson's The Passion of the Christ, on Internet shrines and kitschy Web "altars," and in the recent advertising campaign that attacked fuel-guzzling SUVs by posing the question: What would Jesus drive? In Religion, Media, and the Marketplace, scholars in history, media studies, and sociology explore this intersection of the secular and the sacred. Topics include how religious leaders negotiate between the competing aims of the mainstream and the devout in the commercial marketplace, how politics and religious beliefs combine to shape public policy initiatives, how the religious "other" is represented in the media, and how consumer products help define the practice of different faiths. At a time when religious fundamentalism in the United States and throughout the world is inseparable from political aims, this interdisciplinary look at the mutual influences between religion and the media is essential reading for scholars from a wide variety of disciplines.
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When one thinks of the classic adventure-story authors of t
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When one thinks of the classic adventure-story authors of the pulp fiction era, H. Rider Haggard, Talbot Mundy and Rafael Sabatini may come first to mind. But Arthur O. Friel's stellar contributions - particularly his stories featuring Lourenco and Pedro, two workers on a rubber-tree plantation in the Amazon Jungle. Their adventures in the Amazon's mysterious back-country certainly deserve honorable mention. Here are tales of peril and last-minute rescue, brutal savages and men of honor, snake-worshipping armies and half-ape Lost Races-and many more! For in the shadows of the rain-forest, many evils lurk... human and otherwise! Features a new introduction by Darrell Schweitzer, eight short stories and The Jararaca, a complete novel.
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“HUMAN CARGO,” a historical novel in the tradition of the B
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“HUMAN CARGO,” a historical novel in the tradition of the Boris Pasternak’s Doctor Zhivago. A journey of young lovers in the most turbulent times in Russian history through the bloody revolution, unspeakable human cruelty and love no weapon can destroy and their triumphant survival. In WW I, Russian army on the eastern front is collapsed by the Central Powers. Captain Alexander (Sasha) Vasilievich retreats with tens of thousands of wounded and hungry soldiers. He returns to Irina, his fiancée and his family in his hometown in east Siberia. While visiting his hometown, a tragic event happens to Irina: she is violated by the most villainous Cossack general in east Siberia. Sasha retaliates but with little success. In the west, the October Revolution erupts in St. Petersburg that sweeps the nation into chaos. Sasha joins the Red Army and serves as a military intelligence officer to spy on the Allied forces in the Far East that assist the White Army in their battle against the Bolshevik revolution. After Sasha and Irina tied the knot, another tragedy strikes them. The Cossacks return to their hometown to avenge the deaths of their comrades. They set their homes on fire, and Irina sustains severe burns to her face and part of her body in the fire. On the fateful night, in a different city, Sasha is betrayed by a Bolshevik who sold him to the White Army. He escapes wounded. He returns home only to witness the utter destruction. He spends the next three years looking for his wife. When they reunite, they move to a human habitat to build a new life. As they strive to build a better life, his country betrays him. In 1937 Stalin begins the bloody persecution against Soviet minorities and deports Soviet-Koreans to central Asia, the first ethnic cleansing in USSR. Sasha, who was born between his Korean father and Russian mother, is among the 180.000 deportees. On the way to Central Asia, tens of thousands die of diseases and hunger, on frigid cattle trains without bathrooms or medicine. After four weeks, the cattle train arrives at its destination and ditches the human cargo, in the middle of the snowy steppe of Kazakhstan. Resolved to survive and rise again from the human cruelty, Sasha and Irina spend the first winter in dirt dug-outs living on barks, weeds, and winter desert animals.
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Resurrected vampire Boris Malenkov journeys to the small Ge
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Resurrected vampire Boris Malenkov journeys to the small Georgia town of Mayfield, during the Civil War, to get revenge on the family of the man who had put him to rest, forty-four years before... Mayfield’s doctor, Dr. Weyman Holbrook, is lost in battling the strange evil that is killing his fellow citizens...But help comes in an unlikely source when the Union Army arrives in Mayfield. Dr. Franz Schneider, U.S.A., is a German immigrant familiar with vampires...The two doctors put aside their differences over the Civil War to battle Malenkov...But will they be too late to save Rebecca Lancaster, a beautiful, young, Southern belle, from the Curse of the Vampire?
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Marina Tsvetaeva (1892-1941) ranks with Anna Akhmatova, Osi
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Marina Tsvetaeva (1892-1941) ranks with Anna Akhmatova, Osip Mandelstam and Boris Pasternak as one of Russia's greatest 20th-century poets. Her suicide at the age of 48 was the tragic culmination of a life beset by loss and hardship. This volume presents in English a collection of essays published in the Russian emigre press after Tsvetaeva left Moscow in 1922. Based on diaries she kept from 1917 to 1920, the work describes the broad social, economic and cultural chaos provoked by the Bolshevik Revolution. Events and individuals are seen through the lens of her personal experience - that of a destitute young woman of upper-class background with two small children (one of whom died of starvation), a missing husband, and no means of support other than her poetry. These autobiographical writings, sources of information on Tsvetaeva and her literary contemporaries, are also significant for the insights they provide into the sources and methodology of her difficult poetic language. In addition, they supply an eyewitness account of a dramatic period in Russian history, told by a gifted and outspoken poet.
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Boris Mikhailov is one of the most influential photographer
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Boris Mikhailov is one of the most influential photographers of the former Soviet Union. Through his superimposed images, Mikhailov has created and extraordinary double world of soviet drudgery juxtaposed with sex and beauty. Previously unpublished due to artistic restrictions imposed during the Communist era. Yesterday's sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society.
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Locating Migrating Media details the extent to which media
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Locating Migrating Media details the extent to which media productions, both televisual and cinematic, have sought out new and cheaper shot locations, creative staff, and financing around the world. The book contributes to debates about media globalization, focusing on the local impact of new sites of media production. The book's chapters also question the role that film and television industries and local and regional governments play in broader economic develop and tax incentive schemes.While metaphors of transportation, mobility, fluidity and change continue to serve as key concepts and frames for understanding contemporary media industries, products and processes, the essays in this book look to local spaces, neighborhoods, cultural workers and stories to ground the global—that is, to interrogate the effect of media globalization before, during and after film and television shooting and onsite production.By locating migrating media, these chapters seek to determine the political, economic and cultural conditions that produce contemporary forms of televisual and cinematic storytelling, and how these processes affect the inhabitants, the "look" and the very geopolitical future of local communities, neighborhoods, cities and regions. The focus on relocated screen production highlights the act of film- and television-making, both aesthetically and economically. To locate migrating media is therefore to determine the political and cultural economies of globalized sets and stages, be they in new studios or on city streets or, perhaps most importantly, in our imaginations.
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The study of media language is increasingly important both
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The study of media language is increasingly important both for media studies and for discourse analysis and sociolinguistics. In Media Discourse, Norman Fairclough applies the "critical discourse analysis" framework he developed in Language and Power and Discourse and Social Life to media language. Drawing on examples from TV, radio, and newspapers, he focuses on changing practices of media discourse in relation to wider processes of social and cultural change, particularly the tensions between public and private in the media and the tensions between information and entertainment. Norman Fairclough is a professor at the University of Lancaster. The study of media language is increasingly important both for media studies and for discourse analysis and sociolinguistics. In Media Discourse, Norman Fairclough applies the "critical discourse analysis" framework he developed in Language and Power and Discourse and Social Life to media language. Drawing on examples from TV, radio, and newspapers, he focuses on changing practices of media discourse in relation to wider processes of social and cultural change, particularly the tensions between public and private in the media and the tensions between information and entertainment. "Offers a new contemporary approach to media language which connects both with the key issues in modern social theory and with poststructuralist interest in intertextuality and genre mixing. It will be highly useful for media studies courses and adds a dimension to existing issues and theories in textual analysis."—Theo van Leeuwen, London College of Printing and Distributive Trades "This book offers a new contemporary approach to media language which connects both with the key issues in modern social theory and with poststructuralist interest in intertextuality and genre mixing. It will be highly useful for media studies courses and adds a dimension to existing issues and theories in textual analysis."—Theo van Leeuwen, London College of Printing and Distributive Trades
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"John Maeda deconstructs the digital world with the earned
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"John Maeda deconstructs the digital world with the earned authority of an M.I.T.-trained computer scientist and a card-carrying artist. Being ambidextrous with Eastern and Western cultures, he can see things most of us overlook. The result is a humor and expression that brings out the best in computers and art."--Nicholas NegroponteJohn Maeda is one of the world's leading experimental graphic designers and is quickly becoming a digital culture icon. His early preoccupation with the intersection of computer programming and digital art has resulted in a fascinating, interactive, and stunningly beautiful collection of work. Maeda has pioneered many of the key expressive elements that are prevalent on the web today. Among his most well-known works are The Reactive Square, which features a simple black square on a computer screen that changes shape if one yells at it, and Time Paint, in which paint flies across the screen. He has created innovative, interactive calendars, digital services, and advertisements for companies such as Sony, Shiseido, and Absolut Vodka.This is the first publication to present a complete overview of Maeda's work and philosophy. A glorious visual exploration of ideas and graphic form, Maeda @ Media takes you through Maeda's beginnings in early computerized printouts, to his reactive graphics on CD-ROM, to his dynamic experiments on the web, to his pedagogical approach to digital visual art, and finally to his overarching quest to understand the very nature of the relationship between technology and creativity. Six thematic chapters provide an overview of his entire career and research. But this is not just a catalog of older work: interspersed between each chapter is a new visual essay that has been created exclusively for this publication to underline each of the major themes.Coming together in a massive 480 pages, printed in a dazzling array of color combinations on three different kinds of paper, the result is a manifesto, a finely crafted manual and inspiration sourcebook all in one.With over 1000 illustrations.
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(Gay / Anthology / Collections / Contemporary / The Arts /
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(Gay / Anthology / Collections / Contemporary / The Arts / Exhibitionism / Public Places / Series) Best-selling gay fiction author J. M. Snyder invites you into the glittery and glamorous world of celebrities who seek real love among the stars. Previously available only in electronic format, these steamy novellas have now been combined for a paperback edition! Included are the stories......Beautiful Liar (At fifteen, JT Pierce was the star of a hit TV show and had the world in his hands. Every teenybopper magazine had his face on it; every teenage girl had his poster on her wall. But then the show went on hiatus, and JT wouldn't lower himself to bit parts or commercials. Slowly, his star faded from view. Seven years later, JT is Johnny Thomas, who hopes to jumpstart his career by hiring his former manager, Lou Merrin. He wants to do serious movies, a huge blockbuster or two, and claim one of those coveted Oscars for himself. But Lou cautions Johnny about the paparazzi, who can make or break a star, and he's heard rumors of Johnny's sexuality that might prevent him from landing those desired leading roles. Still, Johnny's nothing if not persistent, and he swears he'll play it straight. Until he meets Brett, a photographer who turns his life--and his heart--upside down. Suddenly the celebrity gossip website Z-23 seems to have exclusive pictures of Johnny, and someone close to him leaks information about an audition that was supposed to be kept quiet. When the photographs surface that Johnny thought were taken in confidence, he realizes he must choose between the career path Lou offers him and the love he wants to share with Brett.)......Beautiful Disaster (Twenty-year-old Corey Evans is one-half of 2ICE, the biggest musical duo on the radio. Pronounced 'twice,' they're number one on the Billboard charts this week with their latest single. To hear their manager tell it, they're number one in download sales, with two albums that have already gone platinum, and currently on their second U.S. tour, which has sold out stadiums across the nation. Despite this, there's an emptiness inside him that Corey can't seem to fill, no matter how many groupies he takes to his bed. He sees this same emptiness mirrored in the eyes of his band-mate, Ian Coltraine, who drowns his evenings after each show with a bottle of whiskey. Ian's the one Corey turns to when he wakes beside an unknown fan, still asleep in his bed and needs help evicting her. He's Corey best friend, the only person on the tour he can confide in, who he really trusts...the one, Corey finally realizes, with whom he is madly, deeply, terribly in love. And he suspects Ian might feel the same. But Corey's recent string of one-night stands makes Ian cautious about his friend's true feelings. He's wanted Corey for so long, and has watched him go through countless fans in search of...what? Ian doesn't know. And he doesn't yet believe Corey when he says Ian might be it. Ian hopes so, but can't bring himself to believe Corey's fickle desire won't be gone in the morning. Can these two young men somehow move beyond Corey's past and Ian's pain to embrace a love they both so desperately desire?)
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