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Konica Minolta DiMAGE A200 Digital CameraThe new high performance 8.0 megapixel SLR-Type DiMAGE A200 provides superb image quality and features Konica Minoltas Anti-Shake Technology, unique new Vari-Angle LCD monitor, and built-in 7x optical zoom lens
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14 Reviews from Shopping.com
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How to beat the focus problem
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Pros: Wide Angle Lens is best in class Natural colors. Manual zoom. Threaded lens barrel.
Cons: A bit slow, but do often you need fast shot to shot speeds?
The Bottom Line:
Consider this trade off for a wider than usual wide angle, but less than usual zoom. You'll get more use out the wide end of the lens.
KonicaMinolta was bought by Sony, who discontinued making Minoltas, but says they will honor the warranties. This means this camera is falling quickly in price. You can get it for almost half its original price.
It has been knocked by reviewers for two reasons...poor autofocus and noise problems. The noise doesn't seem to be an issue, unless you need ISO 400 . Unless its almost dark, or the subject is moving quickly in low light, the anti-shake system means you can take almost any shot with ISO200 or even lower. You do get some noise with ISO400, but its still good for 4x6 prints. ISO800 is really noisy, but lets you photograph in near darkness without a flash, and the pictures look brightly lit. In short, I don't find the noise to be any more of problem than other digicams, and if you compare professional reviews, neither do most reviewers.
As for the focus issue, the camera's default mode is the wide area focus. For some reason, the camera will often focus on the closest object in the scene, which may not be what you want. This is especially common indoors. I don't know what the advantage of this wide area focus is, but it certainly causes problems with low light focusing. You need to get into the camera's menu and change it to Spot Auto Focus mode. This mode will let you select one of eleven spots for it to focus on. Select the spot in the middle. The camera will now behave like any other autofocus camera, and will not have any focus problems.
Once the focus problem is solved, there is plenty to make this camera my favorite. The best feature is the 28mm equivalent wide end of the 7x zoom. Most digicams have a 35mm wide end. The difference is noticable in landscape shots, and in indoor shots. You will really appreciate this wide lens. Sure, other zoom cameras have 10x/12x zooms, but much of your photography will be done with the wide end of the zoom. My old camera had a 10x zoom, and I found I hardly ever used the high end, but often wished for a wider wide angle. With 8 MPs, you can zoom and crop on the PC if you need better telephoto.
The anti-shake feature really works. This camera replaced an Olympus C2100UZ with image stablization, which for its time was top of the line in big zoom digicams. I can say I'll never buy a camera without an image stablizer/anti-shake feature. It lets you take handheld pics in low light with low ISO. It also lets you take pics from a moving platform, like a car or boat. Its not perfect, but it works most of the time.
The custom white balance works just a bit better than the camera's auto white balance does, and you can save two custom settings and easily switch between them. This is good if you are moving around between different types of lighting. Speaking of saving settings, you can save all your resolution/white balance/exposure/color settings into one of 5 memory spaces. This lets you set the camera up for five different situations, which are quickly accessed. This is much easier than changing many settings settings as you move indoors/outdoors and through different lighting situations.
The controls are arranged nicely, and there's even a nice rubber thumb pad that helps you grip the camera. The manual zoom ring works better than an electric zoom lever found on most cameras. The manual focus ring is useless, because the monitors are not high enough resolution to judge focus. Luckily, if you make the above change in the autofucus, you won't need the manual focus, except in extremely low light. The manual focus can then be used to set the focus for the approximate distant to the subject.
The A200 has a threaded lens barrel, which lets you leave a UV or polarized filter on it, without the cumbersome adapter tubes that most cameras use. The lens cap is high quality, and won't fall off, unlike many cameras. It also has a flash hot shoe.
The picture quality is very good, especially after you learn to use the menu settings for exposure and white balance. Color is natural, instead of overblown. Canon is the biggest offender at overblown colors. Notice how much red is in a Canon photo. The A200 pictures will have accurate color, especially if you use the right white balance setting. Of course, if you like the overblown color look, there's a menu setting to turn it on. The camera's auto white balance is ok in a pinch, but if you have time, the colors look a little better with the custom white balance. If you like to play with Photoshop, the A200 can shoot in Raw, which lets you adjust white balance and other settings on your PC.
There simply isn't a better combination of resolution, lens, automatic settings and manual controls out there, unless you go to a digital SLR. An SLR with enough lens to duplicate the A200's would cost much more than the A200. For most folks, the A200 will be more than enough camera, yet it's still simple enough for a novice to use. A novice could start taking pics right away with this thing, and then develop his craft by experimentation with all the manual settings available.
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